Catchy slogans
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This document discusses using catchy slogans on a contents page to engage readers and prevent boredom. Some slogans were included to divide information and ensure the audience does not flip pages without interest or confusion about the content.
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The document summarizes feedback received on a movie trailer and the changes made in response. Key points:
- Feedback noted issues like fast text speed, confusing horror-like font, and an unclear "twist."
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1) Conventions of trailers like tension building techniques and intertitles were followed to identify it as a trailer. Dark lighting and escalating tension/music were used.
2) Research on thriller trailers informed trailer structure and conventions used, like starting slowly and building tension.
3) While some conventions like narration and characters were developed from the original story, codes of thrillers like fonts, lighting and tension building were generally followed.
4) Care was taken to develop conventions thoughtfully and not overly challenge expectations to still engage the target audience.
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Shotlist 121105035609-phpapp02
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Due to safety mishaps, Kem Production had to change their filming locations from Streatham to areas closer to college. As the location scout, the document's author scouted potential new locations such as Clapham Park. One location found was Clapham Common, which despite not being as suitable as Streatham Common, was a safe substitute close to college. The author also found a potential exterior location for a grandmother's house but it required permission. Additionally, St. Paul's Church in Clapham was scouted as a potential interior church location. However, the grandmother's house scene ultimately had to be changed entirely due to no suitable house being found.
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3. Brixton Library and the exterior of a house in Brixton, which required permission but had few practical issues.
4. Two churches - St. Matthew's in Brixton and St. Leonards in Streatham - were considered for church scenes, though St. Leonards had some limitations regarding space and included a graveyard.
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The document discusses conventions that are commonly used in thriller movies and trailers to create suspense and a sense of realism. It notes techniques like dark lighting, pale faces, exaggerated sound effects, plot twists, false alarms, dramatic music and colors, and relatable but not realistic scenarios. These conventions are then analyzed as used in the trailers for movies like "Insidious," "The Ring Three," "Don't Be Afraid of the Dark," and "The Roommate." Facial expressions and makeup are also discussed as important for thrillers, with an example given of how special effects can transform an innocent object or character to look scary.
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During the first week of her media coursework, Mary and her group had to choose a fairy tale to modify and a film genre to work in. They decided on modifying Little Red Riding Hood into a thriller. This required researching thriller conventions and analyzing thriller trailers. They considered representation, narrative, characters, audience and other elements in planning their work. Sound effects would also be important to convey suspense for the thriller genre.
planning of fairytale trailer.
During the first week of her media coursework, Mary and her group had to choose a fairy tale to modify and a film genre to adapt it into. They decided on modifying Little Red Riding Hood into a thriller. This required researching thriller conventions, discussing character representations and roles, considering sound design and establishing the narrative, tone and intended audience. Their goal was to subvert expectations and avoid gender stereotypes commonly associated with the original fairy tale.
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Through the use of images, words, quotes and titles, the media product represents the social group of funk fans as outspoken, aggressive, and embracing non-conformist individualism. Stereotypes of funk fans as "wild" and different are acknowledged but redefined positively through quotes emphasizing individualism rather than appearance. While some stereotypical elements cannot be avoided to appeal to the target audience, care is taken to avoid negative portrayals and instead portray funk fans as proud, authoritative rebels expressing themselves freely.
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The document discusses different shot types to be used in a funk magazine, including high angle shots, medium long shots, and low angle shots. High angle shots give the audience a sense of power by looking down on subjects. Medium long shots allow viewers to see body language and costumes. Low angle shots make subjects appear larger. Close up shots are avoided to maintain empowering readers rather than intimacy, and different shot types show emotions through body language and props rather than just faces.
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How did you use media technologies in the
Mary Nzeh referenced media technologies throughout her project for research, planning, production, and evaluation. She used the internet and YouTube to research thriller trailers and editing techniques. She also researched how to use software like Final Cut Pro and downloaded fonts and sound effects. During production, she used Final Cut Pro to edit her trailer and Firefox to create website pages. She shared her work on blogs and YouTube to get audience feedback. Overall, digital technologies and platforms were essential tools for all stages of Mary's project.
Evaluation: In what ways does your media product, use, develop or challenge f...
