1. Not Just Another Ensemble:
Social Music Making in MS General Music
Malinda W. Essex, Ph.D.
mindy.essex@gmail.com
2. What is Social Music
Making?
Join in (with or without words)
when you’re able!
El pueblo unido jamas sera vencido!
- Quilapayun
3. What Is Social Music
Making?
What characteristics made this easy to
learn and sing along?
What would the purpose of this song be?
4. But what’s wrong with
ensembles???
NOTHING!
As music educators we are excellent at creating
high-performing ensembles
With high-performing students
Who get into high-performing schools of music
And become high-performing music
educators
5. Circularity
Charles Leonhard
Auditioning
Candidate
•Dictated by admission
requirements of
institution
Pre-Service
Teacher
•Prepared by
curriculum of
institution
Practicing
Teacher
•Wants to inspire new
music teachers
•Prepares possible
teachers to meet
admission
requirements
Student
•Wants to be music
teacher
•Must work to meet
admission
requirements of
institution
6. But what about those
outside the circle?
Commonly referred to as “The Other 80%”
Carlos Abril and Ken Alpus (JRME, 2011)
Only 21% of H.S. Seniors participate in school music
ensembles
Male, ELL, low income, and students whose parents
have a HS diploma or less were significantly
underrpresented
Music for All?
8. How do we EXPAND the
circle and our reach?
EXPAND… NOT REPLACE
Offer more opportunities for creating music and
reaching more students
Authentic music making
Social music making
Contextual learning
9. SO NOW WHAT?
In our perfect, musical world ….
Jam sessions
Garage Band
Sing-A-Longs
Drum Circles
But then someone comes along and wants to us to
post a measurable objective, track student growth,
etc., etc., etc….
10. Can we do it all??
YES!
Units created to…
Establish a base of musical knowledge
Engage students in performing in an authentic way
Challenge students to create their own music and
musical interpretations
All while…
Getting students to make music alone and together
Creating a musical community in your classroom and
school
11. Conversations In Music
Connect typical conversations with musical
conversations
From Question & Answer to Call & Response
What kind? Mimic or constant?
Rhythmic Compositions
Music Videos
Assessment
Rhythmic composition and performance
Group/Individual work in Video Production
Call & Response knowledge
12. Blues
12 Bar Blues
AAB Lyric Pattern
Chord Progression
History of Blues
Country Blues, Classic Blues, City Blues
Playing the Blues on ukulele/guitar
Assessment
Blues Brochure
12 Bar Blues on Uke
13. Music From The
Depression
What was The Great Depression & Dust
Bowl?
What role did music play?
Woody Guthrie – play on ukulele
Do Re Mi
Dust Bowl Blues
This Land Is Your Land
14. Music From The
Depression Era
Aaron Copland – Notate and play intro
Fanfare For The Common Man
Kate Smith – Play on uke (picking) or other
melodic instrument
God Bless America
Assessment
Playing
Comparing and contrasting music’s purpose and
audience
15. National Anthem Debate
History of National Anthem and ongoing debate
America The Beautiful
God Bless America
Star Spangled Banner
Analyze for range, meter, length, amount of repetition,
message of text (Assessment)
Play/Sing
Argumentative Essay to choose one for Nat’l Anthem
(Assessment)
16. Creating Community
Ongoing questions:
Who?
Where?
Purpose?
What do people do as they create music in
community?
Musical Characteristics?
Why are certain musical characteristics important for
creating music in community?
17. Creating Community
Intro – Where do people “do” music together?
Brainstorm individually
Share/compile
WHY do people “do” music together?
Is there a difference between “doing” music together
and “listening/watching” music together
19. Creating Community
Entertainment
Songs that invite you to sing along
Other Cultures
Sporting events
National Anthems
Create Community In Your School
Assessments: Performances and Poster