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                                                                                                           chain mail




      Corrugated
       Knot Chain Bracelet
        Combining basic wireworking skills
        with a traditional Byzantine chain mail
        pattern results in an eye-catching,
                       distinctive chain.
                                                                              by Howard Siegel




                     I
                         t’s no secret that jewelry makers                          This project involves two such wonder-
                         are, quite often, tool junkies. We get               ful homemade devices: a wire feeder and
                         positively giddy over good tools —                   a jump ring opener. The raw ingredients
                     with “good” defined not just as high-                    to make these tools aren’t expensive —
                     quality tools from manufacturers, but                    a wooden spring clothespin for one, and
                     also as those inventive little devices that              an old broom handle for the other.
                     our fellow jewelry makers cook up and
                     make themselves.



            © 2009 Kalmbach Publishing Co. This material may not be reproduced in
            any form without permission from the publisher.                                  www.A r t J e w e l r y M a g . c o m   1
Once you’ve made the tools, you can make this chain, which requires coiling,
cutting, fusing, stretching, forging, annealing, and corrugating fine-silver
wire, then connecting the corrugated rings with Byzantine knots made from
handmade sterling silver jump rings. When you finish this eye-catching
bracelet, you’ll have conquered a host of basic wireworking skills.




       make your
                                          own           tools!                                materials
                                                                                              ■   Fine-silver wire: 18-gauge (1.0 mm)
                                                       Slotted screw                              round, 5 in. (12.7 cm)
                            Rope recess                (for flat head screwdriver)            ■   Sterling silver wire: 20-gauge (0.8 mm),
     Drilled hole                                                                                 round, 4 ft. (1.2 m)
                                                                                              ■   Sterling silver jump rings: 16-gauge
                                                                                                  (1.3 mm), 4 mm inside diameter, 2
      Wire                                                                                    ■   Crab-claw clasp

                                                        End of
                                                        dowel/broom handle                        toolboxes, www.artjewelry
                                                                                              mag.com/toolboxes
                                                                                              ■   Chain mail
                                      • Clothespin tool (left): To make your own
                                                                                              ■   Soldering
                                        jump rings, you’ll need to coil wire around
                                        a mandrel. You can do this by hand, but               ■   Sawing/Piercing
                                        this handy tool, which you can make from              ■   Wirework
                                        a spring-style wooden clothespin, helps
                                        control the tension of your wire as you coil
                                        it mechanically.                                      additional tools & supplies
                                                                                                  ■   Wooden spring clothespin
                                          To make the clothespin tool, select a drill bit
                                                                                                  ■   Jump-ring-opening tool; or 3–4-in.
                                          that’s slightly larger than the gauge of wire
                                          you’ll use to make the jump rings. Insert this              (76–102 mm) wooden dowel,
                                          bit into a flex shaft, and drill a 45° angle hole           slotted screw (optional)
                                          through one leg of your clothespin, below               ■   Coil winder
                                          the rope recess. The 45° angle will allow               ■   V-block tool (optional)
                                          the wire to pass smoothly through the tool
                                          without kinking.                                        ■   Shears
                                                                                                  ■   Tweezers
                                      • Jump ring opener (above): To help you use                 ■   Ring stretcher (or snap ring pliers)
                                        good technique while opening your jump                        (optional)
                                        rings, you can buy a slotted ring tool from
                                                                                                  ■   Felt-tip pen
                                        a tool manufacturer, but making your own is
                                        fairly simple. Start with a 3–4-in. (76–102 mm)           ■   Corrugator (choose from): paper
                                        length of dowel (I used an old broom handle)                  crimper or tube wringer
                                        and screw a slotted screw into one end.
                                                                                              suppliers
                                                                                              ■   Mandrels, Blazer-type butane torch
                                                                                                  (Harbor Freight Tools, 800.444.3353,
                                                                                                  www.harborfreight.com)
  ACKNOWLEDGEMENTS
  The clothespin tool was shown to me by master chain maker Cao Madina. He has                See Safety Basics at
  my thanks for sharing this very simple but useful tool.                                     www.artjewelrymag.com/howto
     The idea for corrugating the links in this chain is the result of taking a corruga-
  tion workshop taught by Trish Macaleer for the Society for Midwest Metalsmiths.
     I was greatly aided in the composition and taking the chain process photo-
  graphs by Herb Halpern of Herb Halpern Productions.


