Catch me if you can timeline (1)
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The document outlines the opening credits timeline for the film "Catch Me If You Can" over 1 minute and 24 seconds. It lists the production companies and director that appear from 00:05 to 00:20. From 00:25 to 00:56, it notes the main cast members that are credited, including Leonardo DiCaprio, Tom Hanks, Christopher Walken, and Martin Sheen. Additional supporting cast are listed from 1:01 to 1:24.
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2. The park was selected as the first location due to its proximity and iconic swing. Risks include other users and safety. Permission will be sought from the local council.
3. The street was chosen as it allows filming exterior shots of a "house" after interior shots. Risks involve property and traffic during a planned fighting sequence.
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Stella Tran, a talent manager at Charming Charlie, emails Jarred King, a video producer, requesting links to view a recruiting video King produced. King responds with links to view the video on YouTube and Box.net in different file formats. He notes the video is complete and colors/sounds are balanced. He will send the final invoice shortly. Tran previously emailed King asking if the video would be finished in time for a 9am meeting the next morning to show regional/district managers.
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This document analyzes data from various films including their target age, gender, social class and budgets and profits. It finds that films targeting 15-24 year olds with male audiences focusing on thrillers and spy genres tend to be most successful, while females prefer drama and mystery thrillers. Most viewers fall within the mainstream C1 social class who can afford to watch movies. Overall, thrillers attract younger audiences across genders but with some gender preferences regarding specific thriller subgenres.
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This document discusses various techniques used for malware analysis and anti-analysis. It describes levels of malware sophistication from mass to advanced. It also outlines methods used for static analysis, debugging, and bypassing anti-debugging techniques. The document provides references to papers on anti-debugging, anti-virtualization, and unpacking malware. It briefly describes examples of VB6 and C++ packers as well as sneaky exploits and payloads.
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The document provides a timeline of the opening credits for the film "Gone Girl" which includes the logos for 20th Century Fox and Regency Enterprises appearing from 00:02 to 00:22. It then lists that the film was directed by David Fincher from 00:25 to 00:29 and includes the main cast members Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry, and Carrie Coon who are shown from 00:52 to 01:06.
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1. The document discusses three potential filming locations for a school media project trailer: a park in The Wells known for its large swing, a street near a house, and inside a member's house.
2. The park was selected as the first location due to its proximity and iconic swing. Risks include other users and safety. Permission will be sought from the local council.
3. The street was chosen as it allows filming exterior shots of a "house" after interior shots. Risks involve property and traffic during a planned fighting sequence.
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This document is a collection of 12 photos from various photographers with no other text. The photos appear to depict different scenes and subjects without an obvious connecting theme between them. There is no other information provided to explain the purpose or meaning of this assortment of unrelated stock photography images.
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Stella Tran, a talent manager at Charming Charlie, emails Jarred King, a video producer, requesting links to view a recruiting video King produced. King responds with links to view the video on YouTube and Box.net in different file formats. He notes the video is complete and colors/sounds are balanced. He will send the final invoice shortly. Tran previously emailed King asking if the video would be finished in time for a 9am meeting the next morning to show regional/district managers.
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This document discusses various techniques used for malware analysis and anti-analysis. It describes levels of malware sophistication from mass to advanced. It also outlines methods used for static analysis, debugging, and bypassing anti-debugging techniques. The document provides references to papers on anti-debugging, anti-virtualization, and unpacking malware. It briefly describes examples of VB6 and C++ packers as well as sneaky exploits and payloads.
Film Summary - Catch Me If You Can
An alumnus of New York University, David Devlin has a bachelor of fine arts in film. Moving to Bozeman, Montana, David Devlin became a self-employed cinematographer in the film industry. When he is not at home in Bozeman, the cinematographer is shooting films, like Minority Report and Catch Me If You Can, on location.
Catch me if you can
Frank Abagnale Jr. was a famous con artist in the 1960s who impersonated pilots, doctors, and lawyers to commit fraud. He cashed over $2.5 million in bad checks by pretending to be a Pan Am pilot. Abagnale had a high IQ and photographic memory that allowed him to successfully carry out his schemes. After being caught, Abagnale turned his life around and now works as a consultant for the FBI, helping them catch fraudsters.
