In this paper we demonstrate a quantitative analysis that 3D productions have stronger and longer lasting effects on revenues and earnings, have the potential to complement the producer’s vision of the story, intrinsically attracting higher audiences than a 2D production.
3ème édition de l'étude sur l'industrie de la technologie 3D réalisée entre décembre 2011 et mai 2012 auprès d’une vingtaine d’acteurs du marché (studios, diffuseurs, équipementiers, opérateurs de télévision payante, opérateurs télécom) dans le monde.
Ma thesis: adaptation & narrative - books into cartoons into gamesClaudio Pires Franco
Feel free to download it, but if using it please mention me as author - and a LIKE would be nice.
This thesis is based on an empirical study of the BBC’s Muddle Earth multiplayer online game. It is a study of game production in the context of cross-media strategies, and follows the adaptation journey of the Muddle Earth IP from a book, into a TV series, and finally into a game.
At a time when cross-media strategies have become an established part of the children’s media landscape, staying ‘on brand’ across different media is an essential factor to maximise audience benefits. In order to provide seamless cross-media experiences, game adaptations are required to live up to the expectations set up by their source materials – brand consistency becomes an essential target for production.
Brand consistency, however, is a fluid concept with floating meanings, often only defined in operation when producers provide feedback in processes of revision leading to the approval of new content. Furthermore, it can be found at different levels, from surface form (visual elements, game assets), to deeper content (tone, style and effect). The research investigates both, and makes use of narrative concepts and models to assess brand consistency at the more complex level of content.
Game adaptations are also required to meet the expectations of game players. Adapting into a new medium includes some level of remediation, but also entails the use of new devices and conventions, which offer different kinds of pleasures. This study looks at the ways in which these were translated, continued and modified in Muddle Earth.
The research looks at the text and its production, drawing on empirical data from game-playing, interviews with producers and the analysis of design and production documents. The theoretical framework is derived from game studies, adaptation studies, intertextuality theory, narrative theory, and political economy.
For his final Portfolio Project, Tevin Green collaborated with Ashley Milano and Rassoull Shabazz, to come up with a business proposal to present to DC Entertainment.
Digital Media Adaptation Model - MRS Kids&youth2011 conference [screens+notes]Claudio Pires Franco
Based on work / models developed with Dubit, inspired by academic work, presented at the MRS annual children / youth conference.
Cross-media adaptation into digital games
Note: this is the 'screens' version - there's one with screens + notes under 'Documents'.
Everyone's a gamer nowadays.
What's so appealing about games?
Which games are young people playing and why?
And how can stories / characters from other media be successfully adapted into game form?
Note: this is the 'screens+notes' version - there's one just with screens under 'Presentations'.
Everyone's a gamer nowadays.
What's so appealing about games?
Which games are young people playing and why?
And how can stories / characters from other media be successfully adapted into game form?
3ème édition de l'étude sur l'industrie de la technologie 3D réalisée entre décembre 2011 et mai 2012 auprès d’une vingtaine d’acteurs du marché (studios, diffuseurs, équipementiers, opérateurs de télévision payante, opérateurs télécom) dans le monde.
Ma thesis: adaptation & narrative - books into cartoons into gamesClaudio Pires Franco
Feel free to download it, but if using it please mention me as author - and a LIKE would be nice.
This thesis is based on an empirical study of the BBC’s Muddle Earth multiplayer online game. It is a study of game production in the context of cross-media strategies, and follows the adaptation journey of the Muddle Earth IP from a book, into a TV series, and finally into a game.
At a time when cross-media strategies have become an established part of the children’s media landscape, staying ‘on brand’ across different media is an essential factor to maximise audience benefits. In order to provide seamless cross-media experiences, game adaptations are required to live up to the expectations set up by their source materials – brand consistency becomes an essential target for production.
Brand consistency, however, is a fluid concept with floating meanings, often only defined in operation when producers provide feedback in processes of revision leading to the approval of new content. Furthermore, it can be found at different levels, from surface form (visual elements, game assets), to deeper content (tone, style and effect). The research investigates both, and makes use of narrative concepts and models to assess brand consistency at the more complex level of content.
Game adaptations are also required to meet the expectations of game players. Adapting into a new medium includes some level of remediation, but also entails the use of new devices and conventions, which offer different kinds of pleasures. This study looks at the ways in which these were translated, continued and modified in Muddle Earth.
