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FAH
101-­‐-­‐2015
Second
Writing
Assignment
Due
November
19
at
10:10
a.m.
Purpose
This
assignment
is
designed
to
build
upon
the
skills
that
you
employed
in
the
first
paper,
where
you
learned
to
look
carefully
at
a
work
of
art
and
to
translate
your
visual
responses
into
descriptive
and
analytical
language.
There
are
two
major
differences
in
this
second
assignment:
(1)
you
will
now
apply
those
skills
to
the
task
of
comparing
and
contrasting
two
different
works,
stating
a
clear
thesis
about
the
nature
of
this
relationship,
and
(2)
we
now
ask
you
to
locate
your
observations
about
the
two
works
concretely
in
history.
This
means
that
you
will
have
to
consult
secondary
sources
to
identify
how
the
subject
matter
and
form
of
the
works
are
related
to
particular
developments
in
the
world
in
which
the
maker
was
working.
How
can
you
attribute
the
differences
or
similarities
between
the
works
to
the
broader
patterns
of
history
and
biography?
Format
The
paper
should
be
no
more
than
5
pages,
double-­‐spaced
in
12-­‐point
font,
with
normal
margins.
Include
your
name,
student
number,
and
TA’s
name
on
the
paper.
Proofread
carefully
for
grammatical
and
spelling
errors.
You
must
cite
any
sources,
using
notes
or
parenthetical
in-­‐text
citations
in
the
Chicago
style
(see
http://www.chicagomanualofstyle.org/tools_citationguide.html
for
guidance).
You
must
consult
and
cite
at
least
two
sources.
These
sources
must
be
books
or
articles
(in
print
or
online)
available
through
the
University
of
Toronto
library
catalogue
(http://onesearch.library.utoronto.ca).
For
help
finding
sources,
explore
the
library’s
“Art”
Research
Help
page:
http://resource.library.utoronto.ca/a-­‐z/subject.cfm?subject=10.
Please
include
an
image
(i.e.,
a
photograph
or
a
detailed
illustration;
ensure
that
your
flash
is
turned
off
when
taking
photos
in
the
gallery)
of
each
work
at
the
end
of
your
paper.
Caption
each
image
with
a
figure
number,
the
name
of
the
artist,
the
title
of
the
work
(in
italics),
and
the
date
of
the
work.
The
Works
Select
two
works
currently
on
view
at
the
University
of
Toronto
Art
Centre
(UTAC).
The
works
may
be
from
the
same
or
different
exhibitions.
The
exhibitions
currently
on
view
are:
Rocks,
Stones
and
Dust
(on
view
until
December
18)
BMO
First
Art!
Exhibition
(on
view
until
December
18)
On
Location
(on
view
until
November
14)
The
Art
of
Devotion
(ongoing
exhibition)
Practical
Information
University
of
Toronto
Art
Centre
(UTAC)
University
College,
University
of
Toronto
15
King's
College
Circle
http://www.utac.utoronto.ca
Opening
Hours:
Tuesday
through
Saturday,
12:00
p.m.–5:00
p.m.
Wednesday,
12:00–8:00
p.m.
Admission
is
free.
Justina
M.
Barnicke
Gallery
Hart
House,
University
of
Toronto
7
Hart
House
Circle
http://www.jmbgallery.ca
Opening
Hours:
Tuesday
to
Saturday,
12:00
-­‐
5:00
pm
Wednesday,
12:00
-­‐
8:00
pm
Admission
is
free.
Advice
on
Compare/Contrast
Papers
[adapted
from
the
City
University
of
New
York
writing
centre]
In
many
beginning
Art
History
courses,
and
in
more
advanced
ones
as
well,
you
will
be
asked
towrite
a
paper
in
which
you
make
a
comparison
and
contrast
between
two
works.
This
type
of
essay
usually
requires
a
substantial
comparative
judgment
of
the
two
works,
which
will
function
as
your
thesis.
One
option
for
a
thesis
statement
for
this
kind
of
comparative
essay
could
be
based
on
how
you
see
the
two
works
in
relation
to
each
other
and
to
some
aspect
of
the
human
condition,
or
culture,
or
history.
It
could
be,
for
example,
that
both
artists
painted
peasants
working
in
a
field,
but
one
painting
suggests
the
oneness
of
humans
and
nature,
perhaps
because
the
figures
appear
to
be
an
integral
part
of
the
field
in
which
they
are
working,
while
the
other
painting
emphasizes
the
separation
between
humans
and
nature.
The
evidence
you
provide
for
your
thesis
will
include
your
interpretation,
analysis,
and
description
of
the
characteristics
of
both
works,
and
must
at
all
times
relate
to
your
thesis.
For
example,
if
you
are
discussing
horizontality
or
verticality,
you
need
to
first
accurately
and
clearly
describe
these
elements
in
both
works
and
then
evaluate
how
these
visual
orientations
demonstrate
the
validity
of
your
thesis
concerning
humans
as
a
part
of
nature
or
separate
from
it.
Do
not
divide
the
paper
into
two
discrete
sections:
avoid
a
discussion
of
one
work
of
art
followed
by
a
discussion
of
the
other.
Instead,
each
paragraph
can
include
discussion
of
both
works
in
relation
to
a
particular
element
or
a
well
thought-­‐out
combination
of
elements,
such
as
color
and
texture.
The
point
of
comparison
or
contrast
that
each
paragraph
makes
must
support
the
point
of
your
paper,
your
thesis.

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