Catch Me If You Can
The band Walking on Cars had their debut single "Catch Me If You Can" in 2012, which reached #1 on the Irish iTunes charts and gained national attention. The band has a contemporary sound different from other Irish rock/pop bands. The music video for the single was directed by Jack Laurance and stars Steven Bush and Jessica Williams as a famous couple. It uses conceptual elements to portray the mental deterioration of the celebrity male character through his relationship struggles and suicide attempts, representing the sensitive issue of mental health.
Textual analysis of catch me if you can
1) The opening title sequence of Catch Me If You Can uses graphics to illustrate the main character and set up the narrative and setting.
2) Scenes of a man changing clothes and hiding provide clues about the themes of identity and being chased.
3) Elements like urban landscapes, yellow taxis, and 1950s jazz music help establish the time period and location of America in the 1950s.
9 frame analysis -Catch Me If You Can
The opening titles animation for Catch Me If You Can uses mystery and suspense to hint at the film's plot. Scenes depicting a man looking over his shoulder nervously, planes and suitcases to suggest airports, a car chase, people in a pool and lift to imply romance, and a man on a telephone all aim to pique the audience's curiosity about the reasons for their inclusion and what they represent in the film. The animation ultimately ties back to the film's title by showing two people chasing each other around the Earth, symbolizing the line "Catch Me If You Can".
Catch me if you can
This document discusses the mise-en-scene elements in scenes from the film Catch Me If You Can. The scenes are set in a hotel room from the 1960s, as evidenced by the old style furnishings, curtains, and kitchenware. The costumes, including suits, glasses, and a pistol, are also from the 1960s era. The lighting comes from outside the curtains, creating a natural effect. The mise-en-scene establishes the setting and time period of the 1960s through specific details of the setting, costumes, and lighting.
Catch me if you can
Frank Abagnale Jr. runs away from home at a young age after his parents separate. Through clever cons, he is able to pose as a Pan Am pilot, pediatrician, and lawyer. Over the course of a few years, the FBI tracks him across multiple countries as he amasses over $4 million from bad checks. FBI agent Carl Hanratty relentlessly pursues Frank but their relationship evolves from cat and mouse to something resembling a father-son bond.
Catch me if you can
1. Frank Abagnale Jr. is extradited from France to the USA to face charges for a series of crimes.
2. As a teenager, Frank acts as a driver for his father's bank loan scam and begins committing cons using fake checks when he runs away from home.
3. FBI agent Carl Hanratty tracks Frank for years as his scams grow bolder, even impersonating a pilot, but Frank manages to escape at their first encounter by pretending to be an agent from another department.
Opening storyboard
The document is a series of shots from a film depicting a woman named Katie going for a run. It shows various close-up and mid shots of Katie running through a field and into nearby woods, including shots of her feet, face, and body. Interspersed are shots of a man named Jake watching and photographing Katie from a distance. The sequence also includes a flashback showing Katie discovering a necklace she lost had been stolen from her bag at an earlier time.
In what ways does your opening sequence use, develop or challenge forms and c...
In what ways does your opening sequence use, develop or challenge forms and conventions of real opening sequences?
Costumes and props
Katie will wear gym clothes and expensive trainers to show her social class as she jogs in the woods. Jake will wear dark clothes to seem suspicious and hide his identity, making Katie seem more vulnerable. Katie will carry a water bottle and watch to show her focus on exercise. Jake will wear a balaclava mask in the changing room to hide his identity and carry a camera in the woods to stalk Katie.
Opening scene script
A teenage girl goes for a run in the woods while listening to music, unaware that a young man is watching her. She finds one of her necklaces on the ground that she recognizes from school earlier that day, when her bag was broken into. As she puts the necklace in her pocket and starts running again, entering the dense woods, the young man following her draws closer.
Shooting schedule
The document outlines the shooting schedule for a film project over two days. Day 1 takes place on December 22nd in Sulham woods, with shots planned from 4pm to 5:45pm. Possible restrictions include daylight, weather, actor/crew availability, equipment availability, location occupancy, and transportation. Day 2 is on December 23rd at the school changing rooms, with shots from 1:35pm to 2:45pm. Possible restrictions are daylight entering a ceiling window, weather, actor/crew availability, equipment availability, and location occupancy. Rescheduling dates if needed are December 28th, 29th or January 3rd.
