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ARCHITECTURE OF THE 

AFTERLIFE

Embalming & Tombs in Ancient Egypt
Professor	Will	Adams
Ancient Egypt: Gift of the Nile
Ancient Egypt: Gift of the Nile
▪ The	ancient	Egyptians	inhabited	the	
fertile	valley	of	the	Nile.
Ancient Egypt: Gift of the Nile
▪ The	ancient	Egyptians	inhabited	the	
fertile	valley	of	the	Nile.	
▪ The	river's	annual	flood	deposited	a	
fresh	layer	of	silt,	renewing	the	
fertility	of	the	soil	&	ensuring	that,	for	
the	most	part,	the	country	was	
prosperous	&	the	population	
sufficiently	fed.
Ancient Egypt: Gift of the Nile
▪ The	ancient	Egyptians	inhabited	the	
fertile	valley	of	the	Nile.	
▪ The	river's	annual	flood	deposited	a	
fresh	layer	of	silt,	renewing	the	
fertility	of	the	soil	&	ensuring	that,	for	
the	most	part,	the	country	was	
prosperous	&	the	population	
sufficiently	fed.
▪ For	much	of	the	year,	most	people	
would	be	involved	in	agricultural	
labor	of	some	kind,	but	during	the	
Inundation	(July	–	October)	the	
workforce	was	used	by	the	state	for	
building	&	other	major	projects	such	
as	"rehabilitation"	of	the	land	
following	the	flood.
Ancient Egyptian Mummification
Preserving Pharaohs for an Eternity
The Purpose of Egyptian Mummification
The Purpose of Egyptian Mummification
▪ The	ancient	Egyptians’	funerary	
customs	&	beliefs	called	for	the	
preservation	of	the	body	&	ample	
provisions	for	the	afterlife.
The Purpose of Egyptian Mummification
▪ The	ancient	Egyptians’	funerary	
customs	&	beliefs	called	for	the	
preservation	of	the	body	&	ample	
provisions	for	the	afterlife.	
▪ This	was	envisioned	as	a	continuation	
of	the	mortal	existence	after	death.
The Purpose of Egyptian Mummification
▪ The	ancient	Egyptians’	funerary	
customs	&	beliefs	called	for	the	
preservation	of	the	body	&	ample	
provisions	for	the	afterlife.	
▪ This	was	envisioned	as	a	continuation	
of	the	mortal	existence	after	death.
▪ An	ancient	Egyptian	would	provide	for	
the	afterlife	as	best	as	his	or	her	
economic	abilities	would	allow.
The Purpose of Egyptian Mummification
▪ The	ancient	Egyptians’	funerary	
customs	&	beliefs	called	for	the	
preservation	of	the	body	&	ample	
provisions	for	the	afterlife.	
▪ This	was	envisioned	as	a	continuation	
of	the	mortal	existence	after	death.
▪ An	ancient	Egyptian	would	provide	for	
the	afterlife	as	best	as	his	or	her	
economic	abilities	would	allow.	
▪ Today,	this	means	that	a	huge	amount	
of	information	about	daily	life	in	
ancient	Egypt	can	be	found	in	the	
tombs.
The Purpose of Egyptian Mummification
▪ The	ancient	Egyptians’	funerary	
customs	&	beliefs	called	for	the	
preservation	of	the	body	&	ample	
provisions	for	the	afterlife.	
▪ This	was	envisioned	as	a	continuation	
of	the	mortal	existence	after	death.
▪ An	ancient	Egyptian	would	provide	for	
the	afterlife	as	best	as	his	or	her	
economic	abilities	would	allow.	
▪ Today,	this	means	that	a	huge	amount	
of	information	about	daily	life	in	
ancient	Egypt	can	be	found	in	the	
tombs.
▪ Examination	of	mummies	provides	
information	on	health,	diet	&	life-
expectancy.
The Purpose of Egyptian Mummification
The Purpose of Egyptian Mummification
▪ The	body	of	a	dead	Egyptian	would	be	
made	into	a	mummy	in	order	to	preserve	
the	body	for	its	immortal	soul,	or	ka.
The Purpose of Egyptian Mummification
▪ The	body	of	a	dead	Egyptian	would	be	
made	into	a	mummy	in	order	to	preserve	
the	body	for	its	immortal	soul,	or	ka.
▪ The	word	"mummy"	comes	from	the	
Arabic	mumiyah	(body	preserved	by	wax	
or	bitumen)
The Purpose of Egyptian Mummification
▪ The	body	of	a	dead	Egyptian	would	be	
made	into	a	mummy	in	order	to	preserve	
the	body	for	its	immortal	soul,	or	ka.
▪ The	word	"mummy"	comes	from	the	
Arabic	mumiyah	(body	preserved	by	wax	
or	bitumen)	
▪ The	process	of	mummification	was	
complicated,	including	removing	organs	
&	wrapping	the	body	in	linen	cloth.
The Purpose of Egyptian Mummification
▪ The	body	of	a	dead	Egyptian	would	be	
made	into	a	mummy	in	order	to	preserve	
the	body	for	its	immortal	soul,	or	ka.
▪ The	word	"mummy"	comes	from	the	
Arabic	mumiyah	(body	preserved	by	wax	
or	bitumen)	
▪ The	process	of	mummification	was	
complicated,	including	removing	organs	
&	wrapping	the	body	in	linen	cloth.	
▪ The	body	was	treated	with	preservatives	
which	dried	out	the	body	of	the	mummy.
The Purpose of Egyptian Mummification
▪ The	body	of	a	dead	Egyptian	would	be	
made	into	a	mummy	in	order	to	preserve	
the	body	for	its	immortal	soul,	or	ka.
▪ The	word	"mummy"	comes	from	the	
Arabic	mumiyah	(body	preserved	by	wax	
or	bitumen)	
▪ The	process	of	mummification	was	
complicated,	including	removing	organs	
&	wrapping	the	body	in	linen	cloth.	
▪ The	body	was	treated	with	preservatives	
which	dried	out	the	body	of	the	mummy.
▪ The	ancient	Egyptians	believed	that,	
after	death,	their	bodies	would	travel	to	
the	world	of	the	afterlife	during	the	day	
&	return	to	their	bodies	at	night.
The Purpose of Egyptian Mummification
The Purpose of Egyptian Mummification
▪ In	order	for	the	person’s	spirit,	
or	ka,	to	live	forever,	it	had	to	be	
able	to	recognize	&	return	to	
the	body.
The Purpose of Egyptian Mummification
▪ In	order	for	the	person’s	spirit,	
or	ka,	to	live	forever,	it	had	to	be	
able	to	recognize	&	return	to	
the	body.
▪ If	a	spirit	could	not	recognize	
the	body	it	belonged	to,	it	
would	die.
The Purpose of Egyptian Mummification
▪ In	order	for	the	person’s	spirit,	
or	ka,	to	live	forever,	it	had	to	be	
able	to	recognize	&	return	to	
the	body.
▪ If	a	spirit	could	not	recognize	
the	body	it	belonged	to,	it	
would	die.
▪ This	is	why	the	Egyptians	
wanted	to	preserve	the	bodies	
of	the	dead	in	as	life-like	a	state	
as	possible.
The Purpose of Egyptian Mummification
▪ In	order	for	the	person’s	spirit,	
or	ka,	to	live	forever,	it	had	to	be	
able	to	recognize	&	return	to	
the	body.
▪ If	a	spirit	could	not	recognize	
the	body	it	belonged	to,	it	
would	die.
▪ This	is	why	the	Egyptians	
wanted	to	preserve	the	bodies	
of	the	dead	in	as	life-like	a	state	
as	possible.
▪ Mummification	guaranteed	
eternal	life	for	the	spirit.
The Mummification Process
The Mummification Process
▪ The	entire	process	took	70	
days	to	complete.
The Mummification Process
▪ The	entire	process	took	70	
days	to	complete.
▪ Several	embalmers	
conducted	the	task	in	the	
special	embalming	shop,	or	
per-nefer.
The Mummification Process
▪ The	entire	process	took	70	
days	to	complete.
▪ Several	embalmers	
conducted	the	task	in	the	
special	embalming	shop,	or	
per-nefer.
▪ The	chief	embalmer	was	
known	as	the	hery	sheshta.
The Mummification Process
▪ The	entire	process	took	70	
days	to	complete.
▪ Several	embalmers	
conducted	the	task	in	the	
special	embalming	shop,	or	
per-nefer.
▪ The	chief	embalmer	was	
known	as	the	hery	sheshta.
▪ He	wore	a	jackal	mask	to	
represent	Anubis,	the	god	of	
mummification.
The Mummification Process
The Mummification Process
▪ After	the	deceased’s	body	was	
brought	to	the	per-nefer,	it	
was	washed	with	a	mixture	of	
palm	wine	and	water	from	the	
Nile,	then	shaved	of	its	hair.
The Mummification Process
▪ After	the	deceased’s	body	was	
brought	to	the	per-nefer,	it	
was	washed	with	a	mixture	of	
palm	wine	and	water	from	the	
Nile,	then	shaved	of	its	hair.
▪ Following	that,	all	of	the	body	
parts	that	might	decay	or	rot	
were	removed.
The Mummification Process
▪ After	the	deceased’s	body	was	
brought	to	the	per-nefer,	it	
was	washed	with	a	mixture	of	
palm	wine	and	water	from	the	
Nile,	then	shaved	of	its	hair.
▪ Following	that,	all	of	the	body	
parts	that	might	decay	or	rot	
were	removed.
▪ The	embalmers	first	removed	
the	deceased’s	brain	through	
his	or	her	nose	using	a	long	
hook.
The Mummification Process
The Mummification Process
▪ The	long	hook	was	used	to	
stir	up	the	brain	until	it	was	
liquefied.
The Mummification Process
▪ The	long	hook	was	used	to	
stir	up	the	brain	until	it	was	
liquefied.
▪ Then	the	embalmers	would	
turn	the	body	face	down	to	
allow	the	brain	to	ooze	out	
through	the	nostrils.
The Mummification Process
▪ The	long	hook	was	used	to	
stir	up	the	brain	until	it	was	
liquefied.
▪ Then	the	embalmers	would	
turn	the	body	face	down	to	
allow	the	brain	to	ooze	out	
through	the	nostrils.
▪ The	Egyptians	were	so	rough	
on	the	brain	because	they	
didn’t	realize	its	importance.
The Mummification Process
▪ The	long	hook	was	used	to	
stir	up	the	brain	until	it	was	
liquefied.
▪ Then	the	embalmers	would	
turn	the	body	face	down	to	
allow	the	brain	to	ooze	out	
through	the	nostrils.
▪ The	Egyptians	were	so	rough	
on	the	brain	because	they	
didn’t	realize	its	importance.
▪ They	thought	its	sole	purpose	
was	to	produce	snot!
The Mummification Process
The Mummification Process
▪ Next,	the	embalmers	would	
remove	the	soft,	moist	
body	parts	that	would	
cause	the	body	to	decay.
The Mummification Process
▪ Next,	the	embalmers	would	
remove	the	soft,	moist	
body	parts	that	would	
cause	the	body	to	decay.
▪ A	deep	incision	was	made	
in	the	left	side	of	the	
deceased’s	abdomen	to	
remove	his	or	her	internal	
organs,	usually	the	lungs,	
the	stomach,	the	liver	and	
the	intestines.
The Mummification Process
The Mummification Process
▪ In	some	cases	they	removed	
the	heart,	but	in	the	vast	
majority	of	cases	they	left	it.
The Mummification Process
▪ In	some	cases	they	removed	
the	heart,	but	in	the	vast	
majority	of	cases	they	left	it.
▪ Unlike	modern	humans,	the	
ancient	believed	that	the	
heart,	not	the	brain,	was	the	
seat	of	the	soul
The Mummification Process
▪ In	some	cases	they	removed	
the	heart,	but	in	the	vast	
majority	of	cases	they	left	it.
▪ Unlike	modern	humans,	the	
ancient	believed	that	the	
heart,	not	the	brain,	was	the	
seat	of	the	soul	
▪ The	Egyptians	also	believed	
that	the	heart	testified	on	
behalf	of	the	deceased	during	
the	Weighing	of	the	Heart	
Ceremony	in	the	afterlife.
The Mummification Process
▪ In	some	cases	they	removed	
the	heart,	but	in	the	vast	
majority	of	cases	they	left	it.
▪ Unlike	modern	humans,	the	
ancient	believed	that	the	
heart,	not	the	brain,	was	the	
seat	of	the	soul	
▪ The	Egyptians	also	believed	
that	the	heart	testified	on	
behalf	of	the	deceased	during	
the	Weighing	of	the	Heart	
Ceremony	in	the	afterlife.
The Mummification Process
The Mummification Process
▪ After	the	body’s	organs	had	
been	removed,	it	was	stuffed	
with	bundles	of	a	strong	drying	
salt	called	natron	that	was	
meant	to	further	dehydrate	the	
corpse.
The Mummification Process
▪ After	the	body’s	organs	had	
been	removed,	it	was	stuffed	
with	bundles	of	a	strong	drying	
salt	called	natron	that	was	
meant	to	further	dehydrate	the	
corpse.
▪ The	deceased’s	entire	body	
was	then	covered	with	natron	
&	placed	on	an	inclined	slab	so	
that	any	moisture	the	natron	
pulled	from	the	body	would	
run	off	the	end,	be	collected	&	
buried	with	the	body.
The Mummification Process
The Mummification Process
▪ While	the	body	was	drying,	the	
previously	removed	internal	
organs	were	also	dried	&	
preserved	with	natron.
The Mummification Process
▪ While	the	body	was	drying,	the	
previously	removed	internal	
organs	were	also	dried	&	
preserved	with	natron.
▪ They	were	then	wrapped	in	
strips	of	linen	&	put	into	
separate	containers	called	
canopic	jars.
The Mummification Process
▪ While	the	body	was	drying,	the	
