9 frame analysis
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This document provides descriptions of 9 different film scenes. Each scene is summarized in 1-2 sentences noting key details like camera shots, lighting, angles, and actions depicted. Character emotions and story elements like fighting, searching and hugging are mentioned. Shot sizes range from tight to wide and lighting includes low key, high key, and mid key.
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Mirco elements
This document discusses various camera shots and techniques used in filmmaking. It provides examples of different shots including close-up, medium, long, and extreme long shots showing characters' faces, gestures, fighting scenes, and landscapes. It also describes camera movements like track, pan, tilt, and zoom and how they are used to follow or focus on characters. Finally, it mentions diegetic and non-diegetic sounds and the use of mise-en-scene to set a dark atmospheric tone.
Textual analysis
Mise-en-scène in the opening scene of Se7en shows the differences in Morgan Freeman and Brad Pitt's characters through their costumes. Freeman's neat suit implies he is professional while Pitt's open jacket hints at his youth. Freeman's tidy apartment further reflects his possible OCD. The unsettling soundtrack and a diegetic metronome in Freeman's bedroom foreshadow the film's disturbing content and explore his character's potential OCD. Through editing, camera angles, and quick scene transitions, the opening establishes the professional and urgent nature of solving these horrific crimes.
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Storyboard
The document provides a shot-by-shot description of the opening scene and title sequence of a film called "The Dream Catcher". It begins with a high angle shot panning up a man's body to reveal his face. As the camera continues panning up, production photos and names will fade in and out. It then cuts to black and the title fades in. Following shots include panning through tree branches to a close-up of the man's confused face. In the distance a girl is seen running and her creepy laugh is heard. The man walks forward as the camera spins around him, then cuts to the girl's point of view behind him. Their faces are shown in close-up before a long
Nine frame analysis
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Kailum Gardner analyzes the cinematography techniques used in three thriller films: The House at the End of the Street, The Purge Two, and Inception. For each film, Kailum discusses the lighting, camera angles, and mise-en-scene to convey mood and provide context. Key details like dim lighting, security camera shots, and unusual collapsing settings are examined for their storytelling impacts. Overall, the document focuses on how visual elements in scenes from the three thrillers engage viewers and enhance tension.
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Mirco elements
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Textual analysis
Mise-en-scène in the opening scene of Se7en shows the differences in Morgan Freeman and Brad Pitt's characters through their costumes. Freeman's neat suit implies he is professional while Pitt's open jacket hints at his youth. Freeman's tidy apartment further reflects his possible OCD. The unsettling soundtrack and a diegetic metronome in Freeman's bedroom foreshadow the film's disturbing content and explore his character's potential OCD. Through editing, camera angles, and quick scene transitions, the opening establishes the professional and urgent nature of solving these horrific crimes.
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The video follows a man wearing a cartoon mask as he travels around searching for something to replace his old life. He enters several houses cautiously, looking through draws and under furniture, but is quickly kicked out by the homeowners. Finally, after failing to find what he is looking for in multiple houses, he sees the object lying on the floor in front of him. The video ends by fading to black as the man walks away with the object he had been searching for.
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- A zoom in on a woman's face to focus on her expression as the last thing seen.
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Shots draft
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Treatment
The video follows a man wearing a cartoon mask as he travels around searching for something to replace his old life. He enters several houses cautiously, looking through draws and under furniture, but is quickly kicked out by the homeowners. Finally, after failing to find what he is looking for in multiple houses, he sees the object lying on the floor in front of him. The video ends by fading to black as the man walks away with the object he had been searching for.
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The opening scene of Once Upon a Time in America establishes the thriller genre through its use of lighting, location, sound, and characters. The scene begins with dim, chiaroscuro lighting that creates an unsettling atmosphere in the young woman's dark apartment. When she turns on a lamp, the mood lightens, but becomes dark again when she is murdered. The apartment feels enclosed and dangerous as the men surround her with no escape. Non-diegetic music plays over the credits, while diegetic sounds establish the setting. The characters - an innocent young woman and three criminal men in a gang - represent common thriller tropes of the damsel in distress and villains. Through these techniques, the director Sergio Le
Analysing functions of videos
The document analyzes and summarizes three music videos for their functions and common elements. For each video, it examines the number of locations used, number of costumes and props, and variety of shot types. It also describes the performance or narrative style. Overall, the document identifies similarities in the genres of the three R&B videos and discusses how analyzing their form and structure helped the author understand how to structure their own video in a similar genre-based way.