                                                                                                        www.A r t J e w e l r y M a g . c o m   2
1                                                 2                                                    3
Part 1: rings
Make the jump
                                                 easier to cut with a jeweler’s saw. You
                                                 will need roughly 70 small jump rings
                                                 to complete the bracelet.

Position fine-silver wire in your                Cut the sterling silver coils into jump
clothespin tool. Cut a 31 ⁄2 -in. (89 mm)        rings . Thread a 2/0 or 3/0 saw blade
piece of fine-silver wire. Insert one end        into one end of a jeweler’s saw . Thread
of the wire through the drill hole in your
clothespin tool (see “Make Your Own
Tools!” page 2) so the wire comes out
                                                 the blade through a sterling silver coil,
                                                 then into the other end of the saw frame,
                                                 and tighten. Lubricate the saw blade by
                                                                                                                                                    4
inside the rope recess.                          pulling the teeth through beeswax or
    Pull the wire through the hole and           another lubricant.                                    Continue cutting until it becomes
the jaws of the clothespin until you have            Place the coil against your bench pin.        difficult. Then, collect the cut rings and
a 1-in. (25.5 mm) tail. Use chainnose            (Instead of using a bench pin, I use a V-         resume cutting, taking care to align the
pliers to make a 90° bend about ½–3 ⁄4 in.       block tool that I designed and made for           blades with the cut end of the last wrap
(13–19 mm) from the end of the wire.             myself [2].) Saw through the coil with the        on the coil. Continue cutting the coil until
                                                 saw blade tipped at roughly 45° so you’re         you have cut all of the wraps.
Prepare a coil winder. Insert a 9 mm             only cutting through two or three wraps
mandrel into a coil winder and tighten the       at any time. Collect the jump rings as they       Open the sterling silver jump rings. Pick
chuck. Then insert the bent end of your          separate from the coil, and resume sawing.        up one sterling silver jump ring, and grip
fine-silver wire into the jaws of the chuck,                                                       one side of the ring with chainnose pliers,
tightening again if necessary. This will hold    NOTE: Be careful to align the saw blade           positioning the pliers’ tip close to the cut.
the wire so you can wind the coil.               with the cut end of the last ring. If not             Place the other side of the jump ring in
                                                 properly aligned, there will be two cuts          the groove in your jump-ring-opening tool
Wind the coils. Turn the coil winder’s           in the ring, one only partially through the       (see “Make Your Own Tools!” page 2; as an
crank clockwise to wind the wire around          ring. If you try to open a ring with a second     alternative, you can use two pairs of pliers
the mandrel. Use the clothespin tool to          partial cut, the ring will break, making             ) and twist the tool away from your
guide the wire so the wraps lie side by side     instant scrap metal.                              body until the ring is open about 60° [4].
with no gaps [1]. Continue until you have                                                              Repeat to open all the sterling silver
wound all the wire; the coil should have              Continue sawing until you’ve cut             jump rings.
about seven or eight wraps. Slide the coil       all the wraps on the coil. Then, cut the
off the mandrel.                                 remaining sterling silver coils into              Prepare the fine-silver jump rings for
                                                 jump rings.                                       fusing. Place a fusing or soldering board
Coil the sterling silver wire. Using 8–                                                            on top of a firebrick to prevent burning
10 in. (20.3–25.4 cm) of sterling silver wire    Cut the fine-silver coils into jump               your bench.
and a 3.6 mm mandrel, repeat the previous        rings. Grasp the fine-silver coil in your             Using pliers or your fingers, close a
steps to make another coil. Wind a coil          nondominant hand between the heel of              fine-silver jump ring so that the cut edges
about 2 in. (51 mm) long, then use flush         your thumb and your fingers. Hold a pair          make good contact. To do this, over-form
cutters to cut the wire. Continue winding        of shears in your dominant hand and               the ring (bring the cut edges past each
and cutting 2-in. (51 mm) coils until you        insert the lower blade inside the coil [3].       other), then carefully pull them apart, and
have coiled all the sterling silver wire.                                                          line up the cut edges. Make sure the edges
                                                 NOTE: The shears should point down the            are aligned both when viewed from the
NOTE: Limiting the length of the sterling        center of the length of the coil to ensure        edge of the ring and down the center of
coils to about 2 in. (51 mm) makes them          that you don’t cut your hand.                     the ring. Place the closed ring on the

                                                                                                            www.A r t J e w e l r y M a g . c o m   3
5                                                6                                                    7
fusing board with the cut facing forward.           will cause the join to “thin
   Repeat for the remaining fine-silver             out,” then melt completely
rings, placing them in a row across the             and form a ball of metal on
fusing board and leaving a little space             either side of the join. If this
between each ring.                                  occurs, the ring is scrap. Try
                                                    deliberately overheating the
Fuse the fine-silver jump rings. Put on             first ring so you can observe
an Optivisor so you can clearly see the join
in each ring as it fuses.
                                                    what happens.


