Call sheet session 2
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The document provides location information for a Three Sisters Forest filming location along with contact details for the director and an actor. It also includes a scene description and script details for a scene involving the actor investigating his environment. Finally, it lists the director, camera crew, and actor call sheet details including arrival, start, and finishing times for a shoot taking place on January 16th.
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Call sheet session 1
This document provides location and contact details for a film shoot at Three Sisters Forest in Eccles, with Daniel Hopkins and Daniel Harrison listed as contacts. It outlines one scene of Daniel lying down and walking into the forest, and lists no props, a lighting change as the only special effect, casual clothing wardrobe, and no makeup requirements. Daniel Hopkins is listed as the director with Ryan Sharman and Lewis Dunn on camera duties and Daniel Harrison as the actor.
Call sheet session 9
This document contains location information, scene descriptions, and a call sheet for a film shoot. It lists Three Sisters Forest as the location, with contact details provided for Daniel Hopkins and Daniel Harrison. The scene description is a flashback showing Daniel Harrison's character being attacked and having his phone stolen, to imply it took place in the past. The call sheet schedules Daniel Hopkins, Lewis Dunn, Daniel Harrison, and Ryan Sharman to arrive between 9:30-10am and finish by 12pm on February 25th, with their roles specified.
Call sheet session 8
This document contains location information for an outdoor gym with contact details, a scene description and script for a pre-flashback scene in a music video involving a character approaching where he was bullied, and a call sheet listing the director, camera crew, and actor with their arrival, start, and finishing times. It provides details for filming a scene at an outdoor gym location and scheduling the crew.
Call sheet session 5
This document provides location and contact details for a film shoot taking place at Three Sisters Forest in Eccles, with backup contact information. It outlines an additional scene to be filmed featuring a ditch jump and obstacles within the forest. The call sheet schedules Daniel Hopkins as director, Ryan Sharman and Lewis Dunn on camera duties, and Daniel Harrison as the actor, all to arrive at 9:30am for a 10am start and 12pm finish.
02. mise en scene notes sheet
Mise-en-scene refers to everything visible within the frame of a shot that can create meaning, including color, costume, props, location, lighting, and actor positioning and performance. The six key elements of mise-en-scene are color, costume, props, set/location, blocking and performance, and lighting. Mise-en-scene is used to convey symbolic meanings and create authentic environments on screen that influence the audience's interpretation of events.
02. mise en scene notes sheet y12
This document defines mise-en-scene and discusses its key areas including colour, costume, props, set/location, blocking/performance, and lighting. Mise-en-scene refers to everything visible within a shot and how it has been arranged by the director. It analyses elements like colour, costume, and lighting to understand their intended meanings and how they contribute to the overall scene. The six key areas of mise-en-scene are then each briefly explained with examples to illustrate how they create meaning and influence the audience's interpretation.
Yr10 set1 RandJ 11/3/08
This document provides guidance and questions for analyzing Act One Scene One of Romeo and Juliet. It asks the reader to consider adapting the scene for the stage, focusing on choices for delivery of lines, actor movement, lighting, and how these directorial decisions would convey meaning to an audience. Key aspects of the scene like Romeo's overwhelming love and the family feud's reminder are highlighted. Shakespeare's use of a shared sonnet between the characters and its intended impact is also discussed.
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This document compares and contrasts the films Taken and Die Hard. Taken, starring Liam Neelson, has a fast pace throughout with lighting from explosions. Shots include establishing shots, point-of-view shots, long shots, mid shots, and extreme close ups. Die Hard, starring Bruce Willis, starts slow and builds rapidly, with dull, dark lighting. Shots also include point-of-view shots, long shots, mid shots, and extreme close ups, with dark scenes and weapons used in both films.
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Call sheet session 1
This document provides location and contact details for a film shoot at Three Sisters Forest in Eccles, with Daniel Hopkins and Daniel Harrison listed as contacts. It outlines one scene of Daniel lying down and walking into the forest, and lists no props, a lighting change as the only special effect, casual clothing wardrobe, and no makeup requirements. Daniel Hopkins is listed as the director with Ryan Sharman and Lewis Dunn on camera duties and Daniel Harrison as the actor.
