The document analyzes a Vaseline advertisement. It discusses the documentary style of the advert and how it uses surreal imagery to promote Vaseline's natural skin benefits without explicitly stating the product until the end. The document also examines the camerawork, editing, sound, and narrative structure of the advert. It provides a detailed breakdown of how the advertisement aims to attract attention, maintain interest, create desire for the product, and encourage action through its techniques.
The document describes a student's extended project proposal to create an advertising campaign for The Body Shop's makeup range. The campaign aims to change the way girls use makeup by promoting natural beauty. Research was conducted on existing campaigns and their effects on girls' self-esteem. A TV advert, billboard, and website banner were created showing a model enjoying herself without airbrushing to promote a natural look. Feedback on the first TV advert draft led to improvements in audio and video quality. The final campaign was evaluated as successfully conveying the message of natural beauty in a fun, quirky way.
This document discusses different forms of television advertisements, including anti-realistic, realist narrative, documentary, talking heads, series, animation, and standalone ads. Anti-realistic ads use surreal imagery and situations to depict a product solving impossible problems. Realist narrative ads use believable situations and non-actors to relate a message to viewers. Documentary ads inform and educate viewers through portrayals of people's lives. Talking heads ads feature celebrities speaking directly to viewers. Series ads promote multiple products through recurring characters. Animation ads use cartoons to visually depict a plot. Standalone ads are one-time, character-focused ads to test audience appeal.
The structures and techniques of tv advertisementsBrandonEvans11
This document discusses the structures and techniques used in television advertisements. It identifies common structures such as talking heads, realist, anti-realist, animation, series, documentary, and demonstrations. It also discusses techniques like humorous, surreal, dramatic, nostalgic, and parodic. Key points covered include unique selling points, advantages over competitors, lifestyle appeal, brand identity, and regulation by organizations like the ASA. Audience information like BARB viewing figures and classification systems are also outlined. Finally, the document touches on uses of metaphors and similes in ads.
The document analyzes different types of advertising structures including talking heads, realist narratives, anti-realist, animation, series, documentaries, and demonstrations. It provides definitions for each structure and analyzes examples in terms of purpose, mise en scene, target audience, editing techniques, and camera angles. The various structures are used to effectively engage audiences and sell products through different storytelling approaches.
This document discusses various techniques used in television advertising, including form, style, codes and conventions, special effects, and characteristics of products/services. It provides examples of different forms (e.g. animations, mini fictions), styles (e.g. humorous, shocking), uses of special effects and computer graphics, hidden and overt messages, ways to elicit emotional responses, highlighting unique selling points and brand identity, and regulatory bodies like the ASA and OFCOM that govern television advertising.
The document discusses product placement in media such as films, television shows, and video games. It defines product placement as promotional advertisements using real commercial products that appear as a result of an economic exchange. The benefits of product placement for brands include implied endorsements from celebrities, global reach, low cost compared to other advertising, and avoiding clutter. Viewers are generally aware of product placement's persuasive intent but enjoy placements that add realism. Research shows viewers notice and recall familiar brands placed in media. When done subtly, product placement can increase enjoyment and connection to characters, but blatant placements may undermine the intended effects.
The document discusses various techniques used in television advertising, including narrative structures, visual marketing, mini fictions, animation, humor, surrealism, parody, realism vs anti-realism, codes and conventions. It provides examples like John Lewis Christmas ads that use narrative and Cadbury Gorilla ads that employ surrealism. Special effects are also discussed as a technique to make ads more appealing.
The document discusses different types of advertisements including realism, anti-realism, animation, documentary style, talking heads, stand alone ads, and ad series. Realistic ads aim to represent real life without fiction, while anti-realistic ads use unrealistic elements to grab attention. Animation allows creating impossible scenarios and characters but is complex and expensive to produce. Documentary and talking head styles establish trust but can seem manipulative. Stand alone ads are one-time while series ads develop continuing storylines and characters over multiple ads.
The document describes a student's extended project proposal to create an advertising campaign for The Body Shop's makeup range. The campaign aims to change the way girls use makeup by promoting natural beauty. Research was conducted on existing campaigns and their effects on girls' self-esteem. A TV advert, billboard, and website banner were created showing a model enjoying herself without airbrushing to promote a natural look. Feedback on the first TV advert draft led to improvements in audio and video quality. The final campaign was evaluated as successfully conveying the message of natural beauty in a fun, quirky way.
This document discusses different forms of television advertisements, including anti-realistic, realist narrative, documentary, talking heads, series, animation, and standalone ads. Anti-realistic ads use surreal imagery and situations to depict a product solving impossible problems. Realist narrative ads use believable situations and non-actors to relate a message to viewers. Documentary ads inform and educate viewers through portrayals of people's lives. Talking heads ads feature celebrities speaking directly to viewers. Series ads promote multiple products through recurring characters. Animation ads use cartoons to visually depict a plot. Standalone ads are one-time, character-focused ads to test audience appeal.
