Examples of Photoshop and imaging work for magazines including People, The New Yorker, Fortune, book publishing and website graphics. Includes examples of color and tonal corrections, silhouettes, image manipulation, and product prototypes.

1. Magazine Spread
Martha DiMeo
Client: People Magazine
Time Inc. Publication
This is a scan of the spread (and not the actual digital file) as it
appeared in the magazine. The “before” image is to illustrate the
Photoshop work needed to format the photograph to the lay-out.
Hard copies will be provided to show the color correction work.
Color Correction
Image Manipulation
Layout: QuarkXPress

2. Martha DiMeo
Magazine Cover
Client: Fortune Small Business
Time Inc. Publication
Color Correction
Image Manipulation
Layout: QuarkXPress
Please Note: This is a scanned representation of
the cover and not the actual digital file.“Before”
and “After” of the color work performed will be
provided during our meeting.

3. Martha DiMeo
RETOUCHING REQUEST
Magazine Cover
Client: Fortune Magazine
Custom Publishing
Color Correction
Image Manipulation
Layout: QuarkXPress

4. Client: The New Yorker Magazine
Thesearescansoftheproofsandnottheactualdigitalfiles.The
above image with color correction mark-ups is to illustrate the
color evaluation process and my experience performing high-
end retouching. The actual Matchprint proofs will be provided
during our meeting.
Retouching
Color Evaluation
& Color Correction
Portrait Retouching
Copy of Final Matchprint
Martha DiMeo

5. Portraits
before after

6. before after

7. Martha DiMeo
Client: The New Yorker Magazine
This is a scan of the spread (and not the actual digital file) as it
appeared in the magazine. The proof with color correction mark-ups
is to illustrate the color evaluation process. Selective areas of color
were adjusted to match the original art precisely. Nothing less then
an exact match to the original was acceptable to the editor.
Scan of Original Art
Direct capture with a
digital camera
Color Evaluation
& Color Correction
Art Reproduction
Proof with mark-ups

8. Email Promotion
Concept & Design
Photography
Photoshop Enhancement
Color Correction
Type Treatment
HTML Production
Client: Melody Phaneuf
Paintings
Martha DiMeo
A Valentine to clients with
a gift giving suggestion.

9. Concept & Design
Type Treatment
Photoshop Enhancement
Color Correction
Photography
Production
Web Graphics
Client: Melody Phaneuf Paintings
www. MelodyTheArtist.com
This is the opening page of the web site-www.MelodyTheArtist.com.
“Before” photo included to illustrate the Photoshop work done –- enlarging
of the figure, removal of wrinkles in the clothing, and desaturation of the
image–-to accomplish design goals.
Martha DiMeo

10. Martha DiMeo
Email Promotion
Concept & Design
Photography
Photoshop Enhancement
Color Correction
HTML Production
Client: Melody Phaneuf Paintings
Email promotion to invite clients to
the Open Studios event and to build
awareness of product line.

11. Product Prototype
Photoshop Work
Photography & Design
Client: Melody Phaneuf Paintings
Product prototype created in Photoshop to
provide an idea to potential licensees of ways
to incorporate art into their product lines.
Creating what does not exist.
Martha DiMeo

12. Martha DiMeo
Creating a Silo
Photoshop Work
Photography & Design
Client: Self-Promotion
Before

13. Improving Tone, Color & Contrast
Section 1

14. before after
Flesh Tones

15. before after
Flesh Tones

16. before after
Flesh Tones

17. before after
Flesh Tones

18. before after
Color Casts

19. before after
Color Cast

20. Crafting Tonal Range
before after

21. before after
Crafting Tonal Range

22. before after
Crafting Tonal Range

23. before after
Crafting Tonal Range

24. Image Manipulation
Section 2

25. Changing the Color of Things
turned into many.
One pair of shorts...

26. Changing Reality
before after

27. Changing Reality
Final Composite

28. Changing Reality
Final Composite

29. Please Note: Actual Colors May Vary
All color corrections were done to SWOP standards, optimized for print reproduction.
The physical condition of your monitor, software settings, system settings, and viewing
conditions may result in a misrepresentation of the final color.
Digital Imaging by:
Martha DiMeo
Contact Information:
401-261-6969
mmdimeo@mac.com