The research looks at the text and its production, drawing on empirical data from game-playing, interviews with producers and the analysis of design and production documents. The theoretical framework is derived from game studies, adaptation studies, intertextuality theory, narrative theory, and political economy.
For his final Portfolio Project, Tevin Green collaborated with Ashley Milano and Rassoull Shabazz, to come up with a business proposal to present to DC Entertainment.
Digital Media Adaptation Model - MRS Kids&youth2011 conference [screens+notes]Claudio Pires Franco
Based on work / models developed with Dubit, inspired by academic work, presented at the MRS annual children / youth conference.
Cross-media adaptation into digital games
Note: this is the 'screens' version - there's one with screens + notes under 'Documents'.
Everyone's a gamer nowadays.
What's so appealing about games?
Which games are young people playing and why?
And how can stories / characters from other media be successfully adapted into game form?
Note: this is the 'screens+notes' version - there's one just with screens under 'Presentations'.
Everyone's a gamer nowadays.
What's so appealing about games?
Which games are young people playing and why?
And how can stories / characters from other media be successfully adapted into game form?
A Martyrs Last Homecoming
Confiscation of Rizal's diary
Unsuccessful Rescue in Singapore
Arrival in Manila
Preliminary Investigation
Rizal Chooses His defender
Reading of Information of charges to the accused
" Accused of being the principal organizer and the living soul of the Filipino insurrection, the founder of societies ,periodicals, and book dedicated to fomenting and propagating the ideas of rebellion."
An introduction to Animation. What is Animation? What allows us to experience movements in an animation? How different types of animations are made? What are some uses of animation and what is the impact of animation on society?
World's First 22" Wide screen 3D Monitor for Games - iZ3D Monitor 02Kevin Andreassend
This presentation was delivered to the NatColl Design students here in Auckland earlier this year in a session about 3D display technology and then followed by a demonstration. 3D is the next huge wave in visual eye candy and in NZ we have such partners as NextSpace and the HitLab assisting in making this technology a major export industry over the enxt few years.
A Martyrs Last Homecoming
Confiscation of Rizal's diary
Unsuccessful Rescue in Singapore
Arrival in Manila
Preliminary Investigation
Rizal Chooses His defender
Reading of Information of charges to the accused
" Accused of being the principal organizer and the living soul of the Filipino insurrection, the founder of societies ,periodicals, and book dedicated to fomenting and propagating the ideas of rebellion."
An introduction to Animation. What is Animation? What allows us to experience movements in an animation? How different types of animations are made? What are some uses of animation and what is the impact of animation on society?
World's First 22" Wide screen 3D Monitor for Games - iZ3D Monitor 02Kevin Andreassend
This presentation was delivered to the NatColl Design students here in Auckland earlier this year in a session about 3D display technology and then followed by a demonstration. 3D is the next huge wave in visual eye candy and in NZ we have such partners as NextSpace and the HitLab assisting in making this technology a major export industry over the enxt few years.
Spotlight on Media & Entertainment: Box Office TrendsL.E.K. Consulting
In the first installment of our Executive Insights “Spotlight on Media & Entertainment" series – which features our insights in a new impactful visual format – we focus on box office trends. L.E.K.’s Dan Schechter, Gil Moran and Francesco Di Ianni explore the current trends in admissions, movie production, movie ticket prices and whether the 3D movie growth may be coming to an end.
Create a Seamless Viewing Experience with Your Own Custom OTT Player.pdfGenny Knight
As the popularity of online streaming continues to rise, the significance of providing outstanding viewing experiences cannot be emphasized enough. Tailored OTT players present a robust solution for service providers aiming to enhance their offerings and engage audiences in a competitive market. Through embracing customization, companies can craft immersive, individualized experiences that effectively hold viewers' attention, entertain them, and encourage repeat usage.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
Hollywood Actress - The 250 hottest galleryZsolt Nemeth
Hollywood Actress amazon album eminent worldwide media, female-singer, actresses, alhletina-woman, 250 collection.
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173 Illustrate, 250 gallery, 154 blog, 120 TV serie logo, 17 TV president logo, 183 active hyperlink.
