Ancient Landscape Painting
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Ancient Landscape painting developed significantly over Chinese dynastic periods. During the Southern and Northern Dynasties, landscape painting rose in prominence. The Sui and Tang dynasties saw green become the dominant color and new techniques developed. The Five Dynasties period formed the North and South schools of ink painting, represented by different monks. Landscape painting continued to evolve and mature during later dynasties like Yuan, Ming, and Qing.
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2) Greek art from 800BC to 200AD had a lasting influence on Western civilization with its emphasis on rational order and compositions depicting the human form, while Roman art from 120BC to 400AD was strongly influenced by the Etruscans and Greeks but depicted
Paintings of ancient India
Indian paintings have a long history, dating back to prehistoric times as seen in the Bhimbetka caves. Regional styles developed over centuries influenced by religion and local traditions. Notable early examples include paintings from the Ajanta, Bagh, and Sittanavasal caves dating from the 3rd century BC to 7th century AD, showing scenes from daily life, mythology, and religion. While styles varied by region and time, a remarkable unity in concepts and techniques is seen across Indian paintings.
The changing world of visual arts
European artists in the 18th century brought new styles of visual art to India under British rule, including techniques like oil painting that enabled realistic depictions. Two popular traditions were picturesque landscape painting that depicted India's scenery for British audiences, and portrait painting of the wealthy and powerful. A third genre called "history painting" dramatized episodes of British imperial history. Meanwhile, local court artists adapted to the new styles while some rulers like Tipu Sultan resisted and promoted traditional miniature painting. In the 19th century, popular art forms like scroll painting emerged in cities and pilgrimage centers. Later artists sought a visual style that was both modern and distinctly Indian.
PAINTINGS FROM DIFFERENT PERIODS ANCIENT, CLASSICAL AND MEDIEVAL PERIOD MAPEH...
The document provides information about pre-historic and early paintings from various periods and locations. It discusses cave paintings from the Pre-historic era found in the Cave of Lascaux between 5,000-10,000 BC that depicted large animals. It also describes Egyptian paintings from tombs that were meant to depict the afterlife and journey of the deceased, as well as Greek vase paintings and frescoes that illustrated myths and everyday scenes. Roman paintings expanded on Greek styles and included landscapes, while Byzantine works blended Greek and Eastern influences to depict Christian subjects for church interiors.
INDIAN PAINTINGS
PAINTINGS
A MINIATURE PAINTING OF MEDIVAL PERIOD
INTRODUCTION
Indian painting has a very long tradition and history in Indian art.
The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as found in places like Bhimbetka , some of them from before 5500 BC.
India's Buddhist literature is replete with examples of texts which describe palaces of the army and the aristocratic class embellished with paintings, but the paintings of the Ajanta Caves are the most significant of the few survivals.
Indian paintings provide an aesthetic continuum that extends from the early civilisation to the present day.
From being essentially religious in purpose in the beginning, Indian painting has evolved over the years to become a fusion of various cultures and traditions.
Some Genres of Indian painting
Murals
Miniature painting
Eastern Indian painting
Western Indian painting
Mughal painting
Rajput painting
Tanjore painting
Modern Indian painting
PAINTING OF AJANTA CAVES
Paintings of Ajanta caves are mainly based on the episodes drawn from the life of Lord Buddha .
Ajanta caves are the treasure house of delicate paintings. Some of them also portray scenes from Jataka tales.
The temples are excavated out of batholitic cliffs on the inner side of a seventy-foot valley in the Wagurna River vale, at a site where beauty dropped her image.
Bodhisattva Avalokiteshvara, Cave 1
Features of Paintings of Ajanta
The Ajanta paintings stresses on religious romanticism with lyric quality, a reflection of the view that every aspect of life has an equal value in the spiritual sense and as an aspect of the divine.
The paintings are done by covering the rough surface of the wall with a layer of clay or cow dung mixed with chopped straw or animal hair. When this has been smoothed and levelled, it is given a varnish of fine white clay or gypsum and it is on this ground that the painting is done.
Ceiling Paintings of Ajanta
The most famous paintings at Ajanta caves are in `Cave I`. The shape of the cave is a square hall with the roof supported by rows of pillars.
There is a rock cut image of a seated Buddha at the back of the shrine. The most unusual feature of the cave is parts of the complete decoration of the flat ceiling. There are scenes carved from the life of Lord Buddha as well as a number of ornamental motifs.
In the paintings of Ajanta there are beautifully drawn female figures of dusky complexion wearing towering head-dresses that strongly resembles the sophisticated mukuta, crowning the Bodhisattva himself.
. This is a representation of the Shakti or female of the Bodhisattva, one of the many indications of the intrusions of Hindu concepts into Buddhism .
The paintings of the ceiling of Cave I at Ajanta is executed in a more flat, enhancing style and the space is divided into a number of adjacent panels square and rectangular in form, which are filled with subjects and showy
The changing world of the visual arts
The document discusses the evolution of visual arts in colonial India from the 18th century onwards. It notes that European artists introduced new styles of oil painting and depicted India as wild and untamed. Portrait painting of British and Indian elites also became popular. Later, "history paintings" dramatized British imperial victories. In the 19th century, popular art forms like Kalighat paintings emerged, sometimes expressing nationalist ideas. Artists like Raja Ravi Varma and Abanindranath Tagore tried combining Western techniques with Indian themes to create a distinctive national style of painting. The document contains 15 figures of different paintings to illustrate its points.
Prehistoric art (The Stone Age Paleo/Meso/Neolithic period)
The document discusses prehistoric art from the Stone Age, including the Paleolithic, Mesolithic, and Neolithic periods. During the Paleolithic period, the first pictorial manifestations appeared as humans settled near rivers and lakes. Cave paintings from this time have been found in France and Spain, using natural pigments and stone tools. In the Mesolithic period, art became more geometric and used a restricted range of colors, while the Neolithic period saw the emergence of agriculture and more permanent settlements, along with weaving, megalithic architecture, and early forms of pottery and statuary.
Prehistoric art
1) The earliest known artists were Cro-Magnon peoples from 30,000 BCE who lived in caves and hunted animals.
2) In 1879, Maria de Sautuola discovered prehistoric cave paintings in Altamira Cave in Spain, the first such paintings ever found.
3) Cave paintings from the Stone Age have been found across Western Europe, depicting animals like bison, horses, and hand prints, though the exact purpose is unknown but may have been related to hunting magic, spirituality, or memory.
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