Guide to Forum Theater

14,716 views

Published on

0 Comments
10 Likes
Statistics
Notes
  • Be the first to comment

No Downloads
Views
Total views
14,716
On SlideShare
0
From Embeds
0
Number of Embeds
2,478
Actions
Shares
0
Downloads
274
Comments
0
Likes
10
Embeds 0
No embeds

No notes for slide

Guide to Forum Theater

  1. 1. “We must all do theatre, to find out who we are and HELLO READER!discover who we could become.” and resident of a world - Augusto Boal where many things seem wrong, Where class, colour, gender, nation, age, religion and notions of what is normal and what is not, create unearned privilege and wealth for some at the expense of the suffering of many others.
  2. 2. Hello,Future Agent of Change.
  3. 3. Wish that you could Think it is possible stop a crisis that you to look beyond the have witnessed? criminal and understand the nature of a crime? If you’ve answered yes to one or more of the above, then read on because now it’s time to make social Feel bothered by the incompetent laws in Do you... change fun, creative and irresistible! It’s all about Forum Theater - A form of interactive theater that allows you to tackle society and wish you oppressive situations on stage,yourself, so we can all be better prepared when facing them in real life. could write your own?Feel that helplessness Feel plagued by guiltis only an excuse on the for overlookingpart of a witness to injustice? injustice?
  4. 4. Who isAugusto Boal?
  5. 5. Augusto Boal, the father of Forum Theatre, was a revolutionary theatre artist and cultural activist from Brazil. Having seen the struggle of the working class against the classist society of Brazil, he brought theatre to the masses as a means of voicing their opinion, when they needed it most. In the early 1960’s a new military regime came into power which condemned Boal’s unconventional teaching methods and saw him as a threat. Boal was kidnapped in 1971, arrested, tortured and then sent to exile in Argentina for five years. During his exile, Boal developed the Theatre of The Oppressed, which allows the audience of the theatre piece to react and express their views on the subject of the play and raise their concerns, express their opinions and propose solutions that are then incorporated in the play. Initial forms of The Theatre of the Oppressed were in the form of Simultaneous Dramaturgy.
  6. 6. This is a simple audience-actor interaction where the audience members propose solutions to the problem thatthe protagonist faces. The solutions are played out by the actors one by one until all the solutions have beenexhausted. This technique opened up interactive dialogue on stage for the first time. But what was lacking in thismodel was a certain sense of empathy which is ‘personal, unique and non- transferable’ that no other actor canimitate. For this, Boal introduced the world of Theatre to Forum Theatre, a play format in which there’s nodistinction between an actor or a spectator but is witnessed by ‘spectactors’ who can interrupt an unjust actbeing portrayed in the play and replace an actor to give it an alternative ending.a)the actors present a vision of the world as it is and the spectactor intervenes to change it to as it could be.b) But, if no spectactor wishes to intervene and prevent injustice, it can be considered as an acceptance of thesituation in real life.
  7. 7. The play revolves around the story of: The Protagonist: One who is oppressed. The Antagonist: In a form like forum theatre, where there is The one who oppresses him. so much interaction between different sets of people, don’t you surely see the need for a facilitator? A person who breaks the ice between the actors and the spectactors. Once the forum begins, the joker encourages, invites, regulates, appreciates, explains, concludes and at times even translates theThe Bystanders: Who witness this oppression interventions of a spectator. and are at a position to prevent it from happening.
  8. 8. Forum Theatre:A step-by-step guide
  9. 9. Forum theatre is a form of theatre and just like any other form, it requires a clever script and supportingdesign that makes it both pleasurable to watch in form and thought-provoking in content.Now, how do you strike this magical balance between form and content and make the experience fora spectactor really valuable?The Anti-ModelTo understand what an anti-model means, it will help to think about what the term ‘model’ means. A modelsituation is one where there is deal distribution of power and no construct of oppression. So surely, theanti-modmeans the opposite- an act in Forum Theatre that portrays the oppression. A Forum play can includeone or more anti-models that narrate an undesirable but prevalent view of the world.
  10. 10. The spectactors are the members of the audience who are invited on stage to replace the protagonistor a bystander to intervene at the event of an injustice and offer solutions to dissolve the conflict andgive the play an optimistic ending.
  11. 11. The Joker welcomes and warms up the audience. He introduces the context and themembers of the play to the audience. As the play begins, it takes us through the lifeof the protagonist. The cast build the scenes to portray the act of oppression and itsconsequences. The spectactors are given a few minutes to absorb the gravity of theact and reflect upon it. Sequence of Events
  12. 12. The Joker asks them if this kind of a social set up that is acceptable.Questions like, “Do you feel any empathy after watching this play?”“Are you prepared to fight it if it were a real life situation?” provoke thoughtand finally the joker poses the question that urges them to act out any possiblesolution, “ Would you like to try out any solutions?”