HD AI face enhancement 384 page plus Bowker ISBN, Congress LLCL or US Copyright.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Meet Crazyjamjam - A TikTok Sensation | Blog Eternal
2D or 3D…That Is The Question
1. “Empowering Filmmakers to Create Immersive Entertainment”
1
2D or 3D... that is the question Aug. 8, 2011
2. “Empowering Filmmakers to Create Immersive Entertainment”
Summary .................................................................................................... 3
3D at the Box Office - Sustaining the entire industry ................................... 4
U.S./Canada Box Office ......................................................................................................... 5
3D successful on international markets .................................................................................. 6
Comparing 2D vs. 3D - Movie goers prefer 3D ........................................... 6
3D performance at the Box Office – Current market analysis ................................................. 6
3D Movies – highly appealing to the younger generation ....................................................... 9
3D performance at the Box Office – 2D vs. 3D financial projections ......................................10
A viable ecosystem is developing around 3D ........................................................................14
The Artistic debate – choice of 2D vs. 3D ................................................. 16
After the screen goes black................................................................................................. 18
2
2D or 3D... that is the question Aug. 8, 2011
3. “Empowering Filmmakers to Create Immersive Entertainment”
Summary
The challenges faced by someone wanting to analyze the 3D box office are not insignificant… a
multitude of variables include increasing number of 3D releases, increasing number of 3D
screens, unpredictable release schedules. Studios do provide 3D to 2D gross ratios, however
they don’t release admission figures, there is no industry data on how many 3D seats are
available each weekend or what portion of those are filled.
The misconception that 3D movies are very expensive to produce, being afforded only by big
budget studios, combined with the above-described challenges in analyzing their box office
performance, makes independent producers think twice before embarking on a 3D project.
Most producers should want their films to fulfill five major objectives:
1. Powerfully convey an engaging story.
2. Generate the largest audience possible.
3. Recoup expenses, and maximize ROI.
4. Take advantage of new media distribution channels.
5. Generate revenue for as long as possible.
In this paper we demonstrate a quantitative analysis that 3D productions have stronger and
longer lasting effects on revenues and earnings, have the potential to complement the
producer’s vision of the story, intrinsically attracting higher audiences than a 2D production.
Amid pushback over pricing on 3D tickets, backlash over inferior 3D content, a close look at the
available data suggests that the noise around 3D does not spell the beginning of the end for 3D
movies. The numbers show sturdy legs for 3D movies, audiences continue to prefer the 3D
experience if the content and storyline is worth watching in 3D.
We will show the advantages of a 3D release as compared to a 2D only theatrical release. 3D
offer many more channels of distribution resulting in increased and prolonged revenue streams.
3
2D or 3D... that is the question Aug. 8, 2011
4. “Empowering Filmmakers to Create Immersive Entertainment”
3D at the Box Office - Sustaining the entire industry
Despite the traditional successes and failures that characterize the movie industry, 50 to 70% of
box office revenues are continuously generated by 3D movies.
3D Box Office opening weekend: revenues (in US$ millions) and 3D share of Box Office1
1 PriceWaterhouseCoopers: “3D Here and Now…”
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U.S./Canada Box Office
U.S./Canada box office repeated its peak 2009 performance in 2010, reaching $10.6 billion, up
15% over five years ago. 3D was a key driver – 21% of 2010 U.S./Canada box office - $2.2
billion – came from 3D screenings, almost double the 2009 total. 25 films were released with 3D
versions in 2010, up from 20 in 2009.
U.S./Canada Box Office (U.S.$ Billions)2
Spotlight: U.S./Canada 3D Box Office in US$ Billion3
The 3D showings in 2010 were nearly double the 2009 total - $2.2 billion or 21%.
2,3 MPAA: Theatrical Market Statistics 2010
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3D successful on international markets
Over the past five years, global box office receipts have climbed 30% to a record-high of $31.8
billion.4
During the past year, 3D and the Asia-Pacific market were the two chief factors that powered
those international numbers. Despite flat ticket sales in many international territories, increased
surcharges on 3D admissions made up the difference.
Comparing 2D vs. 3D - Movie goers prefer 3D
3D performance at the Box Office – Current market analysis
To satisfy the audience demand, 3D releases have continuously increased for the past years.