Call sheet session 9
This document contains location information, scene descriptions, and a call sheet for a film shoot. It lists Three Sisters Forest as the location, with contact details provided for Daniel Hopkins and Daniel Harrison. The scene description is a flashback showing Daniel Harrison's character being attacked and having his phone stolen, to imply it took place in the past. The call sheet schedules Daniel Hopkins, Lewis Dunn, Daniel Harrison, and Ryan Sharman to arrive between 9:30-10am and finish by 12pm on February 25th, with their roles specified.
Call sheet session 8
This document contains location information for an outdoor gym with contact details, a scene description and script for a pre-flashback scene in a music video involving a character approaching where he was bullied, and a call sheet listing the director, camera crew, and actor with their arrival, start, and finishing times. It provides details for filming a scene at an outdoor gym location and scheduling the crew.
Call sheet session 5
This document provides location and contact details for a film shoot taking place at Three Sisters Forest in Eccles, with backup contact information. It outlines an additional scene to be filmed featuring a ditch jump and obstacles within the forest. The call sheet schedules Daniel Hopkins as director, Ryan Sharman and Lewis Dunn on camera duties, and Daniel Harrison as the actor, all to arrive at 9:30am for a 10am start and 12pm finish.
02. mise en scene notes sheet
Mise-en-scene refers to everything visible within the frame of a shot that can create meaning, including color, costume, props, location, lighting, and actor positioning and performance. The six key elements of mise-en-scene are color, costume, props, set/location, blocking and performance, and lighting. Mise-en-scene is used to convey symbolic meanings and create authentic environments on screen that influence the audience's interpretation of events.
02. mise en scene notes sheet y12
This document defines mise-en-scene and discusses its key areas including colour, costume, props, set/location, blocking/performance, and lighting. Mise-en-scene refers to everything visible within a shot and how it has been arranged by the director. It analyses elements like colour, costume, and lighting to understand their intended meanings and how they contribute to the overall scene. The six key areas of mise-en-scene are then each briefly explained with examples to illustrate how they create meaning and influence the audience's interpretation.
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This document provides guidance and questions for analyzing Act One Scene One of Romeo and Juliet. It asks the reader to consider adapting the scene for the stage, focusing on choices for delivery of lines, actor movement, lighting, and how these directorial decisions would convey meaning to an audience. Key aspects of the scene like Romeo's overwhelming love and the family feud's reminder are highlighted. Shakespeare's use of a shared sonnet between the characters and its intended impact is also discussed.
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This document compares and contrasts the films Taken and Die Hard. Taken, starring Liam Neelson, has a fast pace throughout with lighting from explosions. Shots include establishing shots, point-of-view shots, long shots, mid shots, and extreme close ups. Die Hard, starring Bruce Willis, starts slow and builds rapidly, with dull, dark lighting. Shots also include point-of-view shots, long shots, mid shots, and extreme close ups, with dark scenes and weapons used in both films.
Mise en scene notes sheet
Mise-en-scene refers to everything visible on screen and can be used to convey meaning. The six key areas are colour, costume, props, set, blocking, and lighting. Colour is used symbolically like red representing blood. Costumes indicate class and culture. Props for a police interview would include handcuffs, a gun, and evidence files. Blocking positions actors, and lighting creates mood through techniques like high key, low key, and ambient lighting.
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This document compares and contrasts interrogation scenes from three films: Auxilium, Nightcrawler, and The Fall. It analyzes similarities and differences in location, lighting, shots, facial expressions, shot duration, pace, and effects. The interrogation scenes from all three films take place in similar settings - interrogation rooms. However, Nightcrawler has darker, blue-toned lighting compared to the more realistic lighting in Auxilium. Both Auxilium and The Fall emphasize the changing emotions of characters through close-ups that show facial expressions. While shot duration, pace, and lack of effects are generally similar, The Fall speeds up more towards the end of the scene during a violent confrontation between the character and inspector.
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Call sheet session 6
The document contains location information for a film shoot in Three Sisters Forest near Eccles including contact details. It summarizes the final scene where characters meet with triangle symbols on their bodies and dance together. The scene requires 1 page and casual clothing but no props, makeup or special effects besides lighting changes. Daniel Hopkins is directing with help from two camera operators and the call sheet lists 8 actors and their arrival, start and finish times for the shoot.