previously	removed	internal	
organs	were	also	dried	&	
preserved	with	natron.
▪ They	were	then	wrapped	in	
strips	of	linen	&	put	into	
separate	containers	called	
canopic	jars.
The Mummification Process
▪ While	the	body	was	drying,	the	
previously	removed	internal	
organs	were	also	dried	&	
preserved	with	natron.
▪ They	were	then	wrapped	in	
strips	of	linen	&	put	into	
separate	containers	called	
canopic	jars.
▪ The	Egyptians	believed	that	all	
body	parts	would	be	magically	
reunited	in	the	afterlife	and	that	
the	body	would	become	whole	
again,	just	like	the	god	Osiris’s	
had.
The Egyptian Myth of Osiris
The Egyptian Myth of Osiris
▪ According	to	Egyptian	
mythology,	the	god	Osiris	was	
murdered	by	his	jealous	
brother	Set,	who	hacked	
Osiris’s	body	into	pieces	&	
scattered	them	into	the	Nile.
The Egyptian Myth of Osiris
▪ According	to	Egyptian	
mythology,	the	god	Osiris	was	
murdered	by	his	jealous	
brother	Set,	who	hacked	
Osiris’s	body	into	pieces	&	
scattered	them	into	the	Nile.
▪ Heartbroken,	Osiris’s	wife,	the	
goddess	Isis,	reassembled	the	
pieces	with	the	other	gods’	
assistance	&	Osiris	was	
magically	restored.
The Egyptian Myth of Osiris
▪ According	to	Egyptian	
mythology,	the	god	Osiris	was	
murdered	by	his	jealous	
brother	Set,	who	hacked	
Osiris’s	body	into	pieces	&	
scattered	them	into	the	Nile.
▪ Heartbroken,	Osiris’s	wife,	the	
goddess	Isis,	reassembled	the	
pieces	with	the	other	gods’	
assistance	&	Osiris	was	
magically	restored.
▪ He	then	went	on	to	become	
the	god	of	the	afterlife.
The Mummification Process
The Mummification Process
▪ The	stoppers	of	the	canopic	jars	
were	shaped	like	the	heads	of	the	
four	sons	of	the	god	Horus	(god	of	
the	Egyptian	kings).
The Mummification Process
▪ The	stoppers	of	the	canopic	jars	
were	shaped	like	the	heads	of	the	
four	sons	of	the	god	Horus	(god	of	
the	Egyptian	kings).
The Mummification Process
▪ The	stoppers	of	the	canopic	jars	
were	shaped	like	the	heads	of	the	
four	sons	of	the	god	Horus	(god	of	
the	Egyptian	kings).		
▪ Each	son	protected	the	organ	placed	
inside	his	respective	jar:
The Mummification Process
▪ The	stoppers	of	the	canopic	jars	
were	shaped	like	the	heads	of	the	
four	sons	of	the	god	Horus	(god	of	
the	Egyptian	kings).		
▪ Each	son	protected	the	organ	placed	
inside	his	respective	jar:
▪ Jackal-headed	Duamutef	guarded	
the	jar	that	contained	the	stomach.
The Mummification Process
▪ The	stoppers	of	the	canopic	jars	
were	shaped	like	the	heads	of	the	
four	sons	of	the	god	Horus	(god	of	
the	Egyptian	kings).		
▪ Each	son	protected	the	organ	placed	
inside	his	respective	jar:
▪ Jackal-headed	Duamutef	guarded	
the	jar	that	contained	the	stomach.
▪ Falcon-headed	Qebehsenuf	watched	
over	the	intestines.
The Mummification Process
▪ The	stoppers	of	the	canopic	jars	
were	shaped	like	the	heads	of	the	
four	sons	of	the	god	Horus	(god	of	
the	Egyptian	kings).		
▪ Each	son	protected	the	organ	placed	
inside	his	respective	jar:
▪ Jackal-headed	Duamutef	guarded	
the	jar	that	contained	the	stomach.
▪ Falcon-headed	Qebehsenuf	watched	
over	the	intestines.
▪ The	baboon-headed	son	of	Horus,	
Hapi,	protected	the	lungs.
The Mummification Process
▪ The	stoppers	of	the	canopic	jars	
were	shaped	like	the	heads	of	the	
four	sons	of	the	god	Horus	(god	of	
the	Egyptian	kings).		
▪ Each	son	protected	the	organ	placed	
inside	his	respective	jar:
▪ Jackal-headed	Duamutef	guarded	
the	jar	that	contained	the	stomach.
▪ Falcon-headed	Qebehsenuf	watched	
over	the	intestines.
▪ The	baboon-headed	son	of	Horus,	
Hapi,	protected	the	lungs.
▪ Human-headed	Imseti	was	in	charge	
of	protecting	the	liver.
The Mummification Process
The Mummification Process
▪ Next,	the	canopic	jars	
were	carefully	stored	in	a	
heavy,	secure	chest	that	
was	later	placed	in	the	
tomb	with	the	mummy.
The Mummification Process
▪ Next,	the	canopic	jars	
were	carefully	stored	in	a	
heavy,	secure	chest	that	
was	later	placed	in	the	
tomb	with	the	mummy.
▪ The	chest	of	canopic	jars	
on	the	left	was	found	in	
the	tomb	of	the	famous	
King	Tutankhamen.
The Mummification Process
▪ Next,	the	canopic	jars	
were	carefully	stored	in	a	
heavy,	secure	chest	that	
was	later	placed	in	the	
tomb	with	the	mummy.
▪ The	chest	of	canopic	jars	
on	the	left	was	found	in	
the	tomb	of	the	famous	
King	Tutankhamen.
The Mummification Process
The Mummification Process
▪ After	40	days,	the	body	was	
completely	dehydrated.
The Mummification Process
▪ After	40	days,	the	body	was	
completely	dehydrated.	
▪ During	that	time	the	skin	
became	shrunken,	wrinkled	&	
leathery.
The Mummification Process
▪ After	40	days,	the	body	was	
completely	dehydrated.	
▪ During	that	time	the	skin	
became	shrunken,	wrinkled	&	
leathery.
▪ The	bundles	of	natron	were	
then	removed	from	the	
body’s	abdomen.
The Mummification Process
▪ After	40	days,	the	body	was	
completely	dehydrated.	
▪ During	that	time	the	skin	
became	shrunken,	wrinkled	&	
leathery.
▪ The	bundles	of	natron	were	
then	removed	from	the	
body’s	abdomen.
▪ Next,	the		mummy	was	
washed	with	wine	&	water	
one	more	time	&	rubbed	with	
sacred	oils	to	soften	the	skin.
The Mummification Process
The Mummification Process
▪ The	mummy’s	head	&	body	were	
packed	with	herbs,	sawdust	&	
linen	soaked	in	scented	oil	so	
that	the	body		could	regain	its	
shape,	and	to	deodorize	the	
deceased’s	body.
The Mummification Process
▪ The	mummy’s	head	&	body	were	
packed	with	herbs,	sawdust	&	
linen	soaked	in	scented	oil	so	
that	the	body		could	regain	its	
shape,	and	to	deodorize	the	
deceased’s	body.
▪ Then,	small	stones	or	small	
onions	were	placed	under	the	
eyelids	to	restore	a	life-like	
appearance.
The Mummification Process
▪ The	mummy’s	head	&	body	were	
packed	with	herbs,	sawdust	&	
linen	soaked	in	scented	oil	so	
that	the	body		could	regain	its	
shape,	and	to	deodorize	the	
deceased’s	body.
▪ Then,	small	stones	or	small	
onions	were	placed	under	the	
eyelids	to	restore	a	life-like	
appearance.
▪ Once	this	was	done,	the	mummy	
could	be	covered	with	necklaces,	
rings	and	bracelets	made	of	gold	
&	gems.
The Mummification Process
The Mummification Process
▪ According	to	Egyptian	myth,	the	
god	Horus	had	his	eye	
miraculously	restored	after	
losing	it	in	a	battle	with	the	evil	
god	Set.
The Mummification Process
▪ According	to	Egyptian	myth,	the	
god	Horus	had	his	eye	
miraculously	restored	after	
losing	it	in	a	battle	with	the	evil	
god	Set.	
▪ As	a	result,	The	Eye	of	Horus,	
called	a	wedjat,	is	associated	
with	healing	&	protection.
The Mummification Process
▪ According	to	Egyptian	myth,	the	
god	Horus	had	his	eye	
miraculously	restored	after	
losing	it	in	a	battle	with	the	evil	
god	Set.	
▪ As	a	result,	The	Eye	of	Horus,	
called	a	wedjat,	is	associated	
with	healing	&	protection.
▪ During	mummification,	a	wax	or	
bronze	plate	with	a	wedjat	
carved	on	it	was	placed	over	the	
embalming	incision	to	magically	
heal	the	wound	in	the	afterlife.
The Mummification Process
The Mummification Process
▪ Once	the	wedjat	was	in	
place,	the	entire	body	was	
then	covered	in	shrouds	&	
bound	with	strips	of	linen	
until	the	mummy	had	
returned	to	its	original	size.
The Mummification Process
▪ Once	the	wedjat	was	in	
place,	the	entire	body	was	
then	covered	in	shrouds	&	
bound	with	strips	of	linen	
until	the	mummy	had	
returned	to	its	original	size.
▪ This	was	a	complicated	job,	
could	take	as	long	as	a	
week,	and	usually	required	
1,000	yards’	worth	of	2	–	8”	
wide	linen	strips.
The Mummification Process
The Mummification Process
▪ As	the	mummy	was	being	
wrapped,	small,	magical	
carvings	called	amulets	
were	inserted	between	the	
layers	of	linen	to	further	
protect	the	mummy’s	spirit	
on	its	way	to	the	afterlife.
The Mummification Process
▪ As	the	mummy	was	being	
wrapped,	small,	magical	
carvings	called	amulets	
were	inserted	between	the	
layers	of	linen	to	further	
protect	the	mummy’s	spirit	
on	its	way	to	the	afterlife.
▪ As	each	layer	was	added,	it	
was	coated	with	resin	to	
hold	the	wrappings	together	
with	a	waterproof	seal.
The Mummification Process
The Mummification Process
▪ After	the	week	of	wrapping	
was	finished,	the	head	of	the	
mummy	was	covered	with	a	
portrait	mask.
The Mummification Process
▪ After	the	week	of	wrapping	
was	finished,	the	head	of	the	
mummy	was	covered	with	a	
portrait	mask.
▪ This	was	designed		to	ensure	
that	the	ka	would	recognize	
the	body	in	the	afterlife.
The Mummification Process
▪ After	the	week	of	wrapping	
was	finished,	the	head	of	the	
mummy	was	covered	with	a	
portrait	mask.
▪ This	was	designed		to	ensure	
that	the	ka	would	recognize	
the	body	in	the	afterlife.
▪ Finally,	the	wrapped,	masked	
mummy	was	placed	into	a	
series	of	wooden	&	gilded	
coffins	which	were	ultimately	
placed	into	a	stone	
sarcophagus.
The Mummification Process
The Mummification Process
▪ On	the	day	of	the	funeral,	the	
mummy	was	brought	to	the	
western	bank	of	the	Nile	on	a	
barque.
The Mummification Process
▪ On	the	day	of	the	funeral,	the	
mummy	was	brought	to	the	
western	bank	of	the	Nile	on	a	
barque.
▪ The	mummy	was	next	brought	
to	its	tomb,	where	Osiris’s	
priests	performed	the	Opening	
of	the	Mouth	Ceremony	by	
touching	the	deceased’s	eyes,	
nose,	and	mouth	of	the	
sarcophagus	with	a	sacred	tool.
The Mummification Process
▪ On	the	day	of	the	funeral,	the	
mummy	was	brought	to	the	
western	bank	of	the	Nile	on	a	
barque.
▪ The	mummy	was	next	brought	
to	its	tomb,	where	Osiris’s	
priests	performed	the	Opening	
of	the	Mouth	Ceremony	by	
touching	the	deceased’s	eyes,	
nose,	and	mouth	of	the	
sarcophagus	with	a	sacred	tool.
▪ This	ritual	symbolically	
reactivated	these	senses	in	the	
afterlife.
The Mummification Process
The Mummification Process
▪ The	deceased’s	sarcophagus	was	
then	placed	inside	the	tomb’s	burial	
chamber,	the	entrance	to	which	
would	be	sealed	to	prevent	looting	
or	theft.
The Mummification Process
▪ The	deceased’s	sarcophagus	was	
then	placed	inside	the	tomb’s	burial	
chamber,	the	entrance	to	which	
would	be	sealed	to	prevent	looting	
or	theft.
▪ Before	the	tomb	was	sealed,	the	
deceased’s	family	members	
deposited	food,	clothes,	furniture,	
and	dishes	into	the	burial	chamber.
The Mummification Process
▪ The	deceased’s	sarcophagus	was	
then	placed	inside	the	tomb’s	burial	
chamber,	the	entrance	to	which	
would	be	sealed	to	prevent	looting	
or	theft.
▪ Before	the	tomb	was	sealed,	the	
deceased’s	family	members	
deposited	food,	clothes,	furniture,	
and	dishes	into	the	burial	chamber.	
▪ They	did	this	because	the	Egyptians	
believed	the	deceased	would	need	
the	same	accoutrements	in	the	
afterlife	that	he	or	she	had	used	in	
his	or	her	mortal	life.
The Mummification Process
The Mummification Process
▪ If	you	still	can’t	get	enough	
of	the	Egyptian	
mummification	process,	
then	you	might	enjoy	the	
opportunity	to	act	like		a	
virtual	hery	shesta,	using	
the	Québec	Museum	of	
Civilization’s	online	
embalming	game	at:
The Mummification Process
▪ If	you	still	can’t	get	enough	
of	the	Egyptian	
mummification	process,	
then	you	might	enjoy	the	
opportunity	to	act	like		a	
virtual	hery	shesta,	using	
the	Québec	Museum	of	
Civilization’s	online	
embalming	game	at:
www.mcq.org/momies
Architecture of the Afterlife
Erecting A Pharaoh’s Eternal Home
Architecture of the Afterlife

