Baroque Period pt2
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The document provides information about three Baroque composers: George Frideric Handel, who wrote the oratorio Messiah in only 28 days and is known for the "Hallelujah" chorus; Johann Sebastian Bach, a German composer who was skilled at the organ, harpsichord, and other instruments and composed the Fugue in G minor; and Antonio Vivaldi, an Italian composer known for his concertos including The Four Seasons, specifically the spring movement which uses tone painting to depict the season.
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German composers in the Late Baroque Era incorporated elements from German, French, and Italian styles in their compositions. Key figures included Dietrich Buxtehude, who wrote organ works based on chorales as well as praeludiums, Georg Philipp Telemann who was extremely prolific across genres, and George Frideric Handel who combined Italian and German styles in his operas and oratorios. Johann Sebastian Bach lived in several German cities over his career, was highly influential as a keyboard player and composer of cantatas, passions, oratorios and instrumental works, and incorporated counterpoint and chromatic harmony into his distinctive compositional style.
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Ludwig van Beethoven (1770-1827) was a German composer and pianist who represented the transition between the Classical and Romantic eras in music. He expanded classical forms and increased the emotional expression and dynamism in his works. Some of his most famous compositions include 9 symphonies, including his 5th and 9th symphonies, 32 piano sonatas including his "Moonlight" sonata, and the opera Fidelio. He went deaf in his later life but continued composing, producing some of his most innovative works during this time. The document provides an overview of Beethoven's life and career, and analyzes aspects of his compositional style that demonstrated early Rom
Unit iii baroque period bach and handel
This document provides an overview of Baroque music from 1600-1750. It discusses two major composers of the period, Johann Sebastian Bach and George Frideric Handel. For Bach, it summarizes his life, works including fugues, dance suites, Brandenburg Concertos, and church cantatas. For Handel, it discusses his life and career in England composing works like Water Music and the famous oratorio Messiah, highlighting pieces such as "Hallelujah Chorus." The document also gives a brief overview of Baroque choral and sacred forms, including the church cantata form that Bach frequently used.
Baroque power point
The Baroque era spanned from 1600 to 1750 and was characterized by grandiose and ornate styles in art, music, and architecture. This period saw advancements in music theory including figured bass, major and minor tonalities, and standardization of tuning systems. New genres like opera, oratorio, and concerto emerged and instrumental music became more popular. Key composers who advanced music through new virtuosic styles and genres included Monteverdi, Purcell, Handel, Vivaldi, and Bach.
Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...
This document provides an overview of opera and vocal music in late 17th century England and Germany, as well as Baroque music in the early 18th century across Europe. In England, masques were a popular court entertainment that shared aspects with opera. Henry Purcell was a prominent English composer who synthesized French and Italian elements. In Germany, opera and sacred vocal works incorporated French and Italian styles alongside German traditions. The rise of the instrumental concerto in Italy is discussed, with Antonio Vivaldi emerging as a leading composer who expanded the ritornello form. The document also examines the French composers François Couperin and Jean-Philippe Rameau, who blended French and Italian musical styles.
Baroque Period
The Baroque period of music lasted from 1600-1750. It was a time of experimentation and refinement where music became more emotionally intense, energetic, and featured dramatic contrasts and excitement. Some characteristics included expanded instrumental performance, and the establishment of new genres such as opera, cantata, oratorio, concerto, and sonata. Some famous Baroque composers included Johann Sebastian Bach, Antonio Vivaldi, Henry Purcell, and George Frideric Handel.
Ch16 17th century france, england, spain, new world
This document provides an overview of national styles that emerged in the 17th century, focusing on France, England, Spain, and the New World. In France, King Louis XIV was an absolute monarch who centralized the arts under royal patronage to project an image of supreme power and control. Jean-Baptiste Lully dominated French opera and helped establish the French overture and orchestra. In England, the monarchy had less funding for the arts after the English Civil War, but composers like Henry Purcell incorporated Italian and French influences into English operas, anthems, and instrumental works. Spanish musical traditions blended with those of indigenous and African peoples in the colonies of the New World.
Baroque Music
Baroque music originated around 1600 and lasted until 1750. It is characterized by unity of mood and rhythm, complex melodies, terraced dynamics, polyphonic and homophonic textures, basso continuo, and word painting. Common forms included the concerto grosso, fugue, suite, and cantata. Major Baroque composers included Monteverdi, Purcell, Vivaldi, Bach, and Handel. Bach was renowned for his keyboard works, fugues, concertos, masses, passions, and Brandenburg Concertos. Vivaldi was famous for his concertos, especially The Four Seasons. Handel's oratorio Messiah remains hugely popular.