Call sheet session 7
The document provides location and contact details for a film shoot at Three Sisters Forest in Eccles, along with scenes, scripts, and crew information. It lists Daniel Hopkins and Daniel Harrison as contacts for the location, and includes an introductory scene of cars on a motorway bridge. The crew will be Daniel Hopkins as director, Ryan Sharman and Lewis Dunn operating cameras, and Daniel Harrison as an actor.
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Mise-en-scene refers to everything visible on screen and can be used to convey meaning. The six key areas are colour, costume, props, set, blocking, and lighting. Colour is used symbolically like red representing blood. Costumes indicate class and culture. Props for a police interview would include handcuffs, a gun, and evidence files. Blocking positions actors, and lighting creates mood through techniques like high key, low key, and ambient lighting.
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Outside lighting for shots would be early morning or evening, providing a dramatic effect through dark but not pitch black lighting that suggests something is wrong. Inside, the first scene has bright but not overpowering lighting showing safety inside contrasting the dangers outside, while the second more relaxed scene with dimmed lighting shows the girl feels comfortable watching TV, with the third scene having brighter, more dramatic lighting indicating something bad will happen as she walks to the door.
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The media product used a mirror reflection to symbolize the teenage female's soul and vulnerability. Low lighting was used to convey she was home alone. Footage was taken from inside her bedroom wardrobe to give audiences a sense of fear for her safety in her own home.
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The document provides details about the filming techniques used in the opening scene of a horror film. It describes the dark and gloomy logo, the sound of rain at the beginning with no opening credits. The camera zooms into a window and shows two female characters in a medium shot in a teenage girl's bedroom. The lighting flashes between dark and light, possibly indicating the weather or something hiding. The characters' body language changes from open to curled up and scared once one tells the other a story, showing the awkward silence that follows.
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Q2 evaluation
The document discusses how film techniques can convey differences in status, class, and age. It notes that having high status does not require high class, as seen when a cockney drug dealer has the highest status in a scene despite his working-class accent. Camera angles that look up at characters or only show their body parts can indicate higher status. Younger characters are often framed lower in shots and have less screen time to suggest lower status than older characters.
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Mise-en-scene refers to everything presented to the camera within the visual frame. There are 6 key areas of mise-en-scene: color, costume, props, location, blocking/performance, and lighting. Color, costume, and lighting are used to convey meaning and set the mood. Props are incorporated depending on the scene and actors are directed in how to use them. Blocking refers to actor positioning and movement. Location can be a purpose-built set or real location.
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This document compares and contrasts interrogation scenes from three films: Auxilium, Nightcrawler, and The Fall. It analyzes similarities and differences in location, lighting, shots, facial expressions, shot duration, pace, and effects. The interrogation scenes from all three films take place in similar settings - interrogation rooms. However, Nightcrawler has darker, bluer lighting compared to the more realistic lighting in Auxilium. Both Auxilium and The Fall emphasize the changing emotions of characters through close-ups that show facial expressions, while shot duration varies between the films.
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The opening scene of Inception shows the main protagonist washing ashore on a beach in a confused and exhausted state. As he lies on the beach, he hallucinates seeing two children playing, creating confusion for the audience about his mental state. He is then seen with a gun to his back by a man in a military uniform, establishing tension. The introduction also shows an old man closely examining a small trinket, implying it will have significance later in the film and setting up a sense of mystery.
Unit 22 production script 1
The document is a production script that outlines various camera shots and angles to be used during filming, including close-ups of characters speaking, wide shots showing a group sitting at a table in a canteen, point-of-view shots from one character looking at another, tracking shots of a group leaving the canteen, and close-ups of characters talking on the phone from different sides of the screen. Sound effects like school chatter, mystery sounds, typing, and electronic hums are also included.
See No Evil: The Moors Murders
This drama tells the story of the Moors Murders through a linear narrative structure. It uses establishing shots of the moors with low key lighting and wind sounds to create tension and foreshadow the moors as an important location. The costumes and accents of characters like Ian help establish power dynamics and outsider status. Editing techniques like close-ups, camera shakes, and diegetic/non-diegetic sound help set the tone and build emotion throughout the drama.
