Ryan Sharman scouted Irlam Moss as a potential filming location. The location has plenty of space for equipment, cast and crew. No set dressing or props would be needed. Electricity is not required as the location matches Sharman's vision well for filming an advert.
This production plan outlines the filming of an advertisement for ELLE Magazine. It will feature three actresses - Emily Aldred, Shauna Leacy, and Sarah Murray - posing with magazines as props. No additional crew, transportation, or post-production work is required beyond the basic camera and tripod equipment.
Salford City College's Eccles Sixth Form Centre BTEC Level 3 Extended Diploma in Creative Media Production risk assessment sheet for a film shoot of ELLE Magazine at Irlam Moss outlines falling over as a possible low-level risk due to plants and wildlife, and recommends watching where you walk and bringing plasters. It also lists contact information for emergency services.
Ryan Sharman created a production log for his BTEC Level 3 Extended Diploma project creating an advertisement for ELLE Magazine. He began by brainstorming ideas and choosing magazines as his object of desire. Ryan then created mind maps to develop three potential video ideas and storyboards before choosing idea #3. On June 1st, Ryan filmed footage at Irlam Moss, getting bites but happy with the clips. He then renamed the clips and imported them into Premiere Pro for editing, finding suitable music. By June 4th, Ryan had completed editing and rendered the final video to upload to YouTube and embed on his blog.
Chloe Kyriacou is producing, directing, filming, and starring in a short film titled "Objects of Desire- Barry M Nail Polish Advert" for her client Zip Associates. The production schedule call sheet outlines the crew consisting solely of Chloe and the filming dates of April 26th and 27th and May 3rd at Chloe's house in Salford.
This production plan is for a Barry M Nail Polish advertisement titled "Objects of Desire" produced by Chloe Kyriacou for client Zip Associates. It outlines that Chloe will operate the camera, handle sound, act as technician, and edit. A red table cloth and Chloe's hands will be used as props. Post-production will involve adding sepia and mask effects in Photoshop, editing the ad in Premiere Pro, and using 14-45 seconds of "Mr. Sandman" by The Puppini Sisters for music.
The document provides demographic information about two magazines, Kerrang and Q. Kerrang has a younger average readership of 17-30 year olds and more even gender split. While it has lower circulation and readership than Q, Kerrang provides better reach to its target demographic of young, big spending consumers. The rate cards for each magazine give advertisers useful insight into the audiences and influence of the publications.
The location scout checklist summarizes a location scout done at the Cadishead Skate park. There was plenty of space for filming equipment, cast and crew. No decorations or props were needed besides the filmmaker's scooter. The camera did not require electricity to run. Filming was allowed since the skate park is a public space intended for recreational use. While not the filmmaker's originally planned location, Cadishead Skate park was closer and could be filmed at within the production deadline.
Ryan Sharman scouted Irlam Moss as a potential filming location. The location has plenty of space for equipment, cast and crew. No set dressing or props would be needed. Electricity is not required as the location matches Sharman's vision well for filming an advert.
This production plan outlines the filming of an advertisement for ELLE Magazine. It will feature three actresses - Emily Aldred, Shauna Leacy, and Sarah Murray - posing with magazines as props. No additional crew, transportation, or post-production work is required beyond the basic camera and tripod equipment.
Salford City College's Eccles Sixth Form Centre BTEC Level 3 Extended Diploma in Creative Media Production risk assessment sheet for a film shoot of ELLE Magazine at Irlam Moss outlines falling over as a possible low-level risk due to plants and wildlife, and recommends watching where you walk and bringing plasters. It also lists contact information for emergency services.
Ryan Sharman created a production log for his BTEC Level 3 Extended Diploma project creating an advertisement for ELLE Magazine. He began by brainstorming ideas and choosing magazines as his object of desire. Ryan then created mind maps to develop three potential video ideas and storyboards before choosing idea #3. On June 1st, Ryan filmed footage at Irlam Moss, getting bites but happy with the clips. He then renamed the clips and imported them into Premiere Pro for editing, finding suitable music. By June 4th, Ryan had completed editing and rendered the final video to upload to YouTube and embed on his blog.
