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ASSIGNMENT 11: REDRAFT #4.
GETTING INTO GROUPS.


     Key Code:

                 Abigail:

                 Gledis:

                 Joanne:

                 Vera:
                             Group Work:
                            Group work:
Teacher assessment of our second
opening sequence:
Feedback of our first opening
sequence:
Decisions and Revisions.
• While we were making draft two, we came across a
 problem that we would face – this was the filming of
 the curtains opening.

• We decided not to do this, as when the curtains
 opened quickly, too much light flooded into the room
 which affected the lens of the camera.

• Also, originally we wanted to have a gust of wind
 blow papers from our character’s desk. This proved
 too hard to film as we didn’t have a powerful enough
 electrical fan.
Decisions and Revisions.
• Another decision we had to make whilst filming was
 the idea of a shadow figure being seen in the
 character’s laptop.

• We couldn’t do this as the laptop couldn’t be
 switched off any other way than manually.

• To combat this, we reverted back to the initial idea of
 the shadow being seen in the television.
New Idea. (for draft three)
• Abigail
New Storyboard.
• Joanne
New Script.
• Gledis
New Shotlist.
• Abigail
Transitions and special effects.
• For draft three, we want to use cross
    dissolve over the text, so it flows nicely.

• We have also considered using a
    special effect for the video camera when
    the character records herself.
•
Changes in character and mise en
scene.
• For draft three, we want to make our character
  look more nerdy.
• We will accomplish this by using large
  oversized glasses, and a simpler costume that
  makes her look even less confident than in
  the first and second drafts.
Titles.
• After making draft two, we realised that the titles on a
 black screen didn’t work as well as we initially
 thought it would.

• It made the opening sequence too disjointed and
 wasn’t appropriate for the type of opening sequence
 that we wanted to make as we had a linear narrative.

• For draft three, we want to put our titles on screen
 alongside our footage. This will work better as it
 won’t break away from what is happening.

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Assignment 11 draft six.

  • 1. ASSIGNMENT 11: REDRAFT #4. GETTING INTO GROUPS. Key Code: Abigail: Gledis: Joanne: Vera: Group Work: Group work:
  • 2. Teacher assessment of our second opening sequence:
  • 3. Feedback of our first opening sequence:
  • 4. Decisions and Revisions. • While we were making draft two, we came across a problem that we would face – this was the filming of the curtains opening. • We decided not to do this, as when the curtains opened quickly, too much light flooded into the room which affected the lens of the camera. • Also, originally we wanted to have a gust of wind blow papers from our character’s desk. This proved too hard to film as we didn’t have a powerful enough electrical fan.
  • 5. Decisions and Revisions. • Another decision we had to make whilst filming was the idea of a shadow figure being seen in the character’s laptop. • We couldn’t do this as the laptop couldn’t be switched off any other way than manually. • To combat this, we reverted back to the initial idea of the shadow being seen in the television.
  • 6. New Idea. (for draft three) • Abigail
  • 10. Transitions and special effects. • For draft three, we want to use cross dissolve over the text, so it flows nicely. • We have also considered using a special effect for the video camera when the character records herself. •
  • 11. Changes in character and mise en scene. • For draft three, we want to make our character look more nerdy. • We will accomplish this by using large oversized glasses, and a simpler costume that makes her look even less confident than in the first and second drafts.
  • 12. Titles. • After making draft two, we realised that the titles on a black screen didn’t work as well as we initially thought it would. • It made the opening sequence too disjointed and wasn’t appropriate for the type of opening sequence that we wanted to make as we had a linear narrative. • For draft three, we want to put our titles on screen alongside our footage. This will work better as it won’t break away from what is happening.