Building Materials
Architecture of the Afterlife

Building Materials
▪ The	3	most	common	materials	for	
construction	in	Egypt	were	plant	
materials,	clay	&	stone.
Architecture of the Afterlife

Building Materials
▪ The	3	most	common	materials	for	
construction	in	Egypt	were	plant	
materials,	clay	&	stone.
▪ Plant	materials	consisted	of	
readily	available	materials	like	
reeds,	papyrus,	&	palm	tree	ribs	&	
shafts.
Architecture of the Afterlife

Building Materials
▪ The	3	most	common	materials	for	
construction	in	Egypt	were	plant	
materials,	clay	&	stone.
▪ Plant	materials	consisted	of	
readily	available	materials	like	
reeds,	papyrus,	&	palm	tree	ribs	&	
shafts.	
▪ Timber	was	available	in	limited	
quantity	&	used	for	roofing.
Architecture of the Afterlife

Building Materials
▪ The	3	most	common	materials	for	
construction	in	Egypt	were	plant	
materials,	clay	&	stone.
▪ Plant	materials	consisted	of	
readily	available	materials	like	
reeds,	papyrus,	&	palm	tree	ribs	&	
shafts.	
▪ Timber	was	available	in	limited	
quantity	&	used	for	roofing.	
▪ Nile-sourced	clay	was	used	for	
construction,	either	for	frame	
construction	or	as	sun-dried	brick.
Architecture of the Afterlife

Building Materials
▪ The	3	most	common	materials	for	
construction	in	Egypt	were	plant	
materials,	clay	&	stone.
▪ Plant	materials	consisted	of	
readily	available	materials	like	
reeds,	papyrus,	&	palm	tree	ribs	&	
shafts.	
▪ Timber	was	available	in	limited	
quantity	&	used	for	roofing.	
▪ Nile-sourced	clay	was	used	for	
construction,	either	for	frame	
construction	or	as	sun-dried	brick.	
▪ Stone	was	not	used	much	during	
the	early	period	of	Egyptian	
civilization,	but	became	popular	
later	for	tombs	&	temples.
Architecture of the Afterlife

The Socio-Cultural Context
Architecture of the Afterlife

The Socio-Cultural Context
▪ Ancient	Egyptians	viewed	
earthly	dwellings	as	
temporary,	so	they	spent	
very	little	emphasis	on	
house	construction.
Architecture of the Afterlife

The Socio-Cultural Context
▪ Ancient	Egyptians	viewed	
earthly	dwellings	as	
temporary,	so	they	spent	
very	little	emphasis	on	
house	construction.	
▪ Instead,	tremendous	effort	
was	exerted	in	tomb	
construction.
Architecture of the Afterlife

The Socio-Cultural Context
▪ Ancient	Egyptians	viewed	
earthly	dwellings	as	
temporary,	so	they	spent	
very	little	emphasis	on	
house	construction.	
▪ Instead,	tremendous	effort	
was	exerted	in	tomb	
construction.
▪ This	stemmed	from	the	
belief	that	the	deceased’s	
tomb	was	his	or	her	true	
permanent	dwelling,	as	it	
would	be	used	for	the	
entirety	of	the	afterlife.
Architecture of the Afterlife

The Socio-Cultural Context
Architecture of the Afterlife

The Socio-Cultural Context
▪ As	previously	stated,	
Egyptians	believed	that	a	
dead	person	needed	all	her	or	
his	worldly	goods	in	the	
afterlife.
Architecture of the Afterlife

The Socio-Cultural Context
▪ As	previously	stated,	
Egyptians	believed	that	a	
dead	person	needed	all	her	or	
his	worldly	goods	in	the	
afterlife.
▪ Subsequently,	the	tomb	was	
usually	packed	with	all	the	
dead	person’s	treasures.
Architecture of the Afterlife

The Socio-Cultural Context
▪ As	previously	stated,	
Egyptians	believed	that	a	
dead	person	needed	all	her	or	
his	worldly	goods	in	the	
afterlife.
▪ Subsequently,	the	tomb	was	
usually	packed	with	all	the	
dead	person’s	treasures.	
▪ If	something	could	not	be	
provided,	its	image	was	
painted	on	the	walls	of	the	
tomb.
Architecture of the Afterlife
Architecture of the Afterlife
▪ During	the	Old	Kingdom,	the	
pharaoh	and	his	court	lived	in	
Memphis.
Architecture of the Afterlife
▪ During	the	Old	Kingdom,	the	
pharaoh	and	his	court	lived	in	
Memphis.	
▪ When	they	died,	they	were	buried	at	
the	necropolis	at	Saqqara.
Architecture of the Afterlife
▪ During	the	Old	Kingdom,	the	
pharaoh	and	his	court	lived	in	
Memphis.	
▪ When	they	died,	they	were	buried	at	
the	necropolis	at	Saqqara.
▪ Today,	very	little	of	ancient	
Memphis	survives	because	its	
structures	were	built	from	
inexpensive,	locally-sourced	
materials.
Architecture of the Afterlife
▪ During	the	Old	Kingdom,	the	
pharaoh	and	his	court	lived	in	
Memphis.	
▪ When	they	died,	they	were	buried	at	
the	necropolis	at	Saqqara.
▪ Today,	very	little	of	ancient	
Memphis	survives	because	its	
structures	were	built	from	
inexpensive,	locally-sourced	
materials.
▪ Houses	were	built	of	materials	like	
wood	and	mud-brick,	and	were	only	
meant	to	last	for	1	lifetime.
Architecture of the Afterlife
Architecture of the Afterlife
▪ The	earliest	method	of	burial	in	
ancient	Egypt	was	actually	in	
shallow	pits	in	the	desert	of	the	
Nile’s	west	bank.
Architecture of the Afterlife
▪ The	earliest	method	of	burial	in	
ancient	Egypt	was	actually	in	
shallow	pits	in	the	desert	of	the	
Nile’s	west	bank.	
▪ The	desert	sand	dried	the	bodies	
and	preserved	them.
Architecture of the Afterlife
▪ The	earliest	method	of	burial	in	
ancient	Egypt	was	actually	in	
shallow	pits	in	the	desert	of	the	
Nile’s	west	bank.	
▪ The	desert	sand	dried	the	bodies	
and	preserved	them.	
▪ When	animals	preying	on	bodies	
became	a	problem	in	burial,	the	
people	dug	their	graves	deeper.
Architecture of the Afterlife
▪ The	earliest	method	of	burial	in	
ancient	Egypt	was	actually	in	
shallow	pits	in	the	desert	of	the	
Nile’s	west	bank.	
▪ The	desert	sand	dried	the	bodies	
and	preserved	them.	
▪ When	animals	preying	on	bodies	
became	a	problem	in	burial,	the	
people	dug	their	graves	deeper.
▪ In	the	end,	to	ensure	the	
preservation	of	their	burials,	
they	built	a	bench-like	structure	
over	graves	to	create	the	first	
burial	structure	called	a	
mastaba.
Architecture of the Afterlife
Architecture of the Afterlife
▪ The	name	mastaba	derived	from	
the	name	for	the	steps	or	
podiums	found	in	the	front	of	
traditional	Egyptian	houses.
Architecture of the Afterlife
▪ The	name	mastaba	derived	from	
the	name	for	the	steps	or	
podiums	found	in	the	front	of	
traditional	Egyptian	houses.	
▪ In	the	Old	Kingdom,	rich	&	noble	
people	built	mastabas	for	their	
burials	in	the	necropolis.
Architecture of the Afterlife
▪ The	name	mastaba	derived	from	
the	name	for	the	steps	or	
podiums	found	in	the	front	of	
traditional	Egyptian	houses.	
▪ In	the	Old	Kingdom,	rich	&	noble	
people	built	mastabas	for	their	
burials	in	the	necropolis.
▪ Above	ground,	the	mastaba	
looks	like	a	large	bench	of	
sunbaked	bricks	rising	about	30	
feet	high,	with	a	flat	roof	&	
sloping	walls.
Architecture of the Afterlife
▪ The	name	mastaba	derived	from	
the	name	for	the	steps	or	
podiums	found	in	the	front	of	
traditional	Egyptian	houses.	
▪ In	the	Old	Kingdom,	rich	&	noble	
people	built	mastabas	for	their	
burials	in	the	necropolis.
▪ Above	ground,	the	mastaba	
looks	like	a	large	bench	of	
sunbaked	bricks	rising	about	30	
feet	high,	with	a	flat	roof	&	
sloping	walls.	
▪ The	earliest	mastabas	were	
decorated	with	painted	patterns	
in	brilliant	colors.
Architecture of the Afterlife
Architecture of the Afterlife
▪ Internally,	a	mastaba	consists	
of	three	spaces:	an	
underground		burial	chamber	
&	an	above	ground	serdab	&	
chapel.	
▪ The	burial	chamber	was	
located	30	feet	below	ground	
&	was	the	place	for	the	
deceased’s	sarcophagus.
Architecture of the Afterlife
▪ Internally,	a	mastaba	consists	
of	three	spaces:	an	
underground		burial	chamber	
&	an	above	ground	serdab	&	
chapel.	
▪ The	burial	chamber	was	
located	30	feet	below	ground	
&	was	the	place	for	the	
deceased’s	sarcophagus.
▪ It	was	connected	to	the	
serdab	&	chapel	above	
ground	through	a	shaft.
Architecture of the Afterlife
Architecture of the Afterlife
▪ The	mastaba’s	serdab	&	
chapel	are	located	above-
ground.
Architecture of the Afterlife
▪ The	mastaba’s	serdab	&	
chapel	are	located	above-
ground.		
▪ The	serdab	is	a	room	where	
the	ka	statue	of		the	dead	
person	is	kept.
Architecture of the Afterlife
▪ The	mastaba’s	serdab	&	
chapel	are	located	above-
ground.		
▪ The	serdab	is	a	room	where	
the	ka	statue	of		the	dead	
person	is	kept.
▪ The	ka	statue	would	act	as	a	
substitute	for	the	deceased’s	
body	in	case	it	was	destroyed	
and	was	also	the	focus	of	
worship	by	the	deceased’s	
family	members.
Architecture of the Afterlife
Architecture of the Afterlife
▪ Some	mastabas	had	
surrounding	security	
fences	or	walls,	and	some	
even	had	chambers	for	
the	burial	of	the	
deceased’s	servants	or	
pets.
Architecture of the Afterlife
▪ Some	mastabas	had	
surrounding	security	
fences	or	walls,	and	some	
even	had	chambers	for	
the	burial	of	the	
deceased’s	servants	or	
pets.
Architecture of the Afterlife
▪ Some	mastabas	had	
surrounding	security	
fences	or	walls,	and	some	
even	had	chambers	for	
the	burial	of	the	
deceased’s	servants	or	
pets.
▪ The	design	of	the	mastaba	
is	the	architectural	
embryo	that	grew	into	the	
pyramids.
Architecture of the Afterlife:

