Kino Klassika Foundation- Preserving the traditions of Russian Language and E...Justine Waddell
To promote Russian language cinema, Justine Waddell started Kino Klassika Foundation that organizes events to create awareness about Russian cinema.
Visit https://www.facebook.com/justine.waddell.90 to know more about Justine Waddell and her Russian film charity.
Kino Klassika Foundation- Preserving the traditions of Russian Language and E...Justine Waddell
To promote Russian language cinema, Justine Waddell started Kino Klassika Foundation that organizes events to create awareness about Russian cinema.
Visit https://www.facebook.com/justine.waddell.90 to know more about Justine Waddell and her Russian film charity.
Charlotte Holmes, Museums Association
Iain Watson, Tyne & Wear Archives & Museums
Tamsin Russell, Scottish Museums Federation
Presentation for the Museums Galleries Scotland 'Fortune Favours the Brave' conference, September 2013.
Presentation by Patsy Convery, Acting Director of Audience Engagement at the National Galleries of Scotland at the Scottish Communicators Network event Collaborating for Success on 24th June 2015.
This training was offered to Smathers Libaries staff as an introduction to the process for conceptualizing and executing exhibits using library collections materials. Topics include the differences between exhibits and displays, the qualities of a successful exhibit, audience engagement, effective label copy, and evaluation processes.
Katey Boal, National Trust for Scotland
Lorna Cruickshank, Highland Council
Presentation from the Museums Galleries Scotland 'Fortune Favours the Brave' conference, September 2013.
Ann Kreger, Cairns and District Chinese Association Inc. Walking and Talking: Chinese Culture in Cairns presentation at Opening Doors: 2019 Museums & Galleries Queensland Conference.
For the Australian and New Zealand 2015 Gov Hack, 15 cultural organisations released First World War Collections as Open Data. This slideshow presents the diversity of material released to the public. Over the Gov Hack weekend 22 projects were submitted from this rich reservoir of material.
The State Library of New South Wales (SLNSW), National and State Libraries of Australia (NSLA) and National Archives of Australia (NAA) - supported a WWI bounty prize to encourage the use of this material.
With regional NSW being the largest and most significant regional economy of any Australian state, it features centrally in Arts NSW’s ambitions and planning. Join Executive Director, Mary Darwell for an insider’s update on the NSW Government’s Arts and Cultural Policy Framework: Create in NSW. In this presentation, Mary will outline key actions for regional NSW and discuss opportunities relating to professional development and audience engagement.
Many libraries are acquiring much more than an individual’s papers. They are also acquiring community-based collections. Community-based collections are those which have been amassed not by one individual but by a collective, which may take the form of a museum, ethnic or cultural organization, or other diaspora group active in the documentation of its past. Often these collections are emotional collections, in that they speak to the community’s heritage and identity. As such, these broad archives are extremely personal to those who collected and, sometimes created, the materials. When libraries work with community based collections, they navigate new territory In working with community-based collections, libraries are navigating new territory in integrating and stewarding these communities as well as more traditionally caring for the physical collection. An ongoing commitment to community engagement, with some level of shared governance or other collaborative activity to build, process, or publicize the collection, is often a key part of acquiring community-based collections.
Presentation given by Nick Poole, CEO Collections Trust on the digital challenge for museums, at the joint CT / Museums Galleries Scotland event on 2 March 2010.
Charlotte Holmes, Museums Association
Iain Watson, Tyne & Wear Archives & Museums
Tamsin Russell, Scottish Museums Federation
Presentation for the Museums Galleries Scotland 'Fortune Favours the Brave' conference, September 2013.
Presentation by Patsy Convery, Acting Director of Audience Engagement at the National Galleries of Scotland at the Scottish Communicators Network event Collaborating for Success on 24th June 2015.
This training was offered to Smathers Libaries staff as an introduction to the process for conceptualizing and executing exhibits using library collections materials. Topics include the differences between exhibits and displays, the qualities of a successful exhibit, audience engagement, effective label copy, and evaluation processes.
Katey Boal, National Trust for Scotland
Lorna Cruickshank, Highland Council
Presentation from the Museums Galleries Scotland 'Fortune Favours the Brave' conference, September 2013.
Ann Kreger, Cairns and District Chinese Association Inc. Walking and Talking: Chinese Culture in Cairns presentation at Opening Doors: 2019 Museums & Galleries Queensland Conference.
For the Australian and New Zealand 2015 Gov Hack, 15 cultural organisations released First World War Collections as Open Data. This slideshow presents the diversity of material released to the public. Over the Gov Hack weekend 22 projects were submitted from this rich reservoir of material.
The State Library of New South Wales (SLNSW), National and State Libraries of Australia (NSLA) and National Archives of Australia (NAA) - supported a WWI bounty prize to encourage the use of this material.
With regional NSW being the largest and most significant regional economy of any Australian state, it features centrally in Arts NSW’s ambitions and planning. Join Executive Director, Mary Darwell for an insider’s update on the NSW Government’s Arts and Cultural Policy Framework: Create in NSW. In this presentation, Mary will outline key actions for regional NSW and discuss opportunities relating to professional development and audience engagement.
