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By Kristian
(only one Kristian in here so I’m not going to bother
with my surname x
Linguistic Conventions :
 Abbreviations – It is important to use abbreviations

whilst radio scriptwriting for a variety of reasons. For
example shortening down words allows for less time
consuming scripts, therefore allowing for longer
scripts to be written. For example Prof becomes
professor.
 Writing numbers : When writing numbers for radio it
is important to write them as words in order not to get
confused with large figiures. However sometimes you
can simply round numbers up, so 3989 could become
4000.
Linguistic Conventions :
 Expanding acronyms : Whilst writing scripts for

radio, expanding acronyms allows for the listener to not
only understand what the acronym means but gauge what
the topic of conversion is. For example some well known
acronyms may not be expanded, for example (BBC) but it is
probably still best to do so. For example : RSPCA is the
Royal Society for the Prevention of Cruelty to Animals.
 Punctuations : Punctuation when writing radio scripts is
vital as it allows for the reader to know when take breaths
and start sentences. It allows the script to flow naturally
and for the reader to know what to say and when to say it.
Linguistic Conventions :
 Formal and Colloquial Language : Formal and

Colloquial language are both very different, and its
necessary to gauge the station audience in order to
write a script . For example Radio 4 would use formal
language, such as when attending a job interview
,whereas on Metro Radio colloquial language would be
acceptable such as Geordie.
Linguistic Conventions :
 Jargon : Jargon is when a certain profession or group

uses a series of word in which others don’t understand.
So for example talking about technology on a
technology related show, it may confuse listeners
prompting them to turn over to a different station.
 Phonetic Spelling : Phonetic spelling is when words
are written as they sound. This may be because of
particular long words that are hard to pronounce or
names that are hard to say. These are normally put into
scripts in order to allow presenters . For example El
Hadj Diouf (El Hadge Du eff)
Style :
 Writing for the Ear : When writing for a radio

script, sometimes you will be asked to write for the ear.
For example writing in a conversational tone. This
must be done correctly or it wont sound appropriate
 House Style : Each radio station has it’s own preferred
format known as a house style. This could be both in
their speaking and written formats, and therefore
radio scripts must be written in that style in order for
the radio stations producer to accept it.
http://downloads.bbc.co.uk/writersroom/scripts/bbcrad
ioscene.pdf
Style :
 Standard in and out cues : Standard in and out cues are a

basic practise often used in radio. For example a standard
in cue would be : And here’s Miley Cyrus with… and then
finish it with And that was Miley Cyrus with…. This allows
for listeners halfway through to still be able to follow the
show even after tuning in late.
 Signposting : Signposting is where background noise is
used to set the scene. For example if a segment about fans
in football was being used, a football stadium might be
used as an appropriate backdrop in order to give listeners
insight into that particular article.
Style :
 Language Style : Language style is when you use a

collective group of strategies such as the pacing of
sentences and terminology in order to make sure that
the script follows the appropriate format. For example
a breakfast show may be more upbeat then say a Radio
4 question phone in.
Recognised Genres :
 Music scripts : A music script is simply the general

plan of how the radio show is going to go. For example
this will include the in and out cues as well as the
timing of songs or any facts or figures that are to be
read out. These normally follow the same style week in
and week out in order for presenters to get used to
them.
Recognised Genres :
 Documentary Packages :
 Documentary packages are when radio shows put together

a documentary format for a certain period of time. For
example Radio 4 would be a show that entertains a lot of
documentaries on its station. Documentary subjects may
include politics or animals to name a few.
Example : http://www.slideshare.net/sounddelivery/bbcradio-4-dont-hang-up-transcript-presentation
Recognised Genres :
 Speech packages

Speech packages consist of just talking and not songs on
a particular radio show. For example this would include
talk radio such as Talksport and interviews. If the show
is about a particular subject it can be scripted, however if
an interview is being conducted, the answers aren’t
know therefore the radio presenters will have to ‘play it
by ear’.
Recognised Genres :
 Live Feature Material :

Live Feature Material is any material that has been
recorded live for radio shows. For example this may be
interviews, live sets from festivals, or from sports events.
Stations likes BBC Radio 1 use a lot of live feature
material.