The Step Pyramid of King Djoser
Architecture of the Afterlife:

The Step Pyramid of King Djoser
Architecture of the Afterlife:

The Step Pyramid of King Djoser
▪ Egyptian	King	Djoser	was	a	
powerful	pharaoh	of	the	third	
dynasty	of	the	Old	Kingdom.
Architecture of the Afterlife:

The Step Pyramid of King Djoser
▪ Egyptian	King	Djoser	was	a	
powerful	pharaoh	of	the	third	
dynasty	of	the	Old	Kingdom.	
▪ His	tomb,	known	as	the	Step	
Pyramid	of	King	Djoser,	was	
designed	by	Imhotep	(the	first	
named	artist	in	history)	in	2,667	
BCE.
Architecture of the Afterlife:

The Step Pyramid of King Djoser
▪ Egyptian	King	Djoser	was	a	
powerful	pharaoh	of	the	third	
dynasty	of	the	Old	Kingdom.	
▪ His	tomb,	known	as	the	Step	
Pyramid	of	King	Djoser,	was	
designed	by	Imhotep	(the	first	
named	artist	in	history)	in	2,667	
BCE.	
▪ It	was	built	as	a	funeral	
complex	at	the	necropolis	of	
Saqqara.
Architecture of the Afterlife:

The Step Pyramid of King Djoser
▪ Egyptian	King	Djoser	was	a	
powerful	pharaoh	of	the	third	
dynasty	of	the	Old	Kingdom.	
▪ His	tomb,	known	as	the	Step	
Pyramid	of	King	Djoser,	was	
designed	by	Imhotep	(the	first	
named	artist	in	history)	in	2,667	
BCE.	
▪ It	was	built	as	a	funeral	
complex	at	the	necropolis	of	
Saqqara.	
▪ Initially,	Imhotep	conceived	of	
the	tomb	as	a	large	mastaba	of	
stone.
Architecture of the Afterlife:

The Step Pyramid of King Djoser
Architecture of the Afterlife:

The Step Pyramid of King Djoser
▪ Apparently,	King	Djoser	did	
not	like	Imhotep’s	initial	idea,	
so	instead	Imhotep	designed	
a	series	of	layered	mastaba	
“steps”	instead.
Architecture of the Afterlife:

The Step Pyramid of King Djoser
▪ Apparently,	King	Djoser	did	
not	like	Imhotep’s	initial	idea,	
so	instead	Imhotep	designed	
a	series	of	layered	mastaba	
“steps”	instead.
▪ The	result	was	a	pyramid	with	
five	sloping	tiers	set	upon	a	
massive	mastaba	base.
Architecture of the Afterlife:

The Step Pyramid of King Djoser
▪ Apparently,	King	Djoser	did	
not	like	Imhotep’s	initial	idea,	
so	instead	Imhotep	designed	
a	series	of	layered	mastaba	
“steps”	instead.
▪ The	result	was	a	pyramid	with	
five	sloping	tiers	set	upon	a	
massive	mastaba	base.	
▪ As	a	result,	this	step	pyramid	
acts	as	the	intermediate	step	
between	the	mastaba	and	a	
true	geometric	pyramid.
Architecture of the Afterlife:

Snefru’s Bent Pyramid at Dahshur
Architecture of the Afterlife:

Snefru’s Bent Pyramid at Dahshur
▪ The	later	Pharaoh	Snefru	made	
two	attempts	at	creating	a	
true	pyramid.
Architecture of the Afterlife:

Snefru’s Bent Pyramid at Dahshur
▪ The	later	Pharaoh	Snefru	made	
two	attempts	at	creating	a	
true	pyramid.	
▪ His	first	attempt	in	2,600	BCE,	
the	Bent	Pyramid	at	Dahshur,	
had	a	square	plan	with	a	
height	of	334’.
Architecture of the Afterlife:

Snefru’s Bent Pyramid at Dahshur
▪ The	later	Pharaoh	Snefru	made	
two	attempts	at	creating	a	
true	pyramid.	
▪ His	first	attempt	in	2,600	BCE,	
the	Bent	Pyramid	at	Dahshur,	
had	a	square	plan	with	a	
height	of	334’.
▪ Due	to	structural	instability	
during	construction,	the	
pyramid’s	sides	changed	angle	
halfway	up,	which	led	to	its	
being	nicknamed	the	“Bent	
Pyramid”.
Architecture of the Afterlife:

The Pyramids at Giza
Architecture of the Afterlife:

The Pyramids at Giza
Architecture of the Afterlife:

The Pyramids at Giza
Architecture of the Afterlife:

The Pyramids at Giza
▪ Construction	of	a	true	
geometrical	pyramid	was	
finally	achieved	during	reign	of	
King	Khufu,	son	of	Snefru,	in	
2,560	BCE.
Architecture of the Afterlife:

The Pyramids at Giza
▪ Construction	of	a	true	
geometrical	pyramid	was	
finally	achieved	during	reign	of	
King	Khufu,	son	of	Snefru,	in	
2,560	BCE.
▪ His	pyramid	is	located,	along	
with	the	other	most	famous	
true	pyramids,	on	the	Giza	
Plateau	on	the	west	bank	of	
the	Nile.
Architecture of the Afterlife:

The Pyramids at Giza
▪ Construction	of	a	true	
geometrical	pyramid	was	
finally	achieved	during	reign	of	
King	Khufu,	son	of	Snefru,	in	
2,560	BCE.
▪ His	pyramid	is	located,	along	
with	the	other	most	famous	
true	pyramids,	on	the	Giza	
Plateau	on	the	west	bank	of	
the	Nile.	
▪ The	pyramid	is	482’	high	on	a	
plan	of	760’	square.
Architecture of the Afterlife:

The Pyramids at Giza
Architecture of the Afterlife:

The Pyramids at Giza
▪ Eventually,	two	additional	
pyramids	were	built	at	Giza	
by	Cheops’	successors.
Architecture of the Afterlife:

The Pyramids at Giza
▪ Eventually,	two	additional	
pyramids	were	built	at	Giza	
by	Cheops’	successors.
▪ The	second	and	largest,	in	the	
center,	was	built	by	King	
Khafre,	King	Cheops’s	son.
Architecture of the Afterlife:

The Pyramids at Giza
▪ Eventually,	two	additional	
pyramids	were	built	at	Giza	
by	Cheops’	successors.
▪ The	second	and	largest,	in	the	
center,	was	built	by	King	
Khafre,	King	Cheops’s	son.	
▪ The	third	and	smallest	was	
built	by	King	Menkaure,	
Chefren’s	son.
Architecture of the Afterlife:

The Pyramids at Giza
▪ Eventually,	two	additional	
pyramids	were	built	at	Giza	
by	Cheops’	successors.
▪ The	second	and	largest,	in	the	
center,	was	built	by	King	
Khafre,	King	Cheops’s	son.	
▪ The	third	and	smallest	was	
built	by	King	Menkaure,	
Chefren’s	son.		
▪ Collectively,	the	three	are	
referred	to	as	the	Pyramids	at	
Giza.
Architecture of the Afterlife:

The Pyramids at Giza
Architecture of the Afterlife:

The Pyramids at Giza
▪ All	the	pyramids	were	
designed	as	part	of	a	dynastic	
funeral	complex	for	the	burial	
of	the	pharaohs.
Architecture of the Afterlife:

The Pyramids at Giza
▪ All	the	pyramids	were	
designed	as	part	of	a	dynastic	
funeral	complex	for	the	burial	
of	the	pharaohs.
▪ Today,	Khafre’s	complex	is	the	
best	preserved	example.
Architecture of the Afterlife:

The Pyramids at Giza
▪ All	the	pyramids	were	
designed	as	part	of	a	dynastic	
funeral	complex	for	the	burial	
of	the	pharaohs.
▪ Today,	Khafre’s	complex	is	the	
best	preserved	example.	
▪ His	complex	consist	of	three	
interconnected	units:	
❖ A	valley	temple	by	the	Nile	
where	the	pharaoh’s	body	
was	embalmed		
❖ A	pyramid	mortuary	
temple	for	rituals	
❖ A	long	narrow	causeway	
connecting	the	two
Architecture of the Afterlife:

The Great Sphinx
Architecture of the Afterlife:

The Great Sphinx
▪ Also	located	at	Giza	is	the	
Great	Sphinx	with	the	body	of	
a	lion	&	the	head	of	Khafre.
Architecture of the Afterlife:

