Presentation for the Museums Accreditation Program seminar, Beechworth, Victoria, on 28 June 2016. To view the full notes and links, hit the 'download' button below.
Record-keeping Partnerships and Maintaining Records About RecordsKara Flynn
Asthe depository for local history records, the institutional records of the university, and for the records and collections of the Augusta Richmond County Historical Society (ARCHS), Augusta University's Special Collections & Institutional Archives' partnerships with other record keepers present a number of unique opportunities, and challenges. In this presentation, I highlight the opportunities and challenges inherent in working closely with other record-keepers, and discuss how this process of ongoing collaboration speaks to the importance of the records we keep about our collections—both for looking at the past, and for ensuring access to records in the future.
The Role of Culture in Problem Gambling Treatment Sally Gainsbury
Individuals from culturally and linguistically diverse backgrounds are less likely to gamble, but paradoxically, more likely to have gambling problems than the general population. Cultural beliefs and values as well as experiences have a strong impact on how people engage with gambling as well as the development of gambling problems and response to these. CALD gamblers and their families are often reluctant to seek formal treatment and culturally-specific barriers to treatment need to be addressed. This presentation will review best practice for providing gambling treatment for CALD populations. This will include discussion of the theory, practice and evidence for culturally competent treatment for gambling.
Implications: Research suggests that CALD clients are more likely to enter and remain in treatment and benefit from this when services are responsive to their needs. Cultural competence among staff has been linked to better communication, more accurate diagnosis, positive therapeutic alliance and higher client satisfaction. However, culturally adapted interventions may not always be more efficacious than unadapted interventions.
Students have the opportunity of a lifetime to engage in new
cultures, see the world, and shift their perspective through
Rotary Youth Exchange. As administrators, we must
prepare them for their upcoming year. Learn from
experienced YEOs and share your stories as we consider
the best methods to equip our students for their best year yet.
Doris Weidenholzer
D1920, Austria
Raising Funds, Engaging Members, Doing Good in the WorldElizabeth Toms
Fundraising for The Rotary Foundation can be fun and
inspiring, and come with personal benefits. Interested?
Join us to explore strategies for engaging members, creating
innovative campaigns, recognizing and connecting with
potential donors, and effectively sharing our story: Rotarians
and The Rotary Foundation are Doing Good in the World.
Record-keeping Partnerships and Maintaining Records About RecordsKara Flynn
Asthe depository for local history records, the institutional records of the university, and for the records and collections of the Augusta Richmond County Historical Society (ARCHS), Augusta University's Special Collections & Institutional Archives' partnerships with other record keepers present a number of unique opportunities, and challenges. In this presentation, I highlight the opportunities and challenges inherent in working closely with other record-keepers, and discuss how this process of ongoing collaboration speaks to the importance of the records we keep about our collections—both for looking at the past, and for ensuring access to records in the future.
The Role of Culture in Problem Gambling Treatment Sally Gainsbury
Individuals from culturally and linguistically diverse backgrounds are less likely to gamble, but paradoxically, more likely to have gambling problems than the general population. Cultural beliefs and values as well as experiences have a strong impact on how people engage with gambling as well as the development of gambling problems and response to these. CALD gamblers and their families are often reluctant to seek formal treatment and culturally-specific barriers to treatment need to be addressed. This presentation will review best practice for providing gambling treatment for CALD populations. This will include discussion of the theory, practice and evidence for culturally competent treatment for gambling.
Implications: Research suggests that CALD clients are more likely to enter and remain in treatment and benefit from this when services are responsive to their needs. Cultural competence among staff has been linked to better communication, more accurate diagnosis, positive therapeutic alliance and higher client satisfaction. However, culturally adapted interventions may not always be more efficacious than unadapted interventions.
Students have the opportunity of a lifetime to engage in new
cultures, see the world, and shift their perspective through
Rotary Youth Exchange. As administrators, we must
prepare them for their upcoming year. Learn from
experienced YEOs and share your stories as we consider
the best methods to equip our students for their best year yet.
