1. The document provides instructions for a series of art lessons focusing on self-portraits, portraits using grids, and combining photos of oneself with animal images.
2. Artists mentioned include Chuck Close, who uses a grid method for portraits, and Cindy Sherman, who creates self-portraits using disguises.
3. Students are directed to take photos of themselves, combine them with animal photos to create hybrid images, and use those hybrids to create painted self-portraits using grids and tonal layers.
This homework assignment asks students to create a self-portrait using a mirror or photograph as a reference. Younger students should focus on filling the page and using shading to show contrast between light and dark areas. Older students should demonstrate good proportions, create a likeness that can be recognized, and use different textures to depict features like skin and hair. The document provides grading criteria for self-portraits by grade level, focusing on accurate proportions and effective use of light, shadows, and textures.
Students are assigned to draw three buildings for homework - one observed in real life, one from a photograph, and one from their imagination. They should use different drawing media for each, fill the page of their sketchbook, and consider presentation. Drawings will be graded on accurate line drawings, use of marks to illustrate patterns and textures, inclusion of shading to depict three dimensions, and drawing surrounding areas to provide context and contribute to mood.
The document provides details for semester 2 sketchbook assignments for students. It outlines that students must complete 5 assignments by March 1st for quarter 3 and 5 different assignments by May 10th for quarter 4. It then describes 10 specific sketchbook assignment options for students to choose from that involve drawing sounds, shading techniques, landscapes, characters, and more. The assignments are meant to help students look more closely at subjects, use their imagination, and explore ideas and techniques.
Students are instructed to complete three drawing tasks: 1) draw an object from direct observation for their story, 2) draw a place from their imagination for their story, and 3) collect reference images for characters, costumes, and scenery to create a mood board with annotations showing ideas to bring to classwork. The drawing and collage work will be graded based on accuracy, use of techniques like tone and color, skill of mark-making, and clarity of ideas presented.
Students are to complete two homework tasks for Year 8. Task 1 requires drawing two patterns from ancient Roman, Egyptian, or Islamic decorative arts, with simpler patterns for grades 1-2 and more complex patterns after research for grades 3-4. Task 2 involves making two colored drawings of canopic jar designs that incorporate Egyptian references, patterns, personal references, textures, and patterns relating to an animal, with expectations for level of detail and research increasing with grade level.
Visual Arts Fall 2014 Sketchbook Assignments Brooke Nelson
This document provides the quarterly sketchbook assignment directions for Mrs. Nelson's Visual Arts class. It lists 20 assignments that students must complete by the given due dates at the end of each quarter. The assignments include drawing names with background designs, geometric shapes with shading and shadows, shoe contours, color wheels, quotations, layered patterns, clothing designs, magazine collages, observational drawings, fonts, words in different styles, interpretations of icons, melting objects, watercolor paintings, cut-and-draw collages, animal/object combinations, directional line drawings, illuminated letters, and silhouettes made of letters.
Students are to choose a scene from a fairy tale or story and draw it as silhouettes. For grade 2, they should include at least 3 silhouettes that can be characters, animals, furniture or a border. For grade 3, they should add a background drawn or found. For grade 4, they should create silhouettes within other silhouettes, and different colors could help distinguish the layers.
1. The document provides instructions for a series of art lessons focusing on self-portraits, portraits using grids, and combining photos of oneself with animal images.
2. Artists mentioned include Chuck Close, who uses a grid method for portraits, and Cindy Sherman, who creates self-portraits using disguises.
3. Students are directed to take photos of themselves, combine them with animal photos to create hybrid images, and use those hybrids to create painted self-portraits using grids and tonal layers.
This homework assignment asks students to create a self-portrait using a mirror or photograph as a reference. Younger students should focus on filling the page and using shading to show contrast between light and dark areas. Older students should demonstrate good proportions, create a likeness that can be recognized, and use different textures to depict features like skin and hair. The document provides grading criteria for self-portraits by grade level, focusing on accurate proportions and effective use of light, shadows, and textures.
