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2-Perf and 3-Perf Shooting
       A "new" Format Trend




    § Thierry Perronnet
    § EAMER MARKETING DIRECTOR
    § (Tperronnet@gmail.com)
               § 1
2-Perf ?
   " Already used in the past
            • "Techniscope" by Technicolor
                Rome
            • Shooting with spherical lenses
            • Optical Intermediate step to
                the anamorphic image


            • Returned in 1999
                as "Multivision 235"


            • And today just "2-Perf"


§ Make your images immortal
Camerimage 2009
                                          § 2
Why 2-Perf / 3-Perf / 4-Perf ?




                               1,85 / 4Perf   1,85 / 3Perf   2,39 / 2Perf


§ Make your images immortal
Camerimage 2009
                                                  § 3
Why 2-Perf / 3-Perf / 4-Perf ?
   " 35 mm Motion Picture
            • 4-perf is the worldwide Standard for
                Projection
            • Widescreen Shots don't need the
                full 4-Perf frame ( unexposed areas
                between the frames)
            • 2-Perf/3-Perf is using the available
                frame more effective ( saving $$ )
            • longer running times / less mag changes
            • In the past an optical step was essential
                to convert 2+3Perf to the 4-Perf standard
            • Digital Post Production (DI) can handle all

§ Make your images immortal
Camerimage 2009
                                            § 4
§ Make your images immortal
Camerimage 2009
                               § 5
2-Perf Cameras
   " Aatons Penelope is designed for that purpose




   " Worldwide Increase of 2Perf/3Perf Movements




§ Make your images immortal
Camerimage 2009
                               § 6
2-Perf Workflow
   " Labs & Posthouses have to be prepared
            • Scanning / Telecine movement ( software based )
            • Editing / Keykode
   " Format is taking off / effordable format for low/mid budget
   " Worldwide growing Availibility on Cameras / Movements
   " >100 projects in Europe in 2009




§ Make your images immortal
Camerimage 2009
                                        § 7
Technical Specifications
   " Super16 / 1:1,78 ( As Comparison only ! )




§ Make your images immortal
Camerimage 2009
                               § 8
Technical Specifications
   " 2 Perf Frame / 1:1,78




                               1


                               2




§ Make your images immortal
Camerimage 2009
                                   § 9
Technical Specifications
   " 3 Perf Frame / 1:1,78




                               1


                               2


                               3




§ Make your images immortal
Camerimage 2009
                                   § 10
Technical Specifications
          " Frame Size Comparison 1:1,78
        11,95 mm x 6,72 mm             16,10 mm x 9,10 mm            24 mm x 13,4 mm (S35)

        80,3 mm²                       146,51 mm²                    321,60 mm²

                               x 1,8                         x 2,2
              S16                         35 mm 2Perf                  § 35 mm 3Perf




                                            x 4,0


§ Make your images immortal
Camerimage 2009
                                                     § 11
Director of Photography

   " JAMES CHRESSANTHIS, ASC




§ Make your images immortal
Camerimage 2009
                               § 12
Shooting Location
   " … on Set of the "Desperate Housewives"




§ Make your images immortal
Camerimage 2009
                               § 13
Screenshots




§ Make your images immortal
Camerimage 2009
                               § 14
Side by Side Shooting




                                       Camera crew with side by side Panavision cameras


§ Make your images immortal
Camerimage 2009
                               § 15
Roll 3




§ Make your images immortal
Camerimage 2009
                                § 16
2-Perf Sample "Persecution"
      KODAK VISION3 500T




             § 17
"Persecution"
   " French Feature Film Production
            • Azor Films, Move Movie, Black Forest Films
            • arte France Cinéma, Canal+
            • Centre National de la Cinématographie




§ Make your images immortal
Camerimage 2009
                                        § 18
"Persecution"
   " Director : Patrice Chereau
   " Director Of Photography :
                      Yves Capes

   " Lab & Post @ ECLAIR
            • Production Manager :    Didier Dekeyser
            • Color Grader DI :       I. Julien & M. Lepoutre
   " Workflow
            • 2K Scan / ARRIScan
            • DI Master / Color Grading Colorus
            • 2K Recording / Arri Laser

§ Make your images immortal
Camerimage 2009
                                         § 19
"Persecution"
   " Shot on ARRI Cameras with 2-Perf Movement
   " Aspect Ratio 1:2,39 / no anamorphic lenses !
   " extract of an original scene ( Indoor / Outdoor )
   " Shot entirely on
     KODAK Vision3 500T / 5219