                                                     Fuse all the fine-silver jump rings.
                                                                                                                                                    8
NOTE: If you hold your torch in your right        You will need about eight fused rings to
hand, start with the ring at the rear left of     complete the bracelet. Use tweezers to           rings. Forge all the fused jump rings in the
the fusing board; if you hold your torch in       push the fused rings off the fusing board        same manner.
your left hand, start at the rear right. This     and into a water-filled container to cool.
will minimize the danger of accidental                                                             Anneal the fine-silver rings. Forging
burns by keeping your hand away from              Stretch the fine-silver rings. Place             the rings work-hardens the silver. Since
previously fused rings.                           a fused ring on a ring stretcher about           our next step will be to corrugate these
                                                  halfway down the jaws [6]. (You could            rings, we need to soften the metal.
   Move the torch flame in a circular             also use roundnose pliers.) Mark this            Annealing softens the metal and is
motion around the first ring until it turns       location on the stretcher with a felt-tip        done by heating the metal .
a dull red. (I use a propane-fueled pencil        pen so you can position all the rings in            Place the forged rings in a row on the
torch, but any standard jeweler’s torch           the same place and stretch them to the           fusing board and turn down the lights.
setup will work, including a handheld             same size.                                          Heat each ring until it is dull red, then
butane model.)                                                                                     move on to the next, keeping the torch
                                                  NOTE: Position the fused join on the             moving in a circular motion so you don’t
  TIP: When you’re fusing, turn                   outside of one jaw of the stretcher. This        melt the rings. After heating all the rings,
  down your studio lights to                      will stretch the ring so that the join will      push them into the container of water to
  make it easier to see the                       be inside the chain and not visible on the       cool them.
  metal change color as you                       finished bracelet.
  heat it.                                                                                         Corrugate the fine-silver rings. Use
                                                     Stretch all the fine-silver rings.            chainnose pliers to place the narrow end
    Once you see the color change, move                                                            of a forged and annealed ring into the
the flame to the join in the ring and move        Forge the fine-silver rings. Place a             corrugator. I used a paper crimper from
the flame in a small circle. Concentrate the      stretched ring over the corner of a bench        a local craft store as a corrugator; you
heat evenly on both sides of the join [5].        block so that only half of the ring is on the    could also use a tube wringer. Whichever
    In a short time, the silver at the join       block [7].                                       style of tool you choose, use it according
will melt and surface tension will pull the           Use the flat face of a ball-peen hammer      to the manufacturer’s instructions to
molten metal together, fusing the join            to flatten this side of the ring to about        corrugate the ring [8]. Corrugate all the
without the use of solder.                        twice its initial width. Reposition the ring     fine-silver rings.
                                                  so that the other side of the ring is across
  TIP: When you’re fusing                         the corner of the bench block, and flatten
  jump rings, remove the flame                    this side.
  from the join as soon as the                        Try to forge both legs to the same
  metal melts. Overheating                        width. Do not forge the curved ends of the

