Analysis Of The Dance Of The Sugar Plum Fairy

Analysis Of The Dance Of The Sugar Plum Fairy
I have talked before about coming from a simple life. That could be a slight understatement as I
have never previously attended a ballet, and when the question, "Surely, you've all heard of
Tchaikovsky, right?" was posed I struggled to recognize the name or any significance to my life. It
was not until I heard the musical number of "Dance of the Sugar Plum Fairy" that the gears of my
mind finally associated it with memory. While the first few notes of the celesta filled the room with
carefree delight, I was transported back to the cold, laminated floor of my farmhouse bedroom.
Sitting on the gaily–colored rug in the middle of my six feet by seven feet small expanse of space, I
remember holding my china ballerina/music box so gently. The object itself is about twenty inches
tall. It is a beautiful ballerina in a lavender tutu with matching slippers and a delicate crown of
flowers in her hair. The ballerina is perched upon a white cylinder, almost reminiscent of a cake
topper, that is embellished with glitter and flowers and all of the pretty works. When the key is
turned, the melody flows angelically through my small room, and I feel as if I am not longer
present–instead, I am swept away to a wonderous, snowy world with enchanting dancers. My only
connection to Tchaikovsky let alone The Nutcracker is a ballerina figurine that I left back home. I
did not have a clue what to expect, but I could barely contain my excitement. Prior to the concert,
we had covered Tchaikovsky in
... Get more on HelpWriting.net ...

Theatre Critique Of Friday Night Cafe 's The Yellow Wallpaper
Theatre Critique of Tuesday Night Café's The Yellow Wallpaper
Even before taking their seats in the theatre the audience is transported into the constraining and
chaotic mind of our protagonist, Jane. Jane has been locked in in a room with yellow wallpaper by
her husband as "treatment" for her hysteria. Her hysteria is played by a nameless character beside
her. In combination with symbolic blocking, the set and décor of this production create the perfect
environment to capture the inner turmoil of Jane and her relationship with the madness.
One expects when walking past the doors of a theatre to encounter a stage and perhaps someplace to
sit. However, when walking through the theatre doors one is confronted by a fabric wall and a dark
hallway created by hanging pieces of yellow curtains and blankets stitched together with visible
seams and patterns overlapping haphazardly. The people you saw enter before you disappear and
you're confronted by the question of where to go next. You walk along the dark makeshift hallway
until you find an open wooden door, through which you finally see the stage and realize that you
were only a few feet away from it the entire time. This makes up the audience's first interaction with
the The Yellow Wallpaper.
This design choice was a seamless way to draw audiences into the story and the mindset of the
characters within the play. In surrounding the stage and audience with the "yellow wallpaper" the
theatre experience becomes more intimate.

The Art of Acting: A Study of Methods Essay
The Art of Acting: A Study of Methods
A Research Study
I. THE PROBLEM
The art of the stage actor is the most subjective, abstract process of all the arts. Musicians, painters,
and dancers all have to develop a technique that is rooted in aesthetic tradition and proven by the
masters of their fields. Historically, the techniques of great actors have not been expressed in written
form, and their performances lost after the moment of their occurrence. There is, of course, a reason
for this lack of information. Actors are dealing with the most elusive and transient medium possible–
human emotions. The idea that one should have something as organized as a "technique" or
"method" for dealing with these emotions seems somewhat ... Show more content on
Helpwriting.net ...
Some misunderstanding may occur due to a lack of visual demonstration.
II. The subject is inherently subjective and prone to each author's bias.
II. Definition of Terms
The A– effect: The alienation effect produced by a certain acting technique designed by Bertolt
Brecht. Brecht wanted to distance both the audience and the actors from all emotional elements of a
play, so that its unique and particular qualities would be realized.
Acting technique: The process by which an actor trains his various abilities– physical, emotional,
and intellectual awareness to be combined in performance.
Affective Memory: A controversial technique developed by Stanislavski and emphasized by
Strasberg . Actors were to use their own personal past experiences to stimulate certain emotions
during performance. Many actors have refused to use this claiming that it takes them out of the
circumstances of the actual play.
Atmosphere: The realm of feelings , or "heart– beat", that encompasses a performance. It is the
"mood" that surrounds the actors, without being created by any particular actor. Michael Chekhov
uses this concept as a major component of his acting philosophy.
Characterization: One of the elements of an acting technique that involves exploring and making
decisions about the specific attributes of a

The Accomplishments Of Edmund Kean
Edmund Kean, one of the greatest and most historic British actors to ever live. Kean might have
been born on March 17th in the year of 1789,and I say might have because no one really knows
when he was born. The exact date of his birth has been a mystery for what seems like forever now,
and as the years keep going, the chance of this mystery being solved becomes less and less possible.
We're at the point now where we'll probably never find out when Edmund Kean was born, all we
have is a rough estimate at the moment. He had a turbulent life and therefore he also used that to his
advantage by being a turbulent genius and was recognized for his megalomania and his erotic
behavior which caused him being a villain it mostly every Shakespearean play he took part in.
(Britannica). Something that has actually been proven was that his birth mother was a lady named
Ann Carey, she was actually an actress. His father was Edmund Kean the first, He died at a very
young age after having his son. He was a reckless youth and ended up killing himself at a young age
of twenty two years of age. After Kean's death, the young boy was pretty much adopted by his
fathers oldest brother, Moses Keen and his wife Charlotte Tidswell. He was a part time member of
the Drury Lane Theater Comapany, and work the play named The 11th Duke of Norfolk.
(Brittanica).Charlotte Tidswell really worked hard at trying to make young Kean to grow up and be
a very well educated and mannered person, but her attempts

A Cry Of Players By William Gibson
A Cry of Players is written by William Gibson. The first production of the play took place on July
24, 1968 at the Berkshire Theatre Festival in Stockbridge, Massachusetts. The Repertory Theatre of
the Lincoln Center then presented the production on November 14, 1968 in New York City. Both
productions were directed by Gene Frankel. The songs and incidental music for A Cry of Players
written by Peaslee was written for piano and voice, but written instructions on the first page explain
that the piano part is for rehearsals and also to give the guitarist an idea of the character of the
setting. Also the first song 'Player' Entrance Theme' can be "played by Trumpet, Piccolo, or both
plus accompaniment of percussion and a bass instrument if available." The first theme can also be
used as exit music at the end of the play for the players. The score includes the following pieces:
Player's Entrance Theme, IF I had been Hanged, Ney Nonny No, And Wilt Thou Leave Me Thus,
'Twas I That Paid For all Things, and The Squire is Dire. The original music was composed by
Peaslee for the Lincoln Center production of the play. Dramatic Play Service, Inc sold a five song
set for the play for thirteen dollars plus a ten dollar music royalty fee.
A Midsummer Night's Dream by William Shakespeare was first performed at the Stratford–upon–
Avon Memorial Theatre by the Royal Shakespeare Company. It was directed by Peter Brook with
music by Peaslee, the actors, and Mendelssohn. The first performance was