Question 5 evaluation
The document discusses the design of characters in a horror film to engage a target teenage audience. It describes the antagonist, referred to as Jake, who is meant to stand out with his afro hairstyle and uniquely shaped sunglasses. The protagonist, Katie, is meant to fit the stereotype of a female victim in a horror film as a blonde woman. Her isolation through being alone in nature and distracted by her headphones is meant to increase tension for viewers. Both characters wear branded clothing and accessories to appear realistic and relatable to teenage audiences.
Research results
This survey asked respondents questions about their preferences for horror and thriller film openings. It found that females aged 15-18 preferred a non-linear narrative opening the most. Respondents expected to see the antagonist and tension building in the opening and preferred atmospheric or tense music. The woods were viewed as the most suitable location for a film about a vulnerable teenage girl. The results helped decide on using 'Sinister Within' as the film title and locating it in the woods to match audience expectations.
Audience questionnaire
This document contains a survey with questions about audience preferences for elements that could be included in the opening sequence of a horror/thriller film, such as expected genres, use of music, locations, and conventions. It asks respondents to rate on a scale of 1 to 10 how much they would enjoy an opening sequence without dialogue or one that starts at the end of the film. It also asks which storylines, themes, titles, and locations would be most interesting for such a film.
Script shot list
A teenage girl goes for a run through the woods while listening to music, unaware that a young man is following her. She stops to stretch and drink water but feels like she is being watched. When she turns around, no one is there. Upon turning back, she finds one of her necklaces on the ground, which confuses her as she thought it was lost. A flashback reveals that the young man stole the necklace from her bag in the school changing rooms. The girl puts the necklace in her pocket and continues her run deeper into the woods, with the young man beginning to close in on her.
Proposal
The opening sequence follows a victim who is stalked by her boyfriend's jealous brother while running through a field. As she runs, the stalker watches her from a hidden location. She finds a necklace on the ground that triggers a flashback, revealing the stalker had been in her school changing room. Though she sees no one around, the stalker begins following her closer as she enters the nearby woods. The sequence establishes the victim, location, and introduces the mysterious stalker character and builds tension through music and camerawork.
Location recce
The document discusses two potential locations that were scouted for filming a horror film - Dark Lane and Sulham Woods. Dark Lane at 4pm was deemed unsuitable due to frequent disruptions from children, buses, and cars that would impact sound quality and filming pace. Sulham Woods at the same time was preferable as the dull lighting, open space, and lack of disruptive noise created a better atmosphere for the horror genre. Specifically, the woods provided a quiet, ominous setting that paralleled the film's plot without issues like shadows from buildings. Overall, Sulham Woods was chosen as the filming location since it allowed for more efficient, undisrupted shooting aligned with the desired horror tone.
Location recce
The document discusses two potential locations that were scouted for filming a horror film - Dark Lane and Sulham Woods. Dark Lane at 4pm was deemed unsuitable due to frequent disruptions from children, buses, and cars that would impact sound quality and filming pace. Sulham Woods at the same time was determined to be a better option as the dull, low-key lighting and open space allowed disruption-free filming and created an eerie atmosphere fitting for the horror genre. Overall, Sulham Woods was selected as the filming location due to its quiet, isolation and natural lighting and sound that enhanced the intended mood of the production without issues faced at Dark Lane.
Jaws opening analysis
The opening sequence of Jaws uses sound, cinematography, and mise-en-scene to create suspense and tension. It begins with the ominous shark theme music that puts audiences on edge. Shots from the shark's point of view under water are intercut with shots of oblivious teenagers that show we have information they don't. When Chrissie swims alone at night, ominous music plays and shots from above and below frame her as vulnerable prey. Her isolation and the peaceful setting mislead her and viewers about the nearby threat, increasing the horror of her attack.
Costumes and props
Katie will wear expensive running clothes and watch to emphasize her wealthy lifestyle, and silk pajamas to seem posh. Alex will wear dark clothes to seem suspicious and help him hide. Katie will carry a water bottle and watch to show her focus on appearance, and wear a sleeping mask to seem self-centered. Alex will wear a balaclava mask to hide his identity during the sinister act, and carry a camera in the woods to stalk Katie.
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Film Summary - Catch Me If You Can
An alumnus of New York University, David Devlin has a bachelor of fine arts in film. Moving to Bozeman, Montana, David Devlin became a self-employed cinematographer in the film industry. When he is not at home in Bozeman, the cinematographer is shooting films, like Minority Report and Catch Me If You Can, on location.
