Kailum Gardner analyzes scenes from three thriller movies: The House at the End of the Street, The Purge Two, and Inception. For The House at the End of the Street, the lighting is dim and the camera uses a long shot showing a distressed woman in a run-down room. In The Purge Two, the lighting effectively shows a group ready to defend their home, and the camera uses an overhead shot from a security camera. Inception uses sunlight that is brighter away from the camera and an over-the-shoulder establishing shot showing destruction from the character's perspective.