Students are assigned to draw three buildings for homework - one observed in real life, one from a photograph, and one from their imagination. They should use different drawing media for each, fill the page of their sketchbook, and consider presentation. Drawings will be graded on accurate line drawings, use of marks to illustrate patterns and textures, inclusion of shading to depict three dimensions, and drawing surrounding areas to provide context and contribute to mood.
The document provides details for semester 2 sketchbook assignments for students. It outlines that students must complete 5 assignments by March 1st for quarter 3 and 5 different assignments by May 10th for quarter 4. It then describes 10 specific sketchbook assignment options for students to choose from that involve drawing sounds, shading techniques, landscapes, characters, and more. The assignments are meant to help students look more closely at subjects, use their imagination, and explore ideas and techniques.
Students are instructed to complete three drawing tasks: 1) draw an object from direct observation for their story, 2) draw a place from their imagination for their story, and 3) collect reference images for characters, costumes, and scenery to create a mood board with annotations showing ideas to bring to classwork. The drawing and collage work will be graded based on accuracy, use of techniques like tone and color, skill of mark-making, and clarity of ideas presented.
Students are to complete two homework tasks for Year 8. Task 1 requires drawing two patterns from ancient Roman, Egyptian, or Islamic decorative arts, with simpler patterns for grades 1-2 and more complex patterns after research for grades 3-4. Task 2 involves making two colored drawings of canopic jar designs that incorporate Egyptian references, patterns, personal references, textures, and patterns relating to an animal, with expectations for level of detail and research increasing with grade level.
Visual Arts Fall 2014 Sketchbook Assignments Brooke Nelson
This document provides the quarterly sketchbook assignment directions for Mrs. Nelson's Visual Arts class. It lists 20 assignments that students must complete by the given due dates at the end of each quarter. The assignments include drawing names with background designs, geometric shapes with shading and shadows, shoe contours, color wheels, quotations, layered patterns, clothing designs, magazine collages, observational drawings, fonts, words in different styles, interpretations of icons, melting objects, watercolor paintings, cut-and-draw collages, animal/object combinations, directional line drawings, illuminated letters, and silhouettes made of letters.
Students are to choose a scene from a fairy tale or story and draw it as silhouettes. For grade 2, they should include at least 3 silhouettes that can be characters, animals, furniture or a border. For grade 3, they should add a background drawn or found. For grade 4, they should create silhouettes within other silhouettes, and different colors could help distinguish the layers.
This document outlines the Year 9 Visual Arts Programme at One Tree Hill College. The 2 term programme covers fundamentals of art making and focuses on the theme "Me in my Place." Students will learn painting, printmaking, drawing, sculpture and design techniques. They will study works by New Zealand artists and learn about elements of art. The programme is divided into units covering different mediums and artistic techniques. Students will be assessed using NZ Arts Curriculum standards focused on developing skills, ideas, communication and understanding art in context. Marks will be given for Achieved, Merit or Excellence levels.
This document outlines the Year 9 Visual Arts Programme at One Tree Hill College. The 2 term programme covers fundamentals of art making and focuses on the theme "Me in my Place." Students will learn various art media including painting, printmaking, drawing and sculpture. They will study artists from the college's art collection and learn about concepts like elements of art. The course is assessed using NZ curriculum standards around developing art skills and knowledge. Students will complete introductory and focused units on topics like drawing theory, color theory, and identity printmaking.
This document outlines the Year 9 Visual Arts Programme at One Tree Hill College. The 2 term programme covers fundamentals of art making and focuses on the theme "Me in my Place." Students will learn about a range of art media including painting, printmaking, drawing, sculpture and design. They will study the works of New Zealand artists and learn practical skills, the art making process, vocabulary, and how to apply creativity. Students will be assessed using NZ Arts Curriculum standards on developing skills, ideas, communication and understanding context. The introductory unit covers art elements like line, shape and color theory through drawing observational works inspired by artist models.
