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Our media product represents particular social groups in the following ways: 1. It features a young woman as the main character who receives threatening messages and photos on her phone, representing the social group of young females who are potential victims. 2. The villain wears dark clothes and a hood, hiding their identity, representing criminals who aim to instill fear and remain anonymous. 3. A newspaper article about a crime is shown on a computer screen, representing journalists who report on crimes in the modern era using digital technology.
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Media Studies- Findings
The document analyzes codes and conventions found in 10 crime thriller films. It found that crime thrillers aim to create suspense and tension. Common techniques included slow camera movements, close-ups, establishing shots, dark lighting and colors, and instrumental music that increases in pace and volume during intense scenes. Questionnaires with 20 males aged 18-30 revealed that tension and suspense, anti-hero leads, delusional villains, and murder are most appealing. The document concludes that the next step is to plan a psychological crime thriller focused on these elements to appeal to the target audience.
Question 1 use, develop or challange conventions
This document discusses how a media product opening sequence utilizes conventions of real thriller films. It examines the conventions used regarding location, themes, and characters. For location, it sets the scene in a normal house to add tension. For themes, it incorporates psychological mind games and suspense. For characters, it includes an insane murderer as the antagonist, a burglar as another criminal, and innocent victims. Feedback showed these conventions helped make the thriller genre recognizable and kept viewers engaged.
Target audience research
The document discusses targeting audiences under 25 years old for an action thriller film. It analyzes how films like The Purge Anarchy, Jurassic World, and Secret Window appealed to 18-24 year olds through their use of action, sci-fi, and thriller genres. It also mentions targeting alternative social groups like Goths and Punks that connect with the thriller genre.
Thriller research
This document defines the thriller genre and discusses various thriller subgenres. It states that thrillers elicit feelings of suspense, excitement, and anxiety in viewers. Mystery, psychological, and spy thrillers are mentioned as common subgenres. The document contrasts thrillers with horror films, noting that thrillers manipulate emotions through suspenseful storytelling while horror focuses on gore and shock. Key thriller directors, actors, and the film Shutter Island are discussed. Shutter Island is summarized as a psychological thriller that leaves viewers questioning the protagonist's mental state throughout, culminating in a shocking twist.
Genre
This document discusses the crime-horror genre. Crime-horror stories have more character and plot development than pure crime stories but less action and violence. Supernatural elements may be present but are low-to-moderate, and the focus is on sustained tension rather than terrifying scares. The document also discusses inspiration for the genre, including the shows American Horror Story, How to Get Away with Murder, and The Mentalist.
Codes and Conventions of Film Opening Sequences
The document discusses the codes and conventions of film opening sequences in mystery and romance genres. For mysteries, openings typically set the scene of a murder or disappearance and introduce the detective character. They aim to create tension and suspense through clues, investigation and deduction. For romances, openings commonly depict the meeting of the two lead characters and set up the obstacle to their love through settings like cafes, libraries or schools. Both genres employ techniques like specific characters, plots, sounds, editing and lighting to set the tone and immerse viewers in the story.
Put on blog
The opening credits of a horror film establish that it is based on a true story, making the audience aware of the possibility of such events occurring in real life. It also reveals that a man is responsible for the killings, allowing the audience to understand his capabilities. Through depictions of dead bodies and blood, as well as close-ups and tension, the credits construct the genres of thriller and slasher. Visually, the credits show the destruction and gore through images of examined corpses. The lack of music adds to the tension and fear, with only sound effects emphasizing the terror. The basic typography creates mystery about the film's mood or subgenre.
Pitch
The document provides details about a proposed psychological thriller film project. It summarizes the plot as involving a teenage boy whose mother was murdered by psychopaths who now believe he is being stalked and followed by the same group. It then outlines key elements of the project, including the genre, main characters, target audience, promotional campaign, unique selling point, and generic conventions that will be incorporated into the film.
Recommended
Media Studies- Findings
The document analyzes codes and conventions found in 10 crime thriller films. It found that crime thrillers aim to create suspense and tension. Common techniques included slow camera movements, close-ups, establishing shots, dark lighting and colors, and instrumental music that increases in pace and volume during intense scenes. Questionnaires with 20 males aged 18-30 revealed that tension and suspense, anti-hero leads, delusional villains, and murder are most appealing. The document concludes that the next step is to plan a psychological crime thriller focused on these elements to appeal to the target audience.
Question 1 use, develop or challange conventions
This document discusses how a media product opening sequence utilizes conventions of real thriller films. It examines the conventions used regarding location, themes, and characters. For location, it sets the scene in a normal house to add tension. For themes, it incorporates psychological mind games and suspense. For characters, it includes an insane murderer as the antagonist, a burglar as another criminal, and innocent victims. Feedback showed these conventions helped make the thriller genre recognizable and kept viewers engaged.
Target audience research
The document discusses targeting audiences under 25 years old for an action thriller film. It analyzes how films like The Purge Anarchy, Jurassic World, and Secret Window appealed to 18-24 year olds through their use of action, sci-fi, and thriller genres. It also mentions targeting alternative social groups like Goths and Punks that connect with the thriller genre.
Thriller research
This document defines the thriller genre and discusses various thriller subgenres. It states that thrillers elicit feelings of suspense, excitement, and anxiety in viewers. Mystery, psychological, and spy thrillers are mentioned as common subgenres. The document contrasts thrillers with horror films, noting that thrillers manipulate emotions through suspenseful storytelling while horror focuses on gore and shock. Key thriller directors, actors, and the film Shutter Island are discussed. Shutter Island is summarized as a psychological thriller that leaves viewers questioning the protagonist's mental state throughout, culminating in a shocking twist.