The films released in 3D proved to be highly successful, more than 50% of all 3D movies
released in 2010 made the top 20.5
* For the purpose of the analysis, by 3D movies we mean films released in 3D along with 2D
version.
The huge difference can be explained by two factors: 3D films are more attractive to the
audience or they are more widely promoted by distributors. Without available data to verify if
any of the marketing campaigns or 3D technology is responsible for this discrepancy, we
assume that 3D movies have a much higher chance of doing well at the box office, compared to
2D movies. Even if the correlation between marketing budget and box office is significant, it is
highly possible that the distributors decided to heavily promote their 3D movies, meaning the
decision to produce the movies using 3D technology was also responsible for the box office
success. Below is the list of the top 20 grossing movies in 2010, measured according to
domestic gross revenue numbers6:
4
The Hollywood Reporter: How 3D Is Fueling the International Box Office
5,5 http://www.the-numbers.com
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* 3D releases are in bold
As 3D ticket prices are on average $3 more than for a 2D screening, would be more accurate to
rank the movies based on total ticket sales. When we sorted the top 20 movies by number of
tickets sold, the previous top 20 is unchanged, just slightly rearranged. This proves that indeed
3D releases are more popular. Below is the new ranking based on ticket sales7:
7 http://www.the-numbers.com
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There is no public data available to separate 3D and 2D ticket sales for the same movie. The
information available on six 3D released films is presented below.8
The numbers above show that moviegoers generally tend to choose a 3D version versus a 2D
version. The exception is Despicable Me, for which we assume that given its release schedule
– crowded mid-summer with The Last Airbender and Toy Story 3 – there were only a limited
number of 3D screens available for a proper release of Despicable Me.
Below is the revenue stream generated by the 3D movies for which both 3D and 2D data are
available9:
A study of the opening weekend 3D revenue, released by the International 3D Society in
2010, promotes the idea that 3D ticket revenues outpaced 2D ticket sales by margins of 2 to 1
in the opening weekend. Society President Jim Chabin: "While this study is just a snap shot of
what opening weekend's 3D grosses look like, these kinds of trends do reflect that consumers
are obviously thrilled by 3D."
Reviewing the opening weekend statistics, we noticed that eleven 3D titles ranked #1 at the box
8,9 http://www.thrintelligence.com
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office in the opening week and 4 titles held the second position, meaning that about 71.4% of all
3D movies released in 2010 were at the top of the box office (#1 or #2) in their opening week.
3D Movies – highly appealing to the younger generation
In 2010, more than one in three people in U.S./Canada viewed at least one movie in 3D.
U.S/Canada moviegoers only 222.7 million, more than half, 52%, viewed at least one movie in
3D. As with general audiences, 3D viewing is highly correlated to age; more than 50% ofall
young people ages 2-17 saw a 3D movie in 2010, compared to 36% of the overall population.
On average, people under 40 viewed more than one 3D movie in 2010, while those over 40
averaged fewer than one10.The high appeal to the younger generation growing up with 3D
movies and accepting them as the norm confirms the potential of 3D technology to maintain a
solid fan base and deliver a sustainable revenue stream long term.
U.S./Canada Percent of Moviegoers and Population Viewing 3DBy Age
10 MPAA: Theatrical Market Statistics 2010
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3D performance at the Box Office – 2D vs. 3D financial projections
We created a financial model that compares financial performance of a 2D movie with the
performance of the same movie converted to 3D. Our financial projections show a substantial
increase in revenues and ROI for the 3D movie, over each distribution window. Since there is no
public data available for all the movies to separate 3D and 2D ticket sales and revenues, for the
purpose of this analysis we used the data available on the six 3D released movies presented on
the previous page.Based on our analysis we draw the following conclusions:
- A 2D movie has the ability to earn at least 41% higher revenues at the box office, after
being converted to 3D
- The producer’s share to negative cost ratio increases from 1.6:1 to 2.6:1 when
converting a movie to 3D
- The ROI of a converted movie increased to 238% from 150%.
In our analysis we used the following assumptions:
1. Negative cost of the 2D movie is $25M, adding $4M for the 3D conversion (conversion
costs: $20K to $80K per min. - based on complexity and creative direction - $2M to $8M
per feature film. - based on a 100 min runtime.
