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 Rapping   can be traced back to its African roots.
  Centuries before hip hop music existed, the
  griots of West Africa were delivering stories
  rhythmically, over drums and sparse
  instrumentation.
 The spoken word jazz poetry of the United
  States was a predecessor for beat poetry, as well
  as the rapping in hip hop music. Gil Scott-Heron,
  a jazz poet/musician who wrote and released
  such seminal songs as The Revolution Will Not
  Be Televised, H2OGate Blues Part 2: We Beg
  Your Pardon America and Johannesberg, has
  been cited as an influence on many rappers
   During the mid-20th century, the musical culture of
    the Caribbean was constantly influenced by the
    concurrent changes in American music. As early as
    1956, deejays were toasting (an African tradition of
    "rapped out" tales of heroism) over dubbed
    Jamaican beats. It was called "rap", expanding the
    word's earlier meaning in the African-American
    community—"to discuss or debate informally."
   One of the first rappers in the beginning of the hip
    hop period, in the end of '70s, was also hip hop's
    first DJ, Kool Herc. Herc, a Jamaican immigrant,
    started delivering simple raps at his parties, inspired
    by the Jamaican tradition of toasting.
 From   the 1970s to the early 1980s, Melle Mel set
 the way for future rappers through his socio-
 political content and creative wordplay. Hip hop
 lyricism saw its biggest change with the
 popularity of Run-D.M.C.'s Raising Hell in the
 mid-1980s, known especially for the rap/rock
 collaboration with rock band Aerosmith in the
 song "Walk This Way". This album helped set the
 tone of toughness and lyrical prowess in hip hop;
 Run-D.M.C. were almost yelling their aggressive
 lyrics.
   Rap in the 1990s saw a substantial change in direction of the style of
    rapping.
   While the 1980s were characterized by verses mostly constrained to
    straightforward structures and rhyme schemes, rappers in the 1990s
    explored deviations from those basic forms, freeing up the lyrical
    flow and switching up the patterns to create a much more fluid and
    complex style.
   The style on the East Coast became more aggressive, pioneered by
    artists like the Wu-Tang Clan and Notorious B.I.G., while West Coast
    hip hop became more laid-back and smooth, as made popular by
    artists such as Snoop Dogg, Dr. Dre, and 2Pac.
   In terms of subject matter, the 1990s saw a shift from personal
    promotion and glorification to narratives of street experience and
    darker social observation, although this shift was more pronounced
    on the East Coast than the West.
 N.W.A  (1986) consisted of Eazy–E, Ice Cube, Dr
  Dre, and was overseen by producer Suge
  Knight.
 Following a dispute between Eazy-E and Dr Dre,
  Dr Dre set up his own label, Aftermath, in 1996
 The style of the music in N.W.A was full of
  aggressive lyrics promoting crime and violence
  and exploring the reality of street life
 Major success came with the record ‘F*** the
  Police
 2Pac  was the major young talent signed to
  the Aftermath label
 He was shot in 1996 following disputes
  between the West and East Coast rappers
 Rivalry between 2Pac and Notorious B.I.G.
  was said to be responsible for their deaths
 New  York’s Bad Boy entertainment was
  established by Sean ‘Puff Daddy’ Coombs
  and his friend Mark Pitts in 1993.
 Due to the dominance of the rap scene by
  West Coast rap, rivalries emerged and
  much of the content of both scenes
  became specifically targeted ‘diss’ songs
  (such as Hit em up)
 Notorious B.I.G. was the major talent
  signed to Bad Boy records.
 He was shot after 2Pac in 1997
 He enjoyed posthumous success
 Dr Dre signed Eminem, diversifying the
  racial profile of rap
 Puff Daddy refused to sign 50 cent after he
  arrived in the studio with a gun
 50 cent was signed to Dr Dre’s label
 The content of rap has become less
  aggressive, with fewer rivalries and more
  mainstream musical themes and ideas
 Britishmusic was also developing its own
  subgenre, based around rap
 With proponents such as Dizzee Rascal,
  The Streets and N-Dubz, music became
  more British in content and delivery,
  although it took some stylistic features of
  the American Rap scene
 Collaborations   with pop artists, a greater
  focus on beats and lyrics and the reduction
  of more violent and urban themes has
  resulted in Grime going mainstream
 There is still an underground scene, with
  artists such as JME and Devlin producing
  more hard core Grime tracks

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Background info

  • 1.