The Great Sphinx
▪ Also	located	at	Giza	is	the	
Great	Sphinx	with	the	body	of	
a	lion	&	the	head	of	Khafre.
▪ The	reason	for	its	
construction	&	its	purpose	
are	unclear.
Architecture of the Afterlife:

The Great Sphinx
▪ Also	located	at	Giza	is	the	
Great	Sphinx	with	the	body	of	
a	lion	&	the	head	of	Khafre.
▪ The	reason	for	its	
construction	&	its	purpose	
are	unclear.
▪ A	theory	holds	that	it	was	
produced	from	leftover	
pyramid	materials	that	were	a	
applied	to	an	existing	stone.
Architecture of the Afterlife:

The Great Sphinx
▪ Also	located	at	Giza	is	the	
Great	Sphinx	with	the	body	of	
a	lion	&	the	head	of	Khafre.
▪ The	reason	for	its	
construction	&	its	purpose	
are	unclear.
▪ A	theory	holds	that	it	was	
produced	from	leftover	
pyramid	materials	that	were	a	
applied	to	an	existing	stone.
▪ It	may	also	have	been	carved	
to	stand	guard	over	the	
temple	&	tomb	of	Khafre.
Architecture of the Afterlife:

The Pyramids at Giza
Architecture of the Afterlife:

The Pyramids at Giza
▪ How	were	the	pyramids	constructed?
Architecture of the Afterlife:

The Pyramids at Giza
▪ How	were	the	pyramids	constructed?	
▪ There	is	no	completely	certain	knowledge	about	the	method	
of	construction	used	to	create	the	pyramids.
Architecture of the Afterlife:

The Pyramids at Giza
▪ How	were	the	pyramids	constructed?	
▪ There	is	no	completely	certain	knowledge	about	the	method	
of	construction	used	to	create	the	pyramids.
▪ That	said,	scholars	estimate	that	roughly	100,000	men	worked	
3-4	months	each	year	for	30	years	to	build	the	pyramids.
Architecture of the Afterlife:

The Pyramids at Giza
▪ How	were	the	pyramids	constructed?	
▪ There	is	no	completely	certain	knowledge	about	the	method	
of	construction	used	to	create	the	pyramids.
▪ That	said,	scholars	estimate	that	roughly	100,000	men	worked	
3-4	months	each	year	for	30	years	to	build	the	pyramids.
▪ The	material	used	to	construct	the	pyramids	was	limestone	
quarried	from	nearby	&	transported	by	lever	action.
Architecture of the Afterlife:

The Pyramids at Giza
▪ How	were	the	pyramids	constructed?	
▪ There	is	no	completely	certain	knowledge	about	the	method	
of	construction	used	to	create	the	pyramids.
▪ That	said,	scholars	estimate	that	roughly	100,000	men	worked	
3-4	months	each	year	for	30	years	to	build	the	pyramids.
▪ The	material	used	to	construct	the	pyramids	was	limestone	
quarried	from	nearby	&	transported	by	lever	action.
▪ Pyramid	construction	workers	were	paid	in	food,	clothing	&	
drinks.
Architecture of the Afterlife:

The Pyramids at Giza
Architecture of the Afterlife:

The Pyramids at Giza
▪ The	Pyramids	at	Giza	were	
built	to	contrast	the	vast	
Saharan	desert	landscape	
that	surrounds	them.
Architecture of the Afterlife:

The Pyramids at Giza
▪ The	Pyramids	at	Giza	were	
built	to	contrast	the	vast	
Saharan	desert	landscape	
that	surrounds	them.
▪ For	structures	to	be	visible	in	
the	immense	desert,	they	had	
to	be	built	on	a	huge	scale.
Architecture of the Afterlife:

The Pyramids at Giza
▪ The	Pyramids	at	Giza	were	
built	to	contrast	the	vast	
Saharan	desert	landscape	
that	surrounds	them.
▪ For	structures	to	be	visible	in	
the	immense	desert,	they	had	
to	be	built	on	a	huge	scale.
▪ The	pyramids	were	a	product	
of	the	will	to	achieve	
immortality	by	the	pharaohs.
Architecture of the Afterlife:

The Pyramids at Giza
▪ The	Pyramids	at	Giza	were	
built	to	contrast	the	vast	
Saharan	desert	landscape	
that	surrounds	them.
▪ For	structures	to	be	visible	in	
the	immense	desert,	they	had	
to	be	built	on	a	huge	scale.
▪ The	pyramids	were	a	product	
of	the	will	to	achieve	
immortality	by	the	pharaohs.
▪ The	pyramids	were	built	with	
such	monumentality	because	
they	were	the	everlasting	
homes	of	the	pharaohs’	kas.
Architecture of the Afterlife:

The Period of Pyramids Passes
Architecture of the Afterlife:

The Period of Pyramids Passes
▪ With	King	Menkaure’s	death,	the	era	of	the	pyramid	ended	
for	the	most	part.
Architecture of the Afterlife:

The Period of Pyramids Passes
▪ With	King	Menkaure’s	death,	the	era	of	the	pyramid	ended	
for	the	most	part.
▪ More	pyramids	were	built	by	later	pharaohs,	but	they	were	
smaller	&	less	complex.
Architecture of the Afterlife:

The Period of Pyramids Passes
▪ With	King	Menkaure’s	death,	the	era	of	the	pyramid	ended	
for	the	most	part.
▪ More	pyramids	were	built	by	later	pharaohs,	but	they	were	
smaller	&	less	complex.
▪ Also,	later	pharaohs	could	not	afford	the	cost	of	huge	
pyramid	construction.
Architecture of the Afterlife:

The Period of Pyramids Passes
▪ With	King	Menkaure’s	death,	the	era	of	the	pyramid	ended	
for	the	most	part.
▪ More	pyramids	were	built	by	later	pharaohs,	but	they	were	
smaller	&	less	complex.
▪ Also,	later	pharaohs	could	not	afford	the	cost	of	huge	
pyramid	construction.	
▪ Of	even	greater	concern,	ancient	grave	robbers	quickly	
learned	how	to	break	into	the	pyramids	&	steal	the	goods	
buried	with	pharaohs.
Architecture of the Afterlife:

The Period of Pyramids Passes
▪ With	King	Menkaure’s	death,	the	era	of	the	pyramid	ended	
for	the	most	part.
▪ More	pyramids	were	built	by	later	pharaohs,	but	they	were	
smaller	&	less	complex.
▪ Also,	later	pharaohs	could	not	afford	the	cost	of	huge	
pyramid	construction.	
▪ Of	even	greater	concern,	ancient	grave	robbers	quickly	
learned	how	to	break	into	the	pyramids	&	steal	the	goods	
buried	with	pharaohs.
▪ The	end	of	the	Old	Kingdom	therefore	marked	the	end	of	
the	great	era	of	Egyptian	pyramid	construction.
The End
Arh1000 architecture of the afterlife   embalming & tombs in ancient egypt

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Arh1000 architecture of the afterlife embalming & tombs in ancient egypt