My Lighting Designer : Donald Holder
My lighting designer was Donald Holder I will tell you all about him in the essay I have written. I
will tell you what got his interest in theater specifically lighting. It 's all started from spending his
childhood seeing Broadway appears, musical drama, expressive dance, and ensemble symphony
exhibitions, and concentrating on violin, tuba, and string bass. "The principal musical I saw was A
Fiddler on the Roof," Holder says. "I was significantly influenced by it, even at the youthful age of
five or six, so I 'm staggeringly eager to light the up and coming recovery in the fall of 2015."
Another positive impact was Lighting Designer Theron Musser. "I 'll always remember seeing her
unfathomable work on A Chorus Line when I was an adolescent," reviews Holder. "It was her work
that truly permitted me to see the power, excellence, and verse of stage lighting for the primary time.
"As he neared school, Holder was similarly enthusiastic about theater, music, and the outside, so he
went to The University of Maine, where he majored in ranger service while seeking after theater and
music in a dynamic performing expressions program. Subsequent to graduating, he put in three
years as a specialized executive and lighting fashioner at Muhlenberg College before winning an ace
in expressive arts from the Yale School of Drama. "It was at Yale, under the phenomenal mentorship
of Jennifer Tipton, where I built up an unmistakable comprehension of procedure and process that
would serve as the

The Internal Topology Of The Park Bench
Topology:
Internal Topology:
The internal topology within this performance relies heavily on the fact that the stage is rounded and
there is a single park bench (split in half and facing opposite ways) in the centre of it. The cyclical
view of life is not only symbolically represented through the stage to the audience but also by the
nature of the stage in regards to the actors. The two characters as at the opposite end of a shared
cycle is also represented through the utilisation and manipulation of the park bench. Marion's book
is able to represent the shift that is to occur as Marion exits the cycle of her life and the Girl is to
enter. Thus, the internal topology as per the spacing of elements on the stage is instrumental in
portraying the intended meaning for the greatest audience impact.
One of the greatest challenges regarding the internal topology of this play is the notion of having an
eighty–year–old woman meet a sixteen–year–old version of herself as the preconceived notion of
space and time shifts. This is dealt with across the technical disciplines through the unity in
developing their individual roles and the contrasting display of their relationship. The notion of such
meeting can be perceived as quite strange to an audience when presented as reality however it is
through the manipulation of their roles and their relationship, achieved by the various technical
disciplines, that such occurrence is able to be achieved. This meeting, through the roles of the

The Movie ' Clybourne Park ' By Bruce Norris Essay
On Friday, September 23, the University of Central Florida Theatre Program performed Clybourne
Park, written by Bruce Norris, which was directed by David Reed. Clybourne Park satirizes racism
and how foolish people were in not being able to accept the differences among each other. The late
1950's was a time when racism was at its peak, which caused serious turmoil amongst fellow
American citizens. Clybourne Park is a play about how society needs to progress and embrace
change. Set in 1959 Chicago in the first act, the neighborhood association is trying to prevent a
colored family from buying a middle–class white family's home. As the second act comes around,
the story is set in the 2000's in the same neighborhood, but now the neighborhood is predominately
black. A white family is buying back into the neighborhood and change that home to counter what
has come of the neighborhood. Due to the black box theater making the audience feel more in touch
with the actors, it enhanced the experience and made it more believable. It felt as if the characters
were talking directly to the audience and at some points, in the play, I wanted to chime in on what
was happening because of how foolish some of the reasonings and arguments were. The actors
words were believable, but considering the fact that I do not share the same beliefs as those
frustrated with a black family moving into an all–white community, these words did not reside well
with me. I do not relate to a specific

She Stoops to Conquer
She Stoops to Conquer (1773)
Oliver Goldsmith
Oliver Goldsmith (1730–1774)
Oliver Goldsmith was born into a lower middle class Anglo–Irish family. He worked his way
through Trinity College, Dublin, studied medicine in Edinburgh, and toured parts of Europe before
taking up a life of writing in London. In 1761, he met Samuel Johnson, become an important
member of his literary circle. He is best known for a comic novel, The Vicar of Wakefield, a poem
about urbanization, The Deserted Village, and a stage comedy, She Stoops to Conquer.
Goldsmith, by Joshua Reynolds, ca. 1773
By reputation, Goldsmith was brilliant but insecure, and well–meaning and good–natured, but often
foolish or gauche in social situations.
The Play's the ... Show more content on Helpwriting.net ...
What distinguishes these two genres?
Comedy and Ridicule
In An Essay on the Theatre; or, A Comparison between Laughing and Sentimental Comedy (1773),
Goldsmith lays out the "true" purpose of dramatic comedy:
"Comedy is defined by Aristotle to be a picture of the frailties of the lower part of mankind, to
distinguish it from tragedy, which is an exhibition of the misfortunes of the great. ... If we apply to
authorities, all the great masters in the dramatic art have but one opinion. Their rule is, that as
tragedy displays the calamities of the great, so comedy should excite our laughter by ridiculously
exhibiting the follies of the lower part of mankind."
"Laughing Comedy"
In An Essay on the Theatre, Goldsmith argued that "sentimental comedy" was really a form of
"bastard tragedy":
"Distress, therefore, is the proper object of tragedy, since the great excite our pity by their fall; but
not equally so of comedy, since the actors employed in it are originally so mean that they sink but
little by the fall."

The actor and playwright David Garrick torn between comic and tragic muses, by Sir Joshua
Reynolds.
A Return to Old Forms
In the 1770s, two playwrights, Goldsmith and Richard Brinsley Sheridan, challenged the format of
sentimental comedy by using the older "Comedy of Manners," which dates originally from the
Restoration a century or

Love's Labour's Lost
Love's Labour's Lost
The Elizabethans thought of it merely as "a wittie and pleasant comedie" ; Samuel Johnson
remarked that "all the editors have concurred to censure [it]" ; and William Hazlitt opined, "If we
were to part with any of the author's comedies, it should be this." It was not until well into the
twentieth century that Love's Labour's Lost really came into its own, and this fact alone may be
enough to make a case for it as Shakespeare's most forward–looking play. It is its ending in
particular, an unexpectedly grim conclusion in which nothing is actually concluded, that has
appealed to modern sensibilities and made Love's Labour's Lost the Shakespeare play for the
twentieth century. Trevor Nunn makes this point emphatically ... Show more content on
Helpwriting.net ...
Nunn's new production, however, breaks this tradition, radically altering the effect envisioned by
Shakespeare with the addition of a mere 30 seconds or so of extra–textual material at the beginning.
John Peter's description perfectly captures the feeling of the opening moments: "We are in a forest
clearing. The darkened Olivier stage is dominated by a bare beech, huge and ancient. Soldiers rush
on. Explosions, gunfire. This is the first world war. An officer...gets badly wounded. But this is
Love's Labour's Lost, is it not? A comedy, surely?" This is indeed the reaction of the audience as
Marcadé, identifiable by his traditional all–black costume, comes onstage (in the text, his first and
only appearance is his surprise entrance at the end) and says portentously, "The words of Mercury
are harsh after the songs of Apollo" (in the text, this line is also at the end and is Armado's). A
kneeling officer looks soulfully off into space, and the scene changes: foliage appears on the tree,
the lighting comes up to suggest dappled sunlight, merry–looking people in Edwardian costume
cross the stage, and the first scene in the text finally begins, revealing the kneeling officer to be
Berowne and Shakespeare's entire play to be a flashback.
This added and adapted prologue, however brief, is quite significant: it lets the audience know from
the very start that all will not be well at the end, thus covering the entire rest of the play with a cloud