This lesson plan outlines a 3-lesson unit to teach 3rd grade students about graphic novels. The lessons will have students read excerpts from Adventures in Cartooning and draw their own cartoons. Students will learn about graphic novel elements like panels, gutters, and word bubbles. They will practice using these elements by drawing monsters and knights. Formative assessments include having students sequence panels correctly and review graphic novel elements. The goal is for students to understand and employ graphic novel components in their own drawings.
This document provides instructions for creating a sandpaper letters learning task to help young children develop letter recognition and formation skills. Students trace letters cut from sandpaper and glued to cards to learn letter shapes through touch. The activity allows independent, self-guided practice and development of fine motor skills. Assessment involves observing students matching traced letters to models and providing feedback to support letter mastery.
The lesson teaches students about milagros, votive objects in Latin American culture. Students will create their own milagros using either clay or foil as the material. They will learn about the cultural significance of milagros and use techniques like incising, adding texture and borders. The teacher will demonstrate procedures like flattening, shaping and punching holes in the materials. Students' understanding of milagros and their ability to correctly use production techniques will be assessed.
Art Bulletin boards to Instruct, Engage, & AdvocateKatie Morris
This document provides tips for using bulletin boards to instruct, engage, and advocate for art programs. It offers strategies for saving time on backgrounds, wording, and elements. Interactive displays that ask questions or include games can engage viewers. Instructing with vocabulary, cultural information, and student examples is suggested. Advocacy ideas include student work and experiences to show learning. Collaboration is discussed like a dot day where students add shapes to a mural.
This document provides instructions for a learning task using play dough to teach letter sounds to preschool children ages 4.5 to 6.5 years old. Students will make letters out of play dough, feel them to identify the sound, and match pictures that begin with that sound. The task aims to develop letter recognition and writing skills through a tactile, hands-on activity aligned with constructivist learning theory.
The document outlines a lesson plan that teaches 6th grade students about Aztec symbols and imagery through writing, visual art, and printmaking. Students will write a journal entry from the perspective of an Aztec person witnessing the arrival of Cortes. They will analyze Aztec art and the artwork of Diego Rivera to identify elements of art. Finally, students will create their own Styrofoam print of an Aztec symbol and write the symbol's meaning. The lesson integrates language arts, visual art, and history standards and assessments.
This document describes using found poetry and postcards to enrich writing and reading activities in the classroom. It discusses three exercises using found poetry: the pre-cut puzzle, where students rearrange pre-selected phrases into a poem; search and create, where students select their own phrases from a text; and recall poem, to assess student comprehension. It also provides many ideas for using a collection of postcards to stimulate writing, such as describing postcard images using different tenses or writing a dialogue between a character and the subject of a postcard. The postcard activities can be used to teach a variety of literacy skills and analyze works of literature.
The document provides summer assignment guidelines for an AP Studio Art class. Students are instructed to complete 3 developed drawings with varying subject matter and size requirements. They must also develop concentration ideas by exploring themes visually and verbally across 3 pages, fill 10 sketchbook pages with various media, research 3 contemporary artists with background and analysis, review a gallery or exhibition with images and writing, and explore the AP Studio Art website focusing on past student portfolios. The assignments aim to prepare portfolio material and develop artistic concepts and skills over the summer.
The purpose of this lesson plan was to integrate art and language arts. Students were to narrate the story The Legend of the Indian Paintbrush, by displaying a use of symbols on a collage.
This document outlines an art curriculum that focuses on concepts like space, texture, shape, line, value, and form over the course of a 6-month period. It divides the curriculum into sections for each concept, with each section lasting 3-9 weeks. Each section includes essential questions, skills, materials, and examples to reference. The goal is for students to manipulate various media to understand and apply elements of art and principles of design. Standards and costs are also listed for each section.