Chloe Kyriacou is producing, directing, filming, and starring in a short film titled "Objects of Desire- Barry M Nail Polish Advert" for her client Zip Associates. The production schedule call sheet outlines the crew consisting solely of Chloe and the filming dates of April 26th and 27th and May 3rd at Chloe's house in Salford.
This production plan is for a Barry M Nail Polish advertisement titled "Objects of Desire" produced by Chloe Kyriacou for client Zip Associates. It outlines that Chloe will operate the camera, handle sound, act as technician, and edit. A red table cloth and Chloe's hands will be used as props. Post-production will involve adding sepia and mask effects in Photoshop, editing the ad in Premiere Pro, and using 14-45 seconds of "Mr. Sandman" by The Puppini Sisters for music.
The document provides demographic information about two magazines, Kerrang and Q. Kerrang has a younger average readership of 17-30 year olds and more even gender split. While it has lower circulation and readership than Q, Kerrang provides better reach to its target demographic of young, big spending consumers. The rate cards for each magazine give advertisers useful insight into the audiences and influence of the publications.
The location scout checklist summarizes a location scout done at the Cadishead Skate park. There was plenty of space for filming equipment, cast and crew. No decorations or props were needed besides the filmmaker's scooter. The camera did not require electricity to run. Filming was allowed since the skate park is a public space intended for recreational use. While not the filmmaker's originally planned location, Cadishead Skate park was closer and could be filmed at within the production deadline.
This production log documents Daniel Hopkins' process of creating a stop motion film advertisement for Kit Kat bars over several days in May and June. On the first day, Daniel set up and filmed the majority of the stop motion scenes in the kitchen but had to troubleshoot lighting issues. The following day, he finished the kitchen scenes and filmed scenes in the living room. Later, Daniel completed the live action filming. He then began editing the footage in Adobe Premiere Pro, importing the stop motion photos and live footage and removing unused material. Over subsequent lessons, Daniel refined the edit, added music, and paced the elements to eventually produce a 30 second advertisement.
This production plan is for a stop motion Kit Kat advert to be filmed by Daniel Hopkins at his house for client Zip Associates. It will require a Nikon or Canon camera mounted on a tripod to film the stop motion segment in high quality, and will feature Daniel as the sole actor across various rooms of his house. Post-production will involve adding music and a voiceover, while props will include a DAB radio, toy dinosaur, and multiple Kit Kats.
This location scouting checklist evaluates three potential filming locations - the filmmaker's own house, a large moss area, and a skate park. For each location, it considers whether there is enough space, how difficult it will be to dress the set, if electricity is available, and if permission to film has been obtained. It determines that the filmmaker's house doesn't fully match the envisioned setting but that the moss area and skate park are good matches for their natural themes.
This shooting schedule template outlines the planned filming for a creative media production project. It includes the date, scene or shot description, location, and completion status for four filming sessions between May 27th and June 3rd, 2014. The scenes will be of a creative artist, nature lovers walking at a nature reserve, a skate park, and ending shots with a camera. All filming is scheduled to be completed and edited by June 4th, 2014.
Emily created a production log for her creative media project on objects of desire. She began by mind mapping scenes of people using her product idea and creating storyboards. Emily then filmed various shots at different locations of people using the product, including friends at moss, a skate park, and separate product shots. She edited the footage together with chosen music to match the tone of the product and uploaded the finished advertisement to YouTube.
The document discusses using stop motion animation featuring celebrities in chocolate bar commercials without using human actors. Slogans and logos would be incorporated in a funny and entertaining way using wacky stop motion animation featuring celebrities to promote chocolate bars.
Lewis Dunn created a production log for his advert promoting Rockstar Energy Drink for his BTec Level 3 Extended Diploma in Creative Media Production. He began by researching product ideas and comparing existing Rockstar ads. He then storyboarded his idea and shot test footage on his phone to help plan the final edit. Lewis borrowed a Canon HD camera from his friend Jacques Laycock and shot various angled footage over different lights to ensure enough clips. He imported the clips into Adobe Premiere Pro, added the song "Feel the Love" by Rudimental featuring John Newman, and spent three hours editing together perfect clips, effects, and transitions. The finished advert includes a vector Rockstar image at the end to identify
My house is the only location that will be used for the film advert. There is plenty of space for the one-person cast and crew, and no additional decorations or props are needed beyond moving a radio and using a toy dinosaur already owned. Electricity is available and permission has been obtained from my parents to film in the house, which perfectly matches the vision established in the storyboard and script.