The document summarizes the process of creating a trailer for the fairy tale "Little Red Riding Hood" while following codes and conventions of the thriller genre but also attempting to challenge some conventions. Key points include using dark lighting effects to create tension, escalating the tempo and tension through editing, focusing on the huntsman and Red Riding Hood as protagonists on marketing materials rather than including the antagonist, and including production credits in an unconventional way.
Evaluation
The document summarizes the process of creating a trailer for the fairy tale Little Red Riding Hood. Key points include:
1) Conventions of trailers like tension building techniques and intertitles were followed to identify it as a trailer. Dark lighting and escalating tension/music were used.
2) Research on thriller trailers informed trailer structure and conventions used, like starting slowly and building tension.
3) While some conventions like narration and characters were developed from the original story, codes of thrillers like fonts, lighting and tension building were generally followed.
4) Care was taken to develop conventions thoughtfully and not overly challenge expectations to still engage the target audience.
Red Riding Hodd Production 2.
The editor reviewed the storyboard and made several choices to improve the thriller trailer. Shots of the huntsman and Red Riding Hood were slowed down to increase tension. Intertitles with the font "Chiller" and taglines like "From the creatures of Anomie" were added to set the genre. Visual effects like cross hatching were used to create a dark, gloomy tone. Voiceovers were recorded and shorter shot timings increased the pace. Sound effects added anticipation and tension. The trailer was concluded conventionally by showing the film title and release date.
Shotlist 121105035609-phpapp02
The document is a shot list for the film "Red Riding Hood" containing 25 shots with descriptions of the location, elements, props, costumes, makeup, and lighting for each shot. Key locations include a Victorian house, Streatham Forest, and St Leonards Baptist Church. Recurring props include a red bag containing food, a bedside table, bible, and candle. Costumes highlighted are Little Red Riding Hood's red dress and scarf and the Witch's black cloak. Elements like the Witch's shadow and eyes are also noted.
Call sheet changes
Due to safety mishaps, Kem Production had to change their filming locations from Streatham to areas closer to college. As the location scout, the document's author scouted potential new locations such as Clapham Park. One location found was Clapham Common, which despite not being as suitable as Streatham Common, was a safe substitute close to college. The author also found a potential exterior location for a grandmother's house but it required permission. Additionally, St. Paul's Church in Clapham was scouted as a potential interior church location. However, the grandmother's house scene ultimately had to be changed entirely due to no suitable house being found.
Shotno 121104113430-phpapp02
This call sheet outlines the scenes, locations, cast, costumes, props, and dates for shooting a film adaptation of Little Red Riding Hood. Scene numbers 5, 8, 12, 27, and 15 will feature Little Red Riding Hood portrayed by Natalie in a red dress and handbag/bag. Scenes 6, 7, 18, 20, 21, 29 will feature the Huntsman portrayed by Irwin on a motorbike wearing a biker jacket and black jeans. Scene 28 will feature the Witch portrayed by Helen wearing a black cloak.
Location scouting
Mary Nzeh documented several potential filming locations in London for a director and producer. Locations included:
1. Camberwell for a motorbike scene, which was described as quiet with nearby public transportation.
2. Streatham Common and Forest Hill for forest scenes, but both had some practical challenges.
3. Brixton Library and the exterior of a house in Brixton, which required permission but had few practical issues.
4. Two churches - St. Matthew's in Brixton and St. Leonards in Streatham - were considered for church scenes, though St. Leonards had some limitations regarding space and included a graveyard.
Accessibility, practical challenges, and required
Week 3
The group developed their own script for Little Red Riding Hood by first researching existing scripts of the fairy tale. They used parts of the original story that they were familiar with but wanted to ensure they did not simply copy another script. Their resulting script incorporated elements from the original to maintain familiarity for the audience while also making some changes, such as replacing the wolf with a witch and changing Little Red Riding Hood's cloak to a dress.
The roommate (2010 )m
The document analyzes techniques used in the trailer for the movie "The Roommate". It discusses how the trailer establishes an initial equilibrium state for the characters and then disturbs that equilibrium through the use of editing, camera angles, lighting, locations, and props to build tension and suspense. The analysis provides examples from shots in the trailer and considers how these techniques could be applied to create an effective trailer that leaves the audience wanting more.