This document outlines a scheme of work for a Year 7 art class focusing on assemblage art. Over the course of 12 weeks, students will collect personal ephemera to create an assemblage box conveying a personal narrative. They will study artists like Joseph Cornell and develop drawing, painting, printmaking, and collage skills to represent different areas of their assemblage at an enlarged scale. Students will create poly prints, collagraphs, and a final composite artwork incorporating these techniques. The scheme provides differentiation for abilities and aims to develop students' technical skills, creative exploration of materials, and understanding of assemblage as an art form.
This 3-credit painting course at Palm Beach State College teaches intermediate painting techniques using acrylics and gouache. The course covers mixing colors, applying paint to different surfaces, and completing exercises to expand creative thinking. Students will identify and apply various painting techniques, demonstrate stages of the painting process, and explore subject matter like self-portraits and landscapes. The course involves fundamental technique demonstrations, lectures, and critiques of student works. Students will be evaluated on homework, projects, and a final museum project paper. Supplies like paints, brushes, surfaces and a smock are required.
Ap studio art drawing & 2-d design summer assignment info. 2010-websiteRiverwood HS
The document provides summer assignment instructions for an AP Studio Art class. Students are asked to complete 3 developed drawings of various subject matters. They must also develop 3 or more concentration ideas to explore for multiple art pieces, fill 10 or more sketchbook pages with various media, research 3 contemporary artists, review a gallery/exhibition, and explore the AP Studio Art website focusing on previous student concentration portfolios. The goals are to prepare observational drawings, develop concentration ideas, experiment in a sketchbook, research artists, and view art.
Leveraging Generative AI to Drive Nonprofit InnovationTechSoup
In this webinar, participants learned how to utilize Generative AI to streamline operations and elevate member engagement. Amazon Web Service experts provided a customer specific use cases and dived into low/no-code tools that are quick and easy to deploy through Amazon Web Service (AWS.)
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
This document outlines the Year 9 Visual Arts Programme at One Tree Hill College. The 2 term programme covers fundamentals of art making and focuses on the theme "Me in my Place." Students will learn painting, printmaking, drawing, sculpture and design techniques. They will study works by New Zealand artists and learn about elements of art. The programme is divided into units covering different mediums and artistic techniques. Students will be assessed using NZ Arts Curriculum standards focused on developing skills, ideas, communication and understanding art in context. Marks will be given for Achieved, Merit or Excellence levels.
This document outlines the Year 9 Visual Arts Programme at One Tree Hill College. The 2 term programme covers fundamentals of art making and focuses on the theme "Me in my Place." Students will learn various art media including painting, printmaking, drawing and sculpture. They will study artists from the college's art collection and learn about concepts like elements of art. The course is assessed using NZ curriculum standards around developing art skills and knowledge. Students will complete introductory and focused units on topics like drawing theory, color theory, and identity printmaking.
This document outlines the Year 9 Visual Arts Programme at One Tree Hill College. The 2 term programme covers fundamentals of art making and focuses on the theme "Me in my Place." Students will learn about a range of art media including painting, printmaking, drawing, sculpture and design. They will study the works of New Zealand artists and learn practical skills, the art making process, vocabulary, and how to apply creativity. Students will be assessed using NZ Arts Curriculum standards on developing skills, ideas, communication and understanding context. The introductory unit covers art elements like line, shape and color theory through drawing observational works inspired by artist models.
This lesson plan outlines a 3-lesson unit to teach 3rd grade students about graphic novels. The lessons will have students read excerpts from Adventures in Cartooning and draw their own cartoons. Students will learn about graphic novel elements like panels, gutters, and word bubbles. They will practice using these elements by drawing monsters and knights. Formative assessments include having students sequence panels correctly and review graphic novel elements. The goal is for students to understand and employ graphic novel components in their own drawings.
This document provides instructions for creating a sandpaper letters learning task to help young children develop letter recognition and formation skills. Students trace letters cut from sandpaper and glued to cards to learn letter shapes through touch. The activity allows independent, self-guided practice and development of fine motor skills. Assessment involves observing students matching traced letters to models and providing feedback to support letter mastery.
