The Film Thelma And Louise

The Film Thelma And Louise
The film Thelma and Louise is in fact a feminist work in which women are empowered. The film
Thelma and Louise is most famous for its ending scene. The iconic scene of the two women kissing
and driving off the canyon into their death is present even today in pop culture and referred back by
those who liked it. Although the kiss in the scene is not a romantic kiss, it captured the love between
the two women, not a romantic homosexualised love, but a heteronormal sisterly type of love. Also,
their faces prove that they died happy, and chose to die not only because they have no other choice
but also since that way they are able to make a decision as to what happens to them and how they
die. The ending is empowering to women, due to the power ... Show more content on
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Nicole Keating, writes about the ending of the movie and its representations. She mentions the
Thunderbird's mirrors and their representation throughout the movie and most importantly the
ending (Keating, 103). Throughout the movie when the women look at the mirrors they do not see
themselves, instead they are searching for who they are, searching though the crimes they have
committed and the people they have met. During the final scene, however, they are no longer
looking at the mirror, they are looking at each other. Viewers see the mirror, with what the women
are leaving behind, "It is significant that this mirror, the site of female looking and self reflection
throughout the film [ . . . ] is lost just before the two of them expire" (Keating, 103). They no longer
need to look for who they are, their life is fulfilled and they do not care that they are headed to their
death because they chose to die untroubled instead of going back to a submissive life in a society
where women are not allowed to have independence. When Louise presses the gas to drive into the
canyon, happy music plays in the background, and the women are smiling at each other, as if they
are content with the life they lived. As the car floats over the canyon, the screen fades to white
without actually showing the crash and the death of the women. Lastly, we see all their joyful
moments played back, in such a way that viewers understand that both Thelma and Louise loved
their lives and did not care that they were going to die. Their death is not a punishment for their
agency. Their kiss and hand holding represents their friendship and it is the simple reassurance that
their life is fulfilled. They chose this life and did everything that could to die happy. They shared a
friendship, and they cared for each other in a hetero–normal way. The love and care they felt for
each other is more than all the men in their life provided them
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Homosexual Mothers: The Demonization Of Lesbian Parenting
Harnessing the momentum from the civil rights movement, activism for lesbian parents ignited in
the 1970s. Many hard fought custody and legal battles mark this period. During this time, the
primary aim of the research was to augment legal arguments in establishing their suitability to parent
by likening them with nuclear, heterosexual families (Patterson 2005). Most of the current literature
on lesbian parenting continues to fall under this category. Focusing on psychological outcomes, this
research examines children born within a previous heterosexual relationship (see, for example,
Victor and Fish 1995; Parks 1998). In Canada, courts discerned a 'good' and 'bad' lesbian mother; a
'good' lesbian mother was markedly invisible, unpolitical, ... Show more content on Helpwriting.net
...
Family building and conception became greatly medicalized and premised on market culture
(Epstein 2012). In part, this constructs an entry point for gays and lesbians to enter the "voting bloc
and market niche," by erasing their differences to blend into the mainstream (Gross 2011, xvi).
Determined by power, social systems are a mechanism through which politics and economy disperse
power, to the dominant groups (Foucault 2001). In this case, the dominant group is acceptance of the
power is the heterosexual nuclear family. In this way, medical models of conception and family
building promote the dominance of heterosexual nuclear family discourses and what is a valid
'family' in society (Brown 2003; Newnham 2010). Compulsory heterosexuality assumes a
naturalness to heterosexuality, an ideology presented and critiqued by Adrienne Rich in her essay
"Compulsory Heterosexuality and Lesbian Existence" (1980). Unable to exist under the imperative
of heterosexuality, Butler (1996) found that gendered sexuality is a performative construction of the
self. Adding to this notion, further feminist interpretations argue that lesbian identities subvert
dominant gender norms (see, for example, Case 1989; de Lauretis 1994; DeLombard 1995; Lamos
1994; Morgan

Trans Men And Butch Lesbians Analysis
Trans Men & Butch Lesbians: Ways to Differentiate the Two Through Various Viewpoints in order
to Avoid Stereotype, Generalization, and Assumptions.
Butch, masculine, lesbians have frequently been compared with femme, feminine, lesbians through
multiple research surveys and studies (L. Zheng and Y. Zheng 186–193, Rosario, Schrimshaw,
Hunter, and Levy–Warren 34–49). In L. Zheng and Y. Zheng's study, most butch lesbians report
more gender nonconformity throughout their childhood and adulthood; a great number of them
experienced uncertainty about their gender identity (186–193). Similarly, research on trans men
explains how the majority of them struggle through gender nonconformity mostly before their
transition: oftentimes, they are labeled as