The structures and techniques of tv advertisementsBrandonEvans11
This document discusses the structures and techniques used in television advertisements. It identifies common structures such as talking heads, realist, anti-realist, animation, series, documentary, and demonstrations. It also discusses techniques like humorous, surreal, dramatic, nostalgic, and parodic. Key points covered include unique selling points, advantages over competitors, lifestyle appeal, brand identity, and regulation by organizations like the ASA. Audience information like BARB viewing figures and classification systems are also outlined. Finally, the document touches on uses of metaphors and similes in ads.
The document analyzes different types of advertising structures including talking heads, realist narratives, anti-realist, animation, series, documentaries, and demonstrations. It provides definitions for each structure and analyzes examples in terms of purpose, mise en scene, target audience, editing techniques, and camera angles. The various structures are used to effectively engage audiences and sell products through different storytelling approaches.
This document discusses various techniques used in television advertising, including form, style, codes and conventions, special effects, and characteristics of products/services. It provides examples of different forms (e.g. animations, mini fictions), styles (e.g. humorous, shocking), uses of special effects and computer graphics, hidden and overt messages, ways to elicit emotional responses, highlighting unique selling points and brand identity, and regulatory bodies like the ASA and OFCOM that govern television advertising.
The document discusses product placement in media such as films, television shows, and video games. It defines product placement as promotional advertisements using real commercial products that appear as a result of an economic exchange. The benefits of product placement for brands include implied endorsements from celebrities, global reach, low cost compared to other advertising, and avoiding clutter. Viewers are generally aware of product placement's persuasive intent but enjoy placements that add realism. Research shows viewers notice and recall familiar brands placed in media. When done subtly, product placement can increase enjoyment and connection to characters, but blatant placements may undermine the intended effects.
The document discusses various techniques used in television advertising, including narrative structures, visual marketing, mini fictions, animation, humor, surrealism, parody, realism vs anti-realism, codes and conventions. It provides examples like John Lewis Christmas ads that use narrative and Cadbury Gorilla ads that employ surrealism. Special effects are also discussed as a technique to make ads more appealing.
The document discusses different types of advertisements including realism, anti-realism, animation, documentary style, talking heads, stand alone ads, and ad series. Realistic ads aim to represent real life without fiction, while anti-realistic ads use unrealistic elements to grab attention. Animation allows creating impossible scenarios and characters but is complex and expensive to produce. Documentary and talking head styles establish trust but can seem manipulative. Stand alone ads are one-time while series ads develop continuing storylines and characters over multiple ads.
This document discusses different types of TV advertisements, including realism, anti-realism, animation, documentary style, series, stand alone, and talking heads. Realism aims to present realistic narratives and situations. Anti-realism uses unrealistic concepts or humor. Animation allows for fantastical scenes. Documentary style attempts to document reality. Series advertisements progress a narrative over multiple ads. Stand alone ads advertise without links to other ads. Talking head ads feature experts discussing a topic directly to viewers.
Film posters serve to inform audiences about key details of films like producers, studios, and actors in order to attract viewers. Specifically, highlighting acclaimed producers of previous films, famous studios like Disney, and popular stars helps convince audiences that the film will be of high quality entertainment. The use of new technologies and formats, such as IMAX, also appeals to audiences and encourages them to watch films in theaters for the best viewing experience. Overall, film posters aim to entice audiences and achieve their purpose through showcasing elements that make films seem appealing and worth watching.
This document analyzes the style of several advertisements. It discusses ads for Sony Bravia that use surreal or humorous concepts, Old Spice ads that are parodies, a Lynx ad that relies on sex appeal, a Sky ad featuring David Beckham to leverage his fame, a Go Compare ad that relies on repetition, a Think ad that uses shock, and a Skoda Fabia ad that relies on intertextuality and humor by building a car out of unusual materials. The document examines how each style is an appropriate technique for the product being advertised and whether the ads are successful based on their memorability and ability to get their point across.
The document describes the AIDA model for marketing campaigns. It discusses using various media platforms like radio, social media, magazines, and competitions to create awareness of a new film. It suggests updating social media with news and behind-the-scenes content to generate interest. Adding specific details like the film's release date can help develop desire among the audience. Providing extensive information allows the audience to take action by purchasing tickets to see the film.
Broadcast advertising refers to radio and television commercials, which reach a broad audience through mass marketing. The Federal Trade Commission monitors commercials to prevent false claims. Radio and television stations must ensure commercials meet FTC standards before airing them. Radio has become a powerful advertising medium that offers entertainment while people work or relax. Successful radio advertising provides listener pleasure and satisfaction. Television combines sight, sound, and motion to persuasively influence consumer behavior, though it is also the most expensive advertising medium. Television allows demonstrating products in an engaging way through commercial formats like slice of life scenes, product demonstrations, celebrity endorsements, and interviews.
This document discusses different forms and styles that can be used in advertising, including animation, documentary, talking heads, stand alone, series, realist narrative, anti-realist narrative, humorous, surreal, shocking/dramatic, parodic, and nostalgic. For each form and style, examples are provided and the reader is asked to come up with their own examples. The purpose is to explore the various techniques used in advertising to engage different audiences.