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This document compares and contrasts interrogation scenes from three films: Auxilium, Nightcrawler, and The Fall. It analyzes similarities and differences in location, lighting, shots, facial expressions, shot duration, pace, and effects. The interrogation scenes from all three films take place in similar settings - interrogation rooms. However, Nightcrawler has darker, blue-toned lighting compared to the more realistic lighting in Auxilium. Both Auxilium and The Fall emphasize the changing emotions of characters through close-ups that show facial expressions. While shot duration, pace, and lack of effects are generally similar, The Fall speeds up more towards the end of the scene during a violent confrontation between the character and inspector.
Film opening analysisi the godfather
The opening scene of The Godfather is slow paced, beginning with slow appearance of the title over a black screen with music. It then shows a 3 minute long take of a man asking the Godfather, still in shadow, for help with his daughter. Low lighting and lack of music create a quiet, secretive tone. Gradually, the Godfather is revealed to be calm, powerful, and superior through his opulent clothing, comfortable demeanor while stroking a cat, and the respect the man shows by kissing his hand. This establishes the Godfather as a mysterious yet powerful crime boss.
Similar products gone girl
The film begins with a black frame and then a close up shot of the antagonist Amy Dunne. There is a slow fade to black followed by the names of the two main actors. An establishing shot of the sea is then shown before the title appears. The sequence continues with establishing shots of the city and credits running at the bottom. We eventually see the protagonist Nick Dunne standing outside his house in a medium shot. The sequence ends with a pan of Nick going back into his house. The lighting and mood imply things may take a negative turn. In the third minute, Nick is in his car approaching a bar with eerie non-diegetic music playing. He stares at men down the road seeming uneasy before entering the
Call sheet-no 1
This call sheet provides production details for the film "They Wait in the Dark" being filmed on February 22, 2018. It lists the director, producer, locations, scenes being shot that day including a walk and a run up stairs, and the cast including their characters and call times. Equipment needs are also listed.
Elevator pitch
1) The document outlines a 2-minute opening scene for a thriller/horror film that alternates between present and flashback scenes. In the flashback, two girls are kidnapped in the woods. In the present, one girl returns to the woods and finds a memorial but is confronted by the kidnapper.
2) The target audience is 15-35 year olds of both genders. The archetype is flight and pursuit as a man pursues the female protagonist. It will end on a cliffhanger to intrigue audiences.
3) The setting is in a wooded area to create an eerie atmosphere using natural lighting and sounds. Scenes will use black and white or dark tones to
Lighting plan
The lighting plan describes the different lighting techniques used in each scene of the director's film. Soft lighting was used overall, with the intensity and patterns changing based on the scene. Low-key lighting was used in the first scene to create drama and curiosity, and in later scenes to depict depression and sadness. High-key lighting was used to portray normal office environments and happy, fantasy scenes. Lighting was also manipulated to indicate nighttime versus daytime settings.
Deception
This document provides an analysis of techniques used in a film project about kidnapping. It discusses the film's non-linear narrative structure, use of mise-en-scene like contrasting dark and light scenes, characterization through clothing colors and dialogue, incorporation of diegetic and non-diegetic sounds, experimental camera angles and shots, inclusion of thriller genre elements like danger, mystery and suspense, and influences from other films like The Talented Mr. Ripley and Cape Fear.
Case 39
The document summarizes several shots from a film. In the first shot, a wide long shot establishes the mysterious, dark setting using low key lighting and ambient sounds. A close up then shows feet creaking up the stairs, building tension. A high angle shot shows an innocent sleeping girl lit with a spotlight against low lighting, manipulating the audience's perception. The couple then peers into the room looking angry before slamming the door after the girl speaks, seen as evil by the audience. The last shot introduces the social worker talking to the eerie, spooky family lit with high key outside but low key inside lighting and diegetic sound.
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Evaluation Q1: Develop or challenge forms and conventions.
Evaluation Q1: Develop or challenge forms and conventions.
Similar to Call sheet session 2
Call sheet session 6
The document contains location information for a film shoot in Three Sisters Forest near Eccles including contact details. It summarizes the final scene where characters meet with triangle symbols on their bodies and dance together. The scene requires 1 page and casual clothing but no props, makeup or special effects besides lighting changes. Daniel Hopkins is directing with help from two camera operators and the call sheet lists 8 actors and their arrival, start and finish times for the shoot.