Many libraries are acquiring much more than an individual’s papers. They are also acquiring community-based collections. Community-based collections are those which have been amassed not by one individual but by a collective, which may take the form of a museum, ethnic or cultural organization, or other diaspora group active in the documentation of its past. Often these collections are emotional collections, in that they speak to the community’s heritage and identity. As such, these broad archives are extremely personal to those who collected and, sometimes created, the materials. When libraries work with community based collections, they navigate new territory In working with community-based collections, libraries are navigating new territory in integrating and stewarding these communities as well as more traditionally caring for the physical collection. An ongoing commitment to community engagement, with some level of shared governance or other collaborative activity to build, process, or publicize the collection, is often a key part of acquiring community-based collections.
Presentation given by Nick Poole, CEO Collections Trust on the digital challenge for museums, at the joint CT / Museums Galleries Scotland event on 2 March 2010.
Presentation from Kelly Forbes, Digital Engagement and Communications Manager at Museums Galleries Scotland, on the importance of open knowledge to the future of the Scottish museum sector at Working with Open Knowledge event 4th Sept.
Presentation by Rachel Bhandari, Development Manager (Digital Access) at the CT / Museums Galleries Scotland partnership event in Edinburgh on 2 March 2010.
Art and Environment: Cultural Participation in Hybrid SpacesWest Muse
Presenter(s):
Philip Nadasdy, Manager of Public Programs, Seattle Art Museum
Julie Decker, Director and CEO, Anchorage Museum
Shawn Lani, Director of Studio for Public Spaces, The Exploratorium
Sibley Simon, Chairperson, Evergreen Cemetery, Santa Cruz Museum of Art & History
Moderator:
Sarah Thomas Bloom, Manager of Multigenerational Learning, Teen, Family and Community Programs, Seattle Art Museum
Such hybrid sites as the Seattle Art Museum's Olympic Sculpture Park and others are both public park space and in-depth learning ground for pertinent issues relating to art and environment. The bike rider passing through the park is as valued as the participant of a focused art activity. These sites act as cultural intersections where rigorous and impactful programming for multigenerational audiences fosters social, collaborative, and creative experiences. Learn how you can develop such catalyzing cultural spaces within your community.
Exploring the place of art galleries in the Australian cultural tourism landscape, Jo shares her experiences as a researcher in regional art galleries, arts festivals and cultural attractions.
From the heart of the Elvis Festival in Parkes, to the Mambo exhibition in Newcastle, we identify the key elements of cultural tourism experiences and explore the motivations and behaviours of visitors. From this we can develop a framework that helps gallery managers to identify and target cultural tourists across a spectrum of interests.
Learn more about Glasgow’s world class history, museums, contemporary art and legendary music scene plus more on the city’s sporting and conference credentials.
Powerpoint of presentation by Tamara Lavrencic prepared for Building Together:Tools for cultral places presented by M&G NSW in association with ACHAA in Sept 2014
Educators bus tour: connecting schools and small museumsJanis Hanley
Tells of a Gold Coast initiative that connected teachers with their local museums, to learn about possibilities for history excursions that align with the Australian National History Curriculum.
Similar to Visitors - who wants them and where can we find them? (20)
This panel session will highlight museums that have adopted enterprising approaches to increase their income. Chaired by Gordon Morrison, CEO of the Association for Cultural Enterprises, panel members will discuss how they have developed their business skills, researched their markets, identified opportunities, and put ideas into action against a backdrop of rising costs and challenges to core grant funding.
Museums Galleries Scotland has teamed up with Daydream Believers to create Marseum, an out-of-this-world learning resource for schools, museums, and galleries. Delegates will be introduced to this exciting project and discover how their organisations can get involved.
Marseum was developed as part of the MGS Workforce for the Future programme, a Scotland-wide youth employability project delivered in partnership with Developing the Young Workforce. Through Workforce for the Future, Pupils from lower Scottish Index of Multiple Deprivation (SIMD) areas work with their local museum or gallery to co-create an exhibition, learn about roles in the sector and develop their employability skills.
Following the Scottish Government’s acceptance of the Empire, Slavery and Scotland’s Museums report and recommendations, this session will look at the museum sector’s response to this report.
Speakers will also highlight the Delivering Change anti-oppression programme and discuss how museums and galleries can place anti-oppression principles at the heart of their work.
Presentation from Digital Transformation: Supporting Culture Shift in Museums by Jason Sutcliffe, Museums Development Manager at East Ayrshire Leisure.
Presentation from Digital Transformation: Supporting Culture Shift in Museums by Fred Saunderson, Intellectual Property Officer at the National Library of Scotland.
Diana Morton, Edinburgh City Council Museums & Galleries
Presentation from the Museums Galleries Scotland 'Fortune Favours the Brave' conference, September 2013.