Genre
This document discusses the crime-horror genre. Crime-horror stories have more character and plot development than pure crime stories but less action and violence. Supernatural elements may be present but are low-to-moderate, and the focus is on sustained tension rather than terrifying scares. The document also discusses inspiration for the genre, including the shows American Horror Story, How to Get Away with Murder, and The Mentalist.
Codes and Conventions of Film Opening Sequences
The document discusses the codes and conventions of film opening sequences in mystery and romance genres. For mysteries, openings typically set the scene of a murder or disappearance and introduce the detective character. They aim to create tension and suspense through clues, investigation and deduction. For romances, openings commonly depict the meeting of the two lead characters and set up the obstacle to their love through settings like cafes, libraries or schools. Both genres employ techniques like specific characters, plots, sounds, editing and lighting to set the tone and immerse viewers in the story.
Put on blog
The opening credits of a horror film establish that it is based on a true story, making the audience aware of the possibility of such events occurring in real life. It also reveals that a man is responsible for the killings, allowing the audience to understand his capabilities. Through depictions of dead bodies and blood, as well as close-ups and tension, the credits construct the genres of thriller and slasher. Visually, the credits show the destruction and gore through images of examined corpses. The lack of music adds to the tension and fear, with only sound effects emphasizing the terror. The basic typography creates mystery about the film's mood or subgenre.
Pitch
The document provides details about a proposed psychological thriller film project. It summarizes the plot as involving a teenage boy whose mother was murdered by psychopaths who now believe he is being stalked and followed by the same group. It then outlines key elements of the project, including the genre, main characters, target audience, promotional campaign, unique selling point, and generic conventions that will be incorporated into the film.
The Gathering Individual Narrative
The short film idea is called "The Gathering" and is a disaster thriller genre. It follows a group of girls attending a house party where one girl decides to drive the others home after drinking alcohol, insisting she is fine. Another girl at the party has taken drugs and has a hallucination of the car crashing over a cliff. Despite warning the others, they do not believe her and get in the car. The car crashes and kills everyone as the drugged girl had foreseen. The narrative ends on a cliffhanger as the drugged girl has another vision of her own death while boarding a plane, suggesting her premonitions may come true. The narrative theory is Todorov's, following five stages of
Thriller genre
The document discusses several elements that are commonly found in thriller films, including suspense, red herrings, plot twists, and cliffhangers. It also describes some typical characteristics of thriller films such as protagonists starting as underdogs against opponents, a constant underlying danger or threat, and characters unexpectedly becoming part of the plot. Finally, it outlines some common subgenres of thriller films like crime thrillers, psychological thrillers, spy thrillers, comedy thrillers, and supernatural thrillers.
Shutter island analysis
Martin Scorsese's 2010 psychological thriller Shutter Island follows U.S. Marshal Teddy Daniels investigating the disappearance of a murderous patient from a hospital for the criminally insane on a remote island in 1954. Leonardo DiCaprio stars as Teddy Daniels alongside Emily Mortimer and Mark Ruffalo. The film utilizes many of Scorsese's directorial trademarks like the use of slow motion and features a main character prone to violence with a tragic backstory. It keeps viewers guessing through psychological elements like the isolated asylum setting that calls the protagonist's mind into question, ultimately revealing he has a dual personality in a shocking twist.
Steve Lowe - Evaluation
This document provides an evaluation of a Level Media Studies thriller production. It summarizes that the production incorporates conventions from directors like Hitchcock, uses an autistic protagonist inspired by Kim Peek from Rain Man, and aims to challenge conventions by using a non-stereotypical protagonist. It also notes that the production has a clinical visual style meant to portray a psychotic and twisted perspective, and that it had some limitations with camera angles, software experience, and finding appropriate locations.
Steve Lowe - Evaluation
This document provides an evaluation of a Level Media Studies thriller production. It summarizes that the production incorporates conventions from directors like Hitchcock, uses an autistic protagonist inspired by Kim Peek from Rain Man, and aims to challenge conventions by using a non-stereotypical protagonist. It also notes that the production has a limited budget and audience as an independent film.
Evaluation q1
The document discusses how the media product uses and develops conventions of the thriller genre. It describes several common conventions including elaborate narratives that lead the audience down false paths, climaxes with the protagonist in danger, and themes of loss of identity or struggle. The media product challenges conventions by using an upbeat protagonist rather than an anxious one. It also incorporates the common thriller techniques of voyeurism and darkened frames. Researching other thriller films helped accurately represent the genre and keep audiences engaged.
Media question 1
The document summarizes the opening titles and sequence of a fictional thriller film. It discusses how the film uses conventions of the thriller genre, such as mystery, violence, and cliffhangers. The opening scene includes a killing within the first two minutes. Camera techniques like fixed positions and handheld shots were used to create a sense of mystery. The film also represents some common social groups seen in thrillers, such as the worried wife character who adds emotion to the story.
Media trailer analysis (cabin in the woods)
This media trailer analysis summarizes key scenes and elements from the trailer for the film The Cabin in the Woods. It establishes that the trailer begins by showing happy friends going on a trip to an isolated cabin, before revealing something is wrong through unsettling dialogue and shots of the characters being monitored. The trailer hints that the friends have been set up and are now trapped in the woods with unknown monsters attacking. Intercut text and shots aim to build mystery and intrigue around the secret of who is behind endangering the friends.