Contribution of Digital Projections for Approaching Mise...
Contribution of Digital projections for approaching mise en scene in contemporary theatre
performance.
By Shyam Kottegoda
In this research paper I'm going to describe about theater production technology which it is using
digital production and how it is saturate to the mise en scene.
Cinematic theater is term of using digital projection in contemporary theatre. That can be briefly
described as a fusion of live performance and the magic of the big screen. By utilizing the best
dramatic devices that each art form has to covey a story and entertain an audience; the possibilities
to create interesting narratives and stage dynamics through the synergy of stage and cinematic
design is exciting.
Cinematic theatre is a ... Show more content on Helpwriting.net ...
Stage design allowing the utilization of projected images on surfaces can create a dynamic canvas
on which to apply vision. The applications are only limited by your imagination and ability to
position the projector. Some examples include: a window space to see outside, a mirror to show
symbolic representations of character, floor space to create a pool of water, smoke, curtains etc.
Lighting design:
It is important when incorporating video into live performance that you consider the effect of lights
on the screen surface. One difficulty in setting lights is that they can significantly degrade the
brightness and colour of the screen images if there is light either directly hitting or bouncing from
the floor onto the screen.
One solution is to set the screen up from the floor and placing some blocks/staging in front to block
some of the bouncing light. When considering colour gels it is imperative to consider colours used
in the screen images and try to match them as well as possible to give a blended effect.
Mise–en–scène
Mise–en–scène is a French term and originates in the theater. It means, literally, "put in the scene."
For film, it has a broader meaning, and refers to almost everything that goes into the composition of
the shot, including the composition itself: framing, movement of the camera and characters, lighting,
set design and gen earl visual environment, even sound as it helps

Essay On The Nutcracker
In modern times, Pyotr Ilyich Tchaikovsky's ballet, The Nutcracker, is a Christmas classic. With
memorable songs and beautiful instrumentation, many cannot imagine Christmas without it. Dance
companies perform the ballet year after year with spectators coming to watch annually. There have
even been LGBT, hip hop, and Jewish adaptations to the popular ballet (Begley). Thousands of
musicians and dancers all over the world perform it to add to the excitement and cheer of the
holidays. The original story of The Nutcracker started with ETA. Hoffmann's 1816 tale The
Nutcracker and the Mouse King that had been adapted by Alexandre Dumas in 1844 about a girl
who befriends a nutcracker on Christmas Eve and battles against the evil Mouse King (Schwarm). In
1892, the director of the Russian Imperial Theatre, following the success of Tchaikovsky's Sleeping
Beauty, devised the ballet, setting ito Tchaikovsky's music with choreography by Marius Petipa, and
premiering it a week before Christmas (Burton–Hill). Tchaikovsky first accepted the task to write
the music from the director of Moscow's Imperial Theatres, Ivan Vsevolozhsky (History of The
Nutcracker). He began to work while on an American tour for the opening of Carnegie Hall. His
tour took him through Paris, where he discovered a new instrument: the celesta. It had a clear, bell–
like tone that was perfectly fitted to be the "voice" of his Sugar Plum Fairy. He immediately wrote to
his publisher, asking that the instrument be

Acting For Christ As Acting
ACTING FOR CHRIST IS ACTING FOR CHRIST
____________________________________
My Philosophy of Ministry Project
Presented To
Dr. Samuel E. Baker, Ed.D
Corban University
___________________________________
In Partial Fulfillment of the Requirements for:
CM303
Philosophy of Ministry
__________________________________
By
Cassandra Van Slyke
Fall – 2014 TABLE OF CONTENTS
Introduction
I. The Theology
II. The Philosophy
III. The Methodology
IV. The Culture's Impact
Conclusion
Bibliography

Introduction There is much to be said about a ministry that is done outside the church. These
parachurch organizations are based around the youth culture and how it can be brought back to the
Christian mind set. Some of these ... Show more content on Helpwriting.net ...
Theater used in the context of youth ministry is a brilliant strategy for deepening the faith journey of
students. This is because art is a reflection of life. It holds a mirror to that which we see everyday
and presents it in a different light, bringing forward new messages and changing not only the
audience but the performer. Used and approached properly, the performing arts can expand the
mind, strengthen the body, and fortify the spirit. This can be done regardless of the production or
character being portrayed. In this way youth can see what it is to live in the world and not be of it
(John 17:14–18).
The Theology A foundational part of the theology behind the theater department at Corban
University is the belief that we are created in the image of God (Gen 1:26–27). Because of this, we
are blessed with many of his characteristics, one of which is creativity (Gen 1). Since we live in a
world fallen to sin, we as humans are broken. The brokenness leads to insecurity in our gifts, in our
worship and even in our relationships. In participating in a production that reflects the broken nature
of humanity and the redemptive power of Christ, students can participate in that creativity and grow
in practical understanding of theology (Heb 5:13–14). This approach to a foundation for theater as a
ministry is important because it brings us back to the basics of who we are as children of God (John
1:12–13; Phil 2:15). It also reminds us that God is not just within the "box of

Develop Workplace Policy and Procedures for Sustainability...
Name: Christopher Buxton
Course Title: Diploma of Management
Unit Code: Develop Workplace Policy and Procedures for Sustainability
Unit Code: BSBSU501A
Assessment1.
1. Review the case study information provided and determine all legislative and regulatory
documents that describe compliance requirements for this company.
After reading the case study for the Tiny Opera Company I have determined through my own
research that the following legislative and regulatory requirements will need to be adhered to so that
they are compliant.
To start off the Tiny Opera Company will need to have their own Code of Conduct available to all
employees and anyone attending the venue. This code of conduct will outline through Key
principles what the ... Show more content on Helpwriting.net ...
As the Tiny Opera Company is an entertainment venue they will also need to be compliant with the
NSW Work Health and Safety Laws with regards to Noise, this is so that all people attending, or that
are involved in the production of a show are not exposed to noise levels that could damage their
hearing. The current law states that workers must not be exposed to over 85 decibels over an 8 hour
period or peaks of 140 decibels at one go.
Other Health and Safety requirements are as follows:
Electrical Safety.
All electrical installations must be certified according to Australian Standard for Wiring Rules –
AS/NZS 3000 and the Australian Standard for Electrical installations 1 Shows and Carnivals 2
AS/NZS 3002 (for outdoor events).
Hazardous chemicals and dangerous goods.
Hazardous chemicals include flammable liquids, acids, gases and solvents. This should all be
included in the Production Risk Assessment for each performance and should state each substance
that is to be used. The substances should be used in accordance with requirements set out in the
Safety Data Sheet included in the risk assessments. Also under NSW Safety laws any person
manufacturing or designing structure must make sure that it is done so in a way that the need for any
manual task is reduced so that it is