Ch15 - 17th century chamber & church music
This document provides an overview of Italian vocal chamber music and Catholic sacred music in the early Baroque period. It discusses genres such as the madrigal, cantata, oratorio and motet. Specific composers mentioned include Monteverdi, who incorporated opera innovations into secular songs, and Carissimi, who exemplified the Latin oratorio form. The document also covers instrumental chamber music developments, highlighting keyboard composers like Frescobaldi and genres including the toccata, fugue, sonata and variations.
Baroque Era Period of Music
The Baroque Period of Western Music History circa 1600 to 1750 AD. It may derive from the word barroco in Portuguese meaning “irregular shape.” Originally used in a derogatory fashion to describe artistic trends of this time period, baroque has come to broadly refer to the century and a half beginning in 1600.
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Ludwig van Beethoven Presentation
Ludwig van Beethoven was a famous German composer and pianist born in 1770 in Bonn, Germany. He is considered one of the greatest composers of all time. Some of his most famous works include 9 symphonies such as his 5th Symphony, 5 piano concertos such as his Emperor Piano Concerto, 1 opera called Fidelio, 32 piano sonatas, and other chamber music and choral works. Though he went deaf in his later years, he continued composing until his death at age 57, helping transition music from the Classical era to the Romantic era.
Bach, Handel & Vivaldi
This presentation contains information about and musical examples of the three leading composers of the Baroque Period: Bach, Handel & Vivaldi.
Bach - Chapters 19 and 24
This document provides an overview of Johann Sebastian Bach and his cantatas. It discusses Bach's life and career, focusing on his work in Leipzig where he composed over 200 sacred cantatas for use in church services. It describes the form and characteristics of the Baroque cantata, and provides analysis of two movements from Bach's famous Cantata No. 140, "Wachet Auf." It also provides background on Baroque keyboard instruments and an introduction to the fugue form, with analysis of the first fugue from Bach's The Art of Fugue.
Beethoven
Ludwig van Beethoven was a German composer born in 1770 who was a pivotal figure in transitioning music from the Classical period to the Romantic era. Though going deaf later in life, he composed profoundly influential works including 9 symphonies, 5 piano concertos, and the choral symphony Symphony No. 9 from which the lyrics of "Ode to Joy" come. His works remain hugely popular and important today, with the length of his Symphony No. 9 even determining the capacity of the compact disc when it was invented.
Chapter 29 Brahms vs The Wagnerians
This document summarizes key aspects of Late Romanticism in German music, focusing on Johannes Brahms and Richard Wagner as representatives of opposing aesthetic approaches. Brahms composed in the Classical tradition, influenced by Beethoven, while Wagner saw Beethoven's legacy pointing in a different direction and developed new concepts like the leitmotif. The document also discusses Franz Liszt, Anton Bruckner, Hugo Wolf, and Richard Strauss as later Wagnerians who incorporated his techniques into their symphonic poems, operas, songs, and other genres.
Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...
The document discusses the development of opera and vocal music in late 17th century England and Germany. In England, masques were a popular court entertainment until the Puritan government banned stage plays. This led to the development of early "operas" combining elements of masque, drama, dance and song. Henry Purcell composed works like Dido and Aeneas that blended English, French and Italian styles. In Germany, opera in Italian and German styles emerged, often combining recitative, arias and dances. Major composers included Telemann, Reinhard Keiser and those writing Lutheran church music such as Buxtehude. The document then shifts to developments in early 18th century music, including the rise of the
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Chapter 29 and 30 Personalizing the Conversation: Beethoven and the Classical...
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Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...
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Ch16 17th century france, england, spain, new world
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Baroque Period pt2
- 1. George Frederic Handel (1685-1759) • German-English composer •Operas, Oratorios, and Concertos
- 2. “The Messiah” •Written in 28 days •Overture: Opening to a large work of music •“Hallelujah” Chorus- Easter piece •“Comfort Ye”- what Male voice is this? http://youtu.be/bnK8V3BZNeM http://youtu.be/C3TUWU_yg4s http://youtu.be/RmknWYFr6Xk
- 3. Johann Sebastian Bach (1685-1750) •German composer •Played piano, organ, harpsichord, violin and viola
- 4. Fugue in G minor •What instrument is this? •Count the number of times the “Theme” is repeated •What was another instrument Bach mainly wrote for? http://youtu.be/PhRa3REdozw
- 5. Brandenburg Concerto No. 5 • Name the instruments you hear • What is the Tempo of this piece? • What two instruments have the melody? http://youtu.be/vMSwVf_69Hc
- 6. Antonio Vivaldi (1678-1741) •Italian Composer •Concertos •Over 40 operas
- 7. The Four Seasons -Spring • What is Vivaldi trying to express in this piece of music? • What is the Tempo of this piece? • Tone painting • How is Vivaldi using “tone painting?” http://youtu.be/ZNBeW_2kGEA