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254DVA - Creative Pathways Personal
            Development Planning
              Richard Andrew

                Click a letter



  oleskin sketches


                                              reative CV


  rawing in colour

Key         = Next Slide           = End Section
Surprise birthday present drawn from a Facebook photo
Portrait Commission via my website
This is a portrait that’s
benefitted from the
extra confidence
gained since studying
at University. The hair
is looser than I would
of approached it
beforehand. I have
also developed the
use of watercolour
brushes and tortillions
to lay down and blend
graphite around. I can
then use the putty
rubber as a drawing
tool for the highlights.




    Dean Martin
This drawing was
planned the be the
centre of three rat
pack portraits. I
intentionally gave this
one a background and
kept the others white
for a contrast. The
stripes were a bit off
the cuff and are
meant to represent an
art deco style. The
shadow behind
Sinatra then evolved
from that design. I
wanted to be more
instinctive but in
hindsight a little
research on patterns
or geometric designs
could of worked
better.


    Frank Sinatra
I like drawing black
skinned portraits as
the contrast is greater
when using applying
highlights. A good
contrast is something I
look to achieve when
drawing so an image
can be seen from
across the room. I took
a gamble with this
drawing by creating a
woven texture for the
suit and then erasing
different amounts to
suggest the light
blowing out the detail.




   Sammy Davis Jr
I used a little
photoshop on this
drawing to colour the
hair and blur the edge
of his jumper. With
pencil/graphite
drawings I’ve found it’s
best to start moving
pixels around because
it stands out a mile. I
generally just use
levels and remove the
odd blemish. I’m not
against using my
bamboo pen but find
freehand and digital
drawing are best kept
separate unless it is
unobtrusive or
obviously mixed media.
This is something I
want to explore more.


  Joaquin Phoenix
This was another
commission from the
same lady that bought
the rat pack drawings.
I beleive maintaining a
consistent level of
drawing gives me the
chance of selling more.
I obviously use a
reference photo but I’ll
also accentuate or
slightly exaggerate ,
play down some of the
features. With Elvis I
wanted his dyed hair
and black clothing to
contrast with his face.
This lets his eyes be
the main feature. I
would have liked to
blend his clothes more
cause they look rough.


         Elvis
This is one of those
portraits that get’s
drawn very quickly and
the composition is
pretty straight forward.
As a rule I’m not a fan
of caricature but I
exaggerated his
features in this portrait
because Obama has a
cartoon quality to his
face. For the same
reason I accentuated
his teeth to give them
the Colgate effect. I
was pleased with how
his afro hair came out.
I used a large circulism
style and I enjoy
devising new
techniques to achieve
specific results.


   Barack Obama
Previous portraits
drawn in the past have
been almost
exclusively black and
white graphite. Since
studying at Coventry
University I’ve been
encouraged to try
different mediums and
techniques. In this
work in progress
picture I have used
graphite, chalk, pva
glue, metallic stamp ink
and glitter. I’m realising
that whether the result
works straight off or
not it can only be a
good thing to find out
what results can be
achieved with different
materials.


   Lady Gaga
Pipeworks drawn for 262DVA using watercolour pencils
The pipes now have water brushed on to blend the watercolour.
A few textures have been added in photoshop with level and contrast adjustments.
254DVA - Creative Pathways Personal Development Planning
254DVA - Creative Pathways Personal Development Planning
254DVA - Creative Pathways Personal Development Planning
254DVA - Creative Pathways Personal Development Planning
254DVA - Creative Pathways Personal Development Planning
254DVA - Creative Pathways Personal Development Planning
254DVA - Creative Pathways Personal Development Planning
254DVA - Creative Pathways Personal Development Planning
254DVA - Creative Pathways Personal Development Planning
254DVA - Creative Pathways Personal Development Planning

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254DVA - Creative Pathways Personal Development Planning

  • 1. 254DVA - Creative Pathways Personal Development Planning Richard Andrew Click a letter oleskin sketches reative CV rawing in colour Key = Next Slide = End Section
  • 2.
  • 3.
  • 4.
  • 5.
  • 6. Surprise birthday present drawn from a Facebook photo
  • 8. This is a portrait that’s benefitted from the extra confidence gained since studying at University. The hair is looser than I would of approached it beforehand. I have also developed the use of watercolour brushes and tortillions to lay down and blend graphite around. I can then use the putty rubber as a drawing tool for the highlights. Dean Martin
  • 9. This drawing was planned the be the centre of three rat pack portraits. I intentionally gave this one a background and kept the others white for a contrast. The stripes were a bit off the cuff and are meant to represent an art deco style. The shadow behind Sinatra then evolved from that design. I wanted to be more instinctive but in hindsight a little research on patterns or geometric designs could of worked better. Frank Sinatra
  • 10. I like drawing black skinned portraits as the contrast is greater when using applying highlights. A good contrast is something I look to achieve when drawing so an image can be seen from across the room. I took a gamble with this drawing by creating a woven texture for the suit and then erasing different amounts to suggest the light blowing out the detail. Sammy Davis Jr
  • 11. I used a little photoshop on this drawing to colour the hair and blur the edge of his jumper. With pencil/graphite drawings I’ve found it’s best to start moving pixels around because it stands out a mile. I generally just use levels and remove the odd blemish. I’m not against using my bamboo pen but find freehand and digital drawing are best kept separate unless it is unobtrusive or obviously mixed media. This is something I want to explore more. Joaquin Phoenix
  • 12. This was another commission from the same lady that bought the rat pack drawings. I beleive maintaining a consistent level of drawing gives me the chance of selling more. I obviously use a reference photo but I’ll also accentuate or slightly exaggerate , play down some of the features. With Elvis I wanted his dyed hair and black clothing to contrast with his face. This lets his eyes be the main feature. I would have liked to blend his clothes more cause they look rough. Elvis
  • 13. This is one of those portraits that get’s drawn very quickly and the composition is pretty straight forward. As a rule I’m not a fan of caricature but I exaggerated his features in this portrait because Obama has a cartoon quality to his face. For the same reason I accentuated his teeth to give them the Colgate effect. I was pleased with how his afro hair came out. I used a large circulism style and I enjoy devising new techniques to achieve specific results. Barack Obama
  • 14. Previous portraits drawn in the past have been almost exclusively black and white graphite. Since studying at Coventry University I’ve been encouraged to try different mediums and techniques. In this work in progress picture I have used graphite, chalk, pva glue, metallic stamp ink and glitter. I’m realising that whether the result works straight off or not it can only be a good thing to find out what results can be achieved with different materials. Lady Gaga
  • 15.
  • 16.
  • 17.
  • 18. Pipeworks drawn for 262DVA using watercolour pencils
  • 19. The pipes now have water brushed on to blend the watercolour. A few textures have been added in photoshop with level and contrast adjustments.