The document discusses how the author used new media technologies in the construction, research, planning, and evaluation stages of their media project. During research, the author used websites like YouTube and Google to find examples of commercials and record research findings in a blog. SoundCloud was used to find royalty-free music. Green screen technology and studio lighting were used for the first time during production. Premier Pro was used for editing, with YouTube tutorials to learn skills. Google Docs surveys gathered audience feedback for evaluation. Overall, the author learned new skills with technologies like green screen and survey tools.
This document provides an analysis of how Serena Moriarty's media product uses, develops, and challenges conventions of real media products. It summarizes how the main adverts employ conventional techniques like upbeat music but challenge conventions by not including imagery of cows or milk. It also discusses how the sponsorships challenge conventions by including strong narratives rather than just branding, and how feedback showed the lack of conventional dairy imagery confused some viewers. Overall, the document evaluates how the different elements of the media product combine conventions and challenge them to create a cohesive advertising campaign.
The FCA radio campaign titled "Can't Recall the 90s" had three main objectives: to protect consumers, enhance the integrity of the UK financial system, and promote effective competition. The target audience was working adults and young adults aged 18 and older. The campaign used humor, featuring an Arnold Schwarzenegger impersonator, across radio, television, and print advertisements to remind people to check if they were owed money from mis-sold PPI policies in the 1990s. The multi-pronged campaign was successful as evidenced by winning awards for the comedic advertisements.
The price of radio advertisements varies depending on factors like the number of listeners a station gets, with prices generally increasing as listenership rises. The time of day an ad airs also impacts cost, with morning and evening drive times usually being most expensive as that is when listenership is highest. Advertisers will choose stations targeting their desired audience to maximize the number of potential customers who might hear the ad.
Different forms of television advertising 1spiderhead84
This document outlines the learning aims and objectives of a unit on television advertisement production. It discusses the purpose of advertising to inform and persuade people about new products and services. It also describes different forms and techniques for television advertisements, including realist narratives, anti-realist narratives, documentary style, animation, series ads, stand-alone ads, and ads featuring talking heads. Students are tasked with explaining these different forms through examples in a PowerPoint presentation.
The document analyzes a Vaseline advertisement. The ad takes a documentary format and uses real people to promote Vaseline's skin benefits in a natural way. Camerawork includes various angles to show details of people's skin up close. Fast editing and a soundtrack paired with a clear voiceover keep the message engaging. The ad aims to attract attention through its surreal style, maintain interest through relatable imagery, and create a desire for Vaseline by promising healthy skin. UK advertising is regulated by organizations like Ofcom, ASA, and BCAP to ensure responsible practices.
This document discusses various styles, techniques, and conventions used in television advertising. It provides examples of different styles such as documentary, mini fiction, animation and talking heads. It also discusses techniques like hidden messages, overt messages, emotional response, celebrity endorsement, and repetition. Finally, it covers conventions such as soundtracks, brand logos, dialogue, special effects, and characteristics of products/services including benefits, advantages over competitors, and lifestyle appeal. The document is an overview of creative and marketing elements commonly employed in television commercials.
The document discusses different types of advertisements, including documentary, realist, non-realist, talking heads, animation, stand alone, and series advertisements. It provides examples for each type, such as the Marmite rescue team documentary advert, the Fairy accelerate the wash up realist advert, the Seven Seas headache pill non-realist advert, the Colgate talking heads advert, the Fairy soft start animation advert, the Guinness extra cold surfer stand alone advert, and the AA you've got a friend series advert. The document analyzes the purpose and effectiveness of each advertising type.
This document discusses the codes and conventions of different types of advertisements, including video, print, and radio. It provides examples of each:
A Reebok video advert uses satire and humor to portray a man outrunning a large belly to symbolize the shoes helping with exercise. A print advert for pollution awareness uses a graphic of a plastic bottle-shaped fish with the slogan "you eat what they eat" to elicit an emotional response. A Subway radio advert utilizes alliteration and describes its deals as "too good to miss" to make listeners feel like they need the product. The document explains techniques for each media to effectively target audiences.
This document summarizes a Specsavers commercial advertisement. It explains that the purpose of the ad is to promote Specsavers glasses and eye exams, and inform people about their 30% discount, targeting both seniors and the general public. The ad would air on television and newspapers to reach older audiences. It notes that the ad features direct address to the camera and uses the repetitive slogan "should've gone to Specsavers" to identify the company and be humorous through exaggeration.
The document discusses conventions in body spray advertisements and how the author's advertisement compares. It notes that showing the product being used is a key convention seen in all advertisements reviewed. It specifically discusses the "Lynx Attract" advertisement and how it dramatically shows the product's effects, including attraction and chaos. The author's advertisement shares similarities like showing the before and after effects of using the product. Many advertisements also exaggerate the product's abilities to clearly convey the message, like increasing confidence, which the author emulates through the user's expression without explicit explanation.