Generic thriller convetions
This document defines thrillers and outlines some common conventions and techniques used in thriller films. It notes that thrillers create emotions like apprehension and exhilaration through complex storylines and suspense. Common conventions include suspenseful cinematography, character archetypes like criminals and victims, and narrative devices like plot twists and chase scenes. Techniques to build tension include unsettling music, camerawork like zooms, and low lighting in settings. The document categorizes thriller subgenres and provides examples of ideas frequently used, such as mysteries, psychological manipulation, and crime scenarios involving kidnapping or heists.
Thriller planning: Sequence of events
This presentation details what is going to happen throughout our thriller movie, when it is going to happen and why it happens. I also slightly explain what effect it will have on the audience and on the narrative as a whole.
What is a thriller&characteristics
Thriller films aim to keep audiences on the edge of their seats through anticipation and suspense. The protagonist faces danger in the form of an escape, mission, or mystery. Tension is built throughout and leads to a highly stressful climax. Common thriller subgenres include psychological thrillers, crime thrillers, and spy films. Key characteristics of thrillers include the use of suspense, unpredictable events, mysteries, and threats to the protagonist to generate anxiety in viewers until the climax is reached. Plots often involve characters in conflict with outside forces through threats of violence or crime.
Differences between thriller movies & horror movies
Thrillers and horror movies differ in their psychological effects and depictions of violence. Thrillers rely more on plot twists and psychological elements to intrigue audiences, while horrors emphasize graphic violence and gore. For example, The Sixth Sense uses mysteries to unsettle viewers' minds, whereas Nightmare on Elm Street depicts brutal killings. Additionally, thriller movie posters suggest mystery through dark colors, whereas horror posters signal danger with red tones. Both genres aim to scare, but thrillers do so by raising questions in the mind, and horrors through sudden shocks and frightening images.
Question 1
The document discusses conventions used in the opening sequence of a psychological thriller film. It analyzes editing techniques like pace, lighting, sound, and music choices that build tension and suspense for the audience. Character development and an enigmatic plot are employed to engage viewers and leave them wanting more answers. While conforming to some genre standards, the sequence aims to challenge conventions by mixing atmospheric sounds and using daylight scenes to unsettle viewers.
Pitch - The Following
The document provides a synopsis and details for a psychological thriller film project. The synopsis describes a teenage boy whose mother was murdered by psychopaths who believe she caused an illegal act to go wrong. He becomes paranoid that he is being followed by the perpetrators. It's revealed that the people following him are actually the ones who killed his mother. The last line indicates he has been kidnapped. The document then discusses the genre, characters, target audience, promotional campaign, unique selling point, and generic conventions of the psychological thriller film.
Influences for our film
The document discusses influences for a film from several movies including Reservoir Dogs, Mission Impossible: Ghost Protocol, Quantum of Solace, Die Hard, and The Bourne Identity. Concepts incorporated into the film include monologues to reveal thoughts, hand to hand and gun fight scenes, costume choices like suits, criminal concepts in the storyline, suspense during cramped situations and simultaneous gunfire, and confusion to increase suspense.
Codes and conventions
Thrillers aim to hold audience interest through intrigue, adventure, and suspense. They promote anxiety and anticipation by leaving the audience "on the edge of their seats." Common elements include feelings of excitement and tension as the audience waits to be thrilled. Thrillers often take place in ordinary locations like cities and feature characters that are outcasts or deemed unacceptable by society, such as criminals or psychopaths, putting them in threatening situations. Sound, editing, music, lighting, and techniques like rapid cutting are used to heighten tension and create an unsettling atmosphere for the audience.
Horror film forms and conventions
The document discusses various themes and conventions commonly found in horror movies. It outlines typical themes such as revenge, hauntings, demons/exorcism, serial killers, and religious beliefs. It also describes common character archetypes and how camera work, visual style, settings, lighting, and sound are used to scare audiences and advance the plot. Horror films aim to thrill and entertain viewers by focusing on the dark and frightening aspects of life.
Thriller film research
The document discusses key conventions of the thriller film genre including dark color schemes, themes of isolation and pursuit between protagonists and antagonists, use of props like guns, settings depicting normal environments, suspense, tension, plot twists, and eventual resolution between good and evil. It also discusses conventions of film trailers for thrillers and how they attract audiences through glimpses of the plot, stars, and production details without revealing too much. Camera techniques like close-ups and angles are used in thrillers to depict changing situations and characters' emotions.
Thriller pres
The thriller genre became popular after the assassination of John F. Kennedy in 1963 due to the political thrillers and paranoid thrillers that explored conspiracy theories around his death. Thrillers heavily stimulate emotions like anticipation, excitement, and tension through techniques like cliffhangers and misleading clues. Common elements include investigations, kidnappings, and stalking, depending on the subgenre. The goal is to keep audiences on the "edge of their seats" and satisfy their emotions with a climactic resolution. While similar to horrors in iconography and themes, thrillers appeal to both genders but are often considered more male-oriented.
Nissassa presentation
The film NISSASSA tells the story of a group of people caught in a rainstorm who seek shelter at a derelict motel in Nevada. They soon realize they may be there for another reason when people start getting killed off one by one. Meanwhile, a psychiatrist is trying to prove the innocence of a man accused of murder in an eleventh hour trial. The film uses point of view shots and close ups to convey tension and mystery as the two storylines become interconnected. It is aimed at older teenagers and adults who enjoy psychological thrillers with deeper meanings.
Presentation1
Smoking addiction causes a person to become dependent on cigarettes and stopping smoking would cause severe reactions. Some factors that contribute to smoking addiction include careless parenting, a sense of adventure, and easy availability of cigarettes. Negative consequences of smoking addiction are health damage, psychological damage, social damage, and damage to the community. Preventative measures include increasing community awareness, preventing underage cigarette sales, and designating smoking areas.