§ Make your images immortal
Camerimage 2009
                                § 20
Roll 4




§ Make your images immortal
Camerimage 2009
                                § 21
§ 22

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2 perf 3perf - 2009 - thierry perronnet ok

  • 1. 2-Perf and 3-Perf Shooting A "new" Format Trend § Thierry Perronnet § EAMER MARKETING DIRECTOR § (Tperronnet@gmail.com) § 1
  • 2. 2-Perf ? " Already used in the past • "Techniscope" by Technicolor Rome • Shooting with spherical lenses • Optical Intermediate step to the anamorphic image • Returned in 1999 as "Multivision 235" • And today just "2-Perf" § Make your images immortal Camerimage 2009 § 2
  • 3. Why 2-Perf / 3-Perf / 4-Perf ? 1,85 / 4Perf 1,85 / 3Perf 2,39 / 2Perf § Make your images immortal Camerimage 2009 § 3
  • 4. Why 2-Perf / 3-Perf / 4-Perf ? " 35 mm Motion Picture • 4-perf is the worldwide Standard for Projection • Widescreen Shots don't need the full 4-Perf frame ( unexposed areas between the frames) • 2-Perf/3-Perf is using the available frame more effective ( saving $$ ) • longer running times / less mag changes • In the past an optical step was essential to convert 2+3Perf to the 4-Perf standard • Digital Post Production (DI) can handle all § Make your images immortal Camerimage 2009 § 4
  • 5. § Make your images immortal Camerimage 2009 § 5
  • 6. 2-Perf Cameras " Aatons Penelope is designed for that purpose " Worldwide Increase of 2Perf/3Perf Movements § Make your images immortal Camerimage 2009 § 6
  • 7. 2-Perf Workflow " Labs & Posthouses have to be prepared • Scanning / Telecine movement ( software based ) • Editing / Keykode " Format is taking off / effordable format for low/mid budget " Worldwide growing Availibility on Cameras / Movements " >100 projects in Europe in 2009 § Make your images immortal Camerimage 2009 § 7
  • 8. Technical Specifications " Super16 / 1:1,78 ( As Comparison only ! ) § Make your images immortal Camerimage 2009 § 8
  • 9. Technical Specifications " 2 Perf Frame / 1:1,78 1 2 § Make your images immortal Camerimage 2009 § 9
  • 10. Technical Specifications " 3 Perf Frame / 1:1,78 1 2 3 § Make your images immortal Camerimage 2009 § 10
  • 11. Technical Specifications " Frame Size Comparison 1:1,78 11,95 mm x 6,72 mm 16,10 mm x 9,10 mm 24 mm x 13,4 mm (S35) 80,3 mm² 146,51 mm² 321,60 mm² x 1,8 x 2,2 S16 35 mm 2Perf § 35 mm 3Perf x 4,0 § Make your images immortal Camerimage 2009 § 11
  • 12. Director of Photography " JAMES CHRESSANTHIS, ASC § Make your images immortal Camerimage 2009 § 12
  • 13. Shooting Location " … on Set of the "Desperate Housewives" § Make your images immortal Camerimage 2009 § 13
  • 14. Screenshots § Make your images immortal Camerimage 2009 § 14
  • 15. Side by Side Shooting Camera crew with side by side Panavision cameras § Make your images immortal Camerimage 2009 § 15
  • 16. Roll 3 § Make your images immortal Camerimage 2009 § 16
  • 17. 2-Perf Sample "Persecution" KODAK VISION3 500T § 17
  • 18. "Persecution" " French Feature Film Production • Azor Films, Move Movie, Black Forest Films • arte France Cinéma, Canal+ • Centre National de la Cinématographie § Make your images immortal Camerimage 2009 § 18
  • 19. "Persecution" " Director : Patrice Chereau " Director Of Photography : Yves Capes " Lab & Post @ ECLAIR • Production Manager : Didier Dekeyser • Color Grader DI : I. Julien & M. Lepoutre " Workflow • 2K Scan / ARRIScan • DI Master / Color Grading Colorus • 2K Recording / Arri Laser § Make your images immortal Camerimage 2009 § 19
  • 20. "Persecution" " Shot on ARRI Cameras with 2-Perf Movement " Aspect Ratio 1:2,39 / no anamorphic lenses ! " extract of an original scene ( Indoor / Outdoor ) " Shot entirely on KODAK Vision3 500T / 5219 § Make your images immortal Camerimage 2009 § 20
  • 21. Roll 4 § Make your images immortal Camerimage 2009 § 21