Doris Weidenholzer
D1920, Austria
Raising Funds, Engaging Members, Doing Good in the WorldElizabeth Toms
Fundraising for The Rotary Foundation can be fun and
inspiring, and come with personal benefits. Interested?
Join us to explore strategies for engaging members, creating
innovative campaigns, recognizing and connecting with
potential donors, and effectively sharing our story: Rotarians
and The Rotary Foundation are Doing Good in the World.
Slides used by Craig Harris, VAST, at the Big Local ‘I'll do that - volunteering in Big Local areas' learning event, organised as part of the Local Trust programme of networking and learning events for Big Local residents. The event took place on Thursday 25 September 2014.
Since 2010, George Abie Williams has served as Senior Vice President Investments of Stifel Nicolaus in Radford, VA. Actively involved in his community, George Abie Williams is the chair of the Radford (VA) High School Foundation, Inc., which offers a number of scholarships. These include:
Lecture presented to Arts & Cultural Management students at the University of Melbourne, 23 September 2015.
See: http://culture-communication.unimelb.edu.au/study-areas/arts-and-cultural-management
Follow the process of Sunlight Children's Advocacy & Rights Foundations capital campaign to raise funds to build the Sunshine Children's Home. This is the organizations first capital campaign.
Crowdsourcing Metadata Practices at USUAndrea Payant
USU Libraries’ Cataloging and Metadata Unit has successfully investigated several methods to engage the public to involve them in the creation of metadata for USU’s Digital History Collections. Most, if not all the techniques we have tested have yielded positive results and have improved the relevancy and accuracy of our descriptive metadata.
Turning Outward: Museums and Libraries as Sites for Community Innovation and ...West Muse
Presenter(s):
Chris Siefert, Deputy Director, Children's Museum of Pittsburgh
Leilani Lewis, Director of Marketing and Communications, Northwest African American Museum
Gerry Garzon, Library Director, Oakland Public Library
Moderator:
Margaret Kadoyama, Principal, Margaret Kadoyama Consulting
Would you like your museum to be an anchor in your community? Explore the roles of museums and libraries in community revitalization through “turning outward,” a comprehensive approach to civic change centered on our communities instead of ourselves. Hear about the Children’s Museum of Pittsburgh’s creative place-making efforts, the Northwest African American Museum’s role as a vital gathering place, and the Oakland Public Library’s redefinition of library services inside, outside, and online. Learn about the skills and attributes that are critical in sustaining effective community revitalization.
Grant Opportunities from the Institute of Museum and Library ServicesWest Muse
Presenters:
Laura Martin, Senior Advisor, Arizona Science Center
Jenni Martin, Director of Education and Strategic Initiatives, Children's Discovery Museum of San Jose
Moderator:
Mark Feitl, Museum Program Specialist, Institute of Museum and Library Services
As the primary source of federal support for the nation's museums, the Institute of Museum and Library Services (IMLS) provides grant funds that assist museums of all types and sizes in their work to be effective and sustainable organizations. IMLS support is available for projects including but not limited to exhibits and programs, collections care and conservation, professional development, and research. This session offers information on grant opportunities and tips for preparing competitive applications. #NutsAndBolts
It’s an adage as old as politics itself. A thread is weak. But twist several threads into a rope and it’s strong. Such is the power of alliances and teamwork. Join Resource Media for a "Building Strategic Alliances" training that describes the practical, systematic steps and case studies you need to know to help you reach new partners and spokespeople. Our presentation will be full of the best advice from conservation leaders around the country with a proven track record of success.
Stewardship or Donor Relations – Making it all come together with Amanda StanesBlackbaud Pacific
In this presentation Amanda Stanes, Associate Director Donor Stewardship at The University of Auckland Business School shares how you can build a donor relationship program into your existing fundraising practices.
