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ARH 3631 FINAL PRESENTATION
By Bryan Engle
AARON DOUGLAS
1899-1979
CRISIS BOOK COVER (1927)
Aaron Douglas’ was a sought after illustrator for
books and magazines in the 1920s. He created
covers for Opportunity, FIRE!! And Harlem. His most
prominent works of that time period was this cover
for the book The Crisis which involved Afro-Cubism
influenced shapes to form a very unique piece of
art.
THE NEGRO IN AFRICAN SETTING: PANEL 1 (1934)
In this panel, Douglas depicts the African roots
through the form of dance. The two dancers shown
are dancing away to the beat of the drummers in
the background as they follow the rhythmic beat.
FROM SLAVERY THROUGH RECONSTRUCTION: PANEL 2
(1934)
In this piece, we see a prominent figure standing
above everyone else with an outstretched, pointed
finger. Douglas portrayed this man as a speaker,
spreading his beliefs among the other African-
Americans that gather around him.
AN IDYLL OF THE DEEP SOUTH: PANEL 3 (1934)
Despite the hardships that surrounded and involved
the African-American society at this point in time,
they still found a reason to celebrate. Through song
and dance, they pushed away all of the negatives
and rejoiced in the positives.
SONG OF THE TOWERS: PANEL 4 (1934)
With the hardships that were presented to the
African-American community, a new self-expression
movement was born. This translated into the New
Negro movement which helped create some of the
most prominent African-American artists we study
today.
JACOB LAWRENCE
(1917-2000)
THEY WERE VERY POOR (1940)
This piece shows the hardships that affected many
African-Americans during this time period. Not many
families had much money to put enough food on
the table. This caused extreme stress and
unhappiness throughout the community.
THE WEDDING (1948)
This piece shows the usual exchange of vows of an
African-American couple getting married. The bright
colors create a very appealing scene of an
important moment between two people.
THE MIGRANTS ARRIVED IN GREAT NUMBERS
(1940-41)
This depicts the great migration that happened
during the first World War. Many African-Americans
moved to the North where northern industries had
many job opportunities.
THE MIGRATION OF THE NEGRO: PANEL 50
(1940-41)
The African-Americans that migrated to the North
didn’t always find a perfect life. Hardships still
followed them into the northern US as they try to
compete for jobs and make a living.
THE MIGRATION OF THE NEGRO: PANEL 1 (1940-41)
This shows the migration in all of its glory. Thousands
of African-Americans flocked to the transportation
centers to try and get a ride to these northern cities
to find an industrial job during the World War.
The reason I chose Aaron Douglas and Jacob Lawrence is because both of the
African-American artists prevailed during the Harlem Renaissance Era. With them,
they brought a great deal of influential pieces that would shape the way that
African-Art was created following them. Without these two artists, we would not
have seen some of the major artists that came years after them. Douglas created
paintings that reflected the roots of all African-Americans and used geometric
figures to give all of his works a sense of movement that we had not seen before
him. Lawrence hit on a major subject during the first World War and into the 1930s.
The migration of the African-American community was the first major breach into
the Northern society for these people and he helped depict the different triumphs
and hardships that came along with this transition. Both of these artists became
very well known throughout the world which was huge for African-American art at
the time. With this prominence and significant step in the artistic world, it provided
stepping stones for younger less-known artists to create their foothold. The
development of African-American art was essential to the well-being of Douglas
and Lawrence.
Curatorial Statement

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ARH 3631 Final Presentation

  • 1. ARH 3631 FINAL PRESENTATION By Bryan Engle
  • 3. CRISIS BOOK COVER (1927) Aaron Douglas’ was a sought after illustrator for books and magazines in the 1920s. He created covers for Opportunity, FIRE!! And Harlem. His most prominent works of that time period was this cover for the book The Crisis which involved Afro-Cubism influenced shapes to form a very unique piece of art.
  • 4. THE NEGRO IN AFRICAN SETTING: PANEL 1 (1934) In this panel, Douglas depicts the African roots through the form of dance. The two dancers shown are dancing away to the beat of the drummers in the background as they follow the rhythmic beat.
  • 5. FROM SLAVERY THROUGH RECONSTRUCTION: PANEL 2 (1934) In this piece, we see a prominent figure standing above everyone else with an outstretched, pointed finger. Douglas portrayed this man as a speaker, spreading his beliefs among the other African- Americans that gather around him.
  • 6. AN IDYLL OF THE DEEP SOUTH: PANEL 3 (1934) Despite the hardships that surrounded and involved the African-American society at this point in time, they still found a reason to celebrate. Through song and dance, they pushed away all of the negatives and rejoiced in the positives.
  • 7. SONG OF THE TOWERS: PANEL 4 (1934) With the hardships that were presented to the African-American community, a new self-expression movement was born. This translated into the New Negro movement which helped create some of the most prominent African-American artists we study today.
  • 9. THEY WERE VERY POOR (1940) This piece shows the hardships that affected many African-Americans during this time period. Not many families had much money to put enough food on the table. This caused extreme stress and unhappiness throughout the community.
  • 10. THE WEDDING (1948) This piece shows the usual exchange of vows of an African-American couple getting married. The bright colors create a very appealing scene of an important moment between two people.
  • 11. THE MIGRANTS ARRIVED IN GREAT NUMBERS (1940-41) This depicts the great migration that happened during the first World War. Many African-Americans moved to the North where northern industries had many job opportunities.
  • 12. THE MIGRATION OF THE NEGRO: PANEL 50 (1940-41) The African-Americans that migrated to the North didn’t always find a perfect life. Hardships still followed them into the northern US as they try to compete for jobs and make a living.
  • 13. THE MIGRATION OF THE NEGRO: PANEL 1 (1940-41) This shows the migration in all of its glory. Thousands of African-Americans flocked to the transportation centers to try and get a ride to these northern cities to find an industrial job during the World War.
  • 14. The reason I chose Aaron Douglas and Jacob Lawrence is because both of the African-American artists prevailed during the Harlem Renaissance Era. With them, they brought a great deal of influential pieces that would shape the way that African-Art was created following them. Without these two artists, we would not have seen some of the major artists that came years after them. Douglas created paintings that reflected the roots of all African-Americans and used geometric figures to give all of his works a sense of movement that we had not seen before him. Lawrence hit on a major subject during the first World War and into the 1930s. The migration of the African-American community was the first major breach into the Northern society for these people and he helped depict the different triumphs and hardships that came along with this transition. Both of these artists became very well known throughout the world which was huge for African-American art at the time. With this prominence and significant step in the artistic world, it provided stepping stones for younger less-known artists to create their foothold. The development of African-American art was essential to the well-being of Douglas and Lawrence. Curatorial Statement