The document contains feedback on a video from various individuals, with most praising aspects like the music, certain shots, and how it captured working out. However, one person noted some shots seemed rushed, and another suggested improving the last shots. Overall the feedback was positive, with comments specifically complimenting the music choice and how it fit the theme of working out.
The filmmaker had several issues during filming their advert. They had trouble finding actors for the scheduled shoots and issues with camera quality and location access that slowed filming. Acting quality from non-professional actors was also a problem. During editing, the filmmaker improved the advert by adding fitting music to tell the story without dialogue. However, the short time frame made fully achieving the jock vs nerd concept difficult. Overall, better preparation for filming and hiring professional actors could improve future projects.
The document summarizes the creation of a stop-motion advert for a chocolate bar. It discusses that the production timeline was constrained due to college calendars and lack of pre-production planning. Shooting took a long time to make the chocolate bar movement smooth. Some scenes were rushed or had to be reshot due to time issues. Key creative elements included a "I Need a Hero" scene and dinosaur scene to advance the narrative. Peer feedback noted some lighting and music inconsistencies that could be improved upon for future projects with better planning and production techniques. Overall the advert was deemed creative and met the assignment requirements.
Lewis Dunn wrote a risk assessment for his student film project advertising Rockstar Energy Drink. The film would involve Lewis performing scooter tricks at a skate park in Manchester that carried high risks of falling and injury. To mitigate these risks, Lewis planned to wear a helmet and knee pads during filming and ensure the camera operator maintained a safe distance. The risk assessment also listed contacts for emergency services and local hospitals in case an injury occurred during production.
The document outlines a plan to create a 30 second advertisement for Profile Racing Hubs. It will follow conventions for product ads through extreme closeups and slow motion of the product. It will include an upbeat track and quick editing cuts. Footage will be recorded of a friend doing freestyle BMX tricks at a skate park to engage the target audience of 10-25 year old male BMX riders.
Pp production schedule_call_sheet_templateLewisDunn
This production schedule call sheet is for a Rockstar Energy Drink advertisement being produced by Lewis Dunn for his coursework at Salford City College. It lists Lewis Dunn as the writer, producer, and director. The shoot will take place on June 18th at Cadishead Skate Park in Manchester. The crew consists of just Lewis Dunn and Jacques Laycock operating the camera. The shoot is intended to film and complete Lewis Dunn's Rockstar energy drink advertisement.
Daniel Hopkins is filming a Kit Kat advertisement at his house for client Zip Associates. He has identified two potential hazards:
His dog could eat the chocolate props, posing a medium risk. He will ensure the chocolate is not accessible to the dog.
There is also a risk of tripping over props and equipment on a cluttered set, posing a low risk. He will keep the set organized to prevent falls.
This document provides an evaluation of Ben Holmes' work on an advertisement production assignment for television. It describes the various tasks of the assignment, which included researching advertising techniques, styles of adverts, the roles of regulatory bodies, communication methods, and audience research and profiling. Ben found some tasks easier than others due to previous lessons covering similar topics. He struggled most with explaining the role of audience profiling but completed the task with research and tutor guidance. For another part of the assignment, Ben created a 30-second advertisement for his BMX bike by following codes and conventions of bike ads and editing in a fast-paced style using software like Adobe Premier Pro. While pleased with the outcome, Ben admits rushing parts of the recording and
The risk assessment sheet is for a film project shooting at a student's house, fields, and skate park. It identifies potential hazards like paper cuts from artwork, insect bites while filming outdoors, and injuries from broken glass or falling from skateboards. The risks are deemed minimal, and solutions proposed include first aid, insect repellent, and cleaning cuts. Emergency contact information is provided.