  13. 13. The spectactor can do many things. He can: a) come in as a new character b) replace a bystander The anti-model is repeated a c) replace the protagonist and second time and the Joker shouts offer a solution from the STOP!! “stop!” at a point where a character’s perspectivespectactor stops the play at a point where they see a potential for change. He encourages thespectactors to replace a characterwho holds the power to liberate the After some resistance that will exist in a realistic protagonist from oppression. situation, the antagonist party will give in depending on how powerful the offered solution is and the spectactors will be able to see the problem unfold with a positive change.
  14. 14. Recapitulate Appreciate The Joker also regulates the Thank Forum- any discussion or debate that may stem from these Once most possible solutions are exhausted, the Joker summarizes the solutions, he is expected to hold possible solutions offered by the a neutral position, but asking spectactors and presents the questions that the audience can opportunities in time that allow one to Once we witness the easily respond to with a Yes or intervene in a difficult situation. This consequence of the solution, No. In this way the joker always allows the spectactors to review the the Joker stops the act, tries keeping a healthy, Forum, to seep the experience in. The recapitulates and appreciates meaningful discussion going. play ends on a positive note with the intervention, thanks the emphasis on how a real life crisis spectactor for his/her always has room for change. contribution and invites alternative solutions.
  15. 15. ...... ......... ... . .. .. ... .. .. ... . .. ... .. . . . . .. .. ... . ... ... .............. . .... Magic What do you think ... .. . .. .. . . . . . .. ..... .. .. .. .. .. ..... . . . . . . . . . . . . . . .. ... .. . . the word magic ....... ...... magic means in this Interventions that use magic seem too good to be true and look at context? ... super-human or ideal circumstances. .. . .. . . . ... It often happens when we assume that .. .. . . .. . ... ... . . ... ...... .. ..... the forces of oppression can be ... .. ............... .. ........... neglected. When Magic as a solution is offered, it is important for the JokerIn Forum Theatre, ‘Magic’ refers to a solution offered by a spectactor to identify Magic, explain it to the that frees, deletes or makes the oppression of the anti-model vanish audience and suggest an alternative by unrealistic means. For example, if a spectactor tries to replace point of intervention.the rapist in a sexual abuse scene, it is unrealistic or magical to think of this approach as a possible solution!In real life, is it possible to dissolve matters by wishing a problem away?
  16. 16. .......... ..................................... ..... .............. ........ ...... . ......... .... .. ....... ... .. .... ...... On the other hand if the oppression in the anti-model is portrayed to the. ...... ... spectactors at a point so extreme that it cannot be prevented, it leaves no room ....... .. . ... for intervention and ends the play with a sense of helplessness and loss. .. ..... . For example -when one shows the protagonist being held at gun-point. If battling . ... the oppression (or in this case aggression) is only through physical self-defense, . ... .. the purpose of a forum is defeated. How can we, as spectactors reflect on the ..... . . . ... root of the problem and try to prevent it from building into aggression that . .. ... . .. ..... ..... .... ....... ...................... ..... .............. ............ ..... ........ ...........
  17. 17. What is important is howWriting your Is the oppression on a child being precisely the problem is put bullied in the lunch hall less significant forth – as Boal puts it, if the than that of a refugee being tortured by presentation of the problem militants? Can you see how the is done in a hazy manner, theown Forum suffering of two individuals cannot be compared on the same parameters? Any subject that enuinely wants solutions will be as hazy, the discussion as awry. A clear, well-constructed, strongly Piece All oppressions are liberation, that requires the drawing of attention and discussion towards it, can portrayed problem will bring about clear, specific of equal importance- to the be constructed into forum theatre. It and strong reactions and people who are being should ideally be a form of oppression that society can regonize, but is aware solutions. subjected to them of neglecting, that is relevant to the - Augusto Boal spectactors and that they can relate and respond to.
  18. 18. The verbal language, or the speech, must be something that the spectactors are acquainted with to avoid any miscommunication or confusion. If there The visual language can range from is any disparity,the Joker or a translator something universal such as waving ones should be prepared to bridge this arms in alarm to something culturally difference. In fact, here is where the specific such as the colours of a flag as a importance of the visual language of metaphor for liberty. Keeping the portrayal theatre comes in! Since Forum invites realistic is a great way of getting one’sspectactors to act and not just hold verbal point across. But it isn’t the only mode. discussion, a strong and clear visual and Including surreal and symbolic imagery metaphorical language adds layers to (see more in Image theatre) pushes the the anti-model, gives more dimensions imagination and encourages theatrical for interpretation and allows access expression among the spectactors. to the spectactors to express their thoughts.