The Passion Of Joan Of Arc And Sweet Smell Of Success By...
Silent films ushered in the era of moving pictures and paved the way to modern cinema. Films such
as "The Passion of Joan of Arc" and "Sweet Smell of Success" represent the early and later stages of
this time period that was dominated by silent films. Within these films, two actors stand out for their
performances and there own unique traits they utilize to make the character they are representing
their own. Renée Jeanne Falconetti and Burt Lancaster both are superb leading actors that, through
their own methods, make these characters come alive. Regardless of these performances though,
there are both similarities and differences that they portray in their movies. These films were shot
with cameras that lacked a multitude of settings and this led to a very theater–esque method of
filming. Many of these silent films were shot with non–moving cameras, obviously no sound, and
also less effects. [BRING UP READING IN REGARDS TO INTRO TO FILMS] This lack of
supplemental technology forced these actors to up their game so to speak and really carry the film
themselves, rather than saturate the screen with fancy effects that so many modern movies revolve
around. This forced the director to focus on the facial expressions of the cast in order to display both
tone and intent during every scene. Live music sometimes accompanied these films in order to help
set these moods so the actor could focus on character development and expression. The first
character to be discussed is

Analysis Of Paul Green Theatre At Detroit ' 67 And Took My...
When I walked into Paul Green Theatre to watch Detroit '67 and took my seat on stage right, my
first thought was this story is going to be entirely depressing. The scene was a dingy living space of
a family in the 1960's with a cold concrete floor that served as a modest barrier between the stage
and audience along with a dimly lit single room containing a couch and a record player in the front
of the stage. I could almost feel the chilly aura being emitted from the concrete floor and poorly–
painted, solid grey steps leading up to the stage exit. In the back of the setting was a combined
kitchen, wash, and bar area. All these signs of destitution were nothing special except for one piece
of the scenery that did not fit the rest. The Christmas lights that served as decor for the backstage bar
area stood out to me and I figured the time took place around Christmastime. Even still, the lights
could not eradicate the dreary feeling looming overhead in the dark theatre. Then, I heard the music
and everything changed.
Suddenly, Marvin Gaye's voice broke through my deep, somber thoughts and gave me a glimmer of
hope. There was no doubt that I was hearing "Ain't No Mountain High Enough," and I knew at that
point that the play would have have a resilient message. The setlists of this play would include many
more 60's top artist, such as The Temptations, Four Tops, and Earth,Wind, & Fire. This was a great
way to tell the story before the main presentation of the story took place. I

The Effectiveness Of A Connection
The Effectiveness of a Connection in Relation to a Tragedy As art becomes more prevalent,
intricate, and sophisticated in culture so does its impact on a viewer. A viewer must experience a
work of art and connect to it in order for it to be considered effective. Ajax by Sophocles can be
considered a work of art because of its ability to connect to an audience. Sophocles' play follows a
warrior named Ajax who was threatening to kill Odysseus to obtain the armor he believed was
rightfully his, which causes the goddess Athena to cast a curse leaving him blind with rage and in a
state where he slaughters hordes of animals believing that they are his enemies. Ajax later becomes
distraught to the point of suicide. Bryan Doerries produced a version of Ajax to relate to veterans
through his company, Theater of War. This company's specific purpose is to "de–stigmatize
psychological injury, increase awareness of post deployment psychological health issues,
disseminate information regarding available resources, and foster greater family community, and
troop resilience" through the performance of Ancient Greek plays to military and civilian
communities (Outside the Wire). Because of this purpose, the audience is able to form an intense
connection with Ajax and fulfill the purpose of art. While looking at Aristotle's Theory of Tragedy
and the six most important features of a tragedy, it becomes apparent that connection through all six
features is the only way to create effective art.

How Are The Internet And Interactive Performances Changing...
12. How are the Internet and interactive performances changing what we understand by performance
and 'live' audience–performer relations?
The development and improvement of the Internet has revolutionised the way of communication
and greatly changed how information is shared. It is now an essential means of communication, and
can be used for most of the daily activities: sending messages, online shopping, reading news, and
even watching performances. Producers and performers have been experiencing with this new
medium, and many interesting and innovative forms of performances had been created ever since.
With the use of Internet, performances can be accessible for audiences all over the world at
relatively low cost. However, many had questioned if such hybrid of technology and theatre arts
have lost the essence of 'liveness' in performance and whether it will change the audience–performer
relationship in the 21st Century. This essay will discuss the
There are several different forms of internet and interactive performance. The most common way
would be to combined performances that audience mainly need to passively enjoyed, like dancing or
theatre performance, with technology. Firstly, the most simple way is to live stream the performance
online, which performance are recorded and uploaded in real time available for audiences via the
internet. There can be audience presence in the theatre during the performance, or the performance
can merely be done for online purpose

Stage Vs Screen Essay : Stage Versus Screen
Brent Schafer
Professor Jason Eckard
Drama 103
19 July 2015
Stage versus Screen In today's contemporary society, it is very common for people to be familiar
with the filmed productions. It can be more convenient as people can view many different
entertainment options from the comfort of their couches. However, this creates an experience that
tends to distance the viewer from the production. For this assignment, first went to Orpheus
Descending directed by Ryan Purcell at the 12th Ave Arts theatre. Next, I watched the 2012 version
of Les Misérables directed by Tom Hooper. At the end of the play that I saw, I was shocked at how I
felt afterwards. Not only did the story make me think, but the way the story was presented to the
audience also gave me something else to compare to movie going. Major differences that I found
between the stage and the screen were the acting, the audience, and the design of the show. After
seeing a play in person and viewing a film on my computer, I believe that stage and screen are very
much different from each other. As a child, my parents took me to a few plays such as the Lion King
and other big productions. Coming into this assignment, that was my background knowledge. When
I went to the theatre to watch Orpheus Descending, I was shocked to see that the stage was in a
small black box theatre. The space was much smaller than I was used to. By the time that I arrived at
the theatre, the only seats that were open were chairs set up on

Death Of A Salesman By Arthur Miller
American playwright Arthur Miller's 1949 creation, Death of a Salesman, is adapted for the small
screen by German director Volker Schlöndorff. This 1985 made–for–television film stars Dustin
Hoffman as protagonist William "Willy" Loman. Kate Reid, John Malkovich, and Stephen Lang
round out the Loman family in the roles of Linda, Biff, and Harold "Happy," respectively. The film
closely follows Miller's original work as it tells the story of Willy, an overworked and
underappreciated salesman, losing his grip on reality and his career. For the most part, the film is
shot from static cameras that give it a similar feel to what would be experienced as an audience
member viewing a live theatrical performance. There is no visible proscenium arch, implying that,
although the film did not use a camera dolly to achieve long flowing shots, the various scenes
visible on stage throughout the film are part of a sound stage and not a traditional theatre.
The actors that play the Loman family deliver convincing performances that reinforce the tightknit
but fractured nature of their onscreen family. Hoffman, as Willy, is believable in his role as a
stressed middle–aged man. As the film progresses, it is evident, by the frantic nature of Willy's
dialogue and actions, that he feels increasingly backed into a corner by both society and his own
expectations of himself. Reid, as Linda, fills the role of a backseat matriarch of the Loman family.
Her quiet but intentional demeanor serves to balance