Analysis of "The roommate" (2010 )
The document discusses various filmmaking techniques used in the trailer for the movie "The Roommate." It analyzes shots including establishing shots, close-ups, and over-the-shoulder shots. It also discusses the use of color, lighting, editing, locations, and tag lines to build tension and suspense. The analysis is meant to inform the creation of the author's own thriller trailer.
Analysis of thrillers
The document discusses conventions that are commonly used in thriller movies and trailers to create suspense and a sense of realism. It notes techniques like dark lighting, pale faces, exaggerated sound effects, plot twists, false alarms, dramatic music and colors, and relatable but not realistic scenarios. These conventions are then analyzed as used in the trailers for movies like "Insidious," "The Ring Three," "Don't Be Afraid of the Dark," and "The Roommate." Facial expressions and makeup are also discussed as important for thrillers, with an example given of how special effects can transform an innocent object or character to look scary.
Planning of trailer (A2)
During the first week of her media coursework, Mary and her group had to choose a fairy tale to modify and a film genre to work in. They decided on modifying Little Red Riding Hood into a thriller. This required researching thriller conventions and analyzing thriller trailers. They considered representation, narrative, characters, audience and other elements in planning their work. Sound effects would also be important to convey suspense for the thriller genre.
planning of fairytale trailer.
During the first week of her media coursework, Mary and her group had to choose a fairy tale to modify and a film genre to adapt it into. They decided on modifying Little Red Riding Hood into a thriller. This required researching thriller conventions, discussing character representations and roles, considering sound design and establishing the narrative, tone and intended audience. Their goal was to subvert expectations and avoid gender stereotypes commonly associated with the original fairy tale.
6.what have you learnt about technologies from the process of constructing th...
Through constructing a media product, the document learner has gained experience with several technologies:
Photoshop to manipulate images, InDesign for page layouts, curves adjustment in Photoshop, and uploading PowerPoints to blogs using Slide Rocket and SlideShare. The learner used a digital camera, Word, PowerPoint, and Internet Explorer in additional to Photoshop and InDesign. Overall, the process taught the learner about using various software programs for different elements of design work.
2. how does your media product represent particular social groups
Through the use of images, words, quotes and titles, the media product represents the social group of funk fans as outspoken, aggressive, and embracing non-conformist individualism. Stereotypes of funk fans as "wild" and different are acknowledged but redefined positively through quotes emphasizing individualism rather than appearance. While some stereotypical elements cannot be avoided to appeal to the target audience, care is taken to avoid negative portrayals and instead portray funk fans as proud, authoritative rebels expressing themselves freely.
Images to be used on funk magazine
The document discusses different shot types to be used in a funk magazine, including high angle shots, medium long shots, and low angle shots. High angle shots give the audience a sense of power by looking down on subjects. Medium long shots allow viewers to see body language and costumes. Low angle shots make subjects appear larger. Close up shots are avoided to maintain empowering readers rather than intimacy, and different shot types show emotions through body language and props rather than just faces.
Evaluation of my funk magazine front cover 2
This document evaluates the creator's funk magazine front cover. It discusses the fonts, font sizes, and language used to address the audience. The creator aimed to create a synthetic relationship with readers through a first-person address. Photoshop was used to manipulate images and learn advanced adjustments. Codes and conventions like mastheads, issue numbers, and barcodes were applied. Images were placed over text to challenge conventions. The creator has learned more about manipulating images, magazine codes and conventions, and using color schemes since their preliminary task.
Evaluation of my funk magazine front cover 1
The document evaluates the creator's front cover for their Funk magazine. It discusses using an image that looks directly at the camera to create a synthetic relationship with the audience. The image also grabs attention through an "aggressive" facial expression. It allows the creator to hint at a stereo player advertised inside through a covert advert in the image. The cover challenges conventions by using two merged images rather than one and placing images in front of text.
Evaluation
The document provides an evaluation of the student's funk magazine media project. It discusses how the magazine challenges conventions by using black and white instead of color, though it also incorporates some conventions like bold headings. The magazine represents the funk community in a positive light. The target audience is older funk fans. Rolling Stone and Billboard would be suitable magazines to distribute the product. The student learned new skills with InDesign and Photoshop in creating the magazine pages.
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Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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