This document discusses styles and techniques used in various types of advertisements, including humorous, surreal, dramatic, parodic, and techniques used to persuade viewers. It provides examples of advertisements and analyzes the styles, forms, camera techniques, graphics, and persuasive elements used. Characteristics of products and services like benefits offered, advantages over competitors, unique selling propositions, and lifestyle appeal are also examined. Finally, it briefly discusses advertising regulation bodies.
Lewis williams structure in advertising assigment.(finished)lewisW318
The document discusses various structures and techniques used in TV advertisements. It covers realist narratives, anti-realist narratives, surrealism, animation, documentaries, celebrity endorsements, talking heads, stand-alone vs. series ads, nostalgic, humorous and dramatic styles. It also discusses codes and conventions like editing, lighting, camera angles and iconography. Emotional responses, characteristics of services, regulation, audience research methods, and sources of information for advertisers are outlined. Overall, the document provides an overview of common advertising techniques, structures, and considerations for TV commercials.
Lewis williams structure in advertising assigment.(finished)Lewis Williams
The document discusses various structures and techniques used in TV advertisements. It covers realist narratives, anti-realist narratives, surrealism, animation, documentaries, celebrity endorsements, talking heads, stand-alone vs. series ads, nostalgic, humorous and dramatic styles. It also discusses codes and conventions like editing, lighting, camera angles and iconography. Emotional responses, characteristics of services, regulation, audience research methods, and sources of information for advertisers are described. Overall, the document provides an overview of common advertising techniques, structures, and considerations for TV commercials.
This document summarizes a student's topic on the impact of TV advertisements in society. It discusses how TV advertisements are more effective than radio as they use both sight and sound. TV ads have a great impact on viewers, especially young people, as they convey their message in just a few seconds and influence viewers to purchase products. The effects of TV advertising are impressive, affecting people of all ages and potentially diminishing self-worth by focusing on a person's lack of something rather than a product's features. The document also provides examples of different forms of TV advertisements like animation, mini fictions, documentaries, and talking heads. It analyzes Cadbury Dairy Milk chocolate advertisements in India from the late 1990s to present
The document outlines 12 types of advertising strategies including demonstrating a product's features through a demo, showing how a product solves problems or provides benefits, using exemplary stories, testimonials, celebrities, analogies, imagery of associated users, highlighting unique product properties, and parodying other formats. Some examples given are the Animoji feature on Apple products, an internet provider addressing slow speeds, a medicine relieving pain, and a car airbag saving lives in a crash. The goal of these different strategies is to engage audiences and promote products in memorable and impactful ways.
This document discusses different types of TV advertisements, including realism, anti-realism, animation, documentary style, series, stand alone, and talking heads. Realism aims to present realistic narratives and situations. Anti-realism uses unrealistic concepts or humor. Animation allows for fantastical scenes. Documentary style attempts to document reality. Series advertisements progress a narrative over multiple ads. Stand alone ads advertise without links to other ads. Talking head ads feature experts discussing a topic directly to viewers.
Film posters serve to inform audiences about key details of films like producers, studios, and actors in order to attract viewers. Specifically, highlighting acclaimed producers of previous films, famous studios like Disney, and popular stars helps convince audiences that the film will be of high quality entertainment. The use of new technologies and formats, such as IMAX, also appeals to audiences and encourages them to watch films in theaters for the best viewing experience. Overall, film posters aim to entice audiences and achieve their purpose through showcasing elements that make films seem appealing and worth watching.
This document analyzes the style of several advertisements. It discusses ads for Sony Bravia that use surreal or humorous concepts, Old Spice ads that are parodies, a Lynx ad that relies on sex appeal, a Sky ad featuring David Beckham to leverage his fame, a Go Compare ad that relies on repetition, a Think ad that uses shock, and a Skoda Fabia ad that relies on intertextuality and humor by building a car out of unusual materials. The document examines how each style is an appropriate technique for the product being advertised and whether the ads are successful based on their memorability and ability to get their point across.
The document describes the AIDA model for marketing campaigns. It discusses using various media platforms like radio, social media, magazines, and competitions to create awareness of a new film. It suggests updating social media with news and behind-the-scenes content to generate interest. Adding specific details like the film's release date can help develop desire among the audience. Providing extensive information allows the audience to take action by purchasing tickets to see the film.
Broadcast advertising refers to radio and television commercials, which reach a broad audience through mass marketing. The Federal Trade Commission monitors commercials to prevent false claims. Radio and television stations must ensure commercials meet FTC standards before airing them. Radio has become a powerful advertising medium that offers entertainment while people work or relax. Successful radio advertising provides listener pleasure and satisfaction. Television combines sight, sound, and motion to persuasively influence consumer behavior, though it is also the most expensive advertising medium. Television allows demonstrating products in an engaging way through commercial formats like slice of life scenes, product demonstrations, celebrity endorsements, and interviews.
This document discusses different forms and styles that can be used in advertising, including animation, documentary, talking heads, stand alone, series, realist narrative, anti-realist narrative, humorous, surreal, shocking/dramatic, parodic, and nostalgic. For each form and style, examples are provided and the reader is asked to come up with their own examples. The purpose is to explore the various techniques used in advertising to engage different audiences.