  • 2.  Rapping can be traced back to its African roots. Centuries before hip hop music existed, the griots of West Africa were delivering stories rhythmically, over drums and sparse instrumentation.  The spoken word jazz poetry of the United States was a predecessor for beat poetry, as well as the rapping in hip hop music. Gil Scott-Heron, a jazz poet/musician who wrote and released such seminal songs as The Revolution Will Not Be Televised, H2OGate Blues Part 2: We Beg Your Pardon America and Johannesberg, has been cited as an influence on many rappers
  • 3. During the mid-20th century, the musical culture of the Caribbean was constantly influenced by the concurrent changes in American music. As early as 1956, deejays were toasting (an African tradition of "rapped out" tales of heroism) over dubbed Jamaican beats. It was called "rap", expanding the word's earlier meaning in the African-American community—"to discuss or debate informally."  One of the first rappers in the beginning of the hip hop period, in the end of '70s, was also hip hop's first DJ, Kool Herc. Herc, a Jamaican immigrant, started delivering simple raps at his parties, inspired by the Jamaican tradition of toasting.
  • 4.  From the 1970s to the early 1980s, Melle Mel set the way for future rappers through his socio- political content and creative wordplay. Hip hop lyricism saw its biggest change with the popularity of Run-D.M.C.'s Raising Hell in the mid-1980s, known especially for the rap/rock collaboration with rock band Aerosmith in the song "Walk This Way". This album helped set the tone of toughness and lyrical prowess in hip hop; Run-D.M.C. were almost yelling their aggressive lyrics.
  • 5. Rap in the 1990s saw a substantial change in direction of the style of rapping.  While the 1980s were characterized by verses mostly constrained to straightforward structures and rhyme schemes, rappers in the 1990s explored deviations from those basic forms, freeing up the lyrical flow and switching up the patterns to create a much more fluid and complex style.  The style on the East Coast became more aggressive, pioneered by artists like the Wu-Tang Clan and Notorious B.I.G., while West Coast hip hop became more laid-back and smooth, as made popular by artists such as Snoop Dogg, Dr. Dre, and 2Pac.  In terms of subject matter, the 1990s saw a shift from personal promotion and glorification to narratives of street experience and darker social observation, although this shift was more pronounced on the East Coast than the West.
  • 6.  N.W.A (1986) consisted of Eazy–E, Ice Cube, Dr Dre, and was overseen by producer Suge Knight.  Following a dispute between Eazy-E and Dr Dre, Dr Dre set up his own label, Aftermath, in 1996  The style of the music in N.W.A was full of aggressive lyrics promoting crime and violence and exploring the reality of street life  Major success came with the record ‘F*** the Police
  • 7.  2Pac was the major young talent signed to the Aftermath label  He was shot in 1996 following disputes between the West and East Coast rappers  Rivalry between 2Pac and Notorious B.I.G. was said to be responsible for their deaths
  • 8.  New York’s Bad Boy entertainment was established by Sean ‘Puff Daddy’ Coombs and his friend Mark Pitts in 1993.  Due to the dominance of the rap scene by West Coast rap, rivalries emerged and much of the content of both scenes became specifically targeted ‘diss’ songs (such as Hit em up)
  • 9.  Notorious B.I.G. was the major talent signed to Bad Boy records.  He was shot after 2Pac in 1997  He enjoyed posthumous success
  • 10.  Dr Dre signed Eminem, diversifying the racial profile of rap  Puff Daddy refused to sign 50 cent after he arrived in the studio with a gun  50 cent was signed to Dr Dre’s label  The content of rap has become less aggressive, with fewer rivalries and more mainstream musical themes and ideas
  • 11.  Britishmusic was also developing its own subgenre, based around rap  With proponents such as Dizzee Rascal, The Streets and N-Dubz, music became more British in content and delivery, although it took some stylistic features of the American Rap scene
  • 12.  Collaborations with pop artists, a greater focus on beats and lyrics and the reduction of more violent and urban themes has resulted in Grime going mainstream  There is still an underground scene, with artists such as JME and Devlin producing more hard core Grime tracks