3. 1.1 PROJECT INTRODUCTION
1.0 PROJECT INTRODUCTION
PROJECT BRIEF
PROJECT REQUIREMENT
KUALA LUMPUR
PROJECT OBJECTIVES
4. Tin Mining
tin mine
attracted merchants
Supplies
boat
British Colonization
Central Market replace
The River and the Town
around
the river
rerouted
Railways roads
division
cultural and physical impact
notable
buildings
2.1 MORPHOLOGY
2.0 MACROSITE STUDIES / /MORPHOLOGY
City of Diversity
diverse art scene
tourist industry
cultural
market
tourist industry
5. KUALA LUMPUR
2.2 KUALA LUMPUR
CULTURAL BUILDINGS RELIGIOUS BUILDINGS GALLERIES & ART
River as an edge
Fine figure ground on the east bank
compared to the course figure ground
on the west bank
Districts seperated by the river
ADMINISTRATION COMMERCIAL
2.0 MACROSITE STUDIES / / KUALA LUMPUR
6. Pasar Seni, Kuala Lumpur
foreigners
2.3 USER ANALYSIS
street vendors
TIME INTENSITY DESTINATION INTENSITY DESTINATION INTENSITY DESTINATION ANALYSIS
Restaurant
Short
Leisure
Home
Leisure
Workplace
vendors
Workplace
Vendors
restaurant
Workplace
Vendors
Restaurant
Home
Riverfront
around
Tourist
spots
restaurants
Tourist
spots
streets
restaurants
Workplace
Offices
7am
12pm
6pm
2.0 MACROSITE STUDIES // USER ANALYSIS
BLUE COLLARS VENDORS TOURISTS
9. RIVERSIDE WALK SEATING AREA
MRT Station
Office buildings
3.0 MICROSTIE STUDIES // APPROACHES TO SITE
3.2 APPROACHES TO SITE
RIVERSIDE WALK
KASTURI WALK CENTRAL MARKET
10. MACRO - VIEWS BEFORE ENTERING SITE
MICRO - VIEWS THAT ENGAGES WITH THE STREETSCAPE
UPCLOSE - VIEWS THAT ENGAGES WITH THE STREETSCAPE
3.0 MICROSITE STUDIES // VIEWS AND VISTAS
3.3 VIEWS AND VISTAS
12. CONCEPT - PROJECT AIM AND IMPACT
SPATIAL PROGRAMME
SPATIAL ORGANIZATION
DESIGN APPROACH
CLAY IS COLLECTED FROM
RIVER BANK
WATER IS ADDED TO
SOFTEN THE CLAY
THE POTS ARE AIR-DRIED
AFTER MOLDING
POTS ARE PUT INTO KILN TO
BE HEATED
DESIGN LANGUAGES
4.0 DESIGN EXPLORATION //DESIGN NARRATIVE
4.1 DESIGN NARRATIVE
14. PLACING OF BLOCKS EXTENDING TO CONTACT
POINTS
ESTABLISHING A
CONNECTION
A GESTURE OF START ESTABLISHING AN AXIS SPATIAL ARRANGEMENT
activities
IDENTIFY THE CONTACT POINTS
CREATING AN AXIS
INTERSECTING POINT
SPATIAL ARRANGEMENT
‘VESSEL’
4.0 DESIGN EXPLORATION // DESIGN RESPONSES
4.3 DESIGN RESPONSES
15. Building made up of
different blocks
Introduction of louvered facade to respond
to the adjacent building
and is anchored by the vertical void
at the intersection of the axis
4.0 DESIGN EXPLORATION // DESIGN RESPONSES
4.3 DESIGN RESPONSES
16. CANAL ART MUSEUM
altered
anchored by an
circulation axis
Exhibition spaces Altered gallery corridors Axis anchoring the circulation
Distribution of spaces
Axis above ground
4.0 DESIGN EXPLORATION // PRECEDENCE STUDIES
4.4 PRECEDENCE STUDIES
17. ASA HEAD OFFICE, INDIA
voids
solids
4.0 DESIGN EXPLORATION // PRECEDENCE STUDIES
4.4 PRECEDENCE STUDIES
18. CLOCK MUSEUM OF CULTURAL REVOLUTION
1
2
3
axis
voids
voids
4.0 DESIGN EXPLORATION // PRECEDENCE STUDIES
4.4 PRECEDENCE STUDIES
19. RIVERSIDE WALK KASTURI WALK
5.0 FINAL DESIGN SCHEME // RESPONSE TO APPROACHES
5.1 RESPONSE TO APPROACHES
26. INDOOR
SEMI OPEN
COVERED
Working (only
accessible through
dormitory)
Firing and Glazing
studio
Molding and design
studio
Private
Bedrooms
5.0 FINAL DESIGN SCHEME // FOURTH FLOOR PLAN
5.7 FOURTH FLOOR PLAN