This document provides an overview of Aboriginal culture in Australia. It discusses differing conceptions of Aboriginal culture depending on the source. The core beliefs of Dreamtime and the creation of geographical features are described. Aboriginal conceptions of time and the sacred/profane distinction differ from Western views. Women's roles varied in descriptions depending on the source and time period. Colonization impacted Aboriginal culture and exploitation of indigenous lands continues to be an issue.
This document discusses folklore, folktales, and fairy tales. It defines folklore as traditional knowledge and practices shared within a group through oral communication. Folktales are stories passed down orally from generation to generation, though authors may be unknown. Fairy tales borrow from folklore but were crafted as literary works, and do not necessarily include fairies. The document provides context on the origins and evolution of various fairy tale genres and traditions, including French salon tales, Native American folktales, and the work of the Brothers Grimm to collect and publish folktales. It also discusses issues around adapting folktales for children and questions of cultural appropriation.
Frontiers of anthropology ( specific acquired from google .com ) .Deepak Somaji-Sawant
This document discusses the origins and migrations of different sets of animal stories and symbolic animals from ancient cultures. It suggests that the oldest set originated in Africa and features the lion associated with the sun god and a trickster monkey. Other sets originated in Sundaland and featured dragons and birds, and in Atlantis and America which featured coyotes, eagles, and hares. The document explores the meanings and significance of these different animal characters in ancient myths and their connections to constellations, gods, and cultural diffusion across civilizations.
Balancing The Spectrum Of The CollectionJohan Koren
The document discusses balancing a library collection using a "prism" model with two continuums: personal-invented and real-smiley face. It proposes a 2x2 matrix with these continuums to map different types of resources. Examples are given of resources like folklore, literature, and children's books that could fit in each quadrant. The model is suggested as a way to evaluate a collection's balance, especially on controversial issues, by mapping resources on both sides of an issue.
Balancing The Spectrum Of The CollectionJohan Koren
The document discusses balancing a library collection using a "prism" model with four quadrants defined by the axes of personal/invented and real/invented. It provides examples of resources that could fit into each quadrant, such as folklore in the personal/real quadrant and original children's literature in the personal/invented quadrant. The document also discusses using this model to balance coverage of controversial issues.
This document provides an analysis of Nathaniel Hawthorne's 1850 novel "The Scarlet Letter". It summarizes that the novel is a work of romantic and historical fiction that explores themes of feminism. It analyzes the characters of Hester and Pearl who demonstrate strength and independence despite facing oppression, rejection of patriarchal conventions, and raise the child without a man. The document also examines how Hester gains power through rejecting the expectations of her role and femininity defined by patriarchal laws and institutions of the time.
This document discusses folklore, folktales, myths, and mythology. It defines folklore as traditional beliefs, customs, and stories of a culture, including folktales, which are traditional stories passed down orally. Myths are traditional stories that attempt to explain natural phenomena and the origins of the world, often involving supernatural elements like gods and goddesses. The document provides examples of Greek and Roman mythology and discusses the Grimm Brothers and other collectors of folktales. It outlines some key characteristics and types of folktales and myths.
This document provides an overview of different types of folklore including folktales, myths, legends, and epics. It discusses the origins and history of each type of folklore and provides examples from different cultures and regions. Folktales are traditional stories that have been passed down orally over generations. Myths are stories that explain natural phenomena and involve supernatural elements like gods and goddesses. Legends are semi-historical narratives about people, events, or places. Epics are long heroic poems or stories that involve adventures and ideals of heroism. The document also outlines characteristics and values of each folklore type in developing children's literature.
This document discusses folklore, folktales, and fairy tales. It defines folklore as traditional knowledge and practices shared within a group through oral communication. Folktales are stories passed down orally from generation to generation, though authors may be unknown. Fairy tales borrow from folklore but were crafted as literary works, and do not necessarily include fairies. The document provides context on the origins and evolution of various fairy tale genres and traditions, including French salon tales, Native American folktales, and the work of the Brothers Grimm to collect and publish folktales. It also discusses issues around adapting folktales for children and questions of cultural appropriation.
Frontiers of anthropology ( specific acquired from google .com ) .Deepak Somaji-Sawant
This document discusses the origins and migrations of different sets of animal stories and symbolic animals from ancient cultures. It suggests that the oldest set originated in Africa and features the lion associated with the sun god and a trickster monkey. Other sets originated in Sundaland and featured dragons and birds, and in Atlantis and America which featured coyotes, eagles, and hares. The document explores the meanings and significance of these different animal characters in ancient myths and their connections to constellations, gods, and cultural diffusion across civilizations.
Balancing The Spectrum Of The CollectionJohan Koren
The document discusses balancing a library collection using a "prism" model with two continuums: personal-invented and real-smiley face. It proposes a 2x2 matrix with these continuums to map different types of resources. Examples are given of resources like folklore, literature, and children's books that could fit in each quadrant. The model is suggested as a way to evaluate a collection's balance, especially on controversial issues, by mapping resources on both sides of an issue.
Balancing The Spectrum Of The CollectionJohan Koren
The document discusses balancing a library collection using a "prism" model with four quadrants defined by the axes of personal/invented and real/invented. It provides examples of resources that could fit into each quadrant, such as folklore in the personal/real quadrant and original children's literature in the personal/invented quadrant. The document also discusses using this model to balance coverage of controversial issues.
This document provides an analysis of Nathaniel Hawthorne's 1850 novel "The Scarlet Letter". It summarizes that the novel is a work of romantic and historical fiction that explores themes of feminism. It analyzes the characters of Hester and Pearl who demonstrate strength and independence despite facing oppression, rejection of patriarchal conventions, and raise the child without a man. The document also examines how Hester gains power through rejecting the expectations of her role and femininity defined by patriarchal laws and institutions of the time.
This document discusses folklore, folktales, myths, and mythology. It defines folklore as traditional beliefs, customs, and stories of a culture, including folktales, which are traditional stories passed down orally. Myths are traditional stories that attempt to explain natural phenomena and the origins of the world, often involving supernatural elements like gods and goddesses. The document provides examples of Greek and Roman mythology and discusses the Grimm Brothers and other collectors of folktales. It outlines some key characteristics and types of folktales and myths.
This document provides an overview of different types of folklore including folktales, myths, legends, and epics. It discusses the origins and history of each type of folklore and provides examples from different cultures and regions. Folktales are traditional stories that have been passed down orally over generations. Myths are stories that explain natural phenomena and involve supernatural elements like gods and goddesses. Legends are semi-historical narratives about people, events, or places. Epics are long heroic poems or stories that involve adventures and ideals of heroism. The document also outlines characteristics and values of each folklore type in developing children's literature.
The document outlines a story idea involving two kids traveling the world to stop a villainous sensei from collecting pieces of an ancient artifact called the Flower of Life pennant. The pennant is made from an exotic metal found in black holes and is rumored to allow control over time, matter, and gravity if reunited. Each piece is protected by a mythological guardian in a famous location, such as the Great Wall of China or the Taj Mahal, that the kids must defeat to prevent the sensei from gaining control.
Traditional literature refers to stories that were originally passed down orally from generation to generation before being written down. They have no identifiable author and explore universal themes. Common features include simple plots, fast pacing, two-dimensional characters, vague settings, and stock beginning and ending motifs. Traditional literature includes folktales, fables, myths, legends, epics, and religious stories.
This document provides an overview of ancient Mesopotamian, Egyptian, and Hebrew literature. It discusses the Sumerians as the earliest settlers of Mesopotamia, known for creating cuneiform writing and works like the Epic of Gilgamesh. Egyptian literature is examined next, noting how the Nile enabled its civilization and hieroglyphic writing system. Major Egyptian kingdoms are also outlined. The document concludes with details on Hebrew literature and history, highlighting key figures like Abraham, Moses, and David and the importance of the Hebrew Bible to their cultural identity.
This document defines and provides examples of different types of folk literature, including myths, folk tales, tall tales, and epics. Myths are fictional stories that explain natural phenomena and were meant to reinforce cultural values. Folk tales were oral traditions that often featured heroes and magic and were used to teach lessons. Tall tales featured exaggerated stories told in everyday language. Epics were long poems about gods and heroes that incorporated elements of myth, history, and intervention by the gods.
This document provides an overview of myths, mythology, and the history and evolution of myths. It discusses theories on how myths originated, including ideas from Euhemerus, philologists, anthropologists, and Emile Durkheim. It also outlines sources of mythology from different cultures like Greece, Egypt, Norse, Slavic, and the Philippines. The document lists writers and stories involving myths and provides brief biographies of some writers. It discusses values and roles of myths as well as types of myth stories. The summary concludes with a high-level overview of the content covered in the document relating to myths, mythology, and stories involving myths from different cultures and time periods.
Courage, Determination and Perseverance: A Psychological Approach of Amos Tut...AJHSSR Journal
ABSTRACT: This study is an attempt to bring us toward an understanding of courage, its nature, and its use
in Amos Tutuola‟s novel. Courage is perceived as a stable characteristic of human beings. The presence of
physical courage is linked to increased resilience, and greater feelings of personal competence. It is identified as
a factor of strength in his positive psychology model. The individual who performed acts of heroism and
bravery is more likely to be self-confident, has a tendency to take risk, and attribute their success on modeling of
others. Courage has helped win over all forces against except hunger.
KEY WORDS: Courage, nature use, physical, positive psychology, personality, characteristic.
The document provides an overview of classical Greek mythology. It discusses how the Greeks humanized the gods and made them more relatable compared to earlier mythologies. The Greeks created stories centered around human beings to explain nature and the world. The text then summarizes many of the major gods and figures in Greek mythology such as Zeus, Poseidon, Hades, and the Muses. It also describes places like Mount Olympus and the Underworld. In general, the document outlines the key elements, characters, and beliefs that comprised classical Greek mythology.
Traditional literature refers to ancient stories and poems that were originally passed down orally from generation to generation before being written down. They have no identifiable author, come from oral traditions, and reflect the values of the times and societies in which they originated. Traditional stories include folktales, fables, myths, legends, epics, and religious tales, which all share features like simple plots, stock beginning and endings, and themes of universal truths.
The document discusses analyzing literature through the lens of a prism. It draws an analogy between Isaac Newton's experiments with optics using a prism to separate white light into a spectrum of colors, and how a prism can be used to analyze literature from different perspectives. The document presents a 2x2 matrix with real vs invented on one axis and personal vs generic on the other. It then provides examples of how different types of works featuring dragons fall into each quadrant of the matrix.
This document provides an overview of mythology and legends. It defines mythology as traditional stories that express the beliefs of a culture, and notes that all cultures have some type of myths. Myths are meant to teach and resonate spiritual truths using symbolic characters and stories. Legends are similar to myths but are set in a culture's more recent past, often blending facts with extraordinary elements, and usually featuring human characters. Both myths and legends convey the core meanings and values of a society to help people understand their own existence.
Fantastic Elements in J.R.R. Tolkien's The HobbitAhmet Ateş
This slide analyses Tolkien's the Hobbit. It examines the fantastic elements Todorov and Tolkien defines. A brief history of Fantasy literature and theories of fantasy from Tolkien and Todorov.
ps: look into slide notes for comments on quotations.
This document discusses animal fantasy stories for children. It provides background on the genre, outlines common characteristics like anthropomorphic animals and plots children can relate to. It analyzes four types of animal fantasy stories and provides examples. Key works mentioned include Charlotte's Web and The Tale of Peter Rabbit. Activities are suggested for reading comprehension and engaging with various animal tales.
The document discusses several folklore theories and what they can tell us about the fairy tale "The White Snake" collected by the Brothers Grimm. It summarizes the key tale types and motifs found in the story, then analyzes the story through historical-geographical, ideological, functional, psychoanalytical, structural, and contextual theoretical lenses. Each theory framework provides insights into possible origins and meanings of elements in the tale.
Folktales and fairy tales originate from oral tradition but have been adapted and published by various authors. While some contain magical elements, not all involve fairies. The Brothers Grimm collected and published many European folktales. Native American groups also have their own rich traditions of folktales, though care must be taken to properly attribute the source and cultural context of these stories. Folktales from different cultures may explore similar themes due to common human experiences.
The document discusses the genre of folktales. Folktales are stories passed down orally through generations that often include fantastical elements and teach moral lessons. They typically have simple settings and characters, involve conflicts between good and evil, and use an informal storytelling style. Common folktales genres include myths, legends, fables, fairy tales and tall tales. All cultures share similar folktales that reflect their traditions and values.
This document is a comparative literature assignment submitted by Fatima Gul that discusses the politicization of non-Western literature and rejection of the formalist approach. It provides examples of how Western civilization has presented an inaccurate portrayal of non-Western cultures and politicized their literature. It discusses several non-Western writers like Chinua Achebe and Frantz Fanon who highlighted the negative impacts of Western colonialism and how it disrupted traditional ways of life in Africa and presented the colonized people in a demeaning light. The assignment argues that the formalist approach to studying literature fails to acknowledge the deeper themes, ideas and philosophies in non-Western works and asserts the need to consider the socio-historical contexts.
This document defines and provides characteristics of various mythological figures such as legends, fables, folktales, and fairytales. It then discusses myths in more detail, noting that myths aim to explain cultural phenomena and rituals through stories featuring heroes and gods/demigods that impart lessons. Creation myths specifically seek to explain the origin of the earth/universe, often featuring supreme beings and local animals. Flood myths reset the world through deluges, appearing globally with themes of punishment and rebirth. Tricksters, a universal archetype, use intelligence and cunning to defy norms, found as animal, human and spirit figures like Coyote, Brer Rabbit, Anansi and the Monkey King across various cultures
The document discusses key elements of fantasy literature, including predictable serial plots based on life cycles or hero's journeys, magical yet rule-based settings in primitive natural or medieval worlds, and characters that include humans alongside mythical beings representing aspects of humanity. The style is often simple with repetition and lack of metaphor, conveying archetypal themes about human psychology and experiences.
The document discusses writing an essay on the topic of "Two Ways To Belong In America," noting that it requires carefully balancing personal reflection with broader sociopolitical analysis while navigating contrasting perspectives presented in Bharati Mukherjee's narrative and understanding the historical context of immigration and American identity. Crafting a cohesive argument demands a deep exploration of cultural, political, and economic factors shaping characters' sense of belonging.
The document discusses writing an essay on the topic of "Two Ways To Belong In America," noting that it requires carefully balancing personal reflection with broader sociopolitical analysis while navigating contrasting perspectives presented in Bharati Mukherjee's narrative and understanding the historical context of immigration and American identity. Crafting a cohesive argument demands a deep exploration of cultural, political, and economic factors shaping characters' sense of belonging.
The document outlines a story idea involving two kids traveling the world to stop a villainous sensei from collecting pieces of an ancient artifact called the Flower of Life pennant. The pennant is made from an exotic metal found in black holes and is rumored to allow control over time, matter, and gravity if reunited. Each piece is protected by a mythological guardian in a famous location, such as the Great Wall of China or the Taj Mahal, that the kids must defeat to prevent the sensei from gaining control.
Traditional literature refers to stories that were originally passed down orally from generation to generation before being written down. They have no identifiable author and explore universal themes. Common features include simple plots, fast pacing, two-dimensional characters, vague settings, and stock beginning and ending motifs. Traditional literature includes folktales, fables, myths, legends, epics, and religious stories.
This document provides an overview of ancient Mesopotamian, Egyptian, and Hebrew literature. It discusses the Sumerians as the earliest settlers of Mesopotamia, known for creating cuneiform writing and works like the Epic of Gilgamesh. Egyptian literature is examined next, noting how the Nile enabled its civilization and hieroglyphic writing system. Major Egyptian kingdoms are also outlined. The document concludes with details on Hebrew literature and history, highlighting key figures like Abraham, Moses, and David and the importance of the Hebrew Bible to their cultural identity.
This document defines and provides examples of different types of folk literature, including myths, folk tales, tall tales, and epics. Myths are fictional stories that explain natural phenomena and were meant to reinforce cultural values. Folk tales were oral traditions that often featured heroes and magic and were used to teach lessons. Tall tales featured exaggerated stories told in everyday language. Epics were long poems about gods and heroes that incorporated elements of myth, history, and intervention by the gods.
This document provides an overview of myths, mythology, and the history and evolution of myths. It discusses theories on how myths originated, including ideas from Euhemerus, philologists, anthropologists, and Emile Durkheim. It also outlines sources of mythology from different cultures like Greece, Egypt, Norse, Slavic, and the Philippines. The document lists writers and stories involving myths and provides brief biographies of some writers. It discusses values and roles of myths as well as types of myth stories. The summary concludes with a high-level overview of the content covered in the document relating to myths, mythology, and stories involving myths from different cultures and time periods.
Courage, Determination and Perseverance: A Psychological Approach of Amos Tut...AJHSSR Journal
ABSTRACT: This study is an attempt to bring us toward an understanding of courage, its nature, and its use
in Amos Tutuola‟s novel. Courage is perceived as a stable characteristic of human beings. The presence of
physical courage is linked to increased resilience, and greater feelings of personal competence. It is identified as
a factor of strength in his positive psychology model. The individual who performed acts of heroism and
bravery is more likely to be self-confident, has a tendency to take risk, and attribute their success on modeling of
others. Courage has helped win over all forces against except hunger.
KEY WORDS: Courage, nature use, physical, positive psychology, personality, characteristic.
The document provides an overview of classical Greek mythology. It discusses how the Greeks humanized the gods and made them more relatable compared to earlier mythologies. The Greeks created stories centered around human beings to explain nature and the world. The text then summarizes many of the major gods and figures in Greek mythology such as Zeus, Poseidon, Hades, and the Muses. It also describes places like Mount Olympus and the Underworld. In general, the document outlines the key elements, characters, and beliefs that comprised classical Greek mythology.
Traditional literature refers to ancient stories and poems that were originally passed down orally from generation to generation before being written down. They have no identifiable author, come from oral traditions, and reflect the values of the times and societies in which they originated. Traditional stories include folktales, fables, myths, legends, epics, and religious tales, which all share features like simple plots, stock beginning and endings, and themes of universal truths.
The document discusses analyzing literature through the lens of a prism. It draws an analogy between Isaac Newton's experiments with optics using a prism to separate white light into a spectrum of colors, and how a prism can be used to analyze literature from different perspectives. The document presents a 2x2 matrix with real vs invented on one axis and personal vs generic on the other. It then provides examples of how different types of works featuring dragons fall into each quadrant of the matrix.
This document provides an overview of mythology and legends. It defines mythology as traditional stories that express the beliefs of a culture, and notes that all cultures have some type of myths. Myths are meant to teach and resonate spiritual truths using symbolic characters and stories. Legends are similar to myths but are set in a culture's more recent past, often blending facts with extraordinary elements, and usually featuring human characters. Both myths and legends convey the core meanings and values of a society to help people understand their own existence.
Fantastic Elements in J.R.R. Tolkien's The HobbitAhmet Ateş
This slide analyses Tolkien's the Hobbit. It examines the fantastic elements Todorov and Tolkien defines. A brief history of Fantasy literature and theories of fantasy from Tolkien and Todorov.
ps: look into slide notes for comments on quotations.
This document discusses animal fantasy stories for children. It provides background on the genre, outlines common characteristics like anthropomorphic animals and plots children can relate to. It analyzes four types of animal fantasy stories and provides examples. Key works mentioned include Charlotte's Web and The Tale of Peter Rabbit. Activities are suggested for reading comprehension and engaging with various animal tales.
The document discusses several folklore theories and what they can tell us about the fairy tale "The White Snake" collected by the Brothers Grimm. It summarizes the key tale types and motifs found in the story, then analyzes the story through historical-geographical, ideological, functional, psychoanalytical, structural, and contextual theoretical lenses. Each theory framework provides insights into possible origins and meanings of elements in the tale.
Folktales and fairy tales originate from oral tradition but have been adapted and published by various authors. While some contain magical elements, not all involve fairies. The Brothers Grimm collected and published many European folktales. Native American groups also have their own rich traditions of folktales, though care must be taken to properly attribute the source and cultural context of these stories. Folktales from different cultures may explore similar themes due to common human experiences.
The document discusses the genre of folktales. Folktales are stories passed down orally through generations that often include fantastical elements and teach moral lessons. They typically have simple settings and characters, involve conflicts between good and evil, and use an informal storytelling style. Common folktales genres include myths, legends, fables, fairy tales and tall tales. All cultures share similar folktales that reflect their traditions and values.
This document is a comparative literature assignment submitted by Fatima Gul that discusses the politicization of non-Western literature and rejection of the formalist approach. It provides examples of how Western civilization has presented an inaccurate portrayal of non-Western cultures and politicized their literature. It discusses several non-Western writers like Chinua Achebe and Frantz Fanon who highlighted the negative impacts of Western colonialism and how it disrupted traditional ways of life in Africa and presented the colonized people in a demeaning light. The assignment argues that the formalist approach to studying literature fails to acknowledge the deeper themes, ideas and philosophies in non-Western works and asserts the need to consider the socio-historical contexts.
This document defines and provides characteristics of various mythological figures such as legends, fables, folktales, and fairytales. It then discusses myths in more detail, noting that myths aim to explain cultural phenomena and rituals through stories featuring heroes and gods/demigods that impart lessons. Creation myths specifically seek to explain the origin of the earth/universe, often featuring supreme beings and local animals. Flood myths reset the world through deluges, appearing globally with themes of punishment and rebirth. Tricksters, a universal archetype, use intelligence and cunning to defy norms, found as animal, human and spirit figures like Coyote, Brer Rabbit, Anansi and the Monkey King across various cultures
The document discusses key elements of fantasy literature, including predictable serial plots based on life cycles or hero's journeys, magical yet rule-based settings in primitive natural or medieval worlds, and characters that include humans alongside mythical beings representing aspects of humanity. The style is often simple with repetition and lack of metaphor, conveying archetypal themes about human psychology and experiences.
The document discusses writing an essay on the topic of "Two Ways To Belong In America," noting that it requires carefully balancing personal reflection with broader sociopolitical analysis while navigating contrasting perspectives presented in Bharati Mukherjee's narrative and understanding the historical context of immigration and American identity. Crafting a cohesive argument demands a deep exploration of cultural, political, and economic factors shaping characters' sense of belonging.
The document discusses writing an essay on the topic of "Two Ways To Belong In America," noting that it requires carefully balancing personal reflection with broader sociopolitical analysis while navigating contrasting perspectives presented in Bharati Mukherjee's narrative and understanding the historical context of immigration and American identity. Crafting a cohesive argument demands a deep exploration of cultural, political, and economic factors shaping characters' sense of belonging.
The Immortal Life Of Henrietta Lacks EssayNichole Doran
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The relationship between literature and societyTshen Tashi
The document discusses the relationship between English literature and society from different literary periods in English history. It explores how works from each period reflected aspects of the corresponding society, such as its religion, government structure, views of nature, and lifestyle. For example, Anglo-Saxon works focused on morality through bloodshed while Medieval literature dealt with themes of sin. The document also examines how major historical events like the Industrial Revolution influenced Victorian literature and society. Overall, it analyzes how literature both shaped and was shaped by the societies it emerged from.
1. King | 1
Victoria King
Prof. Lovern
A.W.R. – Final Paper
9 December 2010
Aborigines in Australia: An Overview
I began researching for this paper thinking that I could find some general consensus about
the culture of the Aboriginal community in Australia, but no general consensus is to be found
across the broad spectrum of literature on the subject from which to choose. It seems to be the
case that conceptions of the Aboriginal culture vary depending on the source writing on the
subject, and depending on the time frame that studies were written on them. It seems also to be
the case that conceptions of individuals concerning Dreamtime may differ even within the realm
of a specific group. Conceptions of women also differ depending on the source writing about
them. In this paper, I intend to focus on a general overview of what I have read concerning the
culture, lifestyle, and history of Australian Aborigines and the Dreamtime. I may compare it to
some myths from European tradition in order to try to show that the ideas presented are not so
strange or not necessarily so foreign.
According to Western theory, the Aborigines have lived in Australia for over 40,000
years or longer. Russel Ward holds that they migrated from Asia 40-50,000 years ago, though he
does not mention their means of migrating (Ward, 2). According to Aboriginal ontology,
Dreamtime, The Dreaming, or Altjeringa is a sacred time in which the totemic Ancestor spirits of
the Aborigines sprang up from a gray, flat nothingness and created the Earth (Ellie). The spirits
came up and, in their search for food, formed the physical geographical features of the land.
2. King | 2
There are many stories told that convey how different geographical features came about. Also
within the stories are messages concerning the causes of certain specific characteristics local
animals and men exhibit.
Stories concerning creation differ a bit, although there are a few with the same idea that
the Sun Mother was woken up to create the world. In “Earth Dying – Earth Reborn”, when the
Sun Mother woke up and breathed, the atmosphere changed; when she got up to take a journey,
vegetable life sprung up wherever she walked; she found living creatures settled there,
slumbering as she had been, and she woke them up (Ellie). She made the seasons, and made a
rest time for the creatures designated by her daily descent in the West, (Ellie).
Another fable explains that there were only moon and stars before there was a moon, and
this was in a time before man existed, though larger animals than what we are used to were
thought to have roamed the world, (Ellie). Two companions were quarrelling when the lady,
Brolga, of the two companions threw an egg into the sky. This egg became the sun as its yolk
spilled upon firewood and became ignited. This lit up the world. A good spirit saw this and
decided to create a similar fire every day, which is why the sun is out every day, according to
this story, (Ellie). Another part of the story is that the laugh of the kookaburra is provided to
help wake up men and women in the morning time, (Connelly).
Pause a moment and let us compare a feature of one of these myths with a feature from
that of ancient European mythology. In the Aboriginal version of the beginning of creation,
everything was desolate before the giants sprang up to create what would become the world that
we live upon (Ellie). In an ancient Greek version of creation we also get the concept that the
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beginning was a great void and that giants or Titans were borne to create the initial mold of our
environment, (Hunt).
I have to note that one main thing this research on Dreamtime and the Dreamings has
helped me realize is the importance of illustration to convey an idea or message. Aborigines
have sought their own liberation through creating and selling the art they make which pertains to
the Dreamtime. These art pieces are created upon waking up from an instance of dreaming
something considered personally sacred (Price-Williams, 378). They want to continue to be
able to create these pieces of art which link them to the sacred Dreamtime. Their method of
selling art to outsiders is one that allows them to continue with this tradition as well as raise
recognition among outsiders concerning this important part of their culture. The epiphany I had
is that the vast majority of research literature that I read to use as sources in these papers
generally lack pertinent illustrations which could come in useful to express the ideas the authors
are trying to put forth in the texts. Also, reading page after page of black and white paragraphs
tends to be quite straining on the eyes. The sociological or academic jargon incorporated is
boring and can become monotonous to say the least. If we want everyone to understand what we
are writing about, the extremely literate as well as the less literate, it might be more beneficial to
everyone if we were to incorporate pictures, personal drawings, and a more widely used lexicon
than what we use at this point. An irony I am trying to exemplify here is that I am required by
the academic institution to which I belong to mirror the same boring, monotonous format of
academically condoned along with impressive sesquipedalian terms. An female Aborigine who
is also Harvard Law graduate and professor at New South Wales University explains that
“experience is valued over study and academic discourse,” and that academia is based so much
on the writing rather than cultural tradition, (Behrendt, 32). She also notes the difference in our
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citing sources, explaining that European academics are taught to use the words of other people
while citing the original authors as sources, whereas it would be considered rude in her
community to do so without explicit permission, (Behrendt, 33). Note the additional irony in my
using her words here. She holds that it would be prudent to advocate the inclusion of the
experiences of those with oral history; this will “allow them a voice where they have previously
been silenced,” (Behrendt, 33).
The Aborigines in Australia do not actually have a written language, but they do have
rock art drawings of the Dreamtime. These ancient paintings on rock are their reflections on the
Dreamtime. Their art is like their history book as a guide for living. The illustrations have
different intentions and meanings. These pictures are supposed to harvest powers; the drawing
of a big fish could bring forth a plentiful supply of fish during fishing season. Specific clans are
supposed to draw the animal of their totem and no totem of any other clan. Now the illustrations
are being created on wood panel and on other mediums that can be used for transportable
commercialization. (“Rock Art).
Conceptions of women in Aboriginal culture vary depending on the author, the sex of the
author, and the timeframe within which the author wrote the material concerned. The articles I
have read coming from Aboriginal women themselves do not explain that the women are
experiencing any type of sexism from within their own communities. The only literature that
tries to explain the subordination of women to the men in Aboriginal societies comes from
various pieces of literature written by European-descended males from around the later 1980s
and before. I have noticed this to be the case concerning many different research projects
concerning a variety of cultures: prior to the 1980s, predominantly male European
anthropologists and other academics tend to portray women as subordinate to the men in the
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cultural accounts being noted. I think this is a reflection of the European model itself and that
the idea that the women are treated unequally is only an assumption based from conceptions
concerning male and female social and role dynamics within the European pattern. Newer
representations by female writers on the subject have noted this issue, and they differ in their
view that the women are considered subordinate to the men in Aboriginal societies.
According to Ward, from a 1988 article, Aboriginal groups are divided into two classes:
men and women, (Ward, 5). The men were the hunters and the women were the vegetable-
gatherers. Although this may seem quite egalitarian at first, both classes having their distinct
category with its own rules to follow, Ward hurts my heart a little with what he explains next.
He writes that there were many fights among men in the culture, not over land, but over women
(Ward, 5). He explains that women were “regarded as the disposable property of her husband,”
(Ward, 5). Around 1923, three men were tried by the Australian government for the murder of a
woman who was killed by her two brothers and husband. The murder was deemed necessary by
them in order to pay the penalty in tribal law for her the act her husband had committed—killing
a different woman and fleeing into the woods, (Ward, 6). This was the only incidence I heard
concerning women being treated in this particular way. If this sort of custom has been practiced
frequently and on any grand scale, I hope that its occurrence has been diminished in recent
history. I am a bit suspect to the argument made because it is only one incidence given by the
author in an argument concerning a larger issue. It happened after colonization occurred, so I
think the imposition of a patriarchal dominant structure could have had something to do with it
as well. As will be noted later, Ohnuki-Tierney depicts aspects within the Ainu culture as being
separated into two categories, the sacred and the profane, with women being considered an
aspect of the profane and men the holy, (296). Another type of incidence concerning the
6. King | 6
mistreatment of Aboriginal women, although in this example is a side-effect of colonization, is
that sailors and settlers would take the women from Aboriginal tribes and rape them for months
before killing them or leaving them somewhere they were not safe, (Yunupingu, 74). Often the
women would wait to die or kill themselves rather than return to their home community in order
to spare their community the possibility of contracting foreign disease she may have contracted
during her abduction, (75). If she returned home, her community would kill her for these same
reasons.
What I can hold as a common tradition, based from a number of sources, is that the
women and the men did keep to their separate domains. In one article titled, “Elders from
Australia,” some of the elder women made this claim and talked a bit about some of the things
that would be considered taboo to our culture. The main thing I thought interesting was that the
father of babies are not allowed to touch the baby and has to sleep away from it for four or five
months, (Yunupingu,17). Evidently the brother or sister of the mother can hold the baby, but
the father cannot. This makes sense in that the father might bring disease or illness from the
germs gathered while out hunting. Wingfield explains that the women keep separate from men
and that they get along fine, (Yunupingu, 20). Babies are actually born in the sand; this is
symbolic of being one with the land, (63).
The way time is perceived in Aboriginal culture is much different than how it is
perceived in a Western conception of time. In an article on Time Reckoning, it is noted that
“there is a culturally constituted temporal domain” for time although there is no specific word for
it, (Ohnuki-Tierney, 285). The lifespan of the universe contains the beginning and the present.
The beginning was when the giants roamed the land. The present refers to the span of time that
began long ago which “will continue until the end of the universe”, at which point the universe is
7. King | 7
reborn, (Ohnuki-Tierney, 286). Ohnuki-Tierney depicts time as being separated into the sacred
and the profane. The first halves of the lunar months are depicted as sacred and religious matters
are supposed to be conducted during this time; the days are divided the same, with the morning
being for the sacred and the evening being for the profane, (293). Night is a time of danger and
one should not be out in the night, according to this author, (294). Seasons are initiated and
marked by memorable annual events and ceremonies rather than abstractly by a numerical
calendar system. “The beginning of the cold season is marked by marten-trapping and the bear
ceremony,” (Ohnuki-Tierney, 294).
While the sacred quality in time diminishes as the days, months, or seasons pass, the
quality of human life increases the longer they age. The super-human quality in an individual is
at its maximum point upon the time of death, when one is at the closest point in life to being
borne into its next cycle, (Ohnuki-Tierney, 295). One other possible reason for this is that, as
was earlier noted, in Aboriginal society experience is deemed more important than academic
qualification. Larissa Behrendt explained in her article the way she felt about teaching an elder:
“Teaching an older Aboriginal woman of high standing in my community, one for whom I have
much personal respect and admiration, felt not only uncomfortable but disrespectful,” (Behrendt,
32). This is an example of the way that the dynamics of European culture clashes with the
dynamics of that of the Aboriginal.
Another aspect I had hoped to deal with more concerns that of telepathic powers claimed
to be possessed by some of the Aborigines. I did not find enough literature to write as
extensively on the subject as I had originally planned, so I will touch up on the matter here. The
best article I found that explains this is the article on Elders, which explains that “some gifted
people in the communities” are able to “communicate through minds from one place to
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another…but being so far apart,” (Yunupingu, 89). It explains that what is communicated is not
the voice of the person but the actual thought that was given where the location of telepathy
occurred, (89).
Colonization has been occurring since white people decided to move to Australia.
Fortunately, concerning the educational domain, people from Aboriginal communities are now
allowed to pursue the educational level of their choice whereas not long ago and before, they
were only allowed to learn until the age of fourteen, (Behrendt, 32). On the other hand, the
domination has not ceased in terms of its mistreatment of the land. The government has been
putting nuclear waste on indigenous land and has also used the land to practice the firing of
nuclear bombs, (Yunupingu, 22). The claim is made that Mother Nature should be left as it is,
and that there will be big repercussions for all the mining and explosions that are being done to
it, (22). This feature of the exploitation of indigenous resources by a European-ascended
colonizing body in Australia has many of the same features colonization has brought about for
the indigenous American population. Only one example of a similar incidence in America is the
chemical waste recycling plant in Arizona, near the Gila River Community. The plant is
“located on tribal lands and poisoning the community with mercury, dioxin and other toxic
chemicals” and has helped cause the increased number of “miscarriages, misdiagnosed rashes,
breathing problems, problems with bone marrow, and regenerating blood cells,” in the
indigenous community, (Women’s Earth Alliance).
Another common colonization exploitation tactic practiced by the dominant Western
culture within various indigenous groups is that of grave-robbing, or of taking the sacred bones
of the ancestors of indigenous cultures and not giving the bones back. In any case, it is rude to
steal the bones of a dead person out of a gravesite, regardless of their cultural background or any
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other characteristic they might exhibit. Moreover, the reason this was done on a mass scale at a
time when the use of phrenology was popular and the Western prerogative was to attempt to
prove their superiority over the indigenous by comparing skulls of various groups with skulls
from their own group, (Delamothe, 1564).
The same thing has occurred in the West due to colonization. In 1990, a Native American
Graves Protection and Repatriation Act was passed, according to which, the return of Native
American skeletons was mandated. In 2010, the skeletons are finally being returned. “Since
1994, institutions and government agencies…have asked the secretary of the Interior 82 times for
special permission to return more than 4,000 unaffiliated human remains. Over the last two
years, the Denver Museum of Nature & Science has consulted with 121 tribes over unaffiliated
remains –and found common ground,” (Colwell-Chanthoponh). According to this source, 32,000
out of the 116,000 Native American skeletons that have been put on display in museums are
being returned to their descendants, (Colwell-Chanthoponh). In other news, a lawsuit was filed
earlier in 2009 with the intention to have a secret society known as the Skulls at Yale University
return the skull and bones of Geronimo to his descendants. The grandfather of George W. Bush,
Jr. is reported to have been involved in the group stealing the bones, (Caplan-Bricker). In
August, 2010, the case was dismissed against the Skull and Bones society by the judge (Caplan-
Bricker).
In conclusion, the Aborigines in Australia have been living in the same area for over
40,000 years. They experience the world in terms of being a part of their traditional landscape,
as continuous creators in the Dreamtime. They are very concerned for their land as of late
because there has been nuclear waste disposals posited on it as well as mining and nuclear
bombing practice by the Australian government. The Aborigines pass on much of their cultural
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and spiritual beliefs orally, through ceremony, dance, story, and through artwork concerning the
Dreamtime. Two aspects of time are the present and the beginning; the beginning was a time
when the ancestors roamed and shaped the Earth in search for food. The seasons are reckoned in
terms of major events marking the beginning and end of a season. A first hunt for a certain
animal associated with a given season may mark the beginning of that season, along with a
ceremonial ritual or dance conducted by the Aborigines. The present refers to time spanning
from long ago and stretching until the end of time. Women and men are concerned with separate
spheres or domains but neither men nor women are necessarily considered superior to the other,
and if it is so the present case, it may only be so to the extent that Western patriarchal tradition
has been reinforced through law and colonization during the past few hundred years.
Colonization has led to many of the same types of exploitations of indigenous cultures not only
to the Aborigines in Australia, but also to indigenous groups that have been dominated by
European societies around the world.
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Works Cited
Behrendt, Larissa. "At the Back of the Class, At the Front of The Class:
Experiences as Aboriginal Student and Aboriginal Teacher." Feminist Review.
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Caplan-Bricker, Nora. "Judge dismisses Apache suit against Skull and Bones." Yale Daily News
27 Aug 2010: n. pag. Web. 10 Dec 2010.
<http://www.yaledailynews.com/news/2010/aug/27/judge-dismisses-apache-suit-against-
skull-and/>.
Caplan-Bricker, Nora. "Skull & Bones sued for Geronimo's Remains."
Yale Daily News 17 Feb 2009: n. pag. Web. 10 Dec 2010.
<http://www.yaledailynews.com/news/2009/feb/17/skull-bones-sued-for-geronimos-
remains/>.
Colwell-Chanthaphonh, Chip. "Opening America's Skeleton Closets." Denver Post
09 May 2010: n. pag. Web. 10 Dec 2010.
<http://www.denverpost.com/opinion/ci_15034481>.
Connely, Michael J., "Goo-Goor-Gaga the Kookaburra.
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<http://www.dreamtime.auz.net/default.asp?PageID=62>.
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<http://www.crystalinks.com/dreamtime.html>.
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Delamothe, Tony. "Aboriginal Skeletons in the Closet: Time to Send Them Home."
BMJ Publishing Group. 303.6817 (1991): 1564. Print.
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<http://www.desy.de/gna/interpedia/greek_myth/creation.html>.
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"The Dreamtime and Dreams of Northern Australian Aboriginal Artists."
Ethos. 22.3 (1994): 373-388. Print.
"Rock Art." Australia and Oceania. National Geographic: Web. 10 Dec 2010.
<http://video.nationalgeographic.com/video/player/places/regions-
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"Team and Partners: GRACE." Women's Earth Alliance. Earth Island Institute Organization, n.d.
Web. 10 Dec 2010. <http://www.womensearthalliance.org/section.php?id=139>.
Ward, Russell. "Aboriginal Communists." Labour History. 55. (1988): 1-8. Print.
Yunupingu, Mandawuy. Elders: Wisdom from Australia's Indigenous Leaders.
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