                                                                                                            www.A r t J e w e l r y M a g . c o m   4
Process photos by Herb Halpern.
                                        1                                               2                                                      3
Part 2: bracelet
Assemble the
                                                Byzantine knots until your chain reaches
                                                the desired length. End the chain with a
                                                Byzantine knot (rather than a single ring).
                                                                                               Bonus Videos
                                                                                               Check out these bonus tutorials
                                                                                               for fundamental techniques used
                                                                                               in this project:
Weave the chain. Pick up a corrugated           Add the clasp and finish the chain.
ring. (If desired, you can thread a paper       Open two 4 mm inside diameter (ID)                ■   Making jump rings
clip or twist tie through this ring for a       sterling silver jump rings. Thread a single       ■   Threading a saw blade
better grip.) Thread a 3.6 mm sterling silver   4 mm jump ring through the Byzantine                  in a saw frame
                                                                                                  ■   Opening and closing jump rings
jump ring through the corrugated ring and       knot at the end of the chain; add the clasp
                                                                                                  ■   Annealing metal
close it; repeat with a second 3.6 mm ring.     to this jump ring and then close the ring.
Thread a third 3.6 mm ring through the               Thread a second 4 mm jump ring
first pair of rings and close it; repeat to     through the corrugated ring at the end           Videos, www.artjewelrymag.
add a fourth 3.6 mm ring [1].                   of the chain, then close the ring. This        com/howto
    Grasp the corrugated ring and the first     ring will form the other half of the clasp.
pair of 3.6 mm rings between your thumb         Alternately, you can skip this second jump
and forefinger. Separate the second pair of     ring and close the bracelet by closing the
3.6 mm rings and flip them back, one to         clasp through the final elongated corru-
each side of the first pair [2].                gated link.                                                            Howard Siegel
     Grasp the corrugated ring and the               Place the chain in a tumbler with                                 has a master’s
second pair of 3.6 mm rings between your        mixed stainless steel shot and burnishing                              degree in metal-
thumb and forefinger, and push up on            compound. Tumble the chain for 1–2                                     lurgy and works
the second pair of rings. Insert a scribe or    hours. Remove the chain from the tumbler,                              in lapidary,
needle tool above the corrugated ring           rinse it with running water, and then dry                              silversmithing,
to hold the first pair of rings open and        it. Pull the chain through your hand. If                               and chain
expose the second pair of rings [3].            the chain feels rough, put it back in the                              making. He
    Thread a fifth 3.6 mm ring through          tumbler, and tumble it until the chain feels   teaches at the William Holland School
the V-shaped opening in the knot, then          smooth. Additional tumbling will not harm      of Lapidary Arts, the Society for Mid-
through a second corrugated ring, and           the chain.                                     west Metalsmiths, the Craft Alliance,
close it. Repeat to add a second 3.6 mm                                                        and the Jacoby Arts Center.
ring through the same path, going
through the two 3.6 mm rings and the
corrugated ring.
    You have just completed a Byzantine
knot at the end of the first corrugated ring
and added a second corrugated ring to
your chain.
    Each corrugated ring and Byzantine
knot is slightly under 1 in. (25.5 mm) long;
you can estimate the length of the chain
by counting the corrugated rings.
    Continue adding corrugated rings and

                                                                                                       www.A r t J e w e l r y M a g . c o m   5
Make it
No matter what kind of jewelry you’d like
to make — or what technique you’d like to
master — you’ll get all the inspiration and advice
you need from leading jewelry artisans in every
issue of Art Jewelry magazine.

Plus, subscribers gain exclusive online access!
Post photos of your work in the Subscriber
Gallery, read reviews of products tested by the
editors, and download free projects.

Art Jewelry covers:
 ■   Metals                       ■   Chain mail
 ■   Metal clay                   ■   Polymer clay
 ■   Stones and gems              ■   Enamel
 ■   Wire                         ■   And more!


Subscribe today to
learn new techniques!
Order online at
www.ArtJewelryMag.com/promo
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Art jewelry corrugated_knot_chain_bracelet_howard_siegel