To view the full webinar please visit: https://www.blackbaud.com.au/notforprofit-events/webinars/past
How can equity crowdfunding help my business?BizSmart Select
A brief introduction to CrowdfundingThis webinar will give a brief history of this new internet phenomenon and its place in the funding of new ideas and companies. Equity crowdfunding, in particular, will be discussed and illustrated with a particular (successful) example
Slides used by Craig Harris, VAST, at the Big Local ‘I'll do that - volunteering in Big Local areas' learning event, organised as part of the Local Trust programme of networking and learning events for Big Local residents. The event took place on Thursday 25 September 2014.
Since 2010, George Abie Williams has served as Senior Vice President Investments of Stifel Nicolaus in Radford, VA. Actively involved in his community, George Abie Williams is the chair of the Radford (VA) High School Foundation, Inc., which offers a number of scholarships. These include:
Lecture presented to Arts & Cultural Management students at the University of Melbourne, 23 September 2015.
See: http://culture-communication.unimelb.edu.au/study-areas/arts-and-cultural-management
Follow the process of Sunlight Children's Advocacy & Rights Foundations capital campaign to raise funds to build the Sunshine Children's Home. This is the organizations first capital campaign.
Crowdsourcing Metadata Practices at USUAndrea Payant
USU Libraries’ Cataloging and Metadata Unit has successfully investigated several methods to engage the public to involve them in the creation of metadata for USU’s Digital History Collections. Most, if not all the techniques we have tested have yielded positive results and have improved the relevancy and accuracy of our descriptive metadata.
Turning Outward: Museums and Libraries as Sites for Community Innovation and ...West Muse
Presenter(s):
Chris Siefert, Deputy Director, Children's Museum of Pittsburgh
Leilani Lewis, Director of Marketing and Communications, Northwest African American Museum
Gerry Garzon, Library Director, Oakland Public Library
Moderator:
Margaret Kadoyama, Principal, Margaret Kadoyama Consulting
Would you like your museum to be an anchor in your community? Explore the roles of museums and libraries in community revitalization through “turning outward,” a comprehensive approach to civic change centered on our communities instead of ourselves. Hear about the Children’s Museum of Pittsburgh’s creative place-making efforts, the Northwest African American Museum’s role as a vital gathering place, and the Oakland Public Library’s redefinition of library services inside, outside, and online. Learn about the skills and attributes that are critical in sustaining effective community revitalization.
Grant Opportunities from the Institute of Museum and Library ServicesWest Muse
Presenters:
Laura Martin, Senior Advisor, Arizona Science Center
Jenni Martin, Director of Education and Strategic Initiatives, Children's Discovery Museum of San Jose
Moderator:
Mark Feitl, Museum Program Specialist, Institute of Museum and Library Services
As the primary source of federal support for the nation's museums, the Institute of Museum and Library Services (IMLS) provides grant funds that assist museums of all types and sizes in their work to be effective and sustainable organizations. IMLS support is available for projects including but not limited to exhibits and programs, collections care and conservation, professional development, and research. This session offers information on grant opportunities and tips for preparing competitive applications. #NutsAndBolts
It’s an adage as old as politics itself. A thread is weak. But twist several threads into a rope and it’s strong. Such is the power of alliances and teamwork. Join Resource Media for a "Building Strategic Alliances" training that describes the practical, systematic steps and case studies you need to know to help you reach new partners and spokespeople. Our presentation will be full of the best advice from conservation leaders around the country with a proven track record of success.
Stewardship or Donor Relations – Making it all come together with Amanda StanesBlackbaud Pacific
In this presentation Amanda Stanes, Associate Director Donor Stewardship at The University of Auckland Business School shares how you can build a donor relationship program into your existing fundraising practices.
To view the full webinar please visit: https://www.blackbaud.com.au/notforprofit-events/webinars/past
How can equity crowdfunding help my business?BizSmart Select
A brief introduction to CrowdfundingThis webinar will give a brief history of this new internet phenomenon and its place in the funding of new ideas and companies. Equity crowdfunding, in particular, will be discussed and illustrated with a particular (successful) example
Full deck 3.30.16 - epip webinar indie philanthropyEPIPNational
Traditional funding hasn’t always been as responsive, creative, and impactful as it can be. What would it look like if we infused our giving practices and philosophies with more uniqueness, accessibility, meaning and collaboration?