Evaluation Of Alfred Hitchcock, Dial
Evaluation of Alfred Hitchcock, Dial 'M' for Murder.
Validity as an auteur can be found belief that true auteurs set the standard and change the way we
view film. More so, an auteur has the incredible responsibility of changing the way we look at the
world and that is their greatest goal.
Alfred Hitchcock is a director and artist in his own right as he needs little introduction to most
moviegoers. His work as a creative entrepreneur during his time in the budding age of film has
created a series of classics that continue to define a standard in crime, thriller and suspense cinema.
As many early critics of film were skeptic of their authenticity as an art form, Hitchcock proceeded
to build upon the groundwork set before him by exploring methods with which lured the audience
into emotional involvement in film. Over time, his mastered technique often reflected in his plot
developments as he proceeded to sway the interest, attention and opinion of his audience to his
liking. Such manipulations would cause the audience to bend the rules of conventional morality.
Such technique had been previously unparalleled and proceeds to be the standard of good film
making today. Even in his early films such as The Man Who Knew Too Much, Hitchcock's ability to
evoke and conflict emotional attachments in his audience was quite apparent as it was not
uncommon for a quintessential bad guy in his film to transition into a protagonist simply based on
plot and character development as you cannot

A Great Audience Member : Kevin Williamson, A Roving...
How to be a Great Audience Member!
Kevin Williamson, a roving correspondent for the National Review magazine and theater critic for
The New Criterion, attended a performance of a new cabaret–type musical named "War and Peace",
written by "Natasha, Pierre, and the Great Comet of 1812." While Mr. Williamson was at the
musical he was seated on a bench next to a woman who was impolitely using her phone throughout
the musical. Mrs. Williamson asked the young woman if she would mind putting away her cell
phone during the musical because it was becoming a distraction. She rudely told Mr. Williamson
"So don't look" and "to mind his own business." After boiling with anger, Williamson took the
cellphone out of her hands and threw it into some curtains. Williamson is now being called a hero
for taking a stand against a disrespectful and inconsiderate audience member (Signore). Audiences
are comprised of individuals gathered together at a certain time and place at a public event, such as a
play, movie, concert, or meeting. As a member of an audience, each individual is expected to be
respectful to the audience and the performers until after the event has concluded by arriving early,
no use of electronics, and remaining silent.
Highlands Little Theatre, located in Sebring, FL, suggests to their audiences that before they decide
to buy a ticket for a performance they need to go take a look at theatre etiquette on their website.
The website lists rights, responsibilities, roles, and

Literature Essay: Twelfth Night; the Essence of Dramatic...
Disguise is the source of theatrical appeal in Shakespeare's Twelfth Night. Discuss the validity of
this statement.
Michael Pennington describes Twelfth Night as a typical Romantic Comedy with a sublime sense of
inconcsequentiality amidst the lyrical nature that plagues its environment. Therefore it is none other
than that of a romantic comedy, and by definition, seeks the usage of a most humourous yet vital
factor that shapes the events that are to occur; Disguise. Disguise indeed gives rise to theatrical
appeal and as Graham atkin identifies, poses a most poignant question of human identity in relation
to outward realist appearance. Nonetheless, there is a diversity of opinion as to whether disguise is
the primary source for such a ... Show more content on Helpwriting.net ...
Atkins attributes most importantly that speech shapes a character hence the reason why Shakespeare
invested ample time in the language of his characters for there were hardly sound effects and props
used in Elizabethan society as opposed to society today. This is what makes the characters indirectly
the play itself so appealing. The way one speaks, the setting they reside affects the audience's
judgement on them. Every shakesperian comedy is entitled to the conventional fool, in this case,
Fest introduced at the end of the first act and at other intervals as the play unravels. Shakespeare
ingenuity is seen through this formation as Alan S. Downer describes, Feste whole art and function
depend upon talents as a "notable corrupter of words" and through these words he reveals that he is
in fact, very wise in nature. Such wit, such logical one may say in vast opposition to the lyrical
dreamlike aura of Illyria. His wit moreso gives rise to the inevitable truth that is likely to be avoided
concealed in Illyria most often dealing with self expression. On his first appearane with Maris in act
one scene 5, Fest demonstrated not only that he is

A Musical Presentation Of The Carroll Theatre Department
Being in a musical is exciting, thrilling, nerve–racking, exhausting and magical. Every year Carroll
Senior High School puts on a huge musical in the fall. We rehearse countless hours every day for
months; spending hours memorizing lines, learning choreography and harmonies. Every day I would
come home from rehearsal exhausted but excited to learn more. I counted down the days until we
would open and when my friends and family could see it after all the hard work we put in. From the
moment the cast list comes out to the moment the curtain opens we all have one goal: to put on an
amazing show to entertain our community. The Carroll Theatre department puts on a fall musical
every year through hard work and dedication to tell a story, entertain, and inspire the community. A
musical is a theatrical play that tells a story with singing, dancing and speaking. Every year my
school's theatre department puts on a different musical on a weekend in either October or November.
It is the biggest and most exciting production Carroll Theatre puts on. We audition, get cast, and
rehearse for months. We open on a Thursday night, then have a show Friday, Saturday, and Sunday
night and we have a matinee on Saturday and Sunday. The show is about two hours; it has two acts
with a quick intermission in between. It is an exciting event that our community looks forward to
every year. It takes many steps and a great deal of hard work to put on a musical. First, the directors
decide on a show and

Graduation Speech : A Graduate Program Essay
When I accepted my admission to Vassar, it was to pursue my second degree in dramatic arts. I came
under the pretext that this was a "prestigious" program and that I would gain an immense amount of
knowledge and experience as a drama student. Almost immediately I began to realize the many
flaws within the dynamics of this department. Coming into the program you are required to take the
intro course regardless of your theatrical experience. This requirement stands in your way of taking
any other course in the department so it is a class that is a hot commodity. Somehow, in a class that
originally had 39 students, only 3 of us were phenotypically Black. There can of course be other
students who identify in this way, but their body does not read blackness the way mine and the body
of my other 2 classmate do. This intro course is a series of group projects throughout the entire
semester, there is not one individual project on the syllabus. The six groups of people were created
by the professor's student intern, who for reasons unknown placed all 3 Black students in the same
group. I couldn't help but wonder what the intention was behind this choice. It is hard to believe that
"chance" would allow such a thing to happen, it is almost statistically impossible. The three
groupings that followed never placed all 3 of the Black students together again, but oddly I found
myself being almost thankful for what the first group offered...solidarity. In each of the four
groupings I