The document discusses how the author used new media technologies in the construction, research, planning, and evaluation stages of their media project. During research, the author used websites like YouTube and Google to find examples of commercials and record research findings in a blog. SoundCloud was used to find royalty-free music. Green screen technology and studio lighting were used for the first time during production. Premier Pro was used for editing, with YouTube tutorials to learn skills. Google Docs surveys gathered audience feedback for evaluation. Overall, the author learned new skills with technologies like green screen and survey tools.
This document provides an analysis of how Serena Moriarty's media product uses, develops, and challenges conventions of real media products. It summarizes how the main adverts employ conventional techniques like upbeat music but challenge conventions by not including imagery of cows or milk. It also discusses how the sponsorships challenge conventions by including strong narratives rather than just branding, and how feedback showed the lack of conventional dairy imagery confused some viewers. Overall, the document evaluates how the different elements of the media product combine conventions and challenge them to create a cohesive advertising campaign.
The FCA radio campaign titled "Can't Recall the 90s" had three main objectives: to protect consumers, enhance the integrity of the UK financial system, and promote effective competition. The target audience was working adults and young adults aged 18 and older. The campaign used humor, featuring an Arnold Schwarzenegger impersonator, across radio, television, and print advertisements to remind people to check if they were owed money from mis-sold PPI policies in the 1990s. The multi-pronged campaign was successful as evidenced by winning awards for the comedic advertisements.
The price of radio advertisements varies depending on factors like the number of listeners a station gets, with prices generally increasing as listenership rises. The time of day an ad airs also impacts cost, with morning and evening drive times usually being most expensive as that is when listenership is highest. Advertisers will choose stations targeting their desired audience to maximize the number of potential customers who might hear the ad.
Different forms of television advertising 1spiderhead84
This document outlines the learning aims and objectives of a unit on television advertisement production. It discusses the purpose of advertising to inform and persuade people about new products and services. It also describes different forms and techniques for television advertisements, including realist narratives, anti-realist narratives, documentary style, animation, series ads, stand-alone ads, and ads featuring talking heads. Students are tasked with explaining these different forms through examples in a PowerPoint presentation.
The document analyzes a Vaseline advertisement. The ad takes a documentary format and uses real people to promote Vaseline's skin benefits in a natural way. Camerawork includes various angles to show details of people's skin up close. Fast editing and a soundtrack paired with a clear voiceover keep the message engaging. The ad aims to attract attention through its surreal style, maintain interest through relatable imagery, and create a desire for Vaseline by promising healthy skin. UK advertising is regulated by organizations like Ofcom, ASA, and BCAP to ensure responsible practices.
This document discusses various styles, techniques, and conventions used in television advertising. It provides examples of different styles such as documentary, mini fiction, animation and talking heads. It also discusses techniques like hidden messages, overt messages, emotional response, celebrity endorsement, and repetition. Finally, it covers conventions such as soundtracks, brand logos, dialogue, special effects, and characteristics of products/services including benefits, advantages over competitors, and lifestyle appeal. The document is an overview of creative and marketing elements commonly employed in television commercials.
The document discusses different types of advertisements, including documentary, realist, non-realist, talking heads, animation, stand alone, and series advertisements. It provides examples for each type, such as the Marmite rescue team documentary advert, the Fairy accelerate the wash up realist advert, the Seven Seas headache pill non-realist advert, the Colgate talking heads advert, the Fairy soft start animation advert, the Guinness extra cold surfer stand alone advert, and the AA you've got a friend series advert. The document analyzes the purpose and effectiveness of each advertising type.
This document discusses the codes and conventions of different types of advertisements, including video, print, and radio. It provides examples of each:
A Reebok video advert uses satire and humor to portray a man outrunning a large belly to symbolize the shoes helping with exercise. A print advert for pollution awareness uses a graphic of a plastic bottle-shaped fish with the slogan "you eat what they eat" to elicit an emotional response. A Subway radio advert utilizes alliteration and describes its deals as "too good to miss" to make listeners feel like they need the product. The document explains techniques for each media to effectively target audiences.
This document summarizes a Specsavers commercial advertisement. It explains that the purpose of the ad is to promote Specsavers glasses and eye exams, and inform people about their 30% discount, targeting both seniors and the general public. The ad would air on television and newspapers to reach older audiences. It notes that the ad features direct address to the camera and uses the repetitive slogan "should've gone to Specsavers" to identify the company and be humorous through exaggeration.
The document discusses conventions in body spray advertisements and how the author's advertisement compares. It notes that showing the product being used is a key convention seen in all advertisements reviewed. It specifically discusses the "Lynx Attract" advertisement and how it dramatically shows the product's effects, including attraction and chaos. The author's advertisement shares similarities like showing the before and after effects of using the product. Many advertisements also exaggerate the product's abilities to clearly convey the message, like increasing confidence, which the author emulates through the user's expression without explicit explanation.