  • 1. online intermediate exclusive wire chain mail Corrugated Knot Chain Bracelet Combining basic wireworking skills with a traditional Byzantine chain mail pattern results in an eye-catching, distinctive chain. by Howard Siegel I t’s no secret that jewelry makers This project involves two such wonder- are, quite often, tool junkies. We get ful homemade devices: a wire feeder and positively giddy over good tools — a jump ring opener. The raw ingredients with “good” defined not just as high- to make these tools aren’t expensive — quality tools from manufacturers, but a wooden spring clothespin for one, and also as those inventive little devices that an old broom handle for the other. our fellow jewelry makers cook up and make themselves. © 2009 Kalmbach Publishing Co. This material may not be reproduced in any form without permission from the publisher. www.A r t J e w e l r y M a g . c o m 1
  • 2. Once you’ve made the tools, you can make this chain, which requires coiling, cutting, fusing, stretching, forging, annealing, and corrugating fine-silver wire, then connecting the corrugated rings with Byzantine knots made from handmade sterling silver jump rings. When you finish this eye-catching bracelet, you’ll have conquered a host of basic wireworking skills. make your own tools! materials ■ Fine-silver wire: 18-gauge (1.0 mm) Slotted screw round, 5 in. (12.7 cm) Rope recess (for flat head screwdriver) ■ Sterling silver wire: 20-gauge (0.8 mm), Drilled hole round, 4 ft. (1.2 m) ■ Sterling silver jump rings: 16-gauge (1.3 mm), 4 mm inside diameter, 2 Wire ■ Crab-claw clasp End of dowel/broom handle toolboxes, www.artjewelry mag.com/toolboxes ■ Chain mail • Clothespin tool (left): To make your own ■ Soldering jump rings, you’ll need to coil wire around a mandrel. You can do this by hand, but ■ Sawing/Piercing this handy tool, which you can make from ■ Wirework a spring-style wooden clothespin, helps control the tension of your wire as you coil it mechanically. additional tools & supplies ■ Wooden spring clothespin To make the clothespin tool, select a drill bit ■ Jump-ring-opening tool; or 3–4-in. that’s slightly larger than the gauge of wire you’ll use to make the jump rings. Insert this (76–102 mm) wooden dowel, bit into a flex shaft, and drill a 45° angle hole slotted screw (optional) through one leg of your clothespin, below ■ Coil winder the rope recess. The 45° angle will allow ■ V-block tool (optional) the wire to pass smoothly through the tool without kinking. ■ Shears ■ Tweezers • Jump ring opener (above): To help you use ■ Ring stretcher (or snap ring pliers) good technique while opening your jump (optional) rings, you can buy a slotted ring tool from ■ Felt-tip pen a tool manufacturer, but making your own is fairly simple. Start with a 3–4-in. (76–102 mm) ■ Corrugator (choose from): paper length of dowel (I used an old broom handle) crimper or tube wringer and screw a slotted screw into one end. suppliers ■ Mandrels, Blazer-type butane torch (Harbor Freight Tools, 800.444.3353, www.harborfreight.com) ACKNOWLEDGEMENTS The clothespin tool was shown to me by master chain maker Cao Madina. He has See Safety Basics at my thanks for sharing this very simple but useful tool. www.artjewelrymag.com/howto The idea for corrugating the links in this chain is the result of taking a corruga- tion workshop taught by Trish Macaleer for the Society for Midwest Metalsmiths. I was greatly aided in the composition and taking the chain process photo- graphs by Herb Halpern of Herb Halpern Productions. www.A r t J e w e l r y M a g . c o m 2
  • 3. 1 2 3 Part 1: rings Make the jump easier to cut with a jeweler’s saw. You will need roughly 70 small jump rings to complete the bracelet. Position fine-silver wire in your Cut the sterling silver coils into jump clothespin tool. Cut a 31 ⁄2 -in. (89 mm) rings . Thread a 2/0 or 3/0 saw blade piece of fine-silver wire. Insert one end into one end of a jeweler’s saw . Thread of the wire through the drill hole in your clothespin tool (see “Make Your Own Tools!” page 2) so the wire comes out the blade through a sterling silver coil, then into the other end of the saw frame, and tighten. Lubricate the saw blade by 4 inside the rope recess. pulling the teeth through beeswax or Pull the wire through the hole and another lubricant. Continue cutting until it becomes the jaws of the clothespin until you have Place the coil against your bench pin. difficult. Then, collect the cut rings and a 1-in. (25.5 mm) tail. Use chainnose (Instead of using a bench pin, I use a V- resume cutting, taking care to align the pliers to make a 90° bend about ½–3 ⁄4 in. block tool that I designed and made for blades with the cut end of the last wrap (13–19 mm) from the end of the wire. myself [2].) Saw through the coil with the on the coil. Continue cutting the coil until saw blade tipped at roughly 45° so you’re you have cut all of the wraps. Prepare a coil winder. Insert a 9 mm only cutting through two or three wraps mandrel into a coil winder and tighten the at any time. Collect the jump rings as they Open the