History Of Roman And Greek Culture
"It is the constant aim of the management to prevent the use of a single word, expression, or
situation that will offend the intelligent, refined and cultured classes" (Stein 23). This is the motto of
'Mr. Chase's Original Idea: Polite Vaudeville,' a then unheard of yet soon widely popular
subcategory of vaudeville theater in the early 1900s until the 1930s. In many places and in many
time periods in the world, it is found that theater is not only considered prominent in culture but is
often integral. This can be seen especially in ancient Roman and Greek culture, as the combination
of theater, music, and dance were significant.
Rome has been a place of passionate, bustling life for more than 2,000 years. This trend started
when the huge city was founded in 753 B.C.E. Theater has been an essential part of Roman culture
since this time, and expressive plays and musicals were performed regularly. Roman plays were
often performed in temporary wooden theaters in earlier times, until Gnaeus Pompeius Magnus,
better known as Pompey the Great (a military and bureaucratic leader), built the first stone theater in
Rome. This theater, known as the Theatre of Pompey, could hold up to 11,000 spectators and was
hugely popular during its high point. The theater was built in 55 B.C.E. and is considered the first
permanent theater built in Rome. Two stone theaters were built after that: the Theater of Balbus and
the Theater of Marcellus, both built in 13 B.C.E. and capable of holding up to

The Play Our Town Written By Thornton Wilder
The play Our Town written by Thornton Wilder was performed by Salve Regina's department of
Music, Theatre and Dance. The play was directed by Tom Gleadow. Our Town was performed at the
Casino Theatre in Newport, RI. The show I saw was performed on the eleventh of February.
The play was separated by three acts; Daily Life, Love and Marriage, and Death and Dying. Within
the first act you see how the town functions and the characters routine. The second act shows the
marriage of the two main characters. We get the see the ceremony and how the people in town felt
about it. In the third and final act you are placed in the local cemetery with the characters that have
passed on. The moral of the story is only revealed and very prevalent at the end; the whole play was
based on the idea of taking things for granted while we are alive. I really enjoyed the basic story
line, it was easy to understand and follow. I liked it because it becomes an eye opener because as
people we tend to take things for granted until they are gone. The two main characters in Our Town
are George Gibbs, Kenny Bennell, and Emily Webb, Laura Jedynasty. In my opinion Laura did a
fantastic job at portraying Emily. Her acting was very believable especially in the last act where she
had to cry. I think Kenny did a great job with George as well. Though there was a part in the last act
that he had to act distraught and I didn't get that emotion from him; I was hoping for more from him.
Another character that I

In what ways is A view from the bridge like a Greek tragedy?
In what ways is A view from the bridge like a Greek tragedy?
Introduction
In this essay I will be explaining in what ways "A View from the
Bridge" is like a Greek tragedy by exploring what Eddie's tragic flaw is and how it influences his
actions, sending him on a path of self–destruction that eventually leads to his tragic downfall. I will
also be explaining which of the other characters and key events in the play have the biggest impacts
on Eddie and his downfall.
In the opening scene of the play, the audience is shown the setting of the play, which is the harbour
area of Brooklyn near the Brooklyn bridge. When it shows Eddie with Beatrice and Catherine their
use of dialogue initially suggests to the audience that they ... Show more content on Helpwriting.net
...
And with them new high heels on the sidewalk – clack, clack, clack. The heads are turnin' like
windmills."
This just proves that Eddie doesn't like Catherine wearing clothes that attracts the attention of other
men because he gets jealous as he wants her to himself. When Eddie talks about Beatrice's cousins
coming to stay as illegal immigrants he tells the story of Vinny Bolzano, about how he called the
immigration bureau thus betraying his family and therefore turning his back on the Sicilian codes
and values.
This is ironically prophetical of Eddie's own treachery later in the play. When Beatrice's cousins
Marco and Rodolpho arrive to stay the audience can see the type of man Eddie is, as when he meets
the brothers for the first time he is friendly to both, but he warms quickly to Marco, a man's man and
superficially like Eddie. Also when Marco
"raises a hand to hush"
Rodolpho we read that Eddie
"is coming more and more to address Marco only."
He is made uneasy by the talkative young man with his unusual blonde hair. Later as Catherine

becomes attracted to Rodolpho, Eddie immediately seeks to discredit his rival, which is in fact the
start of his tragic downfall. In Rodolpho's case, Eddie quickly finds a
'reason' for this. Rodolpho is slightly–built, blonde, a good singer and dancer and he can cook as
well as make dresses. For the most part
Mike and Louis seem to share Eddie's view, for

Writing Skills And School Habits
For me, writing has always been a challenge. I always felt like that I could not express myself with
the words I had been taught or that somehow I had been left out on the instructions on how to
properly write. It's always frustrated me that writing has been a challenge, and that may be why I
enjoy reading so much because other people seem to have a way with words that I don't. I love
reading other people's words a lot more than my own so much so that I tried avoiding writing as
much as possible. Of course, school involves a lot of writing so it was not like I could permanently
avoid it as much as I wish I could. So when my teacher announced that our class would be writing
plays individually and turning them in to a theatre company, I was not at all excited. I was more like
terrified about someone reading some trashy play I wrote. This moment in my life, however,
changed my writing skills and school habits quite unexpectedly. The experience of writing my own
play and having it performed was significant to me because it taught me about procrastination, hard
work, and originality. 5th grade was like any other school year except that there were a lot more
expectations and responsibilities to go along with it than the previous years, and Mrs. Schillinger
definitely expected a lot from us, at least what I thought was a lot.
"Class, today, I would like to announce a new writing assignment!" she exclaimed with a shining
smile that it blinded the first row of kids. Moans

William Shakespeare 's The Twelfth Night Essay
This semester we have learned about the differences that exist between theatrical and cinematic
elements in plays and films. Slowly with the knowledge gained, we transitioned into examining the
adaptations of the world famous playwright, William Shakespeare. For this assignment, we were to
choose a modern Shakespeare adaption and compare its successes and failures to its traditional
script. With the choices given, I decided to choose the Twelfth Night to its modern adaption directed
by Andy Fickman called, "She's the Man." I was pleasantly surprised when I saw it as an option,
therefore I felt as though it would be a great option to explore. I have seen the movie several times
since its release in 2006, however I was unaware that it was based off a Shakespeare play. In my
opinion, I believe that Andy Fickman did a fantastic job in adapting the play to its modern audience.
I was able to find some similarities and differences between the play and the film. This paper will
highlight each individual aspect of the play, film, its elements and my analysis.
Before distinguishing the details of the adaption, it is important to become familiar with the original
play, Twelfth Night. With some research, I was able to learn Twelfth Night is also known as What
You Will. In addition, the play indicates the end of the Christmas season and a time when the norms
of society were upturned. With this information and my background knowledge of its modern
adaption, I was excited to read the