  19. 19. How can we use metaphors and symbols to convey Other oppression through theatre? How can we prevent a forum play from resembling a boring monologue? How can we bring spectactors to understand a language that isTechniques not limited to words? Image Theatre, as the name suggests, avoids using words Rainbow Of Desires is an introspective technique that uses altogether. It uses the spontaneity words and images to give us an view of what goes on offered by movement, body inside a character’s mind. It helps us see how internal language, objects, gestures, conflicts of both the protagonist and the antagonist comes colours and visual signals that across as oppression. This fair view of situations helps in connect to our day-to-day deepening the nature of the interventions. Using this, you perception. Through this, we will be able to see beyond the black and white,good and make the language on stage more evil, right and wrong to be able to better understand the universal and relatable. spectrum of human behavior.
  20. 20. Functioning as a ForumTheatre Group
  21. 21. Sitting in circles works miracles- it dissolves hierarchy, everyone can see Actors in forum write their own script everyone else making it easier to focus, through long sessions of spontaneous the group energy is contained, it makes taking turns theatre, improvisation and reflection. AreBelonging easier and methodical, no issues stay unaddressed, we not members of the very society we and with a little nudging and shifting, it’s always are acting against? Encouraging habits to the possible to accommodate one more person in the big a groupbig circle. of teamwork during rehearsal goes a circle. In the beginning of the session, the big circle As long way in maintaining a healthy gives everyone an identical space to start off from. At group dynamic. Trust, belonging and the end of a session, once the group reflects and having an equal status in the group shares observations, it leaves one with a sense of enhances one’s willingness to contribute Try one or more gathering identical knowledge and learning. as one knows that one is being heard. of these methods to It brings oneness and decisiveness. create and maintain a And it makes louder noises. healthy dynamic
  22. 22. Keep markers and paper handy when in discussion. Record When in action, take pictures, videos,Lay down big sheets of paper audio recordings. What comes up in in the centre and allow free expression of needs, wants, group discussions will greatly affect fears, hopes and any what forms the content of the anti-model. concerns that people voice Observe not only the obvious, but dig for late reference. deep into the undercurrents of the actions and what may have provoked them. And Record and remember what makes record, to include these details in the up the interests of the group and Note ideas when script for the anti-model. respond to them accordingly. brainstorming. Write big.
  23. 23. To keep your content true to a As an individual, try switching world view, make it well-rounded your gaze from outward to inward.with more than one perspective. As Observe yourself as a member of a group, switch roles and powerplay. Put yourselves in the shoes of Switch Roles the society and how your relationships with society change with change in context. A greater someone who is on the other end of the spectrum. Play both, an sense of empathy will develop in antangonist and a protagonist. us not only from listening to others but listening to oneself thinking like someone else.
  24. 24. Many emotions that are raw, uncomfortable and CONFIDE Chances are that as we build trust, refusal withprivate emerge in discussions that lead to writing morph into hesitation which will slowly bloom into an anti-model. There are matters of secrecy that TRUST willingness to share. With trust alone can we keep may be clouded by negative emotions. But as a shame, guilt, hurt and anger from getting in the group, learn to keep matters confidential with PROTECT way of an effective anti-model. With trust, andresponsibility and sensitivity. Respect anonymity secret societies with cool dress codes. or refusal to participate in certain discussions.
  25. 25. On several occasions, talking about oppression in one’s own Functioning lives is a struggle which a and Appreciate participant will undergo for the Nevertheless, appreciate each sake of the group. At the same other’s courage to let go of the fear time, learn to detach yourself of being judged. After all, the enough to critically analyze more people we thank at the endwhat fits the script and makes for of a session, the richer the day has powerful content. been in gaining a variety of perspectives.
  26. 26. Ga mes f or aForum group
  27. 27. Ask a series of questions with For eg, ask “If you are having a terrible day and wish you werent here, two different answers and stand over to the left, if you are thrilled to be here, have energy for the depending on what they day, stand to the right. Or if you are somewhere in the middle, stand Spectrum think, participants should somewhere in the middle, or a little more to the side that you agree arrange themselves more with a little more. Stand anywhere along the line that represents whattowards one answer on one you think. There are no right or wrong answers.” end, another answer on Ask why they chose to stand where they standing, again emphasizing if another end, or somewhere necessary that there are no answers better than others, or more correct- along the line in the middle. this is simply an activity to see what people are thinking.