Call sheet session 7
The document provides location and contact details for a film shoot at Three Sisters Forest in Eccles, along with scenes, scripts, and crew information. It lists Daniel Hopkins and Daniel Harrison as contacts for the location, and includes an introductory scene of cars on a motorway bridge. The crew will be Daniel Hopkins as director, Ryan Sharman and Lewis Dunn operating cameras, and Daniel Harrison as an actor.
Call sheet session 3
The document provides location information for a film shoot, including the location address, nearest hospital, and contact details for two people. It then describes a scene taking place in a forest, where the main character gets lost and trips in the woods before having a flashback. Finally, it includes a call sheet listing the director, two camera operators, an actor, and their arrival, start, and finish times for the shoot.
Call sheet 1
The document provides location and contact details for a film shoot, including the nearest address and hospital. It also lists the scene descriptions and cast members, with their roles and call times. The film requires no props or makeup, but will involve lighting changes and text. Wardrobe will be everyday clothing. The director is Daniel Hopkins and camera control will be shared among Daniel Hopkins, Ryan Sharman, Lewis Dunn, and Daniel Harrison, who are also listed as actors.
Call sheet 5
The document provides location and contact details for a film shoot, including the nearest address and hospital. It also lists the set requirements, including that no props or makeup were needed but lighting changes and text were required as special effects. Finally, it includes a call sheet that schedules the arrival, start and finish times for the director, actors and camera crew of 6 people involved in the shoot.
Call sheet 4
The document provides location details for a film shoot, including the nearest address and hospital contact information. It then lists the scene and script details, including two scenes written by Daniel Harrison. The set requirements section notes that no props or makeup are needed, but lighting changes and text are special effects. Everyday clothing is the wardrobe. Daniel Hopkins is the director and camera control is shared among Ryan Shaman, Lewis Dunn, Daniel Hopkins, and Daniel Harrison. The call sheet schedules Daniel Hopkins, Daniel Harrison, Ryan Sharman, and Lewis Dunn to arrive at 12am and finish at 4pm for their roles as director, assistant director, actors, and cameramen.
Call sheet 3
The document provides location details for a film shoot, including the nearest address and hospital contact information. It then lists the scene and script details, including two scenes written by Daniel Harrison. The set requirements section notes that no props or makeup are needed, but lighting changes and text are special effects. The wardrobe is listed as everyday clothing. Daniel Hopkins is listed as the director and camera operators include Ryan Shaman, Lewis Dunn, Daniel Hopkins, and Daniel Harrison. The cast includes those crew members plus Emily Aldred, Shauna Leacy and Sarah Murray. The call sheet provides cast names, roles and arrival, start and finish times for the shoot on January 21st, 2014.
Call sheet session 2
The document provides location and contact details for a film shoot at Irlam field in Manchester on January 28th, 2014. It includes a cast list with roles, arrival times, start times and finishing times. The set requirements include lighting changes and wardrobe items like boots and jackets. The script has two scenes - an introduction of characters in a forest and following the characters through the forest.
Call sheet session 1
The document provides location and contact details for a film shoot taking place at Irlam field in Manchester. It includes a cast list with roles and call times, details of a single scene being filmed, and requirements for props, effects, wardrobe and makeup. Reece Cordingley is directing with Shannon Oar operating the camera. The actors are Rose Bishay, Skye Nell and Reece Cordingley. Filming will take place from 9am to 4pm on January 21st, 2014.
Call sheet session 4
This document contains information about filming scenes for a music video, including locations, cast, scripts, set requirements, and a call sheet. It describes Scene 4, which will feature close-up shots of the main character Daniel Harrison running quickly through a forest near Three Sisters Forest in Eccles, ending with him running towards the camera. It notes that added scenes will show a strange symbol appearing on his neck and surrounding areas to provide more narrative. The total script is 1 page. Props, wardrobe, and makeup are not needed, but lighting changes are required as a special effect. Filming will take place on January 23rd from 2:30-4:00pm with Daniel Hopkins directing and Ryan Sharman and Lewis
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2) Empire magazine 2010 issue featuring the film Inception. The cover uses dark colors and striking images to showcase films for both male and female audiences ages 13 and up interested in popular cinema.
