Camera Shot Analysis
26.06.16
Shotused:wideestablishingshot
Ilikedthisshotandfounditparticularlystrikingas
itshowsthesettingofthemusicvideowhichallows
theaudiencetoestablishinthisvideowherethe
actors/musiciansaresituatedandthetypeofchilled
vibethevideohas.Similarly thisshotisonethati
thinkiwouldliketouseinmyownmusicvideoasi
thinkitiseffectiveandhelpscreatethestyleofthe
musicvideothroughtheuseofcolours,propsand
positioning oftheband/actors.Alsosetsthestarting
pointforthenarrative.
SHOTNUMBER1
THENEIGHBOURHOOD
SWEATERWEATHER
Shotnumber2
Ohwonder
Drive
Shotused: closeup
Thisisshotthatiscommonlyusedinmusicvideoswhich
haveASTORYLINEBECAUSEITENABLESTHEAUDIENCETOVIEW
THEEMOTIONOFTHECHARACTERANDUNDERSTANDHOWTHEIR
FEELINGTHROUGHOUTTHESTORYBEINGTOLD. SIMILARLYILOVE
THISTYPEOFSHOTASWHENINVOLVEDINAMUSICVIDEOITADDS
SOMEBEAUTYANDVARIETYTOTHEVIDEO DUETOTHEFOCUSON
ONEOFHUMANSMOSTBEAUTIFULFEATURES,THEIREYES. i
WOULDLIKETOUSETHISSHOTINMYMUSICVIDEOASIBELIEVE
THISISASHOTWHICHREALLYMAKESTHEAUDIENCECONNECT
WITHTHEPERSONWITHINTHEVIDEO.
SHOTNUMBER3
EDSHEERAN
LEGOHOUSE
SHOTTYPE:UPPERBODYDEEPFOCUS
THISTYPEOFSHOTSHOWSTHESETTINGOFTHEMUSICVIDEOWHILSTALSOTHE
CHARACTER,ITCREATESTHEIDEAOFLONELINESSMAKINGYOUFEELSORRYFORTHE
MUSICIANASYOUCANSEETHEEMPTINESSOFTHEAREAANDHOWHEISALONE.
ADDITIONALLYTHISTYPEOFSHOTISONETHATCAUGHTMYATTENTIONASITALLOWED
METOVIEWTHEMUSICIAN/CHARACTERFACIALEXPRESSION, OUTFITANDBODY
MOVEMENTSWHICHENABLEDMETOHAVEANUNDERSTANDINGOFHOWHISFEELING
WITHOUTHAVINGTOJUSTLISTENTOTHELYRICS.IAMPLANNINGONUSINGTHISTYPE
OFSHOTINMYOWNVIDEO.
SHOTNUMBER4
BILLIONAIRE
BRUNOMARS
SHOTTYPE: HEADSHOTSHALLOWFOCUS
tHISTYPEOFSHOTISONEOFMYFAVOURITES,ASITALLOWSTHEFOCUSTO
BEPUTONONEPARTOFTHESHOT.tHISTYPE OFSHOTCANBEUSEDTOMAKE
SOMEONESEEMALONEFROMTHERESTOFTHEPEOPLE, THISALLOWSTHE
AUDIENCETOFEELSORRYFORTHECHARACTERTHEVIDEOISBASEDAROUND.
aNOTHERREASONTHISSHOTISGOODISBECAUSEITCANALSOBEUSEDTO
ADDVARIETYTOTHEVIDEO,THISTYPEOFSHOTISATTRACTIVETOTHEEYE
ANDCANBEUSEDTOKEEP THEAUDIENCE'SATTENTIONASITDIFFERSFROM
THESTANDARDFULLBODYFULLFOCUSSHOT.
SHOTTYPE5
THE1975
THESOUND
SHOTTYPE:LOWANGLE
tHISTYPEOFSHOTINCREASESTHEHEIGHTOFTHECHARACTERONTHESCREEN,
ANDMAKESTHEMSEEMMOREDOMINANTANDPOWERFUL.tHISTYPEOF
MUSICVIDEOWASANARRATIVEANDTHISSHOTOFTHEMAINSINGERBEING
SHOTFROMBELOWLOOKINGDIRECTLYINTOTHECAMERAMAKESTHE
AUDIENCEFEELSLIGHTLYUNCOMFORTABLEASTHEYFEELALTHOUGHHEIS
LOOKINGDOWNONTOYOU.Howeverthistypeofshotisfantasticfor
filming themainpersonofthemusicvideobecauseitdoesjustshow
theirpower.Iamgoingtotryincludethistypeofshotinmyown
finalpiece.