In this one hour webinar we will work to have you be able to answer this question: What could re-imagining philanthropy look like for your organization?
Join us for a conversation exploring both theory and practice from the frontline using the creative Indie Philanthropy approaches of Flow Funding, Community-Based Decision-Making and Funding Start-Ups to match values with ways of funding. We will discuss some of the most forward-thinking, successful, and collaborative approaches to creating change and explore ways you can get started in your own work and giving.
Speakers:
Arianne Shaffer - Director, Indie Philanthropy Initiative
Sadaf Cameron - Director, Kindle Project - Speaking about Funding Start-Ups
Alissa Hauser - Director, The Pollination Project - Speaking about Flow Funding
MA2014 What benefits me, benefits us: A plan for museum mentorships and struc...lauramiles
Presented at the Museums Australia National Conference in Launceston, May 2014. A plan for a structured mentoring, volunteering, internships and work experience program, to benefit individuals’ career development and create a meaningful response to succession planning for the long-term health of the museum sector.
Museums Australia (Victoria) is the peak industry body for museums and galleries. Find out more about us at: www.mavic.asn.au.
Roll out the red carpet: The accessible, welcoming museumlauramiles
Presented at the Museums Australia WA Conference in October 2013, a thought experiment on the topic of authenticity in museums: can it be defined, and why true authenticity is important for all museums, large and small.
Museums Australia (Victoria) is the peak industry body for museums and galleries. Find out more about us at: www.mavic.asn.au.
MA2012 When to show, when to tell: New ways to apply the National Standardslauramiles
Presented at the Museums Australia 2012 National Conference in Adelaide. This presentation cites some international examples of when 'showing rather than telling' gets a message across effectively, and how museums might apply these principles in line with the National Standards for Australian Museums and Galleries. The Standards is the definitive best-practice guidance for museums.
MA2012 Twitter for my museum: Interactive workshop to get you startedlauramiles
Presented at the Museums Australia 2012 National Conference in Adelaide. A simple guide to how community museums can effectively use Twitter and avoid some of the common pitfalls.
AAM 2013 Digitising and sharing migrant stories in Australia: International c...lauramiles
Presented at the American Alliance of Museums (AAM) Forum in Baltimore, May 2013, the online cultural heritage project www.victoriancollections.net.au.
This project enables ethnic community groups and the broader museum community to catalogue, digitise and share their cultural heritage.
Museums Australia (Victoria) is the peak industry body for museums and galleries: www.mavic.asn.au.
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
Brushstrokes of Inspiration: Four Major Influences in Victor Gilbert’s Artist...KendraJohnson54
Throughout his career, Victor Gilbert was influenced heavily by various factors, the most notable being his upbringing and the artistic movements of his time. A rich tapestry of inspirations appears in Gilbert’s work, ranging from their own experiences to the art movements of that period.
8. Left to right: the ‘corporate’, the ‘artistic’ and the ‘good cause’ approaches
9.
10. All about fundraising – topics to cover
• Tone of voice
• Funding sources
• Pragmatism
• Getting organised
• Being connected
• Acknowledgements and entitlements
11. All about fundraising – topics to cover
• Tone of voice
• Funding sources
• Pragmatism
• Getting organised
• Being connected
• Acknowledgements and entitlements
13. Where the funding comes from
• Government
• Philanthropy
• Corporates
• Benefactors
• The broad community
• The local community
14. Source: Regional Arts Victoria, Arts Access Victoria, Royal Historical Society of Victoria and
Public Galleries Association of Victoria annual reports (2014)
Regional Arts Victoria
$5.3m
Arts Access Victoria
$1.8m
Royal Historical Society
of Victoria - $452k
Public Galleries Association
of Victoria - $239k
20. Where the funding comes from
• Government
• Philanthropy
• Corporates
• Benefactors
• The broad community
• The local community
21.
