This document discusses three paintings by Paul Cezanne. It describes a portrait known as one of Cezanne's finest that signified his move away from Impressionism. It also discusses two still life paintings, one featuring apples that was praised by a critic for its purity and harmony. This still life is famous for Cezanne's intentional inaccuracies that enhance the main subject. The third painting depicted two card players and used similar inaccuracies to convey slight tension between the players.