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The Gathering Individual Narrative
The short film idea is called "The Gathering" and is a disaster thriller genre. It follows a group of girls attending a house party where one girl decides to drive the others home after drinking alcohol, insisting she is fine. Another girl at the party has taken drugs and has a hallucination of the car crashing over a cliff. Despite warning the others, they do not believe her and get in the car. The car crashes and kills everyone as the drugged girl had foreseen. The narrative ends on a cliffhanger as the drugged girl has another vision of her own death while boarding a plane, suggesting her premonitions may come true. The narrative theory is Todorov's, following five stages of
Thriller genre
The document discusses several elements that are commonly found in thriller films, including suspense, red herrings, plot twists, and cliffhangers. It also describes some typical characteristics of thriller films such as protagonists starting as underdogs against opponents, a constant underlying danger or threat, and characters unexpectedly becoming part of the plot. Finally, it outlines some common subgenres of thriller films like crime thrillers, psychological thrillers, spy thrillers, comedy thrillers, and supernatural thrillers.
Shutter island analysis
Martin Scorsese's 2010 psychological thriller Shutter Island follows U.S. Marshal Teddy Daniels investigating the disappearance of a murderous patient from a hospital for the criminally insane on a remote island in 1954. Leonardo DiCaprio stars as Teddy Daniels alongside Emily Mortimer and Mark Ruffalo. The film utilizes many of Scorsese's directorial trademarks like the use of slow motion and features a main character prone to violence with a tragic backstory. It keeps viewers guessing through psychological elements like the isolated asylum setting that calls the protagonist's mind into question, ultimately revealing he has a dual personality in a shocking twist.
Steve Lowe - Evaluation
This document provides an evaluation of a Level Media Studies thriller production. It summarizes that the production incorporates conventions from directors like Hitchcock, uses an autistic protagonist inspired by Kim Peek from Rain Man, and aims to challenge conventions by using a non-stereotypical protagonist. It also notes that the production has a clinical visual style meant to portray a psychotic and twisted perspective, and that it had some limitations with camera angles, software experience, and finding appropriate locations.
Steve Lowe - Evaluation
This document provides an evaluation of a Level Media Studies thriller production. It summarizes that the production incorporates conventions from directors like Hitchcock, uses an autistic protagonist inspired by Kim Peek from Rain Man, and aims to challenge conventions by using a non-stereotypical protagonist. It also notes that the production has a limited budget and audience as an independent film.
Evaluation q1
The document discusses how the media product uses and develops conventions of the thriller genre. It describes several common conventions including elaborate narratives that lead the audience down false paths, climaxes with the protagonist in danger, and themes of loss of identity or struggle. The media product challenges conventions by using an upbeat protagonist rather than an anxious one. It also incorporates the common thriller techniques of voyeurism and darkened frames. Researching other thriller films helped accurately represent the genre and keep audiences engaged.
Media question 1
The document summarizes the opening titles and sequence of a fictional thriller film. It discusses how the film uses conventions of the thriller genre, such as mystery, violence, and cliffhangers. The opening scene includes a killing within the first two minutes. Camera techniques like fixed positions and handheld shots were used to create a sense of mystery. The film also represents some common social groups seen in thrillers, such as the worried wife character who adds emotion to the story.
Media trailer analysis (cabin in the woods)
This media trailer analysis summarizes key scenes and elements from the trailer for the film The Cabin in the Woods. It establishes that the trailer begins by showing happy friends going on a trip to an isolated cabin, before revealing something is wrong through unsettling dialogue and shots of the characters being monitored. The trailer hints that the friends have been set up and are now trapped in the woods with unknown monsters attacking. Intercut text and shots aim to build mystery and intrigue around the secret of who is behind endangering the friends.
Generic thriller convetions
This document defines thrillers and outlines some common conventions and techniques used in thriller films. It notes that thrillers create emotions like apprehension and exhilaration through complex storylines and suspense. Common conventions include suspenseful cinematography, character archetypes like criminals and victims, and narrative devices like plot twists and chase scenes. Techniques to build tension include unsettling music, camerawork like zooms, and low lighting in settings. The document categorizes thriller subgenres and provides examples of ideas frequently used, such as mysteries, psychological manipulation, and crime scenarios involving kidnapping or heists.
Thriller planning: Sequence of events
This presentation details what is going to happen throughout our thriller movie, when it is going to happen and why it happens. I also slightly explain what effect it will have on the audience and on the narrative as a whole.
What is a thriller&characteristics
Thriller films aim to keep audiences on the edge of their seats through anticipation and suspense. The protagonist faces danger in the form of an escape, mission, or mystery. Tension is built throughout and leads to a highly stressful climax. Common thriller subgenres include psychological thrillers, crime thrillers, and spy films. Key characteristics of thrillers include the use of suspense, unpredictable events, mysteries, and threats to the protagonist to generate anxiety in viewers until the climax is reached. Plots often involve characters in conflict with outside forces through threats of violence or crime.
Differences between thriller movies & horror movies
Thrillers and horror movies differ in their psychological effects and depictions of violence. Thrillers rely more on plot twists and psychological elements to intrigue audiences, while horrors emphasize graphic violence and gore. For example, The Sixth Sense uses mysteries to unsettle viewers' minds, whereas Nightmare on Elm Street depicts brutal killings. Additionally, thriller movie posters suggest mystery through dark colors, whereas horror posters signal danger with red tones. Both genres aim to scare, but thrillers do so by raising questions in the mind, and horrors through sudden shocks and frightening images.