22. Where the funding comes from
• Government
• Philanthropy
• Corporates
• Benefactors
• The broad community
• The local community
23.
24. Where the funding comes from
• Government
• Philanthropy
• Corporates
• Benefactors
• The broad community
• The local community
25. All about fundraising – topics to cover
• Tone of voice
• Funding sources
• Pragmatism
• Getting organised
• Being connected
• Acknowledgements and entitlements
26.
27. All about fundraising – topics to cover
• Tone of voice
• Funding sources
• Pragmatism
• Getting organised
• Being connected
• Acknowledgements and entitlements
28.
29. All about fundraising – topics to cover
• Tone of voice
• Funding sources
• Pragmatism
• Getting organised
• Being connected
• Acknowledgements and entitlements
30.
31.
32.
33. All about fundraising – topics to cover
• Tone of voice
• Funding sources
• Pragmatism
• Getting organised
• Being connected
• Acknowledgements and entitlements
39. Avoiding common pitfalls
• Understanding grant procedures
• Fulfilling supporters’ expectations
• Chasing the long shot
• Getting the content wrong
40.
41.
42. Avoiding common pitfalls
• Understanding grant procedures
• Fulfilling supporters’ expectations
• Chasing the long shot
• Getting the content wrong
44. Avoiding common pitfalls
• Understanding grant procedures
• Fulfilling supporters’ expectations
• Chasing the long shot
• Getting the content wrong
45.
46.
47.
48. Avoiding common pitfalls
• Understanding grant procedures
• Fulfilling supporters’ expectations
• Chasing the long shot
• Getting the content wrong
49.
50. Good habits to cultivate
• Decide on your focus
• Use your resources wisely - lo-tech can
be good
• Keep an ‘ideas file’
• Maintain an ‘ideas network’
51. Good habits to cultivate
• Decide on your focus
• Use your resources wisely - lo-tech can
be good
• Keep an ‘ideas file’
• Maintain an ‘ideas network’
55. Takeaways:
Download these slides at:
www.slideshare.com/lauramiles
More resources:
www.mavic.asn.au
www.youtube.com/MuseumsAustraliaVic
Editor's Notes
Acknowledgement to country: I’d like to begin by acknowledging the traditional owners of the land we are on today – and pay my respects to Elders, both past and present.
Three tones of voice
Source: https://flic.kr/p/5THBAZ
The point here is about personality, tone of voice, brand…call it what you will. I suggest that there are three main types.
Source: https://flic.kr/p/ocLH9y
Corporate – “leveraging volunteer contributions, investing in the community, visible profile…”
Source: https://flic.kr/p/cyf6vh
Artistic – “bringing creativity to children through art, using craft as creative expression…”
Source: https://flic.kr/p/8bmzpw
Good cause – “really important project, benefiting the community, history of play…”
Source: https://flic.kr/p/7JtmFX
Time for you to vote.
Source: https://flic.kr/p/9vX2NY
Which one is ‘best’?
It depends. On who you’re asking, and for what. Being too corporate with your local community may not encourage them to come to your garage sale. Being too casual with your local bank may not encourage them to sponsor your new roadsigns.
There’s a tone of voice of our organisations, which should be consistently promoted by all staff and volunteers.
Source: https://flic.kr/p/tj8dsr
The funding you seek will of course depend on what you want funded. Grants and benefactors are usually required for major projects; smaller scale funding is often supported on a local level.
I’ve deliberately put these in this order, to focus mostly on the last two.
Source: https://flic.kr/p/ouAdzm
For example, state government funding (shown in red) is not the majority of these peak bodies’ turnover. So they find most of their funding from other places. That means a lot of advocacy, lobbying and effort on revenue generation. All figures derived from 2014 annual reports.
More and more, chasing the money is about impact.