The lesson teaches students about milagros, votive objects in Latin American culture. Students will create their own milagros using either clay or foil as the material. They will learn about the cultural significance of milagros and use techniques like incising, adding texture and borders. The teacher will demonstrate procedures like flattening, shaping and punching holes in the materials. Students' understanding of milagros and their ability to correctly use production techniques will be assessed.
Art Bulletin boards to Instruct, Engage, & AdvocateKatie Morris
This document provides tips for using bulletin boards to instruct, engage, and advocate for art programs. It offers strategies for saving time on backgrounds, wording, and elements. Interactive displays that ask questions or include games can engage viewers. Instructing with vocabulary, cultural information, and student examples is suggested. Advocacy ideas include student work and experiences to show learning. Collaboration is discussed like a dot day where students add shapes to a mural.
This document provides instructions for a learning task using play dough to teach letter sounds to preschool children ages 4.5 to 6.5 years old. Students will make letters out of play dough, feel them to identify the sound, and match pictures that begin with that sound. The task aims to develop letter recognition and writing skills through a tactile, hands-on activity aligned with constructivist learning theory.
The document outlines a lesson plan that teaches 6th grade students about Aztec symbols and imagery through writing, visual art, and printmaking. Students will write a journal entry from the perspective of an Aztec person witnessing the arrival of Cortes. They will analyze Aztec art and the artwork of Diego Rivera to identify elements of art. Finally, students will create their own Styrofoam print of an Aztec symbol and write the symbol's meaning. The lesson integrates language arts, visual art, and history standards and assessments.
This document describes using found poetry and postcards to enrich writing and reading activities in the classroom. It discusses three exercises using found poetry: the pre-cut puzzle, where students rearrange pre-selected phrases into a poem; search and create, where students select their own phrases from a text; and recall poem, to assess student comprehension. It also provides many ideas for using a collection of postcards to stimulate writing, such as describing postcard images using different tenses or writing a dialogue between a character and the subject of a postcard. The postcard activities can be used to teach a variety of literacy skills and analyze works of literature.
The document provides summer assignment guidelines for an AP Studio Art class. Students are instructed to complete 3 developed drawings with varying subject matter and size requirements. They must also develop concentration ideas by exploring themes visually and verbally across 3 pages, fill 10 sketchbook pages with various media, research 3 contemporary artists with background and analysis, review a gallery or exhibition with images and writing, and explore the AP Studio Art website focusing on past student portfolios. The assignments aim to prepare portfolio material and develop artistic concepts and skills over the summer.
The purpose of this lesson plan was to integrate art and language arts. Students were to narrate the story The Legend of the Indian Paintbrush, by displaying a use of symbols on a collage.
This document outlines an art curriculum that focuses on concepts like space, texture, shape, line, value, and form over the course of a 6-month period. It divides the curriculum into sections for each concept, with each section lasting 3-9 weeks. Each section includes essential questions, skills, materials, and examples to reference. The goal is for students to manipulate various media to understand and apply elements of art and principles of design. Standards and costs are also listed for each section.
This document outlines a scheme of work for a Year 7 art class focusing on assemblage art. Over the course of 12 weeks, students will collect personal ephemera to create an assemblage box conveying a personal narrative. They will study artists like Joseph Cornell and develop drawing, painting, printmaking, and collage skills to represent different areas of their assemblage at an enlarged scale. Students will create poly prints, collagraphs, and a final composite artwork incorporating these techniques. The scheme provides differentiation for abilities and aims to develop students' technical skills, creative exploration of materials, and understanding of assemblage as an art form.
This 3-credit painting course at Palm Beach State College teaches intermediate painting techniques using acrylics and gouache. The course covers mixing colors, applying paint to different surfaces, and completing exercises to expand creative thinking. Students will identify and apply various painting techniques, demonstrate stages of the painting process, and explore subject matter like self-portraits and landscapes. The course involves fundamental technique demonstrations, lectures, and critiques of student works. Students will be evaluated on homework, projects, and a final museum project paper. Supplies like paints, brushes, surfaces and a smock are required.