Catch me if you can
Frank Abagnale Jr. was a famous con artist in the 1960s who impersonated pilots, doctors, and lawyers to commit fraud. He cashed over $2.5 million in bad checks by pretending to be a Pan Am pilot. Abagnale had a high IQ and photographic memory that allowed him to successfully carry out his schemes. After being caught, Abagnale turned his life around and now works as a consultant for the FBI, helping them catch fraudsters.
Catch Me If You Can
The band Walking on Cars had their debut single "Catch Me If You Can" in 2012, which reached #1 on the Irish iTunes charts and gained national attention. The band has a contemporary sound different from other Irish rock/pop bands. The music video for the single was directed by Jack Laurance and stars Steven Bush and Jessica Williams as a famous couple. It uses conceptual elements to portray the mental deterioration of the celebrity male character through his relationship struggles and suicide attempts, representing the sensitive issue of mental health.
Textual analysis of catch me if you can
1) The opening title sequence of Catch Me If You Can uses graphics to illustrate the main character and set up the narrative and setting.
2) Scenes of a man changing clothes and hiding provide clues about the themes of identity and being chased.
3) Elements like urban landscapes, yellow taxis, and 1950s jazz music help establish the time period and location of America in the 1950s.
9 frame analysis -Catch Me If You Can
The opening titles animation for Catch Me If You Can uses mystery and suspense to hint at the film's plot. Scenes depicting a man looking over his shoulder nervously, planes and suitcases to suggest airports, a car chase, people in a pool and lift to imply romance, and a man on a telephone all aim to pique the audience's curiosity about the reasons for their inclusion and what they represent in the film. The animation ultimately ties back to the film's title by showing two people chasing each other around the Earth, symbolizing the line "Catch Me If You Can".
Catch me if you can
This document discusses the mise-en-scene elements in scenes from the film Catch Me If You Can. The scenes are set in a hotel room from the 1960s, as evidenced by the old style furnishings, curtains, and kitchenware. The costumes, including suits, glasses, and a pistol, are also from the 1960s era. The lighting comes from outside the curtains, creating a natural effect. The mise-en-scene establishes the setting and time period of the 1960s through specific details of the setting, costumes, and lighting.
Catch me if you can
Frank Abagnale Jr. runs away from home at a young age after his parents separate. Through clever cons, he is able to pose as a Pan Am pilot, pediatrician, and lawyer. Over the course of a few years, the FBI tracks him across multiple countries as he amasses over $4 million from bad checks. FBI agent Carl Hanratty relentlessly pursues Frank but their relationship evolves from cat and mouse to something resembling a father-son bond.
Catch me if you can
1. Frank Abagnale Jr. is extradited from France to the USA to face charges for a series of crimes.
2. As a teenager, Frank acts as a driver for his father's bank loan scam and begins committing cons using fake checks when he runs away from home.
3. FBI agent Carl Hanratty tracks Frank for years as his scams grow bolder, even impersonating a pilot, but Frank manages to escape at their first encounter by pretending to be an agent from another department.
Viewers also liked (8)
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Opening storyboard
The document is a series of shots from a film depicting a woman named Katie going for a run. It shows various close-up and mid shots of Katie running through a field and into nearby woods, including shots of her feet, face, and body. Interspersed are shots of a man named Jake watching and photographing Katie from a distance. The sequence also includes a flashback showing Katie discovering a necklace she lost had been stolen from her bag at an earlier time.
In what ways does your opening sequence use, develop or challenge forms and c...
In what ways does your opening sequence use, develop or challenge forms and conventions of real opening sequences?
Costumes and props
Katie will wear gym clothes and expensive trainers to show her social class as she jogs in the woods. Jake will wear dark clothes to seem suspicious and hide his identity, making Katie seem more vulnerable. Katie will carry a water bottle and watch to show her focus on exercise. Jake will wear a balaclava mask in the changing room to hide his identity and carry a camera in the woods to stalk Katie.
Opening scene script
A teenage girl goes for a run in the woods while listening to music, unaware that a young man is watching her. She finds one of her necklaces on the ground that she recognizes from school earlier that day, when her bag was broken into. As she puts the necklace in her pocket and starts running again, entering the dense woods, the young man following her draws closer.