Funders used to focus on outputs (e.g. number of kids visiting the toy museum).
Then it became about outcomes (e.g. how the kids rated their experience)
But now it’s about impact (e.g. what happened next, was it a meaningful project worth the investment?)
www.probonoaustralia.com.au/news/2015/05/nfp-‘rebellion’-against-funders’-demands
https://medium.com/code-words-technology-and-theory-in-the-museum/museums-so-what-7b4594e72283
You can’t control:
Funders' strategic priorities
Amount of money available, amount you can request, amount they actually give
Timing of funding rounds
Composition of decision panels
Who else competes with you for funding
Source: https://flic.kr/p/akK4Ld
It takes time to research the options, and...
Source: https://flic.kr/p/of25Lb
…not all will be open to you. Account for the cost (of your time) doing the research and all those dead ends.
Source: www.ato.gov.au/Non-profit/Getting-started/Types-of-not-for-profit-organisations/
Corporates – for example industry, banks, tertiary education providers, corporate social responsibility budgets
Benefactors – for example, bequests and donations.
Source: https://flic.kr/p/ocLH9y
As with government grants and philanthropy, generally corporate and benefactor funds are generated through a lot of research and effort. They do tend to have different processes and approaches.
Source: https://flic.kr/p/6P82o2
Meaning: crowdsourcing from people who may live locally, or far away. Lots of small amounts from kind-hearted members of the public, adding up to one big amount. For example…
Source: https://flic.kr/p/6nUCKe
The Maremma Dogs project – funding two younger dogs onto Middle Island to replace the original two. Crowdsourcing generally applies a ‘good cause’ approach to get people to pay personally for something they understand and engage with emotionally.
Source: www.pozible.com
Meaning: local initiatives such as the ones some of you forwarded last week. These include: raffles, fundraising dinners, ticketed talks by your curators, film nights and car boot sales. I make a distinction between local and the broader community because generally the broader community contribute once, for specific projects, whereas local communities often repeatedly support their museum or gallery. Again the good cause approach is most often used here, but occasionally the artistic, depending on the funding purpose.
Source: https://flic.kr/p/6nUCKe
Be practical. Lots of things you could do, to generate funding, will not be directly rewarded or in time for your needs. It's ok to apply for your 'long shot' but don't persist in chasing the highly unlikely ask, unless it's your last option. It’s ok to not apply for something which wouldn't secure a meaningful return, e.g. $6000 of your time to apply for a $5000 grant. Use your time and energy wisely, you still need to do your normal business while you seek additional funding.
Remember that you can’t control funders’ priorities, how much they give and when, and who else is competing for the same fund as you. You can control: how organised you are and the approach you use.
Remember to check if you’re speaking to the right person. Similarly, if a potential funder isn't a good match, be diplomatic and honest. It’s ok to discover that their needs and yours don’t fit. Normally they appreciate your honesty and sometimes, fund you for something else at a future date.
Source: https://flic.kr/p/5TJoyH
Keep lists of fundraising ideas, split into those you’re working on and those you aren't. The reason for this is that your circumstances might change. Have a method to manage tasks and deadlines. Gather colleagues who can help in big and small ways: listening to your freeform ideas, proofreading, suggesting better ways to pitch. Also have prepared some ideas in case you unexpectedly talk to funders outside formally-advertised programs, this is especially important for local community supporters.
Keep very tidy records. Use whatever works for you: Outlook tasks, project management apps, sticky notes, pinboards… Make sure your whole team can access them rather than just one person.
Source: https://flic.kr/p/tAgJCC
Be connected. Know what funds are going around.
Get a mentor or two to talk through your ideas one-to-one, someone you trust who will give you an honest critique. This checks your tone of voice (literally) and in writing. We don’t always come across in the way we intend.
Source: https://flic.kr/p/owv5Ni
Being connected isn’t just about who you know directly. One current funder of our organisation approached us on the basis of word of mouth from another funder. Collect ideas and advice from colleagues in other organisations.