This document discusses styles and techniques used in various types of advertisements, including humorous, surreal, dramatic, parodic, and techniques used to persuade viewers. It provides examples of advertisements and analyzes the styles, forms, camera techniques, graphics, and persuasive elements used. Characteristics of products and services like benefits offered, advantages over competitors, unique selling propositions, and lifestyle appeal are also examined. Finally, it briefly discusses advertising regulation bodies.
Lewis williams structure in advertising assigment.(finished)lewisW318
The document discusses various structures and techniques used in TV advertisements. It covers realist narratives, anti-realist narratives, surrealism, animation, documentaries, celebrity endorsements, talking heads, stand-alone vs. series ads, nostalgic, humorous and dramatic styles. It also discusses codes and conventions like editing, lighting, camera angles and iconography. Emotional responses, characteristics of services, regulation, audience research methods, and sources of information for advertisers are outlined. Overall, the document provides an overview of common advertising techniques, structures, and considerations for TV commercials.
Lewis williams structure in advertising assigment.(finished)Lewis Williams
The document discusses various structures and techniques used in TV advertisements. It covers realist narratives, anti-realist narratives, surrealism, animation, documentaries, celebrity endorsements, talking heads, stand-alone vs. series ads, nostalgic, humorous and dramatic styles. It also discusses codes and conventions like editing, lighting, camera angles and iconography. Emotional responses, characteristics of services, regulation, audience research methods, and sources of information for advertisers are described. Overall, the document provides an overview of common advertising techniques, structures, and considerations for TV commercials.
This document summarizes a student's topic on the impact of TV advertisements in society. It discusses how TV advertisements are more effective than radio as they use both sight and sound. TV ads have a great impact on viewers, especially young people, as they convey their message in just a few seconds and influence viewers to purchase products. The effects of TV advertising are impressive, affecting people of all ages and potentially diminishing self-worth by focusing on a person's lack of something rather than a product's features. The document also provides examples of different forms of TV advertisements like animation, mini fictions, documentaries, and talking heads. It analyzes Cadbury Dairy Milk chocolate advertisements in India from the late 1990s to present
The document outlines 12 types of advertising strategies including demonstrating a product's features through a demo, showing how a product solves problems or provides benefits, using exemplary stories, testimonials, celebrities, analogies, imagery of associated users, highlighting unique product properties, and parodying other formats. Some examples given are the Animoji feature on Apple products, an internet provider addressing slow speeds, a medicine relieving pain, and a car airbag saving lives in a crash. The goal of these different strategies is to engage audiences and promote products in memorable and impactful ways.
The document discusses different styles and techniques used in advertisements. The author structured their Irn-Bru TV advert with a surreal, linear narrative where drinking the product instantly transforms the man's abilities and clothing. Their advergame presents a similar concept through animated gameplay. Surreal transformations are a common technique used to imply product benefits without realistic depictions. Different styles appeal to audiences in varied ways and must fit the product.
The document provides 9 examples of different types of advertisements:
1. Print advertisements like Jeep's print ad that engages audiences.
2. Billboard advertisements like one for Dracula that had different designs for day and night.
3. Digital advertisements like an Uber billboard promoting their on-demand ride service.
4. Television advertisements like a Head & Shoulders ad featuring an NFL star to promote the brand's benefits.
5. Poster advertisements like a Whiskas ad that dramatizes the brand's irresistibility through compelling imagery.
This document discusses different types of advertising appeals that can be used to attract consumers or influence their feelings towards products. It identifies two main categories of appeals - rational appeals, which appeal to logic and reason, and emotional appeals. Some specific emotional appeals discussed include personal appeals, social appeals, fear appeals, humor appeals, endorsement appeals, sexual appeals, romantic appeals, youth appeals, adventure appeals, popularity appeals, empathy appeals, brand appeals, scarcity appeals, testimonial appeals, status appeals, transparent appeals, and beauty appeals. Examples are provided for many of these different types of appeals.
This document discusses the codes and conventions of different types of advertisements, including video, print, and radio. It provides examples to illustrate techniques used for each medium.
Video advertisements rely heavily on visual elements like lighting, editing, characters, and camera techniques to engage their target audience. Print ads catch attention through bold images and text due to their static nature. Radio ads are auditory-focused, using slogans, jingles, and tailored language over 30 seconds. The document also examines how advertisers classify audiences and provides analyses of sample advertisements.
The document discusses and analyzes print advertising campaigns for several products:
- A Dior men's fragrance campaign uses celebrity endorsement to suggest the product will make users like the celebrity. It targets young adult males.
- A McDonald's Big Mac ad humorously portrays the burger asking not to be stared at "like a piece of meat." It aims to both sell and entertain viewers mainly targeting adults.
- An iPhone 11 campaign focuses attention on the phone's features through minimalist photography. It targets both young tech enthusiasts and older audiences. The goal is to intrigue viewers rather than directly sell the product.