Shooting schedule
The document outlines the shooting schedule for a film project over two days. Day 1 takes place on December 22nd in Sulham woods, with shots planned from 4pm to 5:45pm. Possible restrictions include daylight, weather, actor/crew availability, equipment availability, location occupancy, and transportation. Day 2 is on December 23rd at the school changing rooms, with shots from 1:35pm to 2:45pm. Possible restrictions are daylight entering a ceiling window, weather, actor/crew availability, equipment availability, and location occupancy. Rescheduling dates if needed are December 28th, 29th or January 3rd.
Question 5 evaluation
The document discusses the design of characters in a horror film to engage a target teenage audience. It describes the antagonist, referred to as Jake, who is meant to stand out with his afro hairstyle and uniquely shaped sunglasses. The protagonist, Katie, is meant to fit the stereotype of a female victim in a horror film as a blonde woman. Her isolation through being alone in nature and distracted by her headphones is meant to increase tension for viewers. Both characters wear branded clothing and accessories to appear realistic and relatable to teenage audiences.
Research results
This survey asked respondents questions about their preferences for horror and thriller film openings. It found that females aged 15-18 preferred a non-linear narrative opening the most. Respondents expected to see the antagonist and tension building in the opening and preferred atmospheric or tense music. The woods were viewed as the most suitable location for a film about a vulnerable teenage girl. The results helped decide on using 'Sinister Within' as the film title and locating it in the woods to match audience expectations.
Audience questionnaire
This document contains a survey with questions about audience preferences for elements that could be included in the opening sequence of a horror/thriller film, such as expected genres, use of music, locations, and conventions. It asks respondents to rate on a scale of 1 to 10 how much they would enjoy an opening sequence without dialogue or one that starts at the end of the film. It also asks which storylines, themes, titles, and locations would be most interesting for such a film.
Script shot list
A teenage girl goes for a run through the woods while listening to music, unaware that a young man is following her. She stops to stretch and drink water but feels like she is being watched. When she turns around, no one is there. Upon turning back, she finds one of her necklaces on the ground, which confuses her as she thought it was lost. A flashback reveals that the young man stole the necklace from her bag in the school changing rooms. The girl puts the necklace in her pocket and continues her run deeper into the woods, with the young man beginning to close in on her.
Proposal
The opening sequence follows a victim who is stalked by her boyfriend's jealous brother while running through a field. As she runs, the stalker watches her from a hidden location. She finds a necklace on the ground that triggers a flashback, revealing the stalker had been in her school changing room. Though she sees no one around, the stalker begins following her closer as she enters the nearby woods. The sequence establishes the victim, location, and introduces the mysterious stalker character and builds tension through music and camerawork.
Location recce
The document discusses two potential locations that were scouted for filming a horror film - Dark Lane and Sulham Woods. Dark Lane at 4pm was deemed unsuitable due to frequent disruptions from children, buses, and cars that would impact sound quality and filming pace. Sulham Woods at the same time was preferable as the dull lighting, open space, and lack of disruptive noise created a better atmosphere for the horror genre. Specifically, the woods provided a quiet, ominous setting that paralleled the film's plot without issues like shadows from buildings. Overall, Sulham Woods was chosen as the filming location since it allowed for more efficient, undisrupted shooting aligned with the desired horror tone.
Location recce
The document discusses two potential locations that were scouted for filming a horror film - Dark Lane and Sulham Woods. Dark Lane at 4pm was deemed unsuitable due to frequent disruptions from children, buses, and cars that would impact sound quality and filming pace. Sulham Woods at the same time was determined to be a better option as the dull, low-key lighting and open space allowed disruption-free filming and created an eerie atmosphere fitting for the horror genre. Overall, Sulham Woods was selected as the filming location due to its quiet, isolation and natural lighting and sound that enhanced the intended mood of the production without issues faced at Dark Lane.
Jaws opening analysis
The opening sequence of Jaws uses sound, cinematography, and mise-en-scene to create suspense and tension. It begins with the ominous shark theme music that puts audiences on edge. Shots from the shark's point of view under water are intercut with shots of oblivious teenagers that show we have information they don't. When Chrissie swims alone at night, ominous music plays and shots from above and below frame her as vulnerable prey. Her isolation and the peaceful setting mislead her and viewers about the nearby threat, increasing the horror of her attack.
Costumes and props
Katie will wear expensive running clothes and watch to emphasize her wealthy lifestyle, and silk pajamas to seem posh. Alex will wear dark clothes to seem suspicious and help him hide. Katie will carry a water bottle and watch to show her focus on appearance, and wear a sleeping mask to seem self-centered. Alex will wear a balaclava mask to hide his identity during the sinister act, and carry a camera in the woods to stalk Katie.
