1h

•

0 likes•88 views

search_87

Art & Photos

PDF-XChange Viewer
Click to buy NOW!
www.docu-track.com
PDF-XChange Viewer
Click to buy NOW!
www.docu-track.com

Recently uploaded

Poze practica elevi la S.C. IATSA S.A. 2021

EneIuliana

Sisters_Bond_storyboard.pdf_____________

LauraBegliomini1

Hat in European paintings .ppsx

guimera

The Legacy of Breton In A New Age by Master Terrance Lindall

BBaez1

For centuries, Africa has been home to a multitude of societies with different cultural landscapes, social structures, and strongly defined aesthetic ideals. In the absence of the written word, Africa’s legacy consists of a vast mélange of complex symbols, patterns, and signs. These aesthetically abstract configurations and unique characters replaced linguistic symbols commonly used for recording the history of remarkable events, the deeds of great kings, celebrations, births and deaths, and extraordinary occurrences. Mary Nooter Robert in Inscribing Identity: The Body, suggests “symbols that replaced letters or characters represent the sounds of a language, a logographic system in which a single character represents a word” (Robert 2007:57). Therefore, Africa has contributed to the world a rich tradition of typography; from ancient Egyptian hieroglyphs, to rock inscriptions found throughout the Sahara Desert, as well as rock paintings and drawings in the Tassili Plateau of the Atlas Mountains in the Fezzan). In fact, the rich diversity of esoteric symbols throughout Africa has inspired both craftsmen and artists for centuries. They have refashioned the antiquated and unique into contemporary forms, which now appear etched on pottery, cast on bronze and precious metals, carved on wood, woven into textiles, stitched on cloth, or inscribed on the human body.

THE SYNERGY BETWEEN TRADITIONAL “ULI” BODY PAINTING SYMBOLS AND DIGITAL ART.

ikennaaghanya

Winning Shots from Siena International Photography Awards 2015

rajeshkumar821445

With the rate of unemployment towering high in the country, lack of business and managerial skills or knowledge as well as fear of the unknown have crippled youths from venturing into private businesses that could have encouraged self-employment. This paper focuses on tackling unemployment through vocational/entrepreneurship education as the way to get out of joblessness. It is in the light of this that this paper examined the role and contributions of vocational/technical education to employment generation Awka town, Anambra State, Nigeria. It is obvious from the paper that youths found great value in skills acquisition believing that the fight against poverty cannot be won by just receiving money from rich people every day or every month, rather take from them wealth-job creating skills through vocational education for self-sustenance because anybody who wants to be rich and productive rather than being fed and dependent must start his/her own business. At the end, the paper recommended among others that training and re-training vocational/entrepreneurial skills for youths especially those that have dropped-out-of formal employment or education be facilitated to banish hunger and poverty in the society.

Tackling Poverty in Nigeria, by growing Art-based SMEs

ikennaaghanya

thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications. To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species. We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.

thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives Project

Marc Dusseiller Dusjagr

17ink_beatboard_single-panel-COMPLETE_001

Luisa Cruz

Anyone Can Draw Zentangles Interactive Book

rajpal6695

Portfolio slide deck example number one.pdf

kayleeachang

prodtion diary final ultima maxima.pptxadcaasfadfSDFAsdfasdfasdfasdfadfadfasd...

LeonBraley

post production final hope.pptxjhgiugiugiug

LeonBraley

Barbara Stewart Scholarship Entries Spring 2024

ccsfphoto

evaluation final maxima.pptxiuiugiyuguy8g

LeonBraley

Revolutions come in many varieties. Some tear down established notions destructively, while others consist of forging new paradigms through constructive means such as an ideological or technological innovation that fundamentally alters an individual or group’s creative path. But all have their place in history. This paper charts a course of change in art and art styles, as been practiced by some modern-day Igbo artists. It follows the meandering path that has been influenced by technological advances that have in turn influenced art culture and practices in technique. In particular, this paper examines how the modern-day processes of digital art have attempted to broaden the modern-day Igbo artist’s knowledge base, and has influenced new ways of doing old things. Together these ideas have impacted modern-day art by creating a fertile landscape allowing an artist’s inquisitive tendency to take root and uniquely flourish. The aim of this paper is to analyze the various digital paintings produced by three modern-day Igbo artists (Ikenna Aghanya, Okechukwu Johnson and Chidi Onwuekwe) and in turn examine how the use of the computer, as an art tool has affected their creative process. The paper will also look at the functions of this medium as it pertains to each of the decorative paintings done by these artists.

Digital/Computer Paintings as a Modern- day Igbo Artists’ vehicle for creatin...

ikennaaghanya

Presentation slide deck example for portfolio

kayleeachang

Copy of Final Presentation example for portfolio .pdf

kayleeachang

My New Youtube Channel Please Subscribe.

mohammedsarif2009

Anyone Can Draw Zentangles Interactive Book.pdf

KitleyDeFelice

Recently uploaded (20)

Poze practica elevi la S.C. IATSA S.A. 2021

Sisters_Bond_storyboard.pdf_____________

Hat in European paintings .ppsx

The Legacy of Breton In A New Age by Master Terrance Lindall

THE SYNERGY BETWEEN TRADITIONAL “ULI” BODY PAINTING SYMBOLS AND DIGITAL ART.

Winning Shots from Siena International Photography Awards 2015

Tackling Poverty in Nigeria, by growing Art-based SMEs

thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives Project

17ink_beatboard_single-panel-COMPLETE_001

Anyone Can Draw Zentangles Interactive Book

Portfolio slide deck example number one.pdf

prodtion diary final ultima maxima.pptxadcaasfadfSDFAsdfasdfasdfasdfadfadfasd...

post production final hope.pptxjhgiugiugiug

Barbara Stewart Scholarship Entries Spring 2024

evaluation final maxima.pptxiuiugiyuguy8g

Digital/Computer Paintings as a Modern- day Igbo Artists’ vehicle for creatin...

Presentation slide deck example for portfolio

Copy of Final Presentation example for portfolio .pdf

My New Youtube Channel Please Subscribe.

Anyone Can Draw Zentangles Interactive Book.pdf

1h

1. PDF-XChange Viewer Click to buy NOW! www.docu-track.com PDF-XChange Viewer Click to buy NOW! www.docu-track.com

1h

Recommended

Recommended

More Related Content

More from search_87

More from search_87 (7)

Recently uploaded

Recently uploaded (20)

1h