Dr Paul Barron and Dr Anna Leask
Edinburgh Napier University
Presentation from the Museums Galleries Scotland 'Fortune Favours the Brave' conference, September 2013.
Hilary Burwell, National Galleries of Scotland
Presentation from the Museums Galleries Scotland 'Fortune Favours the Brave' conference, September 2013.
Terry MacKenzie, South Lanarkshire Leisure and Culture
Justin Parkes, Culture NL
Chantal Knowles, National Museums Scotland
Presentation from the Museums Galleries Scotland 'Fortune Favours the Brave' conference, September 2013.
Russell Willis Taylor, President & CEO, National Arts Strategies. Keynote at Museums Galleries Scotland 'Fortune Favours the Brave' Conference, 12th September 2013.
Instructions for Submissions thorugh G- Classroom.pptxJheel Barad
This presentation provides a briefing on how to upload submissions and documents in Google Classroom. It was prepared as part of an orientation for new Sainik School in-service teacher trainees. As a training officer, my goal is to ensure that you are comfortable and proficient with this essential tool for managing assignments and fostering student engagement.
How to Create Map Views in the Odoo 17 ERPCeline George
The map views are useful for providing a geographical representation of data. They allow users to visualize and analyze the data in a more intuitive manner.
We all have good and bad thoughts from time to time and situation to situation. We are bombarded daily with spiraling thoughts(both negative and positive) creating all-consuming feel , making us difficult to manage with associated suffering. Good thoughts are like our Mob Signal (Positive thought) amidst noise(negative thought) in the atmosphere. Negative thoughts like noise outweigh positive thoughts. These thoughts often create unwanted confusion, trouble, stress and frustration in our mind as well as chaos in our physical world. Negative thoughts are also known as “distorted thinking”.
Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
How to Split Bills in the Odoo 17 POS ModuleCeline George
Bills have a main role in point of sale procedure. It will help to track sales, handling payments and giving receipts to customers. Bill splitting also has an important role in POS. For example, If some friends come together for dinner and if they want to divide the bill then it is possible by POS bill splitting. This slide will show how to split bills in odoo 17 POS.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
Ethnobotany and Ethnopharmacology:
Ethnobotany in herbal drug evaluation,
Impact of Ethnobotany in traditional medicine,
New development in herbals,
Bio-prospecting tools for drug discovery,
Role of Ethnopharmacology in drug evaluation,
Reverse Pharmacology.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
7. Taking Part in Scotland, 2008
Attendance at arts and cultural events amongst Scottish adult population
How often attended in last 12
months
2008
2004
(%)
2006
(%)
2008
(%)
Once
(%)
2 or 3
times
(%)
4 or
more
times
(%)
Cinema
52
57
55
5
15
36
Museums
30
30
32
9
13
10
Art galleries
25
24
27
8
11
8
Rock and pop music
24
22
27
8
11
9
8. DCMS Taking Part 2012/13 Quarter 1
Proportion who have visited a museum or gallery in the last year,
2005/06 to July 2011 – June 2012
9. Proportion who have visited a museum or
gallery in the last year, by ACORN group, July
2011 – June 2012
Proportion who have visited a museum or gallery in the last year,
by ACORN group, July 2011 – June 2012
14. ‘Hot’ Audiences
• Action Seekers
• Education Enhancers
• Entertain the Children
• General Enthusiasts
• Collection Enthusiasts
• Family Focussed
• Cost Conscious
15. ‘Warm’ Audiences
• Collection Enthusiasts
• Not Yet But Will
• Recent Potential Returners
• Active & Interested Family Focussed
• Active & Interested Heritage Generals
16. ‘Cold’ Audiences
• Remote Enthusiasts
• Transport Deficient
• Interested but Unaware
• Time Challenges
• Arms and Armour Rejecters
20. •
Family Focussed
•
Cost Conscious
•
Action Seekers
•
•
Entertain the
Children
•
•
Curious
•
Recent Potential
Returners
•
Active & Interested
Family Focussed
General Enthusiasts
Collection
Cost Conscious
•
Active &Interested
Heritage Generals
Enthusiasts
•
Entertain the Children
•
Transport Deficient
• Location Aware
• Time Challenges
• Arms and Armour
Rejecters
• Interested but
Unaware
24. •
•
•
•
•
•
•
Learning
New Recruits
Pass Time in a
Beautiful Place
Specific Interest.
Homes, Gardens,
Decorative Arts
Interest: Historic
Buildings & Site
Visit with Friends
Atmosphere
•
Current Exhibition
•
Depends on the Event
•
Specific Interest.
Schedule
Homes, Gardens,
Unappealing
Decorative Arts
•
Too Busy
Interest: Historic
•
Uniformed
Buildings & Site
•
Not Relevant
•
Visit with Friends
•
Think Museums are
•
Pass Time in a
•
Beautiful Place
•
For Inspiration
Boring
•
Cannot Visit More
due to Geography
25.
26. Visitors – Who wants them and where
can we find them?
Paul Jardine
Jura Consultants
@JuraConsultants
#MGSConf
@MuseumsGalScot