Othering In Film Essay
Othering is the process of forming a person, an object or a group into the role of the 'other' and
creating individual's identity through opposition. But as someone is "other" to me, I carry the same
label for someone else who identifies with a different group. How do we bring meaning into a term
that refers to absolutely everyone? In the films that we have watched, the term is usually defined in
terms of the distinction from dominant group. In various films, we see several different kinds of
others – ethnic, racial or sexual. While some films deal with others and the process of othering in
full exposure, other films and diegetic nationalities treat this sensitive subjects under the covers,
therefore society is silent about things that alter from the normative. The sexological discourse that
spreads in West comes to Asia and enters into China' pre–modern era – echo of sexuality. There
were many homosexual relations in china in pre–modern era, and it was the same case in Japan.
However, othering homosexual identities arose only after sexual discourses from Western cultures
breathe life into them. Westerners say the homosexual behavior is barbaric, and they spread the idea
that to be considered a civil nation you have to stop normalizing same–sex sexuality. Instead of
labelling like European societies do, the organization in ... Show more content on Helpwriting.net ...
The film also show how plot and individual narratives further complicate and deconstruct social
roles and one's own identity. Spider Lilies has two main characters – Jade, a young web–cam girl
who visits tattoo studio and then becomes entranced with the image of the spider lily and
additionally the tattoo artist – Takeko. Both girls have lost loved ones, but haven't completely dealt
with losses from the past. The film is using silence to deal with their losses and associates issues of
expressing their sexuality with their

The Stereotypes Of Homosexuality In Film
While many believe that homosexuality has only been seen in mainstream media for only a few
decades, it has actually been with America cinema since the early 1920's. The portrayal of
homosexuality in film and TV has come a very long way since the 1920's. What viewers see on TV
about homosexuality is really just a representation of America's changing public view on the subject.
While we have come to accept the topic of homosexuality in American society more willingly, we
have substituted much of our prejudice about gays with the stereotypes that we see on TV
constantly. Because as a society we are constantly forced to see these stereotypes, we are being
halted in our progression to accept all different kinds of lifestyles. When film was ... Show more
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In the early fifties, lesbians were also being attacked by the film industry, portraying them as
bulldykes and troublesome neurotics. While the Hollywood was struggling to make topic of
homosexuality in films more suitable for audiences, the film Victim made its debut in the United
Kingdom. This was the first film to star a homosexual character that stands up to fight against the
oppression of homosexuals. While this was the first time in history that a film portrayed a gay
character in a non–demeaning way, this would lead to the stereotype of sympathetic gay characters
in film. One film that I would like to note that is a great example from the 90's would be the film
Philadelphia, starring Tom Hanks as a gay AIDS victim that was fired because of his sexuality and
disease. Hollywood targets Hanks' character and makes him into a tragic figure. His character dies at
the end of the film. In an interview with Jan Oxenberg, she points out that even though Tom Hanks'
film was very effective, it is just "a story about a gay hero who dies, who's a tragic figure" and that it
seems as if Hollywood and the film industry will never have a film in which the gay main character
lives to see another day (Epstein). Another more recent film that demonstrates this sort of
sympathetic gay character would be

Butch Ladies Play Analysis
Ladies have free rule to be innovative and expressive. Men don't. Ladies likewise are built
somewhat distinctive and have apparently better inventive and passionate affectability. The best of
both universes: a mix of manly and female attributes. A comparative "thing" can be found in
lesbians who carry a female point of view with a remarkable mix of manly viewpoints. It's the
reason lesbians exceed expectations with jobs in Performing Arts which other ladies don't, yet in a
manner that men customarily would too. More prepared speculations of lesbian women concentrated
on a dichotomy between "butch" ladies, or dykes (who held fast to male features and masculinity's)
and "femmes", or lipstick lesbians (who took after girly girls), and considered the run of the mill
lesbian couple a butch–femme pair. While some lesbian ladies are still either "butch" or "girly."
Lesbian theatre developed from feminist theatre ... Show more content on Helpwriting.net ...
Drag in the theatre expressions shows two sorts of marvel. One is cross–dressing in the execution,
which is a piece of the social history of theatre. The other is cross–dressing inside of the dramatic
fiction (i.e. the character is a cross–dresser), which is a piece of artistic history. Drag is frequently
played for comic impact. Cases incorporate the female characters (on occasion cartoons) played by
male individuals. Within the dramatic fiction, particularly In male–dominated societies wherever
active roles were reserved to men, a girl would possibly dress as a person below the pressures of her
dramatic difficulty. In these societies a man's position was higher than a woman's, inflicting a rising
action that suited itself to tragedy, sentimental comedy and comedies of manners that concerned
confused identities. a person dressed as a girl was thought to be a falling action solely suited to
broad comedy and

The Well Of Loneliness By Radclyffe Hall And Rubyfruit...
It is impossible to discuss the role of women in literature without mentioning the influence of
feminism. The later in the timeline one reads, the more prominent it becomes. Each new wave of
feminism brings with it its own goals, yet it also continues to strive for some of the same goals as
past generations because not everything is accomplished all at once. Although "The Well of
Loneliness" by Radclyffe Hall and "Rubyfruit Jungle" by Rita Mae Brown, are two starkly different
texts that strongly reflect the feminist eras in which they were written, they have some similarities as
well. One of the most obvious differences is the treatment of female sexuality and the female body.
In "The Well of Loneliness", this subject is almost nonexistent. The only time anything concerning
the female body is mentioned is when the girls at a garden party, attended by the protagonist
Stephen, begin to talk about their menstrual cycles. This discussion is limited and only takes place
when just women are around. Even in the text itself the author does not refer to the subject by name,
instead choosing to call it a "certain time" when, "one ought not to get one's feet wet, that one didn't
play games" (Hall 66).This subject also makes Stephen markedly uncomfortable, possibly because
she is such a masculine individual and topics like this are not discussed around men