Source: https://flic.kr/p/6UjW6R
If you don’t already, consider starting a trend of offering letters of support to other museums you work with. Pass on details of funds that might interest others. Ask others for letters of support and testimonials when you need to, and keep them filed in a sensible place.
What happens if you do successfully generate funds? Plan for what happens – in terms of ‘acknowledgements and entitlements’.
Understand the cost of fundraising – in terms of dollars and your time. This list of acknowledgements and entitlements shows what supporters get from us. Managing those takes time and effort to do well, from relatively simple logos on our website to reports on KPIs.
These can be relatively easy to fulful, for example a logo on your website or newsletter…
…or inviting sponsors to your events.
Every way in which you liaise with an existing or potential funder is important, from e-mails to phone calls to meetings. And also: the way you are perceived by funders without direct contact, e.g. your website content, look and feel, how the sector talks about you, what your other funders say about you. How good are you at communicating your work in the community? Source: https://flic.kr/p/azAMLQ
Let’s move onto some do’s and don’ts, starting with some common pitfalls.
Source: https://flic.kr/p/oeNWwE
If you’re applying for a grant, more often than not it’s an online application.
These can trip you up, especially if there’s no offline version of the form for you to use. Be careful of strict word counts, dropdown choices, and checking you have met all the eligibility requirements. Note that some funders use SmartyGrants for progress reports and acquittals as well as applications.
Source: www.smartygrants.com
It’s always better to contact a funder in advance of an application. Some require you to contact them before submission, and cite who and when you contacted in the application. Find out how much of your idea needs to be discussed as well: this can be anything from a quick question, to a quick pitch, to a fully budgeted proposal with partnerships agreed in writing.
It sounds so obvious, but you must do what you promise, when making an agreement with a supporter or sponsor.
This is a detail from one of our sponsorship brochures. It’s important to understand the cost of fundraising – in terms of a) dollars and b) time. This list of acknowledgements and entitlements shows what supporters get from us. Managing these properly takes time and effort to do well.
It’s worth being ambitious and look to the ‘long shot’ as long as you don’t lose sight of your more usual fundraising work. For substantial or multi-year grants, donations or gifts, you generally need to provide statistics and financial records to justify the investment. Keeping excellent records and planning wisely is very important.
For example with visitor statistics, these can range from an estimate for the number of visitors per year, to more complex segmentation analyses of visitor types.
Or a defined split of where your funding and in-kind support comes from.
Some funders demand evidence of confirmed cash, and your track record - statistics of past performance.
Sometimes a source of funding may not be as expected. It’s common to start researching and discover exclusions to funding.
Most commonly:
…you may not be able to apply for help with salaries, utility bills or admin fees. And sometimes, grant applications have tricky requirements at the end of the form, ranging from audited accounts to written references from external people to endorse your organisation. It’s always best to read every bit of the application carefully before you start filling it in, and allow time to ask the funder questions before their deadline.
Finally, some do’s – good habits to cultivate.
Decide on your focus – big grants or small local initiatives.
Use your resources wisely – this means your existing funding but also your time. Share the work among your staff or volunteers. Know when your busy times are, and when it’s practical to do fundraising.
Keep an ideas file of things others are doing to inspire and shape your thinking. Maintain an ideas network, by which I mean gathering useful people around to help.
My ideas file is varied and includes websites, books, blogposts, and notes about meetings, as well as the more open-ended ideas discussed unexpectedly or informally. This includes ideas about clear communication, like this course on writing, or seminars from peak bodies like Writers Victoria.
Follow people on social media – Facebook, Twitter, Instagram and so on - to get inspired about what other people are doing and crucially, how they communicate it. Social media is a great way to know what’s going on.
And you can read more traditional media - books and articles - about the importance of museums and galleries. It’s well worth reading books like this, and researching the people and ideas they quote, to bolster your ideas file.
Lord, G & Blankenberg, N (Eds) (2015) Cities, Museums and Soft Power, AAM Press 2015