Audience profile (2)
The document provides demographic information about a group of people in the United Kingdom, including their age range of 15 to young adult, gender as both male and female, study level/career as majority still in secondary school/at leaving age, and geographical location in the United Kingdom.
Research into bbfc guidelines (1)
The BBFC is the UK's regulator of film and video content that provides age ratings and ensures content is suitable for different age groups. Their guidelines outline what types of content are acceptable in 15 and 18 rated films. A 15 rating allows strong violence, language, sexual content and references to drugs as long as they are not explored in strong detail or meant to encourage dangerous behavior. An 18 rating has no prohibited themes and can include very strong violence, language, sexual activity, discrimination and dangerous behavior if not promoting harm. Understanding these guidelines helps content creators identify their target audience based on the themes and level of detail they want to include.
Scream film narrative (1)
1) The narrative of Scream follows Todorov's three-part structure of equilibrium, disruption, and resolution. The opening scene establishes equilibrium before the phone call acts as disruption, disturbing Casey's night. Attempts are made to catch the killer and restore order.
2) Propp's character types are also present in Scream, with Stu and Billy as the false heroes revealed as the killers. The victim is Casey and the policeman investigates as the hero.
3) Levi Strauss' concept of binary oppositions is shown through contrasts like Casey's changing demeanor from relaxed to panicked on the phone call. The film shifts from control to panic and light to dark scenes.
Techniques i like (1)
The document discusses lighting, camera, and editing techniques that the author likes to use for horror films. Specifically:
1) The author prefers using low-key lighting to create an eerie, tense atmosphere through shadows and limited visibility. This sets the scary tone.
2) Close-up shots are effective as they allow the audience to see characters' emotions and build suspense through a limited field of view.
3) Jump cuts and montage editing keep the audience on edge by rapidly changing shots and scenes, mimicking the fast-paced emotions of characters in danger. These techniques build tension and emphasize scary moments.
Saw (1)
The opening scene of Saw uses dark lighting and close-ups to create a tense, mysterious atmosphere. A man is shown trapped in an abandoned bathroom, chained to a toilet in a dilapidated state, implying he has been there for some time. Various camera techniques like zooming and rack focuses build confusion and pace to increase tension. The sounds of the man struggling, chains clanking and his muffled cries for help convey his desperation, while silence at other times adds to the unsettling tone.
Research into wider texts (1)
Film trailers use intriguing shots and popular music to attract audiences and preview the film. Effective horror trailers create an eerie atmosphere. Film posters provide information about release dates and stars while suggesting the genre and narrative through photos and graphics. Successful horror posters use dark colors and mysterious images that reflect the genre. Short films are experimental and cheaper to produce, allowing new techniques. They reach audiences through viral video sites like YouTube. The director of the horror short "Bedfellows" quickly builds suspense and terror. James Wan is a successful horror director known for films like Saw and The Conjuring. He focuses on sound design to create terror and uses sincere scares rather than cheap shocks.
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In what ways does your opening sequence use, develop or challenge forms and c...
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Natural birth techniques are various type such as/ water birth , alexender method, hypnosis, bradley method, lamaze method etcPollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...National Information Standards Organization (NISO)
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.Recently uploaded (20)
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Natural birth techniques - Mrs.Akanksha Trivedi Rama University
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Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
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Catch me if you can timeline (1)
- 1. Catch Me If You Can – Opening Credits Timeline Frame 1 (00:05) 00:05 - DreamWorksPicturesPresents 00:10 - A KempCompanyAndSplendidPictures Production 00:15 - A Parkes/MacDonaldProduction 00:20 - A StevenSpielbergFilm 00:25 – LeonardoDiCaprio 00:30 – Tom Hanks 00:46 – Catch Me If You Can 00:52 – ChristopherWalken 00:56 – Martin Sheen 1:01 – Natalie Baye 1:07 - Amy Adams 1:19 – JamesBrolin,BrianHowe,FrankJohnHughes 1:24 – Steve Eastin,ChrisEllis,JohnFinn
- 2. Catch Me If You Can – Opening Credits Timeline Frame 2 (00:10) Frame 3 (00:15) Frame 4 (00:20)
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- 4. Catch Me If You Can – Opening Credits Timeline Frame 7 (00:46) Frame 8 (00:52)
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