Addiction Responding Task Of The Theatrical Style
Addiction Responding Task
Belgium is accredited for the creation of the theatrical style, unrealistic theatre; although unrealistic
theatre is a blanket term incorporating Absurdist Theatre, Expressionism, Theatre of Cruelty and
more. Non–realistic Theatre isn't restricted to traditionally recreating life on stage, but it investigates
evasive ideologies, intangible emotions and human existence; simply transforming reality. Addiction
was an unrealistic piece of drama exploring the drug world, side effects and consequences of drug
intake. Through the effective manipulation of masks, abstract props, generalised characters, social
Existentialist morals, rhythmic movement, silhouettes, puppetry , a combination of realistic,
unrealistic ... Show more content on Helpwriting.net ...
This piece of drama conveyed the dramatic meaning (moral), "The effect is of a background of
magnificence cheapened by commercialism." (O'Neil, 1922). Generalised, masked wealthy
characters contributed to the dramatic meaning and symbolically emphasised their unawareness and
carelessness for the disadvantaged. Techniques which were present in this activity were
manipulated, personalised and incorporated into Addiction. In Addiction, Scene 8, masks were
utilised to strip Darcy's family of their identities and transform them into his memories. By masking
his family members it allowed for most of the focus to be on Darcy and during the final stages of the
scene all three memories were frozen creating a frozen tableau conveying the strong emotion of
disappointment, thus establishing the disappointing mood of the scene and engaging the audience.
Tension drives a situation which is directed by the focus; tension can be created through including
roles, characters surprise and mystery. Tension can be enhanced through the incorporation of
unrealistic conventions, thus engaging the audience. In Addiction tension was created during and
after conflict. These conflicts are caused by various characters which then is incentive for the plot.
The tension of relationships between the Angel and Devil was evident when Angel and Devil's

The Cracker Tchaikovsky Essay
Each year, it is a tradition within my family to see "The Nutcracker" at Christmastime. "The
Nutcracker" is a ballet about a young German girl, Clara, who dreams of a Nutcracker Prince and a
battle with a Mouse King, that was helped to be made famous by a Russian composer, Peter Ilyich
Tchaikovsky. Along with "The Nutcracker", Tchaikovsky composed the works from two other
popular ballets, "Swan Lake" and "Sleeping Beauty". Tchaikovsky and his compositions played a
major role in changing and shaping the face of ballet. Peter Ilyich Tchaikovsky was born on May 7,
1840 in Vyatka, Russia, and was a Russian composer of the Romantic era. He composed many
different types of works, including symphonies, operas, ballets, instrumental and chamber music, ...
Show more content on Helpwriting.net ...
In "The Nutcracker", we are introduced to this new instrument, which is the celesta. Tchaikovsky
once wrote to his publisher that the celesta was an instrument that was "something between a piano
and a glockenspiel, with a divinely beautiful tone." The impact that Tchaikovsky's own works had
on the ballet set new standards for the classical ballet and the role of music within it. He set this
standard through his mastery of "danseuse", or melodies which match physical movements
perfectly, vivid orchestration, effective themes, and continuity of thought (Classic Cat). Many of his
well–known ballets, "Swan Lake" and "The Nutcracker", are said to be enduring masterworks and
wonderful examples of nineteenth century classical ballet. Towards the end of the artistic life of the
nineteenth century, ballet began to take a steady position in Tchaikovsky's consciousness. In a sense,
both ballet and Tchaikovsky met one another in the middle. Through this genre of ballet music,
Tchaikovsky was able to bring his unusual way of thinking to life and embody real and eternal
feelings within the world of art

How I As A Director Will Approach Directing Chekhov
Chekhov is still associated with the past, but not a specifically Russian or historic past... the world
evoked in a Chekhov play by inventive modern directors confronts the past with the present..."
(Laurence Senelick, Director 's Chekhov, in A Cambridge Companion to Chekhov, p189.)
Discuss the above quote with reference to your experiences of preparing to direct/design a Chekhov
play.
20949723
2,150
Within this essay I will look at how I as a director will approach directing Chekhov, commenting on
how I went about choosing the sections of the script I wish to use, why I chose these sections and
how. I will then reference Katie Mitchell's twelve golden rules on working with actors to
demonstrate how I will approach my rehearsals and working with the actors. I will then go on to
mention how and where the piece will be performed, continuing on to how I will use there lighting,
sound and setting finishing with costume.
The sections chosen are about illness, whether it be mental or physical. Throughout the piece the
audience/readers are constantly reminded that someone is ill, whether it is Anna or Ivanov. This
doesn't necessarily mean this is what Chekhov wants us to interpret from the performance as there
are many interpretations: for example, the play could be interpreted as being about hypocrisy, as
most characters reinforce this with the words they speak to each other. Another interpretation may
be the loss of vitality on Ivanov's part; his deploring the loss of

The First Six Lessons And William Shakespeare 's As You...
Theatre stage conventions are used to heighten and convey a story's narrative in the Greek, Medieval
and Elizabethan Eras of theatre. Each era built on the foundations of Greek theatre staging, through
all of this are a perspective of modern Theatre was born. In order to understand a play, one must
detail the conventions associated with the production. One must ask themselves if the play a
presentational or representational piece? In this paper, I will be comparing staging conventions
through Antigone, Acting: The First Six Lessons and William Shakespeare 's As You Like It.
Antigone is a battle between opposition, while As You Like It is a tongue and cheek melodrama.
Acting: The First six Lessons stands out for its depiction of parental nurturing and teaching. It is a
play devoted to the theme of teaching rather than it is characters or spectacle. Its conventions follow
suite in this ambition. First off, important to note that the functions of theatre conventions set the
rules and parameters of the world the actors happen to embody.
In Acting : The First Six Lessons, Actor who is known as Teacher in this scene in introducing the
Actress who is portraying the creature.
Creature. Oh, sorry...
(to the Audience)
This is my daughter Emily...She even Said (8).
Within the first moments of dialogue the similarities between Greek theatre are evident between the
Creature and Teacher. They are speaking presentationally and we are led to believe that we are in a
equal state with the

Les Miserables at Imperial Theater Essay
Les Miserables Play
A few weeks ago, I had a chance to watch Les Miserables at Imperial Theater. Les Miserables is
play based on Victor Hugo's award winning novel. I must admit that the play made me realize the
great stories that will continue be told in mass media for years to come. Much to my astonishment,
the characters in the play essentially delivered a great show, ranging from their acting to their
singing.
I believe that Les Miserables is one of the most intricate stories with a plot featuring heroic life of a
simple and good man, Jean Valjean, a role performed in the play by Matt Kinley. The original novel
to which the play was based on has been my personal favorite since it portrays its lead actor as a
morally upright person. ... Show more content on Helpwriting.net ...
The members of the orchestra were dressed in button down and a tie, and dress coats, while ladies
wore uniform dresses based on the culture that existed during the writing of the novel by Hugo.
The play attracted an audience of almost a thousand, majority of which were senior adults who
wanted to see how the young generation could bring out the concepts of Hugo's novel into action. A
good number of the poorer audience members were allowed to pay a few bucks to stand in front of
the stage while the affluent majority sat on the covered galleries, paying twice as much as the poor
audience for their seats. I could realize that the attendance was beyond the expectations of the play's
organizer because most people complained about missing a ticket to watch it.
The play was so well done, and the opening section was somewhat grand considering the fact that
actors and actresses played their part and portrayed the characters in a way I could really relate to. I
have always like live performances, and one thing the producer of Les Miserables introduced was
the orchestra switch their voices between prerecorded and live scenes, this gave the play a sense of
immediacy and power.
With this I mind, I noticed that staging a play doesn't have to be about the exact plat or characters of
its original