sterling silver jump rings. Pick chuck. Then insert the bent end of your separate from the coil, and resume sawing. up one sterling silver jump ring, and grip fine-silver wire into the jaws of the chuck, one side of the ring with chainnose pliers, tightening again if necessary. This will hold NOTE: Be careful to align the saw blade positioning the pliers’ tip close to the cut. the wire so you can wind the coil. with the cut end of the last ring. If not Place the other side of the jump ring in properly aligned, there will be two cuts the groove in your jump-ring-opening tool Wind the coils. Turn the coil winder’s in the ring, one only partially through the (see “Make Your Own Tools!” page 2; as an crank clockwise to wind the wire around ring. If you try to open a ring with a second alternative, you can use two pairs of pliers the mandrel. Use the clothespin tool to partial cut, the ring will break, making ) and twist the tool away from your guide the wire so the wraps lie side by side instant scrap metal. body until the ring is open about 60° [4]. with no gaps [1]. Continue until you have Repeat to open all the sterling silver wound all the wire; the coil should have Continue sawing until you’ve cut jump rings. about seven or eight wraps. Slide the coil all the wraps on the coil. Then, cut the off the mandrel. remaining sterling silver coils into Prepare the fine-silver jump rings for jump rings. fusing. Place a fusing or soldering board Coil the sterling silver wire. Using 8– on top of a firebrick to prevent burning 10 in. (20.3–25.4 cm) of sterling silver wire Cut the fine-silver coils into jump your bench. and a 3.6 mm mandrel, repeat the previous rings. Grasp the fine-silver coil in your Using pliers or your fingers, close a steps to make another coil. Wind a coil nondominant hand between the heel of fine-silver jump ring so that the cut edges about 2 in. (51 mm) long, then use flush your thumb and your fingers. Hold a pair make good contact. To do this, over-form cutters to cut the wire. Continue winding of shears in your dominant hand and the ring (bring the cut edges past each and cutting 2-in. (51 mm) coils until you insert the lower blade inside the coil [3]. other), then carefully pull them apart, and have coiled all the sterling silver wire. line up the cut edges. Make sure the edges NOTE: The shears should point down the are aligned both when viewed from the NOTE: Limiting the length of the sterling center of the length of the coil to ensure edge of the ring and down the center of coils to about 2 in. (51 mm) makes them that you don’t cut your hand. the ring. Place the closed ring on the www.A r t J e w e l r y M a g . c o m 3
  • 4. 5 6 7 fusing board with the cut facing forward. will cause the join to “thin Repeat for the remaining fine-silver out,” then melt completely rings, placing them in a row across the and form a ball of metal on fusing board and leaving a little space either side of the join. If this between each ring. occurs, the ring is scrap. Try deliberately overheating the Fuse the fine-silver jump rings. Put on first ring so you can observe an Optivisor so you can clearly see the join in each ring as it fuses. what happens. Fuse all the fine-silver jump rings. 8 NOTE: If you hold your torch in your right You will need about eight fused rings to hand, start with the ring at the rear left of complete the bracelet. Use tweezers to rings. Forge all the fused jump rings in the the fusing board; if you hold your torch in push the fused rings off the fusing board same manner. your left hand, start at the rear right. This and into a water-filled container to cool. will minimize the danger of accidental Anneal the fine-silver rings. Forging burns by keeping your hand away from Stretch the fine-silver rings. Place the rings work-hardens the silver. Since previously fused rings. a fused ring on a ring stretcher about our next step will be to corrugate these halfway down the jaws [6]. (You could rings, we need to soften the metal. Move the torch flame in a circular also use roundnose pliers.) Mark this Annealing softens the metal and is motion around the first ring until it turns location on the stretcher with a felt-tip done by heating the metal . a dull red. (I use a propane-fueled pencil pen so you can position all the rings in Place the forged rings in a row on the torch, but any standard jeweler’s torch the same place and stretch them to the fusing board and turn down the lights. setup will work, including a handheld same size. Heat each ring until it is dull red, then butane model.) move on to the next, keeping the torch NOTE: Position the fused join on the moving in a circular motion so you don’t TIP: When you’re fusing, turn outside of one jaw of the stretcher. This melt the rings. After heating all the rings, down your studio lights to will stretch the ring so that the join will push them into the container of water to make it easier to see the be inside the chain and not visible on the cool them. metal change color as you finished bracelet. heat it. Corrugate the fine-silver rings. Use