Ap studio art drawing & 2-d design summer assignment info. 2010-websiteRiverwood HS
The document provides summer assignment instructions for an AP Studio Art class. Students are asked to complete 3 developed drawings of various subject matters. They must also develop 3 or more concentration ideas to explore for multiple art pieces, fill 10 or more sketchbook pages with various media, research 3 contemporary artists, review a gallery/exhibition, and explore the AP Studio Art website focusing on previous student concentration portfolios. The goals are to prepare observational drawings, develop concentration ideas, experiment in a sketchbook, research artists, and view art.
Leveraging Generative AI to Drive Nonprofit InnovationTechSoup
In this webinar, participants learned how to utilize Generative AI to streamline operations and elevate member engagement. Amazon Web Service experts provided a customer specific use cases and dived into low/no-code tools that are quick and easy to deploy through Amazon Web Service (AWS.)
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
Reimagining Your Library Space: How to Increase the Vibes in Your Library No ...Diana Rendina
Librarians are leading the way in creating future-ready citizens – now we need to update our spaces to match. In this session, attendees will get inspiration for transforming their library spaces. You’ll learn how to survey students and patrons, create a focus group, and use design thinking to brainstorm ideas for your space. We’ll discuss budget friendly ways to change your space as well as how to find funding. No matter where you’re at, you’ll find ideas for reimagining your space in this session.
How to Manage Your Lost Opportunities in Odoo 17 CRMCeline George
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
Architectural 3
1. ARCHITECTURAL LETTERS Image of
your
choice
• Learning Outcome: Students will become familiar with architecture by creating an architectural letter.
• Common Core Standard/GLE: CE1-VA-M3: Demonstrating art methods and techniques in visual
representations based on research of imagery. CA-4VA-M2: Working individually/collectively to
analyze/interpret symbols and images for meaning, purpose, and value in art and other curricula.
• Description of Lesson: Students studied Ancient Egypt and its architecture, after which we created 3D
letters.
ARCHITECTURAL LETTERS
Suggested
In my Fine Arts Survey Class, we have already talked about and looked at Ancient Egypt via movies, videos, and a lip
internet. We studied hieroglyphs and other symbols of Egypt. I first told them they had to use Egyptian
Partnering
symbols in their 3D letter they will create. This would be a perfect time (and I think they will like this) for me Tip:
to let them know that they are welcome to change the symbols from Egyptian to symbols about their Page 155: Where
passion, if they wish to do so. could I give
*Look over and discuss Chapter 7 of Art in Focus. Students think of 5 questions from the chapter. Research and try to answer
those questions.
my students
1. Create a preliminary design of a letter using scrap paper, Egyptian symbols or symbols re: their passions, and pencil colors. more choice
2. Design the shape of a letter on drawing paper using a pencil. The letter should be a minimum of 2-2 1/2” thick in all areas. Cut in what they
the letter out and use it as a pattern to trace onto both mat-board pieces, then cut out. use, do, or
3. Take one mat-board letter, right-side-up and glue paper cups onto it, staggering them up and down so the cups fit together. The
more cups used, the stronger the letter will be. Allow glue to dry until tacky (or longer), then glue the top letter in place,
study and still
being careful to align it with the bottom letter. Allow to dry completely. achieve the
4. Cut tape into a variety of lengths. Smooth tape gently around and adhere it to the back side. Continue until all surfaces are learning I am
completely covered with at least 2 layer of tape. Apply the tape as smoothly as possible, avoiding excessive overlapping.
looking for?
As an option, apply 2 coats of acrylic gesso to make the surface white and help seal any edges. Allow the gesso to dry between
coats. Embellish the surface of the letter with descriptive words, images and symbols that are meaningful to the
student’s personal identity.
Student Choice