Question 1
The document discusses conventions used in the opening sequence of a psychological thriller film. It analyzes editing techniques like pace, lighting, sound, and music choices that build tension and suspense for the audience. Character development and an enigmatic plot are employed to engage viewers and leave them wanting more answers. While conforming to some genre standards, the sequence aims to challenge conventions by mixing atmospheric sounds and using daylight scenes to unsettle viewers.
Pitch - The Following
The document provides a synopsis and details for a psychological thriller film project. The synopsis describes a teenage boy whose mother was murdered by psychopaths who believe she caused an illegal act to go wrong. He becomes paranoid that he is being followed by the perpetrators. It's revealed that the people following him are actually the ones who killed his mother. The last line indicates he has been kidnapped. The document then discusses the genre, characters, target audience, promotional campaign, unique selling point, and generic conventions of the psychological thriller film.
Influences for our film
The document discusses influences for a film from several movies including Reservoir Dogs, Mission Impossible: Ghost Protocol, Quantum of Solace, Die Hard, and The Bourne Identity. Concepts incorporated into the film include monologues to reveal thoughts, hand to hand and gun fight scenes, costume choices like suits, criminal concepts in the storyline, suspense during cramped situations and simultaneous gunfire, and confusion to increase suspense.
Codes and conventions
Thrillers aim to hold audience interest through intrigue, adventure, and suspense. They promote anxiety and anticipation by leaving the audience "on the edge of their seats." Common elements include feelings of excitement and tension as the audience waits to be thrilled. Thrillers often take place in ordinary locations like cities and feature characters that are outcasts or deemed unacceptable by society, such as criminals or psychopaths, putting them in threatening situations. Sound, editing, music, lighting, and techniques like rapid cutting are used to heighten tension and create an unsettling atmosphere for the audience.
Horror film forms and conventions
The document discusses various themes and conventions commonly found in horror movies. It outlines typical themes such as revenge, hauntings, demons/exorcism, serial killers, and religious beliefs. It also describes common character archetypes and how camera work, visual style, settings, lighting, and sound are used to scare audiences and advance the plot. Horror films aim to thrill and entertain viewers by focusing on the dark and frightening aspects of life.
Thriller film research
The document discusses key conventions of the thriller film genre including dark color schemes, themes of isolation and pursuit between protagonists and antagonists, use of props like guns, settings depicting normal environments, suspense, tension, plot twists, and eventual resolution between good and evil. It also discusses conventions of film trailers for thrillers and how they attract audiences through glimpses of the plot, stars, and production details without revealing too much. Camera techniques like close-ups and angles are used in thrillers to depict changing situations and characters' emotions.
Thriller pres
The thriller genre became popular after the assassination of John F. Kennedy in 1963 due to the political thrillers and paranoid thrillers that explored conspiracy theories around his death. Thrillers heavily stimulate emotions like anticipation, excitement, and tension through techniques like cliffhangers and misleading clues. Common elements include investigations, kidnappings, and stalking, depending on the subgenre. The goal is to keep audiences on the "edge of their seats" and satisfy their emotions with a climactic resolution. While similar to horrors in iconography and themes, thrillers appeal to both genders but are often considered more male-oriented.
Nissassa presentation
The film NISSASSA tells the story of a group of people caught in a rainstorm who seek shelter at a derelict motel in Nevada. They soon realize they may be there for another reason when people start getting killed off one by one. Meanwhile, a psychiatrist is trying to prove the innocence of a man accused of murder in an eleventh hour trial. The film uses point of view shots and close ups to convey tension and mystery as the two storylines become interconnected. It is aimed at older teenagers and adults who enjoy psychological thrillers with deeper meanings.
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Similar to As evaluation question
Media studies evalution main task by sam hulme
Our group created a 2-minute psychological thriller media product. We researched codes and conventions of the thriller genre including elements of suspense, tension, and excitement. Our product featured conventions such as low lighting, claustrophobic locations, and jump cuts. Through the process, we learned new filming, editing, and sound design skills. Audience feedback indicated that the product was confusing yet effective at building tension as intended for the psychological thriller genre.
Proposal
The document proposes a film called "Enigma" that will be a crime/horror/drama hybrid targeting audiences who enjoy those genres. It will have an ambiguous title to generate curiosity and mystery. The narrative will follow conventions of those genres and drive the plot through disruptions to equilibrium until restored or unknown. Sound, editing, mise-en-scene, and promotion strategies are discussed to immerse viewers and advertise the film.
Title Sequence Evaluation question 1
This document analyzes how the student's media product uses and develops conventions of real horror film titles and sequences. It discusses research conducted on classic and modern horror films. Key conventions incorporated into the student's title sequence include low-key lighting, costumes and weapons for the antagonist (hooded cape and machete), and an urban setting. While some conventions like the "final girl" theory were challenged, conventions around suspenseful sound design, cliffhanger endings, and symbolic color schemes (red and white titles) were followed. The title "Pallium" references the antagonist's cloak and leaves the plot open-ended.
Critical creative refelction
A Level Media Question 1 'Evaluation Question 1: In what ways does your media product use, develop or challenge forms and conventions of real media products?
Critical Creative Reflection Task 2
Evaluating my recent A Level Media opening sequence.
'How does your product use or challenge conventions and how does it represent social issues'
EvaluationQ01
The title sequence was created for the psychological thriller "Arctophilia" about a photographer assisting in capturing a serial killer. To build tension, the title sequence uses close-ups, jerky editing, low-key lighting and visual distortions. It focuses on introducing the antagonist by briefly showing him silhouetted and inspecting a teddy bear. The title "Arctophilia" refers to the killer's obsession with collecting teddy bears. The sequence represents the child victims as teddy bears and aims to evoke fear and unease through parallels to pedophilia. Based on audience research, the target age group is 18+ due to demands for complexity and maturity. Through this project, the creator gained knowledge
Media Studies Horror Evaluation.