Q1. In what ways does your media product use, develop or challenge forms and ...DianaAlexandru6
The document discusses how the author's media product uses and challenges conventions of real media. The author aims to balance familiar conventions with new ideas. For their TV advertisements and sponsorship sequence promoting a perfume, they conform to conventions like color themes but challenge stereotypes by focusing on different types of women and their interests rather than including male characters. They also use a split screen to uniquely convey the product's concept of suiting different women. By thoughtfully employing and adapting conventions, the author has created an original media product.
The document discusses the evaluation question of how the media product uses, develops, or challenges conventions of real advertising. It summarizes the purpose and influence of advertising, and describes how the portfolio aimed to advertise water by creating TV, radio, and sponsorship ads. Research was conducted on advertising theories, forms, and target audiences. The ads were influenced by similar water product ads. The themes, theories, cinematography techniques, and sounds used in the ads both developed and challenged conventions of real advertising to effectively promote the "magic" qualities of the water product.
The document provides feedback from an audience on the media producer's car advertisement campaign. The feedback addresses how effectively the producer combined the main advertisement with ancillary texts like TV sponsorships and radio ads. The producer learned that the audience felt the texts had good continuity and synergy due to consistent shots, editing pace, lighting, and narrative style across all pieces. Logo placement and text styling also helped tie the elements together as a cohesive campaign. The feedback helped the producer realize they needed a more diverse test group beyond just young social media connections to get a wider perspective.
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
Gender and Mental Health - Counselling and Family Therapy Applications and In...PsychoTech Services
A proprietary approach developed by bringing together the best of learning theories from Psychology, design principles from the world of visualization, and pedagogical methods from over a decade of training experience, that enables you to: Learn better, faster!
Chapter wise All Notes of First year Basic Civil Engineering.pptxDenish Jangid
Chapter wise All Notes of First year Basic Civil Engineering
Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
Buildings: Selection of site for Buildings, Layout of Building Plan, Types of buildings, Plinth area, carpet area, floor space index, Introduction to building byelaws, concept of sun light & ventilation. Components of Buildings & their functions, Basic concept of R.C.C., Introduction to types of foundation
Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
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আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
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3. Form: This advert is made in a documentary form. Throughout the
whole of the advert it has information on the skin and proves how
Vaseline can help the skin. It's presented in a very natural way and
that is the way the company wants the product to come across.
Style: Despite the advert being surreal in some ways it is also
surreal due to the abnormal circumstances in the video. It is not
normal to see hundreds of people naked and embracing the quality
of their skin. Until the end it is not that clear what the product is
either- they know it will be something natural but Vaseline is not
clear.
Structure
4. The advert uses a whole range of camera angles and movements to create the desired effect. It often uses a
long shot to set the scene and then zooms to show what is making up the setting. When the camera zooms
in you can see the people are acting as the objects that you originally see when the camera is zoomed out.
As you can see from the image placed below of the boat a high angle shot has been used to make the
subject look less powerful then they really are. Vaseline have tried to make the people signify individual skin
cells hence why they have made the people look small using this camera shot.
A tracking shot is used to cover the huge area that is shown in the river. Instead of using an extra wide shot
from a birds eye view they have zoomed slightly more and tracked to keep some detail on the subject
below, it also keeps the audience engaged with the smooth movement.
A long shot has been used as you can see in the image placed in the bottom
right of the screen, this is to capture both the subject (people) and the
field in the background as this conveys the natural feel that Vaseline are trying
to create. By capturing both in one shot shows that Vaseline are trying to
create a relationship between people and nature which proves it’s brand identity
Camerawork
5. Here a long shot is used to capture the raw natural form of the human body next to the
concrete buildings which look far from natural. This is done to create a juxtaposition which
enhances the Vaseline brand due to the contrast with the concrete buildings. People think a
natural feel is desirable and this long shot captures that perfectly.
Camerawork – part 2
In this shot we see the camera zooming out to reveal more people than we originally see in
the first. Once again this scene is based in a natural place (volcano) with the people laying
around creating almost yoga poses. The slow zoom creates a smooth transition and keeps
the advert moving at a pace.
6. The editing is made up of cuts in quick succession to
keep the information given precise and snappy. If the
transitions between camera shots and information
was too slow the audience would get bored resulting
in the information from the advert not being
consumed.
Editing
7. The sound is a mix of a natural soundtrack and a voice
over. The voiceover gives very scientific evidence
about how the skin is so good, for example
‘containing more than 300,000,o00 cells’. The
soundtrack is linked in nicely with the editing and
when the beat in the soundtrack changes pace so
does the visuals, this is clever and keeps the advert
moving at a good pace. The voice over is very clear
and easy to understand which means the information
is portrayed very well.
Sound
8. To promote a new product: When a company produce an advert they
often try to create hype around a new product for the viewers to invest
in.
To reinforce brand identity: Often companies will use advertising to
remind the consumers what their company identity is.
The maintain product awareness: By creating advertisements it allows
companies to keep their products in the back of consumers mind.
To reposition a product towards a new target audience: This is what I
will be doing with the Vaseline brand and very much like what Old Spice
done
To burnish a corporate image: Companies can sometimes use adverts to
polish up the image of a product if it hasn't been in good light.
McDonalds done this to make their food seem healthier.