SHOTTYPE6
TAKETHAT
KIDS
SHOTTYPE:TRACKINGMIDDLESHOT
tHECAMERAMOVESOUTFROMBEHINDABOXTOINFRONTOFTHEBOXWHICH
ALLOWSABETTERDOMINANTVIEWOFTHEARTIST.tHISSHOTALSOSHOWSTHE
SETTINGOFTHEROOMANDTHEMIS-EN-SCENEISAMAZINGDUETOTHEOLD
VASE,THEOLDCOLOUREDWALLSANDTHECOBWEBCOVEREDPICTUREFRAMES,
THISMAKESTHEVIDEOMOREATTRACTIVETOTHEAUDIENCE.tHISTRACKING
SHOTSHOWSTHEARTISTFROMASIDEANGLEMEANINGWECANNOTSEEHIS
FULLEXPRESSION,THISADDSTHEIDEAOFMYSTERYTOTHEMUSICVIDEOASWE
DON’TKNOWHOWHISFEELINGABOUTHISLOCATIONASWECAN’TVIEWANY
EMOTION.
SHOTTYPE7
ONEDIRECTION
NIGHTCHANGES
SHOTTYPE:UPPERBODYTWOSHOT
THISVIDEOWASDONEAMAZINGLY,ITWASMADEINTHEWAYTHATALLTHE
SHOTSUSEDMADEITSEEMLIKETHEBANDWERETALKING/SINGINGTOYOU.
THISTWOSHOTOFTHETWOMENLOOKINGDIRECTLYINTOTHECAMERA
CAUGHTMYATTENTIONASILOVETHEWAYITFEELSASIFTHEYARE
ADDRESSINGYOU,ITSEEMSREALISTICWHICHMAKESYOUENJOYTHEVIDEO.
THEUPPERBODYSHOTALSOSHOWSTHEIRATTIREREVEALINGTHATTHEYAREIN
APOSHUPPERCLASSLOCATION,YOUAREALSOABLETOTELLTHATTHEMANON
THERIGHTISAWAITORWHICHREVEALSTHEONEONTHERIGHTISTHEONE
WITHTHEPOWER.THISTWOSHOTISGREATASITSHOWSBOTHTHE
CHARACTERSTOGETHERWHILSTALSOSHOWINGHOWMUCHTHEYDIFFER.
SHOTTYPE8
CAGEANDTHEELEPHANT
TROUBLE
SHOTTYPE:ESTABLISHINGWIDEtwoSHOT
THisshotgivesoftheobscurityofthevideo,thetwomensathaving
lunchinthemiddleofthedessertisn’ta“normal”thingtodoso
revealstotheaudiencethatthistypeofvideowillbeodd.Thisshot
givesaclearimageofthesettingandalongsidethehighkeylighting
showsthattheyareinthemiddleofthedesertandbythemselvesthrough
theuseofthetheshot.Thistypeofshotappealstomeasithink itisa
greatwaytoshowthewackinessofyourvideowhilstkeepingthe
audienceinterestedandengaged.
SHOTTYPE9
GNASH
IHATEYOUILOVEYOU
SHOTTYPE:ESTABLISHINGHIGHANGLEPANNINGSHOT
THESESHOTSAREUSEINAMONTAGEATTHEBEGINNINGOFTHEVIDEO,THEYARE
USEDTOREVEALTHELOCATIONSOFTHEMUSICVIDEOANDWORKAMAZINGLY
WITHTHEINTRODUCTIONOFTHESONGANDCREATEA“CALM”VIBE. thesetype
ofshotsareoneofmyfavouritetouseinmymusicasithink theyjust
addvarietytothevideoandmakeitdifferfromthetypicalfullbody
shotthatmostvideosuseasanintroduction.
Shottype10
BrysonTiller
exchange
Shottype:extremecloseup
Thistypeofshotfocusesonaparticularitem, ititagreatshot
touseinnarrativemusicvideosasitcanshowtheaudience
whatthestoryisbasedupon.Additionally thistypeofshotis
greatifdoinganextremecloseupofsomeoneasitcanshow
theirfacialexpressionsclearlyrevealingtotheaudiencetheir
emotion.Iplanonusingextremecloseupsinmymusicvideoas
ialsothinkitcreatesadramaticeffectandmakesthevideo
moreinterestingfortheaudience.
Ihavenowanalysed10differentmusicvideo’sandpickedouttheshotsthat
interested me.BydoingthisIthinkithashelpedmedecided whatshotsare
successful andmakeamusicvideomoreenticing andinteresting forthe
audience.

Camera shot analysis