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Circles

                circle eight
                undulates, dearly. the yellow ring
                shelters the blue, red snuggles
                between like a family pet,
                sweet daft thing. eights holds
                a sore in the center, raw, peeping out.

                circle two
                a shimmying cell,
                moss green nucleus isolates
                from the goldenrod
                yellow, the soft lilac. Each
                turns at its own pace.
                selfish little frenzies.

                 circle four
                 floats, despondent.
                 slips on the microscope
                 slide, indigo comes to focus.
                 chartreuse is stressed, wan,
                                 about to lose definition, join
                 the tie-dye beneath.

                 circle ten
                 conquers, the tiny orange
                 pupil in a pool of ink,
                 on a bed of blood-red,
                 allows no discussion. comfort
                 in small confines.




*This is a response to “Farbstudie Quadrate, c. 1913”, one of Wassily Kandinsky’s
‘Circles’ paintings. For cohesive purposes, I interpreted this painting on landscape,
viewed from left to right but top-bottom.

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Circles (pics)

  • 1. Circles circle eight undulates, dearly. the yellow ring shelters the blue, red snuggles between like a family pet, sweet daft thing. eights holds a sore in the center, raw, peeping out. circle two a shimmying cell, moss green nucleus isolates from the goldenrod yellow, the soft lilac. Each turns at its own pace. selfish little frenzies. circle four floats, despondent. slips on the microscope slide, indigo comes to focus. chartreuse is stressed, wan, about to lose definition, join the tie-dye beneath. circle ten conquers, the tiny orange pupil in a pool of ink, on a bed of blood-red, allows no discussion. comfort in small confines. *This is a response to “Farbstudie Quadrate, c. 1913”, one of Wassily Kandinsky’s ‘Circles’ paintings. For cohesive purposes, I interpreted this painting on landscape, viewed from left to right but top-bottom.