  28. 28. One partner tries to keep theirface aligned with the otherpartners hand as Secret thought or secret wish:they move that hand around. Everyone speaks their Switch roles, so that the previous secret thought or what theyleader follows. secretly want simultaneously Both partners follow and lead at and then one at a time they Fast Forward/ Rewind-the same time. share the essence of that thought when tapped. Go back in time or ahead to the future. Double- Every conflict has a history and every Pause- Someone steps up and resolution has its consequences. Fast-forward To stop a scene and have for previewingoutcomes or possible mirrors the protagonist’s everyone hold the body posture body language and makes consequences. Rewind for showing context of the paused moment. Helpful and history. Rewind is especially useful when Columbian statements in the first when you identify a destructive person based on the the conflict appears to start with a violent behavioral pattern cycle is just altercation, through a rewind you may feelings that arise in their beginning and give the find that the conflict actually had roots Hypnosis Boal body. Think of it as someone actors/spectactors a chance to offering inner thoughts. in the lunch line yesterday. observe their bodies and the direction of the anti-model.
  29. 29. Multiple Endings- Replay the scene A poetic monologue that can be with different endings. Identify aused during a pause to make inner Soliloquy pivotal moment in the scene while thoughts public and deepen its enacted the first time through.understanding of where each other Once it ends, invite a rewind back toare coming from. At any point in the that pivotal point and ask the act, pause and ask an actor how characters to replay it in a different they are feeling. way. If the participants cant think of any other endings then pose "what if" questions. “I’m frustrated, no one wants to believe me. I’m extremely disappointed and hurt.” Once the feelings are expressed and heard, resume the play.
  30. 30. Being aware of one’s physical stance at all times For answers that ring in is a must. For instance if the unison, it is important for the Things stage is on a higher dais, Joker’s questions to be framed the Joker could lower his crisply. Go for questions that to keep in stance to a sitting position can be answered in a to be at the same level as Yes or a No. the audience. Even though all the actors Using a neutral tone, that mind for should watch out for Magic in an intervention, it is the job ofavoids being judgemental of drawing conclusions is important so the the Joker the Joker to identify it. But instead of ruling the solution out, he can instead ask the audience to decide if it is a spectactor can build possible, realistic solution. trust with the Joker.
  31. 31. Where is Social behaviour compels it used? The potential of Forum theatre has been recognized in Policy Making, where Potential us to think from within the roles important perspectives as brought forward by that we play in our daily lives such as various citizens and the distribution of power can be understood more sensitively. ofa student, worker, bread-winner, mother,teacher etc. Despite ourselves, we invoke In the realm of Medical Humanities, Forumand reinforce these hierarchies, orders and Workshops allow better understanding connotations and distance ourselves fromcommunicating as fellow humans. Forum theatre is a medium of breaking these patterns and Forum Theatre between patients, their families and physicians. This fragile relationship requires not only an understanding of the other but also thorough behaviours, sometimes donning new ones self awareness, that is provided by the voicing altogether, and communicating the way our of opinions and feelings under crucial bodies guide us, from one human to another. circumstances portrayed in forum anti-models.
  32. 32. In the classroom, traditionally a space that hegemonises the teacher, the technique of Forum Theatre democratises space. Instead of assuming that the knowledge of a teacher always puts hims/her in authority, the classroom becomes a space of learning and problemsolving for everyone. Everyone is a spectactor, a teacher and a student. In the end, becoming a participant of Forum is a process of realization and reflection. It can be unsettling and painful when buried feelings are stirred, but there can be no better way to voice one’s struggle, whether in one’s personal life, in the classroom, at a workplace or on the warring borders of countries. The subject of the Forum can be ever-changing, but what remains constant is the empathetic human dialogue it generates - something the world could use more of. Something worth spreading wherever life takes you.
  33. 33. Joker: Antagonist: Inner-conflict: The facilitator of the Character who acts The range of emotions forum model of theatre Anti-Model: as a force of that occur within a character of who conducts the session An act of forum oppression. the anti-model, both positive with a neutral stand.theatre that portrays and negative. The thoughts that the opposite of an lead to a dilemma between Glossary ideal situation. choosing to live under oppression or seeking Intervention: liberation. The act of a spectactor Connotation: interrupting the forum play An idea or feeling that a when it runs a second time word invokes for a person and replacing a character to in addition to its literal or address the oppression primary meaning. through theatre.
  34. 34. Soliloquy: A poetic Change: monologue of any To make the nature, member that content or the future Liberation: expresses their course of something The seeking of equal inner thoughts. different from what it status or just treatment would be if left alone. for or on behalf of any Magic: group believed to beAny forum intervention Spectactor : The audience discriminated against. that liberates the of forum theatre, not Social Change: protagonist but in an simply spectators but Refers to anunrealistic manner such participating members Oppression: alternation in the as replacing the who can intervene in the The exercise of social order of antagonist. performance and alter its authority or power in society. direction. an unjust manner.

×