The document discusses the marketing campaign for the film "Need for Speed", which included interviews with star Aaron Paul on various TV and radio shows. Specifically, it notes that Aaron Paul appeared on "The Graham Norton Show" to reach a wider UK audience, as the show appeals to both male and female adult viewers. It also mentions an interview on "Top Gear", which would mainly target male audiences given the car-focused nature of both the show and film. The marketing campaign utilized Aaron Paul's popularity from "Breaking Bad" to promote the film and appeal to both male and female viewers.
This magazine cover analysis summarizes the key details of the NME magazine cover focusing on The Stone Roses 20th anniversary. It describes the title as focusing on this band and album anniversary. The main image is a large photo of The Stone Roses. Captions and bold text promote the anniversary story. Comparisons are made to an Elle magazine cover showing differences in images, colors, and target audiences between the music and lifestyle magazines.
This document analyzes and compares the front covers of two magazines - NME and ELLE. For NME, the cover is celebrating the 20th anniversary of The Stone Roses debut album. It features a large photo of the band and highlights their anniversary. In contrast, the ELLE cover features a close-up photo of Katy Perry, targeting a more classy, sophisticated audience. While NME uses bold colors and fonts, ELLE has a cleaner white and blue color scheme with classier typography. Both covers aim to attract readers by previewing stories inside through caption text.
The document outlines the editing process for a publication from start to finish. It begins with developing the front cover and ends with the final approved cover. The stages in between are not specified but the progression from an initial draft to a final version is implied.
The document discusses the editing process for a double page spread. It likely focuses on how to lay out content across two facing pages and ensure consistency and flow between the pages. The editing process examines elements like images, text, and design to create a cohesive reading experience when the pages are viewed side by side.
This production log documents Daniel Hopkins' process of creating a stop motion film advertisement for Kit Kat bars over several days in May and June. On the first day, Daniel set up and filmed the majority of the stop motion scenes in the kitchen but had to troubleshoot lighting issues. The following day, he finished the kitchen scenes and filmed scenes in the living room. Later, Daniel completed the live action filming. He then began editing the footage in Adobe Premiere Pro, importing the stop motion photos and live footage and removing unused material. Over subsequent lessons, Daniel refined the edit, added music, and paced the elements to eventually produce a 30 second advertisement.
This production plan is for a stop motion Kit Kat advert to be filmed by Daniel Hopkins at his house for client Zip Associates. It will require a Nikon or Canon camera mounted on a tripod to film the stop motion segment in high quality, and will feature Daniel as the sole actor across various rooms of his house. Post-production will involve adding music and a voiceover, while props will include a DAB radio, toy dinosaur, and multiple Kit Kats.
This location scouting checklist evaluates three potential filming locations - the filmmaker's own house, a large moss area, and a skate park. For each location, it considers whether there is enough space, how difficult it will be to dress the set, if electricity is available, and if permission to film has been obtained. It determines that the filmmaker's house doesn't fully match the envisioned setting but that the moss area and skate park are good matches for their natural themes.
This shooting schedule template outlines the planned filming for a creative media production project. It includes the date, scene or shot description, location, and completion status for four filming sessions between May 27th and June 3rd, 2014. The scenes will be of a creative artist, nature lovers walking at a nature reserve, a skate park, and ending shots with a camera. All filming is scheduled to be completed and edited by June 4th, 2014.
Emily created a production log for her creative media project on objects of desire. She began by mind mapping scenes of people using her product idea and creating storyboards. Emily then filmed various shots at different locations of people using the product, including friends at moss, a skate park, and separate product shots. She edited the footage together with chosen music to match the tone of the product and uploaded the finished advertisement to YouTube.
The document discusses using stop motion animation featuring celebrities in chocolate bar commercials without using human actors. Slogans and logos would be incorporated in a funny and entertaining way using wacky stop motion animation featuring celebrities to promote chocolate bars.