  • 1. ARCHITECTURE OF THE 
 AFTERLIFE
 Embalming & Tombs in Ancient Egypt Professor Will Adams
  • 2. Ancient Egypt: Gift of the Nile
  • 3. Ancient Egypt: Gift of the Nile ▪ The ancient Egyptians inhabited the fertile valley of the Nile.
  • 4. Ancient Egypt: Gift of the Nile ▪ The ancient Egyptians inhabited the fertile valley of the Nile. ▪ The river's annual flood deposited a fresh layer of silt, renewing the fertility of the soil & ensuring that, for the most part, the country was prosperous & the population sufficiently fed.
  • 5. Ancient Egypt: Gift of the Nile ▪ The ancient Egyptians inhabited the fertile valley of the Nile. ▪ The river's annual flood deposited a fresh layer of silt, renewing the fertility of the soil & ensuring that, for the most part, the country was prosperous & the population sufficiently fed. ▪ For much of the year, most people would be involved in agricultural labor of some kind, but during the Inundation (July – October) the workforce was used by the state for building & other major projects such as "rehabilitation" of the land following the flood.
  • 6. Ancient Egyptian Mummification Preserving Pharaohs for an Eternity
  • 7. The Purpose of Egyptian Mummification
  • 8. The Purpose of Egyptian Mummification ▪ The ancient Egyptians’ funerary customs & beliefs called for the preservation of the body & ample provisions for the afterlife.
  • 9. The Purpose of Egyptian Mummification ▪ The ancient Egyptians’ funerary customs & beliefs called for the preservation of the body & ample provisions for the afterlife. ▪ This was envisioned as a continuation of the mortal existence after death.
  • 10. The Purpose of Egyptian Mummification ▪ The ancient Egyptians’ funerary customs & beliefs called for the preservation of the body & ample provisions for the afterlife. ▪ This was envisioned as a continuation of the mortal existence after death. ▪ An ancient Egyptian would provide for the afterlife as best as his or her economic abilities would allow.
  • 11. The Purpose of Egyptian Mummification ▪ The ancient Egyptians’ funerary customs & beliefs called for the preservation of the body & ample provisions for the afterlife. ▪ This was envisioned as a continuation of the mortal existence after death. ▪ An ancient Egyptian would provide for the afterlife as best as his or her economic abilities would allow. ▪ Today, this means that a huge amount of information about daily life in ancient Egypt can be found in the tombs.
  • 12. The Purpose of Egyptian Mummification ▪ The ancient Egyptians’ funerary customs & beliefs called for the preservation of the body & ample provisions for the afterlife. ▪ This was envisioned as a continuation of the mortal existence after death. ▪ An ancient Egyptian would provide for the afterlife as best as his or her economic abilities would allow. ▪ Today, this means that a huge amount of information about daily life in ancient Egypt can be found in the tombs. ▪ Examination of mummies provides information on health, diet & life- expectancy.
  • 13. The Purpose of Egyptian Mummification
  • 14. The Purpose of Egyptian Mummification ▪ The body of a dead Egyptian would be made into a mummy in order to preserve the body for its immortal soul, or ka.
  • 15. The Purpose of Egyptian Mummification ▪ The body of a dead Egyptian would be made into a mummy in order to preserve the body for its immortal soul, or ka. ▪ The word "mummy" comes from the Arabic mumiyah (body preserved by wax or bitumen)
  • 16. The Purpose of Egyptian Mummification ▪ The body of a dead Egyptian would be made into a mummy in order to preserve the body for its immortal soul, or ka. ▪ The word "mummy" comes from the Arabic mumiyah (body preserved by wax or bitumen) ▪ The process of mummification was complicated, including removing organs & wrapping the body in linen cloth.
  • 17. The Purpose of Egyptian Mummification ▪ The body of a dead Egyptian would be made into a mummy in order to preserve the body for its immortal soul, or ka. ▪ The word "mummy" comes from the Arabic mumiyah (body preserved by wax or bitumen) ▪ The process of mummification was complicated, including removing organs & wrapping the body in linen cloth. ▪ The body was treated with preservatives which dried out the body of the mummy.
  • 18. The Purpose of Egyptian Mummification ▪ The body of a dead Egyptian would be made into a mummy in order to preserve the body for its immortal soul, or ka. ▪ The word "mummy" comes from the Arabic mumiyah (body preserved by wax or bitumen) ▪ The process of mummification was complicated, including removing organs & wrapping the body in linen cloth. ▪ The body was treated with preservatives which dried out the body of the mummy. ▪ The ancient Egyptians believed that, after death, their bodies would travel to the world of the afterlife during the day & return to their bodies at night.
  • 19. The Purpose of Egyptian Mummification
  • 20. The Purpose of Egyptian Mummification ▪ In order for the person’s spirit, or ka, to live forever, it had to be able to recognize & return to the body.
  • 21. The Purpose of Egyptian Mummification ▪ In order for the person’s spirit, or ka, to live forever, it had to be able to recognize & return to the body. ▪ If a spirit could not recognize the body it belonged to, it would die.
  • 22. The Purpose of Egyptian Mummification ▪ In order for the person’s spirit, or ka, to live forever, it had to be able to recognize & return to the body. ▪ If a spirit could not recognize the body it belonged to, it would die. ▪ This is why the Egyptians wanted to preserve the bodies of the dead in as life-like a state as possible.
  • 23. The Purpose of Egyptian Mummification ▪ In order for the person’s spirit, or ka, to live forever, it had to be able to recognize & return to the body. ▪ If a spirit could not recognize the body it belonged to, it would die. ▪ This is why the Egyptians wanted to preserve the bodies of the dead in as life-like a state as possible. ▪ Mummification guaranteed eternal life for the spirit.
  • 25. The Mummification Process ▪ The entire process took 70 days to complete.
  • 26. The Mummification Process ▪ The entire process took 70 days to complete. ▪ Several embalmers conducted the task in the special embalming shop, or per-nefer.
  • 27. The Mummification Process ▪ The entire process took 70 days to complete. ▪ Several embalmers conducted the task in the special embalming shop, or per-nefer. ▪ The chief embalmer was known as the hery sheshta.
  • 28. The Mummification Process ▪ The entire process took 70 days to complete. ▪ Several embalmers conducted the task in the special embalming shop, or per-nefer. ▪ The chief embalmer was known as the hery sheshta. ▪ He wore a jackal mask to represent Anubis, the god of mummification.
  • 30. The Mummification Process ▪ After the deceased’s body was brought to the per-nefer, it was washed with a mixture of palm wine and water from the Nile, then shaved of its hair.
  • 31. The Mummification Process ▪ After the deceased’s body was brought to the per-nefer, it was washed with a mixture of palm wine and water from the Nile, then shaved of its hair. ▪ Following that, all of the body parts that might decay or rot were removed.
  • 32. The Mummification Process ▪ After the deceased’s body was brought to the per-nefer, it was washed with a mixture of palm wine and water from the Nile, then shaved of its hair. ▪ Following that, all of the body parts that might decay or rot were removed. ▪ The embalmers first removed the deceased’s brain through his or her nose using a long hook.
  • 34. The Mummification Process ▪ The long hook was used to stir up the brain until it was liquefied.
  • 35. The Mummification Process ▪ The long hook was used to stir up the brain until it was liquefied. ▪ Then the embalmers would turn the body face down to allow the brain to ooze out through the nostrils.
  • 36. The Mummification Process ▪ The long hook was used to stir up the brain until it was liquefied. ▪ Then the embalmers would turn the body face down to allow the brain to ooze out through the nostrils. ▪ The Egyptians were so rough on the brain because they didn’t realize its importance.
  • 37. The Mummification Process ▪ The long hook was used to stir up the brain until it was liquefied. ▪ Then the embalmers would turn the body face down to allow the brain to ooze out through the nostrils. ▪ The Egyptians were so rough on the brain because they didn’t realize its importance. ▪ They thought its sole purpose was to produce snot!
  • 39. The Mummification Process ▪ Next, the embalmers would remove the soft, moist body parts that would cause the body to decay.
  • 40. The Mummification Process ▪ Next, the embalmers would remove the soft, moist body parts that would cause the body to decay. ▪ A deep incision was made in the left side of the deceased’s abdomen to remove his or her internal organs, usually the lungs, the stomach, the liver and the intestines.
  • 42. The Mummification Process ▪ In some cases they removed the heart, but in the vast majority of cases they left it.
  • 43. The Mummification Process ▪ In some cases they removed the heart, but in the vast majority of cases they left it. ▪ Unlike modern humans, the ancient believed that the heart, not the brain, was the seat of the soul
  • 44. The Mummification Process ▪ In some cases they removed the heart, but in the vast majority of cases they left it. ▪ Unlike modern humans, the ancient believed that the heart, not the brain, was the seat of the soul ▪ The Egyptians also believed that the heart testified on behalf of the deceased during the Weighing of the Heart Ceremony in the afterlife.
  • 45. The Mummification Process ▪ In some cases they removed the heart, but in the vast majority of cases they left it. ▪ Unlike modern humans, the ancient believed that the heart, not the brain, was the seat of the soul ▪ The Egyptians also believed that the heart testified on behalf of the deceased during the Weighing of the Heart Ceremony in the afterlife.
  • 47. The Mummification Process ▪ After the body’s organs had been removed, it was stuffed with bundles of a strong drying salt called natron that was meant to further dehydrate the corpse.
  • 48. The Mummification Process ▪ After the body’s organs had been removed, it was stuffed with bundles of a strong drying salt called natron that was meant to further dehydrate the corpse. ▪ The deceased’s entire body was then covered with natron & placed on an inclined slab so that any moisture the natron pulled from the body would run off the end, be collected & buried with the body.
  • 50. The Mummification Process ▪ While the body was drying, the previously removed internal organs were also dried & preserved with natron.
  • 51. The Mummification Process ▪ While the body was drying, the previously removed internal organs were also dried & preserved with natron. ▪ They were then wrapped in strips of linen & put into separate containers called canopic jars.
  • 52. The Mummification Process ▪ While the body was drying, the previously removed internal organs were also dried & preserved with natron. ▪ They were then wrapped in strips of linen & put into separate containers called canopic jars.
  • 53. The Mummification Process ▪ While the body was drying, the previously removed internal organs were also dried & preserved with natron. ▪ They were then wrapped in strips of linen & put into separate containers called canopic jars. ▪ The Egyptians believed that all body parts would be magically reunited in the afterlife and that the body would become whole again, just like the god Osiris’s had.
  • 54. The Egyptian Myth of Osiris
  • 55. The Egyptian Myth of Osiris ▪ According to Egyptian mythology, the god Osiris was murdered by his jealous brother Set, who hacked Osiris’s body into pieces & scattered them into the Nile.
  • 56. The Egyptian Myth of Osiris ▪ According to Egyptian mythology, the god Osiris was murdered by his jealous brother Set, who hacked Osiris’s body into pieces & scattered them into the Nile. ▪ Heartbroken, Osiris’s wife, the goddess Isis, reassembled the pieces with the other gods’ assistance & Osiris was magically restored.
  • 57. The Egyptian Myth of Osiris ▪ According to Egyptian mythology, the god Osiris was murdered by his jealous brother Set, who hacked Osiris’s body into pieces & scattered them into the Nile. ▪ Heartbroken, Osiris’s wife, the goddess Isis, reassembled the pieces with the other gods’ assistance & Osiris was magically restored. ▪ He then went on to become the god of the afterlife.
  • 59. The Mummification Process ▪ The stoppers of the canopic jars were shaped like the heads of the four sons of the god Horus (god of the Egyptian kings).
  • 60. The Mummification Process ▪ The stoppers of the canopic jars were shaped like the heads of the four sons of the god Horus (god of the Egyptian kings).
  • 61. The Mummification Process ▪ The stoppers of the canopic jars were shaped like the heads of the four sons of the god Horus (god of the Egyptian kings). ▪ Each son protected the organ placed inside his respective jar:
  • 62. The Mummification Process ▪ The stoppers of the canopic jars were shaped like the heads of the four sons of the god Horus (god of the Egyptian kings). ▪ Each son protected the organ placed inside his respective jar: ▪ Jackal-headed Duamutef guarded the jar that contained the stomach.
  • 63. The Mummification Process ▪ The stoppers of the canopic jars were shaped like the heads of the four sons of the god Horus (god of the Egyptian kings). ▪ Each son protected the organ placed inside his respective jar: ▪ Jackal-headed Duamutef guarded the jar that contained the stomach. ▪ Falcon-headed Qebehsenuf watched over the intestines.
  • 64. The Mummification Process ▪ The stoppers of the canopic jars were shaped like the heads of the four sons of the god Horus (god of the Egyptian kings). ▪ Each son protected the organ placed inside his respective jar: ▪ Jackal-headed Duamutef guarded the jar that contained the stomach. ▪ Falcon-headed Qebehsenuf watched over the intestines. ▪ The baboon-headed son of Horus, Hapi, protected the lungs.