2. Most pictures are considered successful if they attain $50M at the box office. We
assumed box office revenue of $50M for the analyzed 2D movie.
3. We increased the 3D picture’s revenue by 41%, according to our analysis on the six
movies mentioned above.
4. Film rental’s agreed fee was set at 50% each for exhibitor and distributor. Note that this
agreement could be more favorable in the case of a studio distribution.
5. Direct distribution expenses typically include advertising and prints and are in the range
of $25M - $35M. We use $28M for our analysis.
6. Home entertainment gross income is set at 72% of film rental.
7. DVD and Blu-Ray duplication expenses: we use $3/unit sold, a conservative estimate,
higher than most actual expenses but lower than higher titles with larger theatrical
grosses.
8. Premium cable direct distribution expenses are primarily legal fees, travel and festival
representations and should not exceed $150,000.
9. Premium cable distribution fee and network distribution fee are set to 0%, but they can
be as high as 35% of the cable or network gross in the case of a studio producer.
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10. Below is a detailed financial projection, comparing a movie box office performance for
both of its 2D and converted 3D version.
11. The below projections are for illustration purposes only, to showcase the earning
potential of a converted 3D movie. However, as mentioned in this paper and in various
media sources, the storyline, the content offered, could significantly influence the
financial performance of a 3D movie.
12. The box office gross, ancillary revenues and costs associated with each distribution
window projected here are based on industry averages and the six movies performance
mentioned above (Toy Story 3, Alice in Wonderland, Despicable Me, How To Train
Your Dragon, Clash of the Titans, The Last Airbender). The box office gross for a
single film is absolutely unpredictable, regardless of financial model used or the films
budget, cast, genre. The costs associated with each distribution window may also vary.
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11
11 Financial projection model based on: John J. Lee Jr., Anne Marie Gillen, “The Producer’s Business Handbook”,
rd
3 edition
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A viable ecosystem is developing around 3D
With the emergence of the 3D technology and increasing popularity of 3D movies, theater
operators have a higher incentive to convert to the new technology. From both the studio and
audience perspective, more theaters are needed to eliminate the bottlenecks that occur when
too many 3D movies are released within the same time frame.
As of March 2011, the U.S. boasted 16,231 digital screens, with 8,963 of them equipped for 3D.
Abroad, the number of digital screens stood at 23,511, with 17,059 offering 3D. Those numbers
are increasing by the week. China alone is adding roughly three screens a day, all digital, which
means they can be easily converted to 3D12.
Another positive finding is that when a 3D movie is good, it can reach a wide audience; there is
no negative impact on the films dvd/blu-ray sales. Once the audience perception of the picture’s
entertainment value is established, ancillary revenues derived from post theater distribution
windows will provide reliable revenue streams for years to come.
Below is an analysis of top grossing films in 2010 and top grossing DVD titles, supporting a
strong correlation between box office performance and DVD sales13.
When a movie with a strong content is produced using 3D technology, financing has proven
abundant for filmmakers. More than 48 movies are scheduled for 201114.
12 The Hollywood Reporter: How 3D Is Fueling the International Box Office
13,14 Price Waterhouse Coopers: “3D Here and Now…”
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48 3D movies are scheduled for 2011
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The Artistic debate – choice of 2D vs. 3D
"I've always liked 3D," declares Martin Scorsese on the set of Hugo, his first movie shot in 3D,
due to be released later this year. "I mean, we're sitting here in 3D. We are in 3D. We see in 3D.
So why not?"15
There is still controversy surrounding 3D, with many analysts and reviewers predicting either the
death of the format or the triumph of the 3D revolution. Some analyst argue that high prices for
a 3D ticket and uncomfortable glasses will lure away consumers from 3D movies, ultimately
leading to the demise of the technology. Most recently, the
Pirates of the Caribbean: On Stranger Tides low 3D
ticket sales fueled this controversy16.
Only 37 percent of the “Stranger Tides” opening $90
million came from 3D screens (an additional 9 percent
came from IMAX), according to Disney stats releases, putting the film behind previous 3D loser
Clash of the Titans; just 52 percent of the “Titans” opening weekend gross came from its
hastily put together post-production 3D conversion."Clash"also played in fewer 3D locations,
with 1,602 (or 42% of the total location count), compared to "Stranger Tides”, which opened at
2,747 3D engagements (66% of its total locations)17.