Lewis Dunn created a production log for his advert promoting Rockstar Energy Drink for his BTec Level 3 Extended Diploma in Creative Media Production. He began by researching product ideas and comparing existing Rockstar ads. He then storyboarded his idea and shot test footage on his phone to help plan the final edit. Lewis borrowed a Canon HD camera from his friend Jacques Laycock and shot various angled footage over different lights to ensure enough clips. He imported the clips into Adobe Premiere Pro, added the song "Feel the Love" by Rudimental featuring John Newman, and spent three hours editing together perfect clips, effects, and transitions. The finished advert includes a vector Rockstar image at the end to identify
My house is the only location that will be used for the film advert. There is plenty of space for the one-person cast and crew, and no additional decorations or props are needed beyond moving a radio and using a toy dinosaur already owned. Electricity is available and permission has been obtained from my parents to film in the house, which perfectly matches the vision established in the storyboard and script.
The document contains feedback on a video from various individuals, with most praising aspects like the music, certain shots, and how it captured working out. However, one person noted some shots seemed rushed, and another suggested improving the last shots. Overall the feedback was positive, with comments specifically complimenting the music choice and how it fit the theme of working out.
The filmmaker had several issues during filming their advert. They had trouble finding actors for the scheduled shoots and issues with camera quality and location access that slowed filming. Acting quality from non-professional actors was also a problem. During editing, the filmmaker improved the advert by adding fitting music to tell the story without dialogue. However, the short time frame made fully achieving the jock vs nerd concept difficult. Overall, better preparation for filming and hiring professional actors could improve future projects.
The document summarizes the creation of a stop-motion advert for a chocolate bar. It discusses that the production timeline was constrained due to college calendars and lack of pre-production planning. Shooting took a long time to make the chocolate bar movement smooth. Some scenes were rushed or had to be reshot due to time issues. Key creative elements included a "I Need a Hero" scene and dinosaur scene to advance the narrative. Peer feedback noted some lighting and music inconsistencies that could be improved upon for future projects with better planning and production techniques. Overall the advert was deemed creative and met the assignment requirements.
Lewis Dunn wrote a risk assessment for his student film project advertising Rockstar Energy Drink. The film would involve Lewis performing scooter tricks at a skate park in Manchester that carried high risks of falling and injury. To mitigate these risks, Lewis planned to wear a helmet and knee pads during filming and ensure the camera operator maintained a safe distance. The risk assessment also listed contacts for emergency services and local hospitals in case an injury occurred during production.
The document outlines a plan to create a 30 second advertisement for Profile Racing Hubs. It will follow conventions for product ads through extreme closeups and slow motion of the product. It will include an upbeat track and quick editing cuts. Footage will be recorded of a friend doing freestyle BMX tricks at a skate park to engage the target audience of 10-25 year old male BMX riders.
Pp production schedule_call_sheet_templateLewisDunn
This production schedule call sheet is for a Rockstar Energy Drink advertisement being produced by Lewis Dunn for his coursework at Salford City College. It lists Lewis Dunn as the writer, producer, and director. The shoot will take place on June 18th at Cadishead Skate Park in Manchester. The crew consists of just Lewis Dunn and Jacques Laycock operating the camera. The shoot is intended to film and complete Lewis Dunn's Rockstar energy drink advertisement.
Daniel Hopkins is filming a Kit Kat advertisement at his house for client Zip Associates. He has identified two potential hazards:
His dog could eat the chocolate props, posing a medium risk. He will ensure the chocolate is not accessible to the dog.
There is also a risk of tripping over props and equipment on a cluttered set, posing a low risk. He will keep the set organized to prevent falls.
This document provides an evaluation of Ben Holmes' work on an advertisement production assignment for television. It describes the various tasks of the assignment, which included researching advertising techniques, styles of adverts, the roles of regulatory bodies, communication methods, and audience research and profiling. Ben found some tasks easier than others due to previous lessons covering similar topics. He struggled most with explaining the role of audience profiling but completed the task with research and tutor guidance. For another part of the assignment, Ben created a 30-second advertisement for his BMX bike by following codes and conventions of bike ads and editing in a fast-paced style using software like Adobe Premier Pro. While pleased with the outcome, Ben admits rushing parts of the recording and
The risk assessment sheet is for a film project shooting at a student's house, fields, and skate park. It identifies potential hazards like paper cuts from artwork, insect bites while filming outdoors, and injuries from broken glass or falling from skateboards. The risks are deemed minimal, and solutions proposed include first aid, insect repellent, and cleaning cuts. Emergency contact information is provided.