Analysis Of The Book ' 12 Years A Slave '
Although the book "12 Years a Slave" is non–fiction, it is difficult to grasp and imagine some of
these written truths as reality. Both the book and movie share essential similarities amongst the
background and main ideas. Some core events that remain comparable include Solomon Northup
having a family, him getting kidnapped into slavery, and eventually his return to his family. These
events are crucial to remaining similar because the movie is based off of the book as a true story. If
the central ideas and events contrasted greatly from the book, the movie would pivotally change the
fundamental matter and effects of the book. Despite the major similarities amongst main events,
there are some considerable differences. These differences might reflect on what type of audience
each attracts, order of events in which each are organized, and entire changes of certain events for
dramatization or different impacts. Due to differences and similarities between the book and movie,
new insights are brought about and similar understandings are solidified. Granted that both book and
movie share core events and ideas about the life of Solomon Northrup, both partly attract similar
audiences. Correspondingly, both the book and movie appeals to an audience that wants to
sympathize and understand the life of Solomon Northup as a Slave. Although both partly attract
similar audiences, some changes in the movie might also attract others as well. One of the influential
differences that the movie

The Roles Of Children And Youth Actors Essay
Theatre feels like it is fading away from relevancy. Often times, theatre is dismissed at all levels,
whether it is from "just" community theatre or reserved for in–laws and tourists. This means that
theatre has got two options. It will either become a completely rigid institution that loses its force
and relevance, or it needs to change and be able to become a powerful voice again. I think that what
the theatre needs is already available and in the theatre, but not used correctly. I feel that children are
some of the most important aspects of theatre and are overlooked because of archetypal child stars.
Now, this does not mean I endorse productions like Rent adapted for high schools or having twelve–
year old's performing Spurt of Blood. Those sorts of plays are not appropriate and should be
performed by adults. However, that also means that they should be limited to Annie. I think that
children and youth actors are so beneficial because they offer the commitment, creativity,
willingness, and camaraderie that is needed to change theatre into an influential strength. Children in
the theatre have a lot of flaws. It is something that is impossible to overlook, so it must be
acknowledged. They do not always have the willpower not to look for family members in the
audience or grab at costume pieces that are uncomfortable. If it is a play that's cast is primarily
children, they can quickly become rowdy and run rampant backstage. When in the audience, they
can become bored and

Roman Theatre : A Diverse Art Form
Roman theatre initially began in 240 BC when Greek theatre was discovered and translated to Latin,
then being brought to Rome. The first drama was held at Ludi Romani, the Roman Festival or the
Roman Games. This occurred just before Rome became an empire in 27BC. There were many types
of these festivals during a year for all sorts of reasons according to history. Theatre was, and is a
diverse art form. It ranged from festival performances, street theatre, and acrobatics to eloquent
tragedies. By 345 AD there were one–hundred and seventy–five festivals a year. Well over half of
those were dedicated to and focussed on Roman theatre. The first stone theatre was built in 55 BC in
Rome by Julius Caesar. In the fourth century of BC, ... Show more content on Helpwriting.net ...
Mythology and domestic life also had major impacts on the way Roman theatre evolved over years.
Each influence had their own special thing about them that when added to Rome 's theatre, slowly
created a wonderful art that still remains today. The Etruscans were famous for emphasizing circus–
like elephants and things like them. Most Roman theatre was very parodied and exaggerated during
the 1st century BC. Slowly the show 's got more and more realistic as time went on. The plots of
Roman theatre did not differ from Greece 's but the character 's names and some other minor details
did change. A lesser known influence to Roman theatre happened to be the Oscans. The Oscans also
brought their own type of theatre and ideas about such to Rome. The Oscans had their own type of
comedy called Atellan Farce. It was a kind of improvised comedy played with five main characters
for each show. There was the fool, the stupid one, a foolish old man, a wise fool, and a monster with
big jaws. Respectively the names to these characters were Maccus, Bucco, Pappus, Dassenus and
Mandacus. These stock characters brought life to those of Rome 's own stock characters named the
same. The reason we still have theatre today is purely because of Roman and Greek dramas. Even
just the term "play" comes from Latin's "ludus" meaning to play. Nowaday we still use this
entertainment to distract our people from surrounding issues. Comedy is

Books versus Movies
"Can you believe how Demitri disappeared in the caves like that!? He's got to be dead by now, I
mean they found is steak broken on the floor," Darrell tolled Jamie the next morning after see the
coolest and latest Vampire Academy movie. Jamie rolled her eyes and kept walking, but Darrell kept
going, "And Rose just ran n after him. Who knows what could have been in that cave? A strigoi
could have jumped her and she would have never seen it coming," Darrell explained. Jamie was
getting tiered of Darrell's ravings and suddenly blurted out, "Demitri and the strigoi where not in the
caves any more when Rose ran in after him, and he is not dead they turned him. He is strigoi now,
and the next movie will be Rose leaving the academy to go find ... Show more content on
Helpwriting.net ...
This can show how book are the soupier to movies because without the book in the first place the
movie would have never made. Movies like Harry Potter, Hunger Games, Speak, Twilight, The
Book Thief, How to Train Your Dragon, and many more. All of these movies started as renowned
books, that had won many awards. However when they are made into movies the audience loses
some of the key factors that played into making the book so famous. When reading the books, the
reader can get an idea of the feeling of characters. Readers know exactly what they are thinking,
how they are feeling and what they are planning to do next. In earlier Shakespearian plays director
attempted to keep this idea of know what the main character was feeling and thinking by adding in a
monologue. But this monologue was broken away from the rest of the play. Actors would break
character and speak directly to the audience of what they were thinking and wanted. This was later
seen as distracting to the audience though, and it was removed in later production, and is why we do
not see them in movies now. Books have a nicer flow to them and inside because readers will
always know what the character is thinking, feeling, and going to do. Something that audiences do
not get in the theaters, showing again that books have better understanding of quality.
Continuing on with better qualities of books, readers will get a better feeling of accomplishment
when they finish

Analysis Of The Dance Of The Sugar Plum Fairy

Recommended

Recommended

More Related Content

More from Rikki Wright

More from Rikki Wright (20)

Recently uploaded

Recently uploaded (20)

Analysis Of The Dance Of The Sugar Plum Fairy