Pr11 production commentary
The document provides guidance for four slides to include in a PowerPoint presentation on a magazine design project. Slide 1 asks to list the design and word processing programs used. Slide 2 asks to describe the media format used and include examples of analyzed existing texts. Slide 3 asks to explain the genre conventions used, demonstrate the Gutenberg Principle, and discuss color and font connotations. Slide 4 asks to define the target audience and describe how the magazine meets their needs. The presentation and design work should be submitted together as PR 11.
Fair usage
Daniel Hopkins intends to use songs like "Jaws Theme", "More Than a Feeling", "I'm Coming Out", and "Let's Get It On" along with various sound effects for a college project. He will use the content fairly without commercial gain, which falls under UK copyright fair usage laws for educational purposes. Fair dealing allows limited copying of copyrighted works for research and private study as long as it is non-commercial and credits the source.
Contingency plans
Daniel Hopkins outlines several contingency plans for potential issues that may arise during filming and editing. These include re-recording unsuitable footage, postponing shoots due to weather, finding replacement cast or crew, regularly saving work to avoid losing edits, using alternative equipment if batteries die, and lowering quality or getting help to meet deadlines.
Closest emergency services
The document provides contact information for emergency services near Daniel Hopkins, including the Swinton Police Station phone number 0161 856 5229, the Greater Manchester Fire and Rescue Service location and phone number 0161 736 5866 on Bolton Road in Swinton, and the Salford Royal Hospital location, phone number 0161 789 7373, and address on Stott Lane in Salford.
Fmp risk assessment form
This document provides a template for conducting a risk assessment for a film production. It instructs the user to consider all potential hazards, who or what may be harmed, existing controls, and assigns a risk level. For each hazard identified in the specific production, such as electrical, trip, or slip hazards, the template lists the risk level and recommends further actions to reduce the risk. It also includes a risk assessment chart to define the risk levels.
Location reconnaissance
This document provides location details for Daniel Hopkins' short film. Most of the filming will take place at Daniel's home address as the script scenes are set in a house or room. The only exception is a phone call scene which will be recorded by an actress at the radio studio of Eccles Sixth Form Centre located in Eccles, Manchester. Contact details are provided for both locations.
More than a feeling second draft (1)
1) Daniel receives a call from a girl asking him out on a date.
2) Inside Daniel's mind, his emotions have a debate over whether he should accept the date. Common Sense breaks a tie vote by Intelligence who votes yes.
3) Daniel tells the girl he would like to go out with her on Saturday for their meal date. He winks at the camera, feeling confident about the potential new relationship.
More than a feeling first draft (1)
The document is a script that summarizes the internal dialogue of emotions in a teenage boy's brain as he considers whether to go on a date. It depicts Common Sense leading a debate between emotions like Happiness, Sadness, Anger, Libido, and Intelligence on whether the boy should accept the date. After a tied vote, Intelligence casts the deciding vote in favor of the date. Common Sense then relays the decision back to the boy, who accepts the date.
Daniel hopkins final major project treatment (2)
The short film "More Than A Feeling" will be approximately 3-6 minutes and target 15-25 year olds. It follows a teenage boy deciding whether to go on a date with a girl. His emotions like Common Sense, Sadness, Anger, and Libido debate the decision in his mind. The emotions argue and bully each other. Ultimately, Common Sense rallies a vote where they decide the boy should accept the date. He relays the message to the girl, who is excited. The boy then references the film title while breaking the fourth wall. The film will be made with no budget using cloning editing to depict the emotions arguing.
Equipment and technology
The document lists the equipment and software Daniel Hopkins plans to use for his final major project, including a Nikon D3100 camera with 18-55mm lens, the possibility of a Canon DSLR, a tripod, a Canon audio recording pack with Zoom H4n, Microsoft Office, MindGenius Education, Adobe Premiere Pro CS5.5, Adobe After Effects CS5.5, and Celtx.
Audience 1
The audience for the filmmaker's comedy short film is intended to be broad, including both young people and older audiences. Young people may associate more closely with the main character and situation of being asked to go out. While the film focuses on the internal emotions and feelings of the young male main character, the filmmaker hopes both genders can enjoy the comedy, which is intended to overshadow the narrative. The humor and themes are influenced by 1970s and 1980s comedy, and it is hoped this style will also appeal to older audiences in addition to teenagers.