  • 65. The Mummification Process ▪ The stoppers of the canopic jars were shaped like the heads of the four sons of the god Horus (god of the Egyptian kings). ▪ Each son protected the organ placed inside his respective jar: ▪ Jackal-headed Duamutef guarded the jar that contained the stomach. ▪ Falcon-headed Qebehsenuf watched over the intestines. ▪ The baboon-headed son of Horus, Hapi, protected the lungs. ▪ Human-headed Imseti was in charge of protecting the liver.
  • 67. The Mummification Process ▪ Next, the canopic jars were carefully stored in a heavy, secure chest that was later placed in the tomb with the mummy.
  • 68. The Mummification Process ▪ Next, the canopic jars were carefully stored in a heavy, secure chest that was later placed in the tomb with the mummy. ▪ The chest of canopic jars on the left was found in the tomb of the famous King Tutankhamen.
  • 69. The Mummification Process ▪ Next, the canopic jars were carefully stored in a heavy, secure chest that was later placed in the tomb with the mummy. ▪ The chest of canopic jars on the left was found in the tomb of the famous King Tutankhamen.
  • 71. The Mummification Process ▪ After 40 days, the body was completely dehydrated.
  • 72. The Mummification Process ▪ After 40 days, the body was completely dehydrated. ▪ During that time the skin became shrunken, wrinkled & leathery.
  • 73. The Mummification Process ▪ After 40 days, the body was completely dehydrated. ▪ During that time the skin became shrunken, wrinkled & leathery. ▪ The bundles of natron were then removed from the body’s abdomen.
  • 74. The Mummification Process ▪ After 40 days, the body was completely dehydrated. ▪ During that time the skin became shrunken, wrinkled & leathery. ▪ The bundles of natron were then removed from the body’s abdomen. ▪ Next, the mummy was washed with wine & water one more time & rubbed with sacred oils to soften the skin.
  • 76. The Mummification Process ▪ The mummy’s head & body were packed with herbs, sawdust & linen soaked in scented oil so that the body could regain its shape, and to deodorize the deceased’s body.
  • 77. The Mummification Process ▪ The mummy’s head & body were packed with herbs, sawdust & linen soaked in scented oil so that the body could regain its shape, and to deodorize the deceased’s body. ▪ Then, small stones or small onions were placed under the eyelids to restore a life-like appearance.
  • 78. The Mummification Process ▪ The mummy’s head & body were packed with herbs, sawdust & linen soaked in scented oil so that the body could regain its shape, and to deodorize the deceased’s body. ▪ Then, small stones or small onions were placed under the eyelids to restore a life-like appearance. ▪ Once this was done, the mummy could be covered with necklaces, rings and bracelets made of gold & gems.
  • 80. The Mummification Process ▪ According to Egyptian myth, the god Horus had his eye miraculously restored after losing it in a battle with the evil god Set.
  • 81. The Mummification Process ▪ According to Egyptian myth, the god Horus had his eye miraculously restored after losing it in a battle with the evil god Set. ▪ As a result, The Eye of Horus, called a wedjat, is associated with healing & protection.
  • 82. The Mummification Process ▪ According to Egyptian myth, the god Horus had his eye miraculously restored after losing it in a battle with the evil god Set. ▪ As a result, The Eye of Horus, called a wedjat, is associated with healing & protection. ▪ During mummification, a wax or bronze plate with a wedjat carved on it was placed over the embalming incision to magically heal the wound in the afterlife.
  • 84. The Mummification Process ▪ Once the wedjat was in place, the entire body was then covered in shrouds & bound with strips of linen until the mummy had returned to its original size.
  • 85. The Mummification Process ▪ Once the wedjat was in place, the entire body was then covered in shrouds & bound with strips of linen until the mummy had returned to its original size. ▪ This was a complicated job, could take as long as a week, and usually required 1,000 yards’ worth of 2 – 8” wide linen strips.
  • 87. The Mummification Process ▪ As the mummy was being wrapped, small, magical carvings called amulets were inserted between the layers of linen to further protect the mummy’s spirit on its way to the afterlife.
  • 88. The Mummification Process ▪ As the mummy was being wrapped, small, magical carvings called amulets were inserted between the layers of linen to further protect the mummy’s spirit on its way to the afterlife. ▪ As each layer was added, it was coated with resin to hold the wrappings together with a waterproof seal.
  • 90. The Mummification Process ▪ After the week of wrapping was finished, the head of the mummy was covered with a portrait mask.
  • 91. The Mummification Process ▪ After the week of wrapping was finished, the head of the mummy was covered with a portrait mask. ▪ This was designed to ensure that the ka would recognize the body in the afterlife.
  • 92. The Mummification Process ▪ After the week of wrapping was finished, the head of the mummy was covered with a portrait mask. ▪ This was designed to ensure that the ka would recognize the body in the afterlife. ▪ Finally, the wrapped, masked mummy was placed into a series of wooden & gilded coffins which were ultimately placed into a stone sarcophagus.
  • 94. The Mummification Process ▪ On the day of the funeral, the mummy was brought to the western bank of the Nile on a barque.
  • 95. The Mummification Process ▪ On the day of the funeral, the mummy was brought to the western bank of the Nile on a barque. ▪ The mummy was next brought to its tomb, where Osiris’s priests performed the Opening of the Mouth Ceremony by touching the deceased’s eyes, nose, and mouth of the sarcophagus with a sacred tool.
  • 96. The Mummification Process ▪ On the day of the funeral, the mummy was brought to the western bank of the Nile on a barque. ▪ The mummy was next brought to its tomb, where Osiris’s priests performed the Opening of the Mouth Ceremony by touching the deceased’s eyes, nose, and mouth of the sarcophagus with a sacred tool. ▪ This ritual symbolically reactivated these senses in the afterlife.
  • 98. The Mummification Process ▪ The deceased’s sarcophagus was then placed inside the tomb’s burial chamber, the entrance to which would be sealed to prevent looting or theft.
  • 99. The Mummification Process ▪ The deceased’s sarcophagus was then placed inside the tomb’s burial chamber, the entrance to which would be sealed to prevent looting or theft. ▪ Before the tomb was sealed, the deceased’s family members deposited food, clothes, furniture, and dishes into the burial chamber.
  • 100. The Mummification Process ▪ The deceased’s sarcophagus was then placed inside the tomb’s burial chamber, the entrance to which would be sealed to prevent looting or theft. ▪ Before the tomb was sealed, the deceased’s family members deposited food, clothes, furniture, and dishes into the burial chamber. ▪ They did this because the Egyptians believed the deceased would need the same accoutrements in the afterlife that he or she had used in his or her mortal life.
  • 102. The Mummification Process ▪ If you still can’t get enough of the Egyptian mummification process, then you might enjoy the opportunity to act like a virtual hery shesta, using the Québec Museum of Civilization’s online embalming game at:
  • 103. The Mummification Process ▪ If you still can’t get enough of the Egyptian mummification process, then you might enjoy the opportunity to act like a virtual hery shesta, using the Québec Museum of Civilization’s online embalming game at: www.mcq.org/momies
  • 104. Architecture of the Afterlife Erecting A Pharaoh’s Eternal Home
  • 105. Architecture of the Afterlife
 Building Materials
  • 106. Architecture of the Afterlife
 Building Materials ▪ The 3 most common materials for construction in Egypt were plant materials, clay & stone.
  • 107. Architecture of the Afterlife
 Building Materials ▪ The 3 most common materials for construction in Egypt were plant materials, clay & stone. ▪ Plant materials consisted of readily available materials like reeds, papyrus, & palm tree ribs & shafts.
  • 108. Architecture of the Afterlife
 Building Materials ▪ The 3 most common materials for construction in Egypt were plant materials, clay & stone. ▪ Plant materials consisted of readily available materials like reeds, papyrus, & palm tree ribs & shafts. ▪ Timber was available in limited quantity & used for roofing.
  • 109. Architecture of the Afterlife
 Building Materials ▪ The 3 most common materials for construction in Egypt were plant materials, clay & stone. ▪ Plant materials consisted of readily available materials like reeds, papyrus, & palm tree ribs & shafts. ▪ Timber was available in limited quantity & used for roofing. ▪ Nile-sourced clay was used for construction, either for frame construction or as sun-dried brick.
  • 110. Architecture of the Afterlife
 Building Materials ▪ The 3 most common materials for construction in Egypt were plant materials, clay & stone. ▪ Plant materials consisted of readily available materials like reeds, papyrus, & palm tree ribs & shafts. ▪ Timber was available in limited quantity & used for roofing. ▪ Nile-sourced clay was used for construction, either for frame construction or as sun-dried brick. ▪ Stone was not used much during the early period of Egyptian civilization, but became popular later for tombs & temples.
  • 111. Architecture of the Afterlife
 The Socio-Cultural Context
  • 112. Architecture of the Afterlife
 The Socio-Cultural Context ▪ Ancient Egyptians viewed earthly dwellings as temporary, so they spent very little emphasis on house construction.
  • 113. Architecture of the Afterlife
 The Socio-Cultural Context ▪ Ancient Egyptians viewed earthly dwellings as temporary, so they spent very little emphasis on house construction. ▪ Instead, tremendous effort was exerted in tomb construction.
  • 114. Architecture of the Afterlife
 The Socio-Cultural Context ▪ Ancient Egyptians viewed earthly dwellings as temporary, so they spent very little emphasis on house construction. ▪ Instead, tremendous effort was exerted in tomb construction. ▪ This stemmed from the belief that the deceased’s tomb was his or her true permanent dwelling, as it would be used for the entirety of the afterlife.
  • 115. Architecture of the Afterlife
 The Socio-Cultural Context
  • 116. Architecture of the Afterlife
 The Socio-Cultural Context ▪ As previously stated, Egyptians believed that a dead person needed all her or his worldly goods in the afterlife.
  • 117. Architecture of the Afterlife
 The Socio-Cultural Context ▪ As previously stated, Egyptians believed that a dead person needed all her or his worldly goods in the afterlife. ▪ Subsequently, the tomb was usually packed with all the dead person’s treasures.
  • 118. Architecture of the Afterlife
 The Socio-Cultural Context ▪ As previously stated, Egyptians believed that a dead person needed all her or his worldly goods in the afterlife. ▪ Subsequently, the tomb was usually packed with all the dead person’s treasures. ▪ If something could not be provided, its image was painted on the walls of the tomb.
  • 119. Architecture of the Afterlife
  • 120. Architecture of the Afterlife ▪ During the Old Kingdom, the pharaoh and his court lived in Memphis.
  • 121. Architecture of the Afterlife ▪ During the Old Kingdom, the pharaoh and his court lived in Memphis. ▪ When they died, they were buried at the necropolis at Saqqara.
  • 122. Architecture of the Afterlife ▪ During the Old Kingdom, the pharaoh and his court lived in Memphis. ▪ When they died, they were buried at the necropolis at Saqqara. ▪ Today, very little of ancient Memphis survives because its structures were built from inexpensive, locally-sourced materials.
  • 123. Architecture of the Afterlife ▪ During the Old Kingdom, the pharaoh and his court lived in Memphis. ▪ When they died, they were buried at the necropolis at Saqqara. ▪ Today, very little of ancient Memphis survives because its structures were built from inexpensive, locally-sourced materials. ▪ Houses were built of materials like wood and mud-brick, and were only meant to last for 1 lifetime.
  • 124. Architecture of the Afterlife
  • 125. Architecture of the Afterlife ▪ The earliest method of burial in ancient Egypt was actually in shallow pits in the desert of the Nile’s west bank.
  • 126. Architecture of the Afterlife ▪ The earliest method of burial in ancient Egypt was actually in shallow pits in the desert of the Nile’s west bank. ▪ The desert sand dried the bodies and preserved them.
  • 127. Architecture of the Afterlife ▪ The earliest method of burial in ancient Egypt was actually in shallow pits in the desert of the Nile’s west bank. ▪ The desert sand dried the bodies and preserved them. ▪ When animals preying on bodies became a problem in burial, the people dug their graves deeper.
  • 128. Architecture of the Afterlife ▪ The earliest method of burial in ancient Egypt was actually in shallow pits in the desert of the Nile’s west bank. ▪ The desert sand dried the bodies and preserved them. ▪ When animals preying on bodies became a problem in burial, the people dug their graves deeper. ▪ In the end, to ensure the preservation of their burials, they built a bench-like structure over graves to create the first burial structure called a mastaba.
  • 129. Architecture of the Afterlife
  • 130. Architecture of the Afterlife ▪ The name mastaba derived from the name for the steps or podiums found in the front of traditional Egyptian houses.
  • 131. Architecture of the Afterlife ▪ The name mastaba derived from the name for the steps or podiums found in the front of traditional Egyptian houses. ▪ In the Old Kingdom, rich & noble people built mastabas for their burials in the necropolis.
  • 132. Architecture of the Afterlife ▪ The name mastaba derived from the name for the steps or podiums found in the front of traditional Egyptian houses. ▪ In the Old Kingdom, rich & noble people built mastabas for their burials in the necropolis. ▪ Above ground, the mastaba looks like a large bench of sunbaked bricks rising about 30 feet high, with a flat roof & sloping walls.
