The document discusses an exhibition called "Hypercomics" that was held at the Pump House Gallery. The exhibition used the unusual architecture of the building to tell a story nonlinearly, with the narrative unfolding differently depending on how visitors moved through and interacted with the space. It aimed to expand the concept of comics by incorporating physical movement and choice into the experience, similar to how a hypercomic online can change based on a reader's choices. The exhibition responded to both the function and design of the gallery building.

1. www.electricbookshop.co.uk

2. Inspace, 27th October 2010

3. Audience engagement!

4. Connecting with Eli Horowitz of McSweeney’s

5. Technology brings us closer

6. Christian Bök was our Tweeter in residence for the month of November

7. Coverage inThe Literary Platform

8. Chunky Move: Mortal Engine ‘This window makes me feel’ The ‘byook’

9. ‘A hypercomic can be thought of as a webcomic with a multi-cursal narrative structure. In a hypercomic the choices made by the reader may influence the sequence of events, the outcome of events or the point of view through which events are seen… it’s that element of reader choice and interaction that makes a hypercomic a hypercomic.’ Daniel Merlin Goodbrey

10. the Hypercomicsexhibition responds to the function, history and architecture of the Pump House Gallery, using the building’s unusual architecture to weave a story whose outcome depends upon how visitors interact and move through the space. This episodic experience of navigating through the structure of the gallery, takes on the principle of expanding the narrative potential of the comic in relation to its environment, and applying it in a real (as well as virtual) setting.