The document provides an analysis of how the media product uses conventions of the horror genre. It discusses iconography, music, mise-en-scene, camerawork, characters, and themes used in the teaser trailer. It also analyzes the conventions used in the film poster and magazine cover created to promote the fictional film, and discusses how audience feedback was gathered and analyzed.
A2 media studies evaluation
This document discusses how the media producer's short horror film used and developed conventions of the horror genre from other real media products. It provides details on how the film followed typical conventions for setting, technical codes, iconography, narrative, characterization, and themes for the horror genre. It also discusses how the film was inspired by the video game Slender Man and the short film The Nightmare in its approach. The document analyzes specific elements that both followed and challenged conventions from these inspirational works.
MEDIA EVALUATION Question 1
The document discusses the filmmaker's process in creating a thriller film for their foundation portfolio. They researched conventions of the thriller genre by analyzing films like American Psycho and I Spit on Your Grave. Key conventions they implemented included using a female victim protagonist, settings like a mental facility, low key lighting, a build up of intense non-diegetic sounds, and themes of innocence and paranoia. Their film followed Todorov's structure of beginning, middle, end while also incorporating some unconventional scenes to add confusion and mystery. Overall, the filmmaker aimed to develop genre conventions learned from other thrillers to effectively create tension and engage their audience.
Final question 1
The document discusses the ways in which the author's media product opening for a thriller film uses and challenges conventions of the genre. The opening involves two sisters, one of whom was adopted and the other possessed and seeking revenge. This narrative draws from other thrillers analyzed. The opening was inspired by films like Silent Hill and Case 39 that feature young female protagonists challenging gender stereotypes. Elements like quick cuts, tense music, and a frightening twist were used to relate to horror/thriller conventions. The house setting plays on audiences' feelings of safety to create fear.
Title sequence evaluation edit
The document evaluates how the media product "Dinner for Two" uses and develops conventions of real thriller films through elements like titles, characters, and story structure that build suspense and intrigue audiences while also challenging conventions through some original elements. Research into films like Psycho informed choices on visual style and pacing to immerse audiences in the thriller genre. Representing social groups and targeting 15-17 year old audiences was meant to make the film appealing and relatable.
Evaluation Question 5
The document discusses various techniques used to attract and engage the audience in a thriller film project. It begins with mysterious shots that gradually reveal a character to build intrigue. Enigmatic close-ups that only show parts of the character and setting also create mystery. The main character is portrayed as a femme fatale through costume, props, and lighting to establish familiar character types. An eerie piano music box score sets the chilling tone. The poster would feature a silhouette with a detective or blank space inside to pique interest. Releasing in October would target thriller fans around Halloween.
Evaluation question
This document summarizes how the media product, a horror film trailer, uses and challenges conventions of the horror genre. It follows many typical horror conventions like using suspense, jump scares, darkness, and a narrative that sets up killings without revealing all details. However, it challenges conventions by having the threatening entity be a doll instead of a human, using an ordinary family home as the main setting, and having the main character wear white instead of dark colors. The trailer also challenges conventions through using one nursery rhyme music track throughout, employing static to purposely lower video quality, and ending with an additional clip instead of showing the title.
As media studies powerpoint
The group created an opening film sequence for a creative project. They chose to do this as it allowed them to be creative and work as a group while learning new technology and editing skills. Originally intended to be a crime/thriller inspired by film noir, they had to change the plot on the day of filming due to an unreachable actor. They changed it to a psychological thriller where the protagonist has schizophrenia and believes he is avenging his murdered colleague when he is actually killing himself.
Evaluation question 1
1) The media product challenges some conventions of horror films by setting most of the story in a family household rather than run-down or dark locations, and by having the main threat be an innocent-looking doll rather than a human villain.
2) It follows some conventions through its use of suspenseful music, quick cuts, and fade transitions in editing, as well as special effects like extreme close-ups and opacity that create an unsettling atmosphere.
3) Some unique aspects include using only one nursery rhyme music track throughout, intentionally making the video quality seem degraded with static effects, and ending with an additional teaser clip rather than showing the title.
Evaluation question 1
Our media product follows some conventions of crime and thriller films, such as using common sound effects and vaguely showing the face of the murderer. However, it also challenges conventions by starting with a past scene of a girl being murdered in an alleyway, rather than slowly introducing characters as is more typical for the genre. The product aims to get the audience thinking by leaving some details vague, while also creating tension through sound effects building up the story.
Evaluation- Part one
The document discusses how the media product "Stolen" both used and challenged conventions of real crime/psychological thriller genres. It analyzed conventions around titles, mise-en-scene, framing and editing in films like "Black Swan", "4321", and "Misery" and applied similar techniques. However, it also subverted some conventions, like delaying the title for 80 seconds to build suspense. Overall, the document argues the film successfully represented the genre through familiar conventions while also keeping it fresh with some variations.
Question 1
The document discusses how the media product creates an unconventional psychological thriller that both adheres to and challenges thriller conventions. It incorporates research on popular thrillers into its film through the use of mysterious imagery, hidden meanings in shots, and an unsettling soundtrack. While having typical thriller elements like mystery and cliffhangers, it subverts expectations by making the female lead the source of danger rather than the heroic character, challenging typical gender roles in the genre.
Question 1
The document discusses how the author's media product uses and challenges conventions of real thriller genres. It analyzes popular thrillers like Seven to inform the creation of an unconventional psychological thriller that subverts expectations. Key elements like hidden meanings in footage and an unusual soundtrack were designed to twist thriller tropes. While including some typical conventions like a storyline involving murder and a cliffhanger, the thriller aims to think rather than just provide information to keep audiences engaged throughout.