Evaluation – question 1
This 9-shot media product establishes characters and sets up a mystery thriller storyline. It introduces 4 main characters at a house party where drugs are being taken. One character later wanders alone at night and is hit by a car driven by the drug-taking characters. They panic and put the body in the trunk, driving off into the night. At the end, the two male partygoers discover the supposedly dead body has vanished from the trunk, with a hooded figure watching in the distance. Cinematography uses lighting, shots and sound effects to build tension and intrigue around who these characters are and what will happen next.
Shot list
The document is a shot list for a music video containing 11 scenes. It details the camera shots, angles, and movements for shots focusing on a male and female character. Their story appears to show the characters initially together, then separated with the male character searching for the female character throughout the video. The final scene brings them back together, looking into each other's eyes, as the male character continues longing to find someone.
9 shotanalysis JF
The document discusses shots from a film sequence and analyzes different cinematography techniques used to establish characters, create mystery and suspense, and move the plot forward. It explains how framing, costume, lighting, camera angles, breaking/following the 180 degree rule, and focal depth are employed to make one character seem more powerful than the other and draw attention to a important case central to the story. Film techniques like reaction shots, match cuts, and leaving something like the contents of the case unseen create enigma and suspense common to the thriller genre.
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The document discusses different film techniques including:
- An extreme close up of a character on the phone to focus on the phone display.
- A close up of a character's face to show distress after witnessing a death.
- A medium shot of two men exploring an attic to interpret body language and facial expressions.
- A long shot to establish location and allow viewers to understand the scene setting.
- A tracking shot following a character's movements to watch each action closely.
- A panning shot building suspense by unknown of what will be seen when the camera stops moving.
- A zoom in on a woman's face to focus on her expression as the last thing seen.
- C
Presentation3
The document describes 9 shots in a film clip. The first shot introduces the main character riding a horse. Following shots include a mid-shot of the character walking towards the camera, a close-up of his face, and a shot of a group of school kids staring at him. Subsequent shots show the interaction between the main character and the group of boys, including a high angle shot, a low angle shot of him talking to the boys, a shot of three boys nodding, and a final shot of him giving the boys a bag of paint from a high angle. The document analyzes each shot and the type of cut used to transition between shots.
Elements of a plot diagram
The document outlines the key elements of a plot map, including exposition to introduce characters and the main conflict, rising action where the conflict develops, climax as the turning point where the main character faces the conflict, falling action to resolve loose ends, and resolution providing a reasonable ending to the story.
5 Elements of a Short Story.ppt
The document outlines the five key elements of a short story: characters, setting, conflict, theme, and plot. It defines each element and provides examples. Characters are the people or animals in the story. Setting is the time and place. Conflict is the problem or struggle. Theme is the central idea or message. Plot refers to the sequence of events, and includes exposition, rising action, climax, falling action, and resolution.
Script - 2nd Draft
1. The documentary follows Character A who is having a mental breakdown in her bedroom. She remembers happier times with her friend.
2. Character A rides her bike to her friend's house, recounting how she is always there for her friend.
3. When Character A arrives at her friend's house, her friend is confused by her visit. Character A then shoots and kills her friend, stating "I am your friend."
Reading and writtong skills
The document discusses the role and structure of plot in stories. It defines plot as the sequence of events that make up the story. Plots usually progress through five stages: exposition, rising action, climax, falling action, and resolution. The exposition provides background on the setting and characters. The rising action intensifies the conflict. The climax is the turning point where the outcome becomes clear. In the falling action, the conflict begins to resolve. Finally, the resolution solves the central problem and concludes the story.