Audience 1
The audience for the comedy short film is intended primarily for young people who can relate to the main character's situation of being asked to go out. While the film has mostly male characters, the filmmaker hopes both genders can enjoy the comedy, which is intended to overshadow the narrative. The goal is for the teenage audience and older audiences to both find humor in the film's themes and style, which take influence from 1970s and 1980s comedy.
Analysis of comedy shorts
Comedy sketches are typically very short, usually under a few minutes, in order to quickly grab the viewer's attention and hold it. While brief, sketches still aim to have a clear beginning, middle, and end structure and can develop characters further in a series. The characters are often zany or eccentric to provide more opportunities for jokes and humor. Situations in sketches tend to be funny and centered around jokes about whatever scenario is depicted, such as a person at a party. Many successful sketches studied by the author used wild and unusual characters like a "Green Clarinet Man" who reveals embarrassing truths. A variety of humor styles can be employed including rapid-fire jokes, observational humor, witty one-liners,
Books
The document summarizes Daniel Hopkins' secondary research for how to write a sitcom. It includes researching a book by Marc Blake titled "How not to write a sitcom" focusing on pages 120-140 about jokes and dialogue. It also lists research from comedy video websites CollegeHumor and BBC sketch shows, as well as an article by comedians Richard Herring, David Mitchell and Robert Webb on writing comedy sketches.
Project research survey results
Daniel Hopkins conducted a survey to inform his short comedy film project about cloning. Of the 9 respondents, 6 were male and 3 female. All respondents were between 18-24 years old. When asked about favorite genres, 4 selected comedy, while 2 selected fantasy, and 1 each selected action, science fiction, and horror. Respondents rated their enjoyment of comedy highly, with an average score of over 8 out of 10. Most respondents viewed sketch comedy shows positively. They also generally had a positive view of the concept of a cloning comedy short. The survey provided Hopkins with useful information on what respondents thought made comedy funny and what could make his cloning comedy short funny. He plans to incorporate various comedic elements and styles suggested by respondents
Pitch script
This document is a pitch for a short comedy film by Daniel Hopkins. The film will follow a teenager deliberating whether to give his number to a girl who approached him at a bus stop. His thoughts will be visualized through an argument between anthropomorphic emotions in his mind, each resembling the teenager. The emotions will debate what decision he should make, creating conflict, drama, and comedy. The film aims to appeal to teenagers and young adults through its cloning effects and humor, which will be reminiscent of British sketch shows and madcap comedies like Airplane.
Final major project proposal form
The student proposes creating a short comedy film as their final major project. The film will use cloning techniques to feature the actor appearing twice in the same shot as different characters. It will follow a boy dealing with a girl asking for his number by entering his mind where various emotions and traits debate each other. The target audience is males aged 15-25. Production techniques will include using Excel to track progress, writing a production diary, and editing in Adobe Premiere Pro.
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Call sheet session 2
- 1. LOCATIONS # Location Nearest Address Nearest Hospital Contact Details 1 Three Sisters Forest , Eccles 28 Orlanda Avenue, Salford Salford Royal Hospital, Eccles Old Road Daniel Hopkins: dhopkins888@gmail.com Daniel Harrison: dh16866@gmail.com Scene and Description Cast Script Pages Scene 2- This scene involves Daniel investigating the environment around him. He will initially be very sluggish and appear tired, looking cautiously around him. The camera will follow him getting up and walking off into the distance to begin looking around his environment. Several shots of him looking around will follow. Close ups will be required of his eyes, frantically darting around. 1 1 TOTAL PAGES:1 SET REQUIREMENTS Props: None. Special Effects: Lighting change Wardrobe: Casual clothing Makeup: None Director: Daniel Hopkins Camera Control: Ryan Sharman, Lewis Dunn Actors: Daniel Harrison Call Sheet DATE: 16/1/14 # Cast Role Arrive Time Start Time Finishing Time 1. Daniel Hopkins Director 2.30pm 2.40pm 4pm 2. Ryan Sharman Camera Operator 2.30pm 2.40pm 4pm 3. Lewis Dunn Camera Assistant 2.30pm 2.40pm 4pm 4. Daniel Harrison Actor 2.30pm 2.40pm 4pm