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Evaluation part 5
The document discusses questions about addressing an audience, learning about technologies through constructing a product, and reflecting on improvements from a preliminary task to the full product. It also lists aspects of a preliminary task that could be improved such as the story, characters, narrative structure, and technological skills for presenting these elements through filming and editing.
Evaluation part 4
The target audience for the media product is teenage females aged 15-30 years old who use social media and are located in the UK. The document discusses selecting a BBFC rating of 15 for the film, which allows depictions of violence, sexual content, and strong language but not graphic or dangerous behavior that could be copied. The sequence aims to follow BBFC guidelines by avoiding strong language, not dwelling on dangerous behavior, and not including sexual activity or discrimination.
Evaluation part 3
The document discusses representing a social group in a film character. It says they didn't want to be too stereotypical in their portrayal and wanted to challenge expectations by showing that characters other than ditsy ones can be targets of brutal attacks or deaths in films. It aims to avoid only portraying certain character types in a limited way.
Evaluation part 2
The document discusses the representation of different social groups in a thriller film. Specifically, it focuses on representing a young, successful female journalist as a "nerd" in order to subvert stereotypes. Key points made include choosing a female over a male for the nerd role, showing that women can be intelligent and independent rather than vulnerable, and using technology and text messages as part of the plot rather than physical violence. The character's home, clothing, and behavior are meant to portray her as organized, well-spoken, and hard-working rather than the typical helpless victim that is stereotypically portrayed in the genre.
Draft 4 part 5
The document discusses several theories that are being used in the creation of a psychological thriller film opening sequence. It summarizes Todorov's theory of narrative structure, Propp's theory of character roles, and Levi-Strauss's concept of binary oppositions. It then provides details on the target 15-18 year old audience for the film and considers the BBFC standards for a 15 rating. Potential inspiring UK distribution companies are also discussed, with Revolver Entertainment selected for its experience distributing similar thriller films.
Draft 4 part 4
The document discusses ways to create enigma or mystery in storytelling such as using appropriate camera shots and lighting to withhold information or employing time manipulation techniques like flashbacks. It also provides examples of how to construct a 5 point overview of both an opening scene and the overall film, with the opening scene involving a teenage girl receiving a mysterious envelope and the film overview centering around a woman haunted by the spirit of her unborn child.
Draft 4 part 3
The document discusses techniques for creating suspense, tension, and anxiety in a psychological thriller opening sequence involving two characters, Nia and Kylie, with Nia as the shy main character exhibiting strange and disturbing behavior that Kylie witnesses along with her children. Key props include a baby doll, laptop, letter, and notepad to advance the plot and develop Nia's paranoid and mentally unstable state of mind.
Draft 4 part 3
The document discusses techniques for creating suspense, tension, and anxiety in a psychological thriller opening sequence involving two characters, Nia and Kylie, with Nia as the shy main character exhibiting strange and disturbing behavior that Kylie witnesses along with her children. Key props include a baby doll, laptop, letter, and notepad to advance the plot and develop Nia's paranoid and mentally unstable state of mind.
Draft 4 part 2
The document provides information about themes and techniques for a film project on revenge. It discusses researching revenge through movies like "Dead Silence" and "Law Abiding Citizen" which depict acts of painful murder and torture for past wrongs. Examples are given of a woman being murdered for laughing at a doll, and a man revealing his identity as he tortures and kills his daughter and wife's murderer in 48 pieces. Suffering is also discussed as a theme through the movie "The Pursuit of Happiness" which shows a man becoming homeless with his young son, sleeping without blankets in a train station.
Assignment 16 draft 4
The document provides details about an opening sequence assignment for a psychological thriller film. It includes three draft ideas for the opening sequence presented by different group members. The first idea involves a mother confronting her daughter which leads to an accident. The second shows two friends at school where one is intentionally hit by a car. The third involves strange letters and a creepy doll left at a girl's door. The group also discusses the genre conventions of psychological thrillers and films like Funny Games and Hard Candy that inspired their work. It outlines the style of titling and credits they will use and includes three examples of music that could be used in different parts of the opening sequence.
Assignment 16draft 3
This document provides draft ideas for the opening sequence of a group psychological thriller film project. It includes 3 potential opening sequences proposed by group members: 1) the main character having an argument with her mother and friend; 2) a friend being intentionally hit by a car; and 3) a creepy doll left at a girl's door. The group chose the psychological thriller genre for its focus on mystery and mind games. Films like Funny Games, Hard Candy, and Child's Play provided inspiration for their sequence through suspenseful scenes, character interactions, and isolated settings.
Draft 3 part 2 before 2
Our chosen theme is revenge. The document discusses research on revenge themes in movies like Dead Silence and Law Abiding Citizen where characters inflict painful murder and torture as retaliation for past wrongs. It provides examples of clips where a man is tortured and killed for his past behavior in Dead Silence, and another man tortures and kills his daughter and wife's murderer by cutting him into 48 pieces in Law Abiding Citizen. The document also discusses themes of suffering shown in Pursuit of Happiness where a man becomes homeless with his young son, having to sleep with no blankets or pillows in a train station.