Stretch all the fine-silver rings. chainnose pliers to place the narrow end Once you see the color change, move of a forged and annealed ring into the the flame to the join in the ring and move Forge the fine-silver rings. Place a corrugator. I used a paper crimper from the flame in a small circle. Concentrate the stretched ring over the corner of a bench a local craft store as a corrugator; you heat evenly on both sides of the join [5]. block so that only half of the ring is on the could also use a tube wringer. Whichever In a short time, the silver at the join block [7]. style of tool you choose, use it according will melt and surface tension will pull the Use the flat face of a ball-peen hammer to the manufacturer’s instructions to molten metal together, fusing the join to flatten this side of the ring to about corrugate the ring [8]. Corrugate all the without the use of solder. twice its initial width. Reposition the ring fine-silver rings. so that the other side of the ring is across TIP: When you’re fusing the corner of the bench block, and flatten jump rings, remove the flame this side. from the join as soon as the Try to forge both legs to the same metal melts. Overheating width. Do not forge the curved ends of the www.A r t J e w e l r y M a g . c o m 4
  • 5. Process photos by Herb Halpern. 1 2 3 Part 2: bracelet Assemble the Byzantine knots until your chain reaches the desired length. End the chain with a Byzantine knot (rather than a single ring). Bonus Videos Check out these bonus tutorials for fundamental techniques used in this project: Weave the chain. Pick up a corrugated Add the clasp and finish the chain. ring. (If desired, you can thread a paper Open two 4 mm inside diameter (ID) ■ Making jump rings clip or twist tie through this ring for a sterling silver jump rings. Thread a single ■ Threading a saw blade better grip.) Thread a 3.6 mm sterling silver 4 mm jump ring through the Byzantine in a saw frame ■ Opening and closing jump rings jump ring through the corrugated ring and knot at the end of the chain; add the clasp ■ Annealing metal close it; repeat with a second 3.6 mm ring. to this jump ring and then close the ring. Thread a third 3.6 mm ring through the Thread a second 4 mm jump ring first pair of rings and close it; repeat to through the corrugated ring at the end Videos, www.artjewelrymag. add a fourth 3.6 mm ring [1]. of the chain, then close the ring. This com/howto Grasp the corrugated ring and the first ring will form the other half of the clasp. pair of 3.6 mm rings between your thumb Alternately, you can skip this second jump and forefinger. Separate the second pair of ring and close the bracelet by closing the 3.6 mm rings and flip them back, one to clasp through the final elongated corru- each side of the first pair [2]. gated link. Howard Siegel Grasp the corrugated ring and the Place the chain in a tumbler with has a master’s second pair of 3.6 mm rings between your mixed stainless steel shot and burnishing degree in metal- thumb and forefinger, and push up on compound. Tumble the chain for 1–2 lurgy and works the second pair of rings. Insert a scribe or hours. Remove the chain from the tumbler, in lapidary, needle tool above the corrugated ring rinse it with running water, and then dry silversmithing, to hold the first pair of rings open and it. Pull the chain through your hand. If and chain expose the second pair of rings [3]. the chain feels rough, put it back in the making. He Thread a fifth 3.6 mm ring through tumbler, and tumble it until the chain feels teaches at the William Holland School the V-shaped opening in the knot, then smooth. Additional tumbling will not harm of Lapidary Arts, the Society for Mid- through a second corrugated ring, and the chain. west Metalsmiths, the Craft Alliance, close it. Repeat to add a second 3.6 mm and the Jacoby Arts Center. ring through the same path, going through the two 3.6 mm rings and the corrugated ring. You have just completed a Byzantine knot at the end of the first corrugated ring and added a second corrugated ring to your chain. Each corrugated ring and Byzantine knot is slightly under 1 in. (25.5 mm) long; you can estimate the length of the chain by counting the corrugated rings. Continue adding corrugated rings and www.A r t J e w e l r y M a g . c o m 5
  • 6. Make it No matter what kind of jewelry you’d like to make — or what technique you’d like to master — you’ll get all the inspiration and advice you need from leading jewelry artisans in every issue of Art Jewelry magazine. Plus, subscribers gain exclusive online access! Post photos of your work in the Subscriber Gallery, read reviews of products tested by the editors, and download free projects. Art Jewelry covers: ■ Metals ■ Chain mail ■ Metal clay ■ Polymer clay ■ Stones and gems ■ Enamel ■ Wire ■ And more! Subscribe today to learn new techniques! Order online at www.ArtJewelryMag.com/promo Enter promotional code: IK87Z Or call 1-800-533-6644 Monday – Friday, 8:30 a.m. –5:00 p.m. Central Time. Outside the U.S. and Canada, call 262-796-8776, ext. 661. CIR-ADH-08X1876RH