Social Advertising: This is normally carried out by charities to get a point
across, for example road safety campaigns. Shock factor is often used in
this style of advert.
Why do companies advertise?
9. A – (Attention) – Vaseline attracts attention of the customer with it’s fairly
surreal advert, it really is different to anything I have ever seen before and others
I have shown have also been attracted by the surreal element of the advert. The
voiceover is also very engaging and it is evident that Vaseline tried very hard to
find the right person for this job.
I – (Interest) - Everyone has skin so most people will be interested in how to
improve their skin. With the use of real people this advert is very relatable. It is
also how every shot includes a subtle camera movement so you are constantly
engaged.
D – (Desire) – Customers will have desire towards this product due to the
promises it makes. Vaseline claims that ‘your skin is amazing so look after it’ this
is a bold statement by Vaseline as they believe they can keep your skin amazing.
Who wouldn’t want this?
A – (Action) – The advert does not really use any action words throughout the
whole advert but the whole advert is subtly telling you why you should but it
without using these action words.
AIDA
10. Some people think that adverts try and convince you
to buy a product using hidden and secret messages –
this isn’t the case.
Adverts DO NOT carry secret or subliminal but the
messages may not always be overt.
Sometimes messages work on a more connotative,
subtle way.
For example Vaseline associate themselves with
nature and luxury through the use of imagery and
colours.
Techniques Of Persuasion
Example of
connotative
advertising
11. Adverts try and mobilise desire in the target audience
to try and make them buy a product. Companies try
and associate their advert to attractive lifestyles and
other qualities.
Some of the qualities that are associated with the
Vaseline advert are – nature and natural world, rich
and luxurious lifestyle. They also make it appeal to a
wide range of people as they include people from all
walks of life in the advert.
Advertising by association
12. They have a USP – Vaseline are one of the few
recognisable natural skincare products. It’s a family
product but still is a quality product.
Creating problems and providing solutions – In the
advert Vaseline talk about having dry skin and that
Vaseline can solve that, this is a widespread problem
that people want to solve.
Temptation – Vaseline try and create a desirable
product and try and tempt consumers by creating an
advert that will make the product fashionable.
Some other techniques used by
Vaseline
The natursome feel is
something that connotes
freedom and ‘living’
13. The language of advertising has the primary aim to attract
attention.
The way Vaseline have used nude models to advertise their
product shows Vaseline makes you comfortable in your body – a
trait that is very rare and makes the product desirable.
Attractive names are used for Vaseline products. These include
‘rosy lips’ and ‘cocoa radiant’ this makes the product more
sellable – this connotes a luxury product.
The language of advertising
14. Ofcom –
They are the communication regulator. They regulate TV and radio
sectors, fixed line telecoms, mobiles, postal services, plus the airwaves
over which wireless devices operate.
Ofcom passes most of the work when it comes to complaints about TV
advertising to ASA who take control. ASA control both TV and online
advertising complaints including TV shopping channel adverts as well.
Ofcom do handle some complaints regarding advertising though which
include, references to products, political issues or sponsorship messages.
Ofcom are regulatory partners with ASA who regulate most of the
advertising in media.
Regulation – Ofcom
15. ASA (Advertising Standards Agency) are an independent board who
regulate adverts across all media. There aim is to make every advert a
responsible one.
Despite all adverts going through thorough checks before being aired
the public are still able to complain and ASA will investigate.
The advert with the most ever complaints was Paddy Power’s, Oscar
Pistorious advert ‘if he walks again we will refund your losing bet’
ASA have a five step strategy –
Understanding
Support
Impact
Proactive
Awareness
Regulation – ASA
16. BCAP are the UK code of British advertising.
BCAP is then followed by ASA who regulate the adverts.
‘Broadcasters are responsible for ensuring that the advertisements they transmit
comply with both the spirit and the letter of the Code’
Some of the sections in the BCAP code include gambling, motoring, and
premium rate telephone
services
Regulation - BCAP
17. Firstly Ofcom are the main regulator for TV and all
other communication devices. These also regulate
ASA who work solely with Adverts. The rules for ASA
to work with are written by BCAP.
Regulation – How do they all link?
OFCOM ASA BCAP
Investigate
Rules
Write RulesRegulate and
take action
18. Stand alone – This is where the advert is not linked to any previous adverts that
have advertised that product. These normally include campaigns or special
promotional schemes.
Series – This is when multiple adverts are linked to advertise a single product.
They may differ in content but have a link with the narrative and progresses
when each new advert is released. Kris Marshall’s work with BT is a good
example of an advert series.
Realist Narratives – A realist narrative really is what it says on the tin. It gives the
viewer a realistic feel when watching the program and tries to the portray the
feeling of believability.
Anti Realist Narrative – This is when the narrative is clearly made-up or untrue.
The effect the advert is trying to have on the viewer is one of escapism or
humour. Citroen C4 done a really good job with this when they turned their new
car into a robot on their advert.
Vaseline is a stand alone advert as it is not directly linked
to any other of the adverts they have produced.
Narrative and stand alone ads