Draft3 part 3
Here are some style and formatting ideas for titling and credits in our opening sequence:
- Plain white or light gray text on a solid black background
- Text appears slowly, line by line, to build suspense
- Minimalist font in all capital letters for a serious, unsettling tone
- Accompanied by unsettling ambient music with no lyrics to avoid distraction
- Music starts quietly and gets gradually louder as more text appears
- Credits fade in and out slowly rather than cutting abruptly to the scenes
This simple, ominous style would set the mood for a psychological thriller and intrigue viewers without taking attention away from the unfolding story. Focusing on typography and sound design keeps the opening credits
Draft 3 part 2
The document provides details about the opening sequence of a film, including descriptions of the two main characters, Nia and Kylie, and their actors. Nia is described as shy, lonely, quiet, and mentally disturbed. Kylie is a friend of Nia's who worries about her behavior but lives nearby and greets her. The sequence will film interactions between the characters both inside and outside of a house from different camera angles and shots.
Assignment 16 draft 2
This document discusses ideas for the opening sequence of a group psychological thriller presentation. It includes two initial ideas from members Paula and Mickella. Paula's idea involved a girl having an argument with her mother and friend before being hit by a car. Mickella's involved a girl witnessing her friend being run over by a car. The group chose psychological thriller as their genre. They discussed conventions of the genre and were inspired by the films Funny Games and Hard Candy, analyzing characterizations and shots. They selected revenge and suffering as themes for their opening sequence.
Draft 2 part 2
The document discusses research on revenge through analyzing movies where characters enact revenge in painful, murderous ways in response to past wrongs done to them or their loved ones, as well as exploring the dictionary and internet definitions of revenge and how it relates to suffering through analyzing the film "The Pursuit of Happiness." It also provides outlines of the opening sequences and plots for revenge-focused psychological thriller films.
General research
Psychological thrillers are a sub-genre of horror and thrillers that incorporate elements related to the mind or processes of the mind. They commonly use techniques like stream of consciousness narratives, investigations, suspense, and tension to create anxiety in viewers. A successful example is Child's Play (Chucky), where the concept of a children's toy coming to life as an evil, murdering villain effectively builds suspense and mystery through its plot devices and character of Chucky. Revolver Entertainment would be a good potential distributor as they are a leading UK and Irish film distribution company that has successfully marketed a wide range of films on different budgets.
Script for preliminary task
Paula walks into her classroom feeling unwell with a hangover from drinking too much alcohol at a party the night before. Her friend Mickella notices she doesn't look well and asks what's wrong. Paula explains she has a hangover and headache from the party. Mickella offers Paula some paracetamol to help with the pain before Paula leaves for her next class.
Narrative 'individual' draft2
This document discusses narrative research and provides examples of character archetypes commonly found in stories. It analyzes the narrative plot of the movie Shrek, where Shrek falls in love with Fiona and they get married in his swamp after interrupting her wedding to Farquaad. It then lists character archetypes like the hero, sidekick, and villain. It also describes the "bad girl" archetype as confident, rebellious, wearing dark clothes and makeup and having an attractive, sexy body.
Opening sequence analysis
The Ring is a horror film about a mysterious videotape that seems to cause the death of anyone who watches it within a week. It follows the conventions of the genre by featuring an alone female victim who is contacted by the killer via technology. The journalist must investigate to solve the mystery of the deadly tape.
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
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The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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1:该专业认证可证明留学生真实身份
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
240529_Teleprotection Global Market Report 2024.pdf
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Divertidamente SLIDE muito lindo e criativo, pptx
Slide criativo e muito lindo, apenas editar, muito simples
Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
The Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docx
Eternal IPTV distinguishes itself from other IPTV services through its extensive library of content and superior streaming quality.
Top IPTV UK Providers of A Comprehensive Review.pdf
The television landscape in the UK has evolved significantly with the rise of Internet Protocol Television (IPTV). IPTV offers a modern alternative to traditional cable and satellite TV, allowing viewers to stream live TV, on-demand videos, and other multimedia content directly to their devices over the internet. This review provides an in-depth look at the top IPTV UK providers, their features, pricing, and what sets them apart.
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Meet Dinah Mattingly – Larry Bird’s Partner in Life and Love
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240529_Teleprotection Global Market Report 2024.pdf
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The Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docx
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As evaluation question
- 1. AS Evaluation Questions Cerise Clarke, Paula Duru, Mickella Swaby
- 2. 1.In what way does your media product use develop or challenge forms and conventions of real media products?
- 3. Inspirational Films Hard Candy psychological thriller I Still Know What You Did Last Summer Slasher film Funny Games psychological thriller The Texas Chainsaw Scream Massacre Horror/Thriller Horror/Thriller
- 4. Forms Set/Setting Credits Low Key Lighting Tense Music Changes In Camera Angles And Shots Pace Changes
- 5. Conventions Complex Narrative Structure Crime at the centre of the narrative Uses of Technology Deceptive Mind Games Stalking Tension Violence Hidden Identity
- 6. Hard Candy We Were heavily inspired by the interactive dialogue that occurred in hard candy and we decided to incorporate that element into our sequence.
- 7. Uses of Technology ✔ We Developed this convention as we used a mobile phone as the use of technology instead of an chat room on the internet. We Felt that the phone was more of an personal approach to the character that was receiving the messages and pictures.
- 8. Scream We Were heavily inspired by the Hidden Identity that occurred in Scream and we decided to incorporate that element into our sequence.
- 9. Hidden Identity ✔ We Challenged this convention as we didn't use a mask which would entirely block the killer/kidnapper’s identity. However we did have the villain in dark clothes with a hood up with is a modern way that identity is hidden.
- 11. Crime at the centre of the narrative ✔ We Developed the convention of crime being at the centre of the narrative by showing a newspaper article that was in the process of being made by our main character we did not show the article being made we show the main crime. We also decided to challenge the way the crime was presented as we showed this on a computer screen. Whereas Chainsaw Massacre showed written.
- 12. 2. How does your media product (opening sequence) represent particular social groups?