The document discusses the marketing campaign for the film "Need for Speed", which included interviews with star Aaron Paul on various TV and radio shows. Specifically, it notes that Aaron Paul appeared on "The Graham Norton Show" to reach a wider UK audience, as the show appeals to both male and female adult viewers. It also mentions an interview on "Top Gear", which would mainly target male audiences given the car-focused nature of both the show and film. The marketing campaign utilized Aaron Paul's popularity from "Breaking Bad" to promote the film and appeal to both male and female viewers.
This magazine cover analysis summarizes the key details of the NME magazine cover focusing on The Stone Roses 20th anniversary. It describes the title as focusing on this band and album anniversary. The main image is a large photo of The Stone Roses. Captions and bold text promote the anniversary story. Comparisons are made to an Elle magazine cover showing differences in images, colors, and target audiences between the music and lifestyle magazines.
This document analyzes and compares the front covers of two magazines - NME and ELLE. For NME, the cover is celebrating the 20th anniversary of The Stone Roses debut album. It features a large photo of the band and highlights their anniversary. In contrast, the ELLE cover features a close-up photo of Katy Perry, targeting a more classy, sophisticated audience. While NME uses bold colors and fonts, ELLE has a cleaner white and blue color scheme with classier typography. Both covers aim to attract readers by previewing stories inside through caption text.
The document outlines the editing process for a publication from start to finish. It begins with developing the front cover and ends with the final approved cover. The stages in between are not specified but the progression from an initial draft to a final version is implied.
The document discusses the editing process for a double page spread. It likely focuses on how to lay out content across two facing pages and ensure consistency and flow between the pages. The editing process examines elements like images, text, and design to create a cohesive reading experience when the pages are viewed side by side.
The document summarizes the process of creating a horror film trailer for a class project. It describes how the student's initial idea of a music video was too complex, so they decided to make a horror trailer instead. They conducted research on horror tropes and audience preferences to inform their trailer idea. Storyboards, location scouting, and risk assessments were done during pre-production. Footage was shot and editing/effects were added using Adobe software. Feedback was positive about the tension built and professional quality. The student learned about project management and continuity.
Bethany Melia booked a voiceover session with Hannah Morse for August 5th, 2014 at 1:00 pm. The studio manager overseeing the session was Damen Bramwell.
The document discusses the marketing campaign for the film "Need for Speed", which involved interviews with star Aaron Paul on various TV and radio shows. Specifically, it notes that Aaron Paul appeared on "The Graham Norton Show" to appeal to a wider UK audience, and on "Top Gear" to target fans of fast cars. It concludes that Aaron Paul was well-suited to lead the marketing efforts due to his popularity from "Breaking Bad" and ability to appeal to both male and female audiences.
The document discusses the marketing campaign for the film "Need for Speed", which involved interviews with star Aaron Paul on various TV and radio shows. Specifically, it notes that Aaron Paul appeared on "The Graham Norton Show" to appeal to a wider UK audience, and on "Top Gear" to target fans of fast cars. It concludes that Aaron Paul was well-suited to lead the marketing efforts due to his popularity from "Breaking Bad" and ability to appeal to both male and female audiences.
The document discusses the marketing campaign for the film "Need for Speed", which involved interviews with star Aaron Paul on various TV and radio shows. Specifically, it notes that Aaron Paul appeared on "The Graham Norton Show" to appeal to a wider UK audience, and on "Top Gear" to target fans of fast cars. It concludes that Aaron Paul was well-suited to lead the marketing efforts due to his popularity from "Breaking Bad" and ability to appeal to both male and female audiences.
Leeds festival will take place from August 22nd to 24th at Bramham Park. The headliners are Arctic Monkeys, Blink 182, Paramore and Queens of the Stone Age along with other acts like Jake Bugg, Vampire Weekend, Imagine Dragons and The 1975. Visitors can find ticket sales and more information on the festival website leedsfestival.com.