The worldwide sales of Disney's four "Pirates" films crossed $3 billion, making the series one
of Hollywood's most successful franchises. With “Stranger Tides” the first pic in the series
released in 3D, biz insiders questioned whether audiences comfortable with the previous 2D
screenings of the franchise, felt the need to pay extra cash for the 3D experience. That was the
reason Disney released “Stranger Tides” in both 3D and 2D, says Dave Hollis, studio's exec
VP of motion pictures sales and distribution, in an interview with Variety18."Giving consumers
the choice is very important in helping drive global box office," he said. "There are some
consumers who will gravitate toward 3D, and there are those that won't."
The fourth installment of the “Pirates” sold better in 3D with overseas audiences, with 66% of
15 http://www.guardian.co.uk/film/2010/nov/21/martin-scorsese-3d-interview-kermode
16 http://3dradar.techradar.com/3d-tech/3d-hurting-movie-industry-says-analyst-25-05-2011
17,18,19 http://www.variety.com/article/VR1118037521?categoryid=13&cs=1&cmpid=RSS%7CNews%7CLatestNews
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the film's record-setting $260.4 million international debut coming from 3D. Moviegoers outside
the U.S. have embraced the format more consistently; however, that acceptance varies market-
to-market.19
Interestingly enough, those who did see "Stranger Tides" in 3D said they liked it more: 94% of
3D screenings scored a "highly favorable" rating vs. 81% for 2D, according to opening-weekend
exit polls. That should bode well for the 3D version in repeat frames.
A research by the Cinema AdvertisingAssociation in the UK also supports the high
acceptance of 3D overseas, especially the younger generations embracing the technology - 61
percent of children cinemagoers (under 15s) are more likely to see a film at the cinema if shown
in 3D, that representing 37 percent more likely than the average UK cinemagoer20.
Most industry observers believe that virtually all films should be shot in 3D for both box office
and creative reasons, given there is a compelling story to tell.
"Cinema goers are incredibly discerning, so it is not enough to simply have fantastic 3D visual
effects. A films success also depends on a compelling storyline which 3D can really enhance
and build on to create a really rewarding viewing experience," said Jeremy Payle, Sales Director
at Digital Cinema Media in an interview with Tech Radar.21
All in all, 3D has been and continues to be a good thing for the British cinema-going public, he
concluded: "The explosion of 3D films has created a real boost to the UK film industry. In 2010
annual admissions were the 4th highest of all time!
20,21 http://3dradar.techradar.com/3d-tech/exclusive-brits-lapped-pirates-caribbean-3d-says-cinema-boss-25-05-
2011
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After the screen goes black22
3D has hit its third era of mainstream popularity. But unlike
the '50s or the '80s, the 3D market doesn't seem destined for
a crash. New technologies have greatly improved the visual
experience, and massive box office returns justify the cost of
upgrading theaters with 3D-capable projectors. The next
frontier for 3D movies appears to be the home market.
It is more important than ever for the producers and directors to offer a great story enhanced
with the most advanced technologies available. Each movie is a brand. A strong brand
established at the box office will drive the performance in the subsequent distribution windows.
With the development of new platforms that allow consumers to get 3D content outside the
movie theater, from 3D home entertainment systems to 3D PCs or mobile devices, consumers
who had a positive 3D experience in the theaters will want to relive those emotions after they
leave the theaters. Moviegoers would want to pay a premium for the same 3D content to be
available in their homes, PCs or phones, prolonging the life of the movie and exposing the same
creative vision the producer staged for the big screen to a larger audience who missed the
theatrical release, maximizing revenues and profits long after the screen goes black.
For most filmmakers, the choice is not whether to embrace 3D, but when.
Authors:
Adrian Dascal, MBA
Duke University, The Fuqua School of Business
adrian.dascal@fuqua.duke.edu
Mark Menta, President
MALIBU FILM GROUP
8335 Sunset Blvd. #325, Hollywood, CA. 90069
Phone: 877-310-FILM, Fax: 877-354-FUND
mark@malibufilmgroup.com www.malibufilmgroup.com
22 Inspired by the high rate of 3D screen penetration forecasts in the home entertainment and mobile market, PWC:
“3D Here and Now…”
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