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Assingment 1 : Scriptwriting Conventions

  • 1. By Kristian (only one Kristian in here so I’m not going to bother with my surname x
  • 2. Linguistic Conventions :  Abbreviations – It is important to use abbreviations whilst radio scriptwriting for a variety of reasons. For example shortening down words allows for less time consuming scripts, therefore allowing for longer scripts to be written. For example Prof becomes professor.  Writing numbers : When writing numbers for radio it is important to write them as words in order not to get confused with large figiures. However sometimes you can simply round numbers up, so 3989 could become 4000.
  • 3. Linguistic Conventions :  Expanding acronyms : Whilst writing scripts for radio, expanding acronyms allows for the listener to not only understand what the acronym means but gauge what the topic of conversion is. For example some well known acronyms may not be expanded, for example (BBC) but it is probably still best to do so. For example : RSPCA is the Royal Society for the Prevention of Cruelty to Animals.  Punctuations : Punctuation when writing radio scripts is vital as it allows for the reader to know when take breaths and start sentences. It allows the script to flow naturally and for the reader to know what to say and when to say it.
  • 4. Linguistic Conventions :  Formal and Colloquial Language : Formal and Colloquial language are both very different, and its necessary to gauge the station audience in order to write a script . For example Radio 4 would use formal language, such as when attending a job interview ,whereas on Metro Radio colloquial language would be acceptable such as Geordie.
  • 5. Linguistic Conventions :  Jargon : Jargon is when a certain profession or group uses a series of word in which others don’t understand. So for example talking about technology on a technology related show, it may confuse listeners prompting them to turn over to a different station.  Phonetic Spelling : Phonetic spelling is when words are written as they sound. This may be because of particular long words that are hard to pronounce or names that are hard to say. These are normally put into scripts in order to allow presenters . For example El Hadj Diouf (El Hadge Du eff)
  • 6. Style :  Writing for the Ear : When writing for a radio script, sometimes you will be asked to write for the ear. For example writing in a conversational tone. This must be done correctly or it wont sound appropriate  House Style : Each radio station has it’s own preferred format known as a house style. This could be both in their speaking and written formats, and therefore radio scripts must be written in that style in order for the radio stations producer to accept it. http://downloads.bbc.co.uk/writersroom/scripts/bbcrad ioscene.pdf
  • 7. Style :  Standard in and out cues : Standard in and out cues are a basic practise often used in radio. For example a standard in cue would be : And here’s Miley Cyrus with… and then finish it with And that was Miley Cyrus with…. This allows for listeners halfway through to still be able to follow the show even after tuning in late.  Signposting : Signposting is where background noise is used to set the scene. For example if a segment about fans in football was being used, a football stadium might be used as an appropriate backdrop in order to give listeners insight into that particular article.
  • 8. Style :  Language Style : Language style is when you use a collective group of strategies such as the pacing of sentences and terminology in order to make sure that the script follows the appropriate format. For example a breakfast show may be more upbeat then say a Radio 4 question phone in.
  • 9. Recognised Genres :  Music scripts : A music script is simply the general plan of how the radio show is going to go. For example this will include the in and out cues as well as the timing of songs or any facts or figures that are to be read out. These normally follow the same style week in and week out in order for presenters to get used to them.
  • 10. Recognised Genres :  Documentary Packages :  Documentary packages are when radio shows put together a documentary format for a certain period of time. For example Radio 4 would be a show that entertains a lot of documentaries on its station. Documentary subjects may include politics or animals to name a few. Example : http://www.slideshare.net/sounddelivery/bbcradio-4-dont-hang-up-transcript-presentation
  • 11. Recognised Genres :  Speech packages Speech packages consist of just talking and not songs on a particular radio show. For example this would include talk radio such as Talksport and interviews. If the show is about a particular subject it can be scripted, however if an interview is being conducted, the answers aren’t know therefore the radio presenters will have to ‘play it by ear’.
  • 12. Recognised Genres :  Live Feature Material : Live Feature Material is any material that has been recorded live for radio shows. For example this may be interviews, live sets from festivals, or from sports events. Stations likes BBC Radio 1 use a lot of live feature material.