Ig3 music video production diary templateBethMelia
This document contains the production diary and progress updates of a student enrolled in an Extended Diploma in Creative Media Production program. Over the course of several months, the student planned and created a horror film trailer as their major project. The diary outlines the student's weekly progress, including developing their idea, conducting research, pre-production planning, filming, editing, gathering feedback, and final evaluation. It also previews the student's plans for the following weeks, such as continuing research, beginning pre-production, shooting footage, editing their project, and completing their evaluation and any remaining work.
This document provides a template for conducting a risk assessment for film production activities. It instructs the user to consider all potential hazards, who or what may be harmed, existing risk controls, and assigns a risk level based on likelihood and consequences. The template then guides the user to list specific hazards for each scene, note existing controls, assign a risk level, and identify any further actions needed based on the risk level. Examples of hazards listed include tripping in a cellar, sharp objects, and smashed glass.
This risk assessment document identifies potential hazards for four film production scenes taking place at a pub. The biggest risks include slipping on a tiled floor near the vault, with a risk rating of 4, and falling or being burned in the kitchen and cellar, both rated 5. The actions recommended to mitigate these risks are ensuring dry floors, all kitchen devices are off and cooled, and taking care on the cellar stairs. A lower risk of tripping over objects in the pub is also noted.
The student is pitching a horror film trailer for their final major project. The trailer will be based on two students making a documentary about running a pub who encounter strange events after being locked inside alone at night. To appeal to the target 18+ male and female young adult audience, the trailer will use quick cuts, eerie music, and shocking glimpses of blood and gore to leave viewers feeling thrilled and wanting to solve the enigma of what happens without giving too much away about the plot. The student plans to use software like Microsoft Office, cameras, and Adobe programs to produce, film, and edit the trailer.
1) The photographer did a shoot to produce an image that could be used in a music magazine. They captured a natural reaction shot of the models while they were off guard in a field.
2) Minor editing was done to the selected image, adding black and white and a lens flare. The photographer was surprised at how well the editing turned out.
3) For their next project, the photographer aims to improve planning for location and lighting to better achieve their goals for the shoot.
The document is a contact sheet showing different fonts that were considered for a magazine front cover. It includes images of the masthead designs with different fonts, work in progress on making the front cover, and the final evaluated front cover design that was chosen.
This document analyzes the covers of two magazines - NME and ELLE. For the NME magazine, the cover features a photo of the band The Stone Roses to promote the 20th anniversary of their debut album. The target audience is music fans aged 17-30. The cover uses bold fonts and bright colors. For the ELLE magazine, the cover features a close-up photo of Katy Perry. The target audience is more classy and sophisticated. The cover uses a white and blue color scheme with classy fonts. The covers aim to attract readers by highlighting the stories inside through cover lines.
The document discusses Steven Spielberg's 2005 remake of War of the Worlds, including its release date, budget, and box office gross. It asks why American audiences responded positively to the film, considering factors like the casting of Tom Cruise and its location and timing of release near 9/11. It also questions whether the film would have been as popular or successful without 9/11 and discusses American producers using 9/11 as a thematic device in films.
The document discusses the 2005 remake of War of the Worlds, directed by Steven Spielberg. It questions whether the film would have been as popular and successful without the context of the 9/11 attacks. While some critics thought the film drew similarities to 9/11, the responses indicate that the original book and film were already popular franchises. Additionally, it was noted that 9/11 may have been incorporated for commercial purposes rather than out of actual necessity for the storyline. The document concludes by discussing the appropriate usage of 9/11 as a thematic device, stating it can be justified if handled respectfully and based on facts, rather than being exploited.
1. Name: Beth Melia Product: Armani Jeans
Narrative – What is the story of the ad, characters, settings, conflicts, resolutions Mise-en-scene (What colours, sets and props are used? Why?)
Cristiano Ronaldo has lost his shirt and has to walk around topless while he is looking Black and white.
for it. The maid finds the top and then hides it again so Ronaldo must continue to walk
around topless. At this time there are close up of the Armani jeans Ronaldo is wearing. Hotel Room
Very French movie type.
Target Audience – Who is the product for?
Men and Women
Sounds - What can you hear?
Upbeat humorous music.
Camera Shots – What shots are used and why?
Long shots, medium shots and close ups.
Advertising Techniques – What techniques are used and why?
Humour
Sex Appeal