  • 133. Architecture of the Afterlife ▪ The name mastaba derived from the name for the steps or podiums found in the front of traditional Egyptian houses. ▪ In the Old Kingdom, rich & noble people built mastabas for their burials in the necropolis. ▪ Above ground, the mastaba looks like a large bench of sunbaked bricks rising about 30 feet high, with a flat roof & sloping walls. ▪ The earliest mastabas were decorated with painted patterns in brilliant colors.
  • 134. Architecture of the Afterlife
  • 135. Architecture of the Afterlife ▪ Internally, a mastaba consists of three spaces: an underground burial chamber & an above ground serdab & chapel. ▪ The burial chamber was located 30 feet below ground & was the place for the deceased’s sarcophagus.
  • 136. Architecture of the Afterlife ▪ Internally, a mastaba consists of three spaces: an underground burial chamber & an above ground serdab & chapel. ▪ The burial chamber was located 30 feet below ground & was the place for the deceased’s sarcophagus. ▪ It was connected to the serdab & chapel above ground through a shaft.
  • 137. Architecture of the Afterlife
  • 138. Architecture of the Afterlife ▪ The mastaba’s serdab & chapel are located above- ground.
  • 139. Architecture of the Afterlife ▪ The mastaba’s serdab & chapel are located above- ground. ▪ The serdab is a room where the ka statue of the dead person is kept.
  • 140. Architecture of the Afterlife ▪ The mastaba’s serdab & chapel are located above- ground. ▪ The serdab is a room where the ka statue of the dead person is kept. ▪ The ka statue would act as a substitute for the deceased’s body in case it was destroyed and was also the focus of worship by the deceased’s family members.
  • 141. Architecture of the Afterlife
  • 142. Architecture of the Afterlife ▪ Some mastabas had surrounding security fences or walls, and some even had chambers for the burial of the deceased’s servants or pets.
  • 143. Architecture of the Afterlife ▪ Some mastabas had surrounding security fences or walls, and some even had chambers for the burial of the deceased’s servants or pets.
  • 144. Architecture of the Afterlife ▪ Some mastabas had surrounding security fences or walls, and some even had chambers for the burial of the deceased’s servants or pets. ▪ The design of the mastaba is the architectural embryo that grew into the pyramids.
  • 145. Architecture of the Afterlife:
 The Step Pyramid of King Djoser
  • 146. Architecture of the Afterlife:
 The Step Pyramid of King Djoser
  • 147. Architecture of the Afterlife:
 The Step Pyramid of King Djoser ▪ Egyptian King Djoser was a powerful pharaoh of the third dynasty of the Old Kingdom.
  • 148. Architecture of the Afterlife:
 The Step Pyramid of King Djoser ▪ Egyptian King Djoser was a powerful pharaoh of the third dynasty of the Old Kingdom. ▪ His tomb, known as the Step Pyramid of King Djoser, was designed by Imhotep (the first named artist in history) in 2,667 BCE.
  • 149. Architecture of the Afterlife:
 The Step Pyramid of King Djoser ▪ Egyptian King Djoser was a powerful pharaoh of the third dynasty of the Old Kingdom. ▪ His tomb, known as the Step Pyramid of King Djoser, was designed by Imhotep (the first named artist in history) in 2,667 BCE. ▪ It was built as a funeral complex at the necropolis of Saqqara.
  • 150. Architecture of the Afterlife:
 The Step Pyramid of King Djoser ▪ Egyptian King Djoser was a powerful pharaoh of the third dynasty of the Old Kingdom. ▪ His tomb, known as the Step Pyramid of King Djoser, was designed by Imhotep (the first named artist in history) in 2,667 BCE. ▪ It was built as a funeral complex at the necropolis of Saqqara. ▪ Initially, Imhotep conceived of the tomb as a large mastaba of stone.
  • 151. Architecture of the Afterlife:
 The Step Pyramid of King Djoser
  • 152. Architecture of the Afterlife:
 The Step Pyramid of King Djoser ▪ Apparently, King Djoser did not like Imhotep’s initial idea, so instead Imhotep designed a series of layered mastaba “steps” instead.
  • 153. Architecture of the Afterlife:
 The Step Pyramid of King Djoser ▪ Apparently, King Djoser did not like Imhotep’s initial idea, so instead Imhotep designed a series of layered mastaba “steps” instead. ▪ The result was a pyramid with five sloping tiers set upon a massive mastaba base.
  • 154. Architecture of the Afterlife:
 The Step Pyramid of King Djoser ▪ Apparently, King Djoser did not like Imhotep’s initial idea, so instead Imhotep designed a series of layered mastaba “steps” instead. ▪ The result was a pyramid with five sloping tiers set upon a massive mastaba base. ▪ As a result, this step pyramid acts as the intermediate step between the mastaba and a true geometric pyramid.
  • 155. Architecture of the Afterlife:
 Snefru’s Bent Pyramid at Dahshur
  • 156. Architecture of the Afterlife:
 Snefru’s Bent Pyramid at Dahshur ▪ The later Pharaoh Snefru made two attempts at creating a true pyramid.
  • 157. Architecture of the Afterlife:
 Snefru’s Bent Pyramid at Dahshur ▪ The later Pharaoh Snefru made two attempts at creating a true pyramid. ▪ His first attempt in 2,600 BCE, the Bent Pyramid at Dahshur, had a square plan with a height of 334’.
  • 158. Architecture of the Afterlife:
 Snefru’s Bent Pyramid at Dahshur ▪ The later Pharaoh Snefru made two attempts at creating a true pyramid. ▪ His first attempt in 2,600 BCE, the Bent Pyramid at Dahshur, had a square plan with a height of 334’. ▪ Due to structural instability during construction, the pyramid’s sides changed angle halfway up, which led to its being nicknamed the “Bent Pyramid”.
  • 159. Architecture of the Afterlife:
 The Pyramids at Giza
  • 160. Architecture of the Afterlife:
 The Pyramids at Giza
  • 161. Architecture of the Afterlife:
 The Pyramids at Giza
  • 162. Architecture of the Afterlife:
 The Pyramids at Giza ▪ Construction of a true geometrical pyramid was finally achieved during reign of King Khufu, son of Snefru, in 2,560 BCE.
  • 163. Architecture of the Afterlife:
 The Pyramids at Giza ▪ Construction of a true geometrical pyramid was finally achieved during reign of King Khufu, son of Snefru, in 2,560 BCE. ▪ His pyramid is located, along with the other most famous true pyramids, on the Giza Plateau on the west bank of the Nile.
  • 164. Architecture of the Afterlife:
 The Pyramids at Giza ▪ Construction of a true geometrical pyramid was finally achieved during reign of King Khufu, son of Snefru, in 2,560 BCE. ▪ His pyramid is located, along with the other most famous true pyramids, on the Giza Plateau on the west bank of the Nile. ▪ The pyramid is 482’ high on a plan of 760’ square.
  • 165. Architecture of the Afterlife:
 The Pyramids at Giza
  • 166. Architecture of the Afterlife:
 The Pyramids at Giza ▪ Eventually, two additional pyramids were built at Giza by Cheops’ successors.
  • 167. Architecture of the Afterlife:
 The Pyramids at Giza ▪ Eventually, two additional pyramids were built at Giza by Cheops’ successors. ▪ The second and largest, in the center, was built by King Khafre, King Cheops’s son.
  • 168. Architecture of the Afterlife:
 The Pyramids at Giza ▪ Eventually, two additional pyramids were built at Giza by Cheops’ successors. ▪ The second and largest, in the center, was built by King Khafre, King Cheops’s son. ▪ The third and smallest was built by King Menkaure, Chefren’s son.
  • 169. Architecture of the Afterlife:
 The Pyramids at Giza ▪ Eventually, two additional pyramids were built at Giza by Cheops’ successors. ▪ The second and largest, in the center, was built by King Khafre, King Cheops’s son. ▪ The third and smallest was built by King Menkaure, Chefren’s son. ▪ Collectively, the three are referred to as the Pyramids at Giza.
  • 170. Architecture of the Afterlife:
 The Pyramids at Giza
  • 171. Architecture of the Afterlife:
 The Pyramids at Giza ▪ All the pyramids were designed as part of a dynastic funeral complex for the burial of the pharaohs.
  • 172. Architecture of the Afterlife:
 The Pyramids at Giza ▪ All the pyramids were designed as part of a dynastic funeral complex for the burial of the pharaohs. ▪ Today, Khafre’s complex is the best preserved example.
  • 173. Architecture of the Afterlife:
 The Pyramids at Giza ▪ All the pyramids were designed as part of a dynastic funeral complex for the burial of the pharaohs. ▪ Today, Khafre’s complex is the best preserved example. ▪ His complex consist of three interconnected units: ❖ A valley temple by the Nile where the pharaoh’s body was embalmed ❖ A pyramid mortuary temple for rituals ❖ A long narrow causeway connecting the two
  • 174. Architecture of the Afterlife:
 The Great Sphinx
  • 175. Architecture of the Afterlife:
 The Great Sphinx ▪ Also located at Giza is the Great Sphinx with the body of a lion & the head of Khafre.
  • 176. Architecture of the Afterlife:
 The Great Sphinx ▪ Also located at Giza is the Great Sphinx with the body of a lion & the head of Khafre. ▪ The reason for its construction & its purpose are unclear.
  • 177. Architecture of the Afterlife:
 The Great Sphinx ▪ Also located at Giza is the Great Sphinx with the body of a lion & the head of Khafre. ▪ The reason for its construction & its purpose are unclear. ▪ A theory holds that it was produced from leftover pyramid materials that were a applied to an existing stone.
  • 178. Architecture of the Afterlife:
 The Great Sphinx ▪ Also located at Giza is the Great Sphinx with the body of a lion & the head of Khafre. ▪ The reason for its construction & its purpose are unclear. ▪ A theory holds that it was produced from leftover pyramid materials that were a applied to an existing stone. ▪ It may also have been carved to stand guard over the temple & tomb of Khafre.
  • 179. Architecture of the Afterlife:
 The Pyramids at Giza
  • 180. Architecture of the Afterlife:
 The Pyramids at Giza ▪ How were the pyramids constructed?
  • 181. Architecture of the Afterlife:
 The Pyramids at Giza ▪ How were the pyramids constructed? ▪ There is no completely certain knowledge about the method of construction used to create the pyramids.
  • 182. Architecture of the Afterlife:
 The Pyramids at Giza ▪ How were the pyramids constructed? ▪ There is no completely certain knowledge about the method of construction used to create the pyramids. ▪ That said, scholars estimate that roughly 100,000 men worked 3-4 months each year for 30 years to build the pyramids.
  • 183. Architecture of the Afterlife:
 The Pyramids at Giza ▪ How were the pyramids constructed? ▪ There is no completely certain knowledge about the method of construction used to create the pyramids. ▪ That said, scholars estimate that roughly 100,000 men worked 3-4 months each year for 30 years to build the pyramids. ▪ The material used to construct the pyramids was limestone quarried from nearby & transported by lever action.
  • 184. Architecture of the Afterlife:
 The Pyramids at Giza ▪ How were the pyramids constructed? ▪ There is no completely certain knowledge about the method of construction used to create the pyramids. ▪ That said, scholars estimate that roughly 100,000 men worked 3-4 months each year for 30 years to build the pyramids. ▪ The material used to construct the pyramids was limestone quarried from nearby & transported by lever action. ▪ Pyramid construction workers were paid in food, clothing & drinks.
  • 185. Architecture of the Afterlife:
 The Pyramids at Giza
  • 186. Architecture of the Afterlife:
 The Pyramids at Giza ▪ The Pyramids at Giza were built to contrast the vast Saharan desert landscape that surrounds them.
  • 187. Architecture of the Afterlife:
 The Pyramids at Giza ▪ The Pyramids at Giza were built to contrast the vast Saharan desert landscape that surrounds them. ▪ For structures to be visible in the immense desert, they had to be built on a huge scale.
  • 188. Architecture of the Afterlife:
 The Pyramids at Giza ▪ The Pyramids at Giza were built to contrast the vast Saharan desert landscape that surrounds them. ▪ For structures to be visible in the immense desert, they had to be built on a huge scale. ▪ The pyramids were a product of the will to achieve immortality by the pharaohs.
  • 189. Architecture of the Afterlife:
 The Pyramids at Giza ▪ The Pyramids at Giza were built to contrast the vast Saharan desert landscape that surrounds them. ▪ For structures to be visible in the immense desert, they had to be built on a huge scale. ▪ The pyramids were a product of the will to achieve immortality by the pharaohs. ▪ The pyramids were built with such monumentality because they were the everlasting homes of the pharaohs’ kas.
  • 190. Architecture of the Afterlife:
 The Period of Pyramids Passes
  • 191. Architecture of the Afterlife:
 The Period of Pyramids Passes ▪ With King Menkaure’s death, the era of the pyramid ended for the most part.
  • 192. Architecture of the Afterlife:
 The Period of Pyramids Passes ▪ With King Menkaure’s death, the era of the pyramid ended for the most part. ▪ More pyramids were built by later pharaohs, but they were smaller & less complex.
  • 193. Architecture of the Afterlife:
 The Period of Pyramids Passes ▪ With King Menkaure’s death, the era of the pyramid ended for the most part. ▪ More pyramids were built by later pharaohs, but they were smaller & less complex. ▪ Also, later pharaohs could not afford the cost of huge pyramid construction.
  • 194. Architecture of the Afterlife:
 The Period of Pyramids Passes ▪ With King Menkaure’s death, the era of the pyramid ended for the most part. ▪ More pyramids were built by later pharaohs, but they were smaller & less complex. ▪ Also, later pharaohs could not afford the cost of huge pyramid construction. ▪ Of even greater concern, ancient grave robbers quickly learned how to break into the pyramids & steal the goods buried with pharaohs.
  • 195. Architecture of the Afterlife:
 The Period of Pyramids Passes ▪ With King Menkaure’s death, the era of the pyramid ended for the most part. ▪ More pyramids were built by later pharaohs, but they were smaller & less complex. ▪ Also, later pharaohs could not afford the cost of huge pyramid construction. ▪ Of even greater concern, ancient grave robbers quickly learned how to break into the pyramids & steal the goods buried with pharaohs. ▪ The end of the Old Kingdom therefore marked the end of the great era of Egyptian pyramid construction.