Narrative outline
The document outlines scenes from a narrative involving a main character who takes hallucinogenic drugs. The first scene shows the character with his girlfriend and then taking blue pills, after which he hallucinates disturbing encounters with seductive women in different colored rooms. His hallucinations become more intense, with flashes to his girlfriend, until he touches her shoulder and has another hallucination of a past date with her while seemingly drowning in a pool.
Analysing conventions
The document analyzes the conventions in three music videos for R&B/Pop songs. It summarizes each video's use of locations, costumes/props, shot types, and narrative/performance approach. The analysis finds that the videos used between 2-4 locations, with costume changes in each. Shot types included establishing shots, close-ups, and more. Narratives ranged from obvious storylines to implied performances. Doing this analysis helped the author understand conventions to consider for their own music video.
Todorov's Narrative Theory
The document discusses Todorov's narrative theory of 5 stages that typically occur in stories: Equilibrium, Disruption, Realization, Restored Order, and a return to Equilibrium or a New Equilibrium. It applies this theory to analyze the stages that unfold in Ed Sheeran's music video for "Give Me Love" - from the initial loneliness of the female character, to her transformation into Cupid, to attempting suicide to remove the disruption, to finding a new equilibrium by falling for the male police officer.
Shots draft
Dhillan is looking at a doll occupying one third of the frame, establishing his position and the doll's. A medium shot of Dhillan shows his distressed expressions and isolated background. A medium shot of the graveyard allows the entire scene to be taken in with no character present. A close up of a dirty hand emphasizes the character being buried alive. A close up of Jagveer's face allows the audience to focus on his distressed facial expressions as he looks around for someone.
The raid
This scene is set in a locked prison cell-like room, with the protagonist's only chance of survival being to kill the villain and escape. The room looks gloomy and colorless. The characters are in a van preparing their guns under low key lighting, as instructed by their boss sitting between them. The main character, wearing a police uniform and protective gear, has an angry facial expression indicating his mood as he focuses on the illuminated distance in front of him. The images also show the visual effects of a character shouting in front of background damage while another remains calm, suggesting he is ready to cause damage again.
Narrative theories
The document discusses two narrative theories - Todorov's theory of five stages of narrative structure (calm, disturbance, acknowledgment, attempt to repair, return to calm), as applied to horror films like Scream, and Propp's theory of 31 narrative functions seen in fairy tales. Propp's theory is then applied as an example to the characters and plot points of the movie Shrek.
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How Sergio Leone establishes the thriller genre in opening of once upon a tim...
How Sergio Leone establishes the thriller genre in opening of once upon a tim...
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Understanding of camera shots
Extreme close ups focus on a character's eyes, suggesting he is important but not friendly. Close ups clearly show a character's emotions and thoughts, setting the tone as unhappy. Medium shots provide context of costumes and groups that hint at the genre. Long shots give information about snowy urban locations and larger groups to further indicate genre. Extreme long shots are ambiguous but show an urban area, making the city insignificant to the story.
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The document describes different types of camera shots including: extreme close-up, close-up, medium shot, long shot, and establishing shot. It explains that extreme close-ups focus on a small detail, close-ups show a person's head and shoulders, medium shots capture a person from the waist up, long shots show a larger scene from farther away, and establishing shots orient the viewer by showing the exterior of a location. The document also discusses how shot types like low angles, high angles, and point-of-view shots can influence the audience's perspective.
Copyof copyofshutterislandnineshotanalysis.
This document provides a 9 shot analysis of the film Shutter Island. It summarizes each shot, noting details like camera angles, lighting, colors, and how they relate to the film's psychological thriller genre and mood of suspense. The shots convey settings, characters, and emotions like fear and tension through techniques like low-key lighting in rain scenes or close-ups of a book implying sudden meaning. Overall, the analysis examines how visual elements in each shot contribute to the film's psychological thriller tone and atmosphere.
The Unborn 9 frame analysis
The document analyzes the opening credits and scenes of the horror film "The Unborn" through 9 frames. It summarizes the techniques used to establish the horror genre from the beginning, including dark colors, low key lighting, isolated settings, and a mysterious child-like figure appearing to the main female character while jogging alone in the woods. Overall, the analysis describes how the opening establishes atmosphere, characters, and iconography common to the horror genre to set up the film's storyline.
Prom night (2008)
The document provides an analysis of shots and techniques used in the trailer for the film Prom Night (2008). It summarizes several key shots: 1) Three medium shots introduce the main characters at a hair salon. 2) A low angle shot shows a girl walking down stairs in her dress to emphasize her dominance. 3) A wide shot reveals the girl's date and parents reacting to her. 4) Shots from a low angle emphasize the size of a building being approached. 5) Dim lighting is used to signify a disturbance when the horror elements begin. 6) Close ups of a mysterious figure create tension without revealing details. 7) Black and white footage is used when a story is being recounted in the past tense
Representation of characters (1)
The document analyzes the representation of characters in three horror film trailers through their use of sound, editing, camerawork, and mise-en-scene. Male characters are generally portrayed as dominant through dialogue, protective gestures, and shot compositions that make them appear bigger or in control. Female characters are often represented as vulnerable through close-ups of their scared expressions and positioning that reveals their bodies for the "male gaze." Dark lighting and fast editing aim to depict all characters as vulnerable to the impending horror. Common stereotypes are employed, such as the "blonde bimbo" character sexualized for her appearance.
Storyboard
This document outlines 22 shots for the opening scenes of a movie. The first shot will be the production logo and the second a close-up of the male protagonist running. Further shots will show the male protagonist running from guards over a hill and towards the camera to show fear and exhaustion. Later shots will introduce the female protagonist who has been tortured and focus on her and the antagonist. Additional shots will show the male protagonist finding supplies in the forest and reading a note, before picking up a gun and confronting the guards.
Homework 3 -Jordan Tayla
This document provides test shots and descriptions of planned shots and props for a student horror film trailer. It includes shots of isolated outdoor locations like a long path and graveyard that could be used when the main character is being chased. Indoor locations like a house and shed are also presented as places the unknown male character could spy from. Props like a rope and white van are introduced that will be used when the male kidnaps the girl. Finally, descriptions of the two main characters - a 13-year-old girl and a disturbed older male - are given to set up the central conflict of the story.
Silence of the lambs
The document analyzes the cinematography, editing techniques, and mise-en-scene used in the opening scene of a thriller film. Low-key lighting, tense music, and an isolated forest setting are used to create an unnerving atmosphere. A contrasting scene in a police station uses different sounds and lighting to relieve tension. Props like a newspaper article about a serial killer establish the thriller genre. Shot reverse shot and costume are used to show a power dynamic between characters. Match cuts and fog build tension as the protagonist runs through the woods unable to see what may be following her.
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9 frame analysis
- 2. In this scene lighting is low key. And we can see the fear on the characters face. This is an iconic scene in the history of Hollywood. This is also Mid close up shot.
- 3. In this scene there is low key lighting and it is also a low angle to make the character more magnificent . We can see the character shooting someone. It is also a POV shot of the person who is getting shot by the protagonist.
- 4. In this scene we can se a man holding a gun and peeking through a hole. This a very tight shot. The image of the man is slightly blurred. He is trying to find the hero. This is also a narrow depth of field.
- 5. IN this scene we can see a couple of goons finding someone. They are dressed formal. Two of them are holding guns . In this scene there is high key lighting. And this is a mid shot.
- 6. IN this scene we can see fear on the face of character. She is under the bed and this is also a eye line angle shot.
- 7. In this scene we can se that the protagonist is running behind the cars. This is a mid shot. This is also a wide shot. Later on he will jump from the bridge and will fight some goons.
- 8. This shot is taken inside a cruise. This is also a tight shot. This is a mid shot with low key lighting.
- 9. In this scene we can see that the protagonist is fighting a man. This is a low key lighting shot. W can clearly see pain on the face of the character who is getting beaten.
- 10. In this scene we can see that the girls mother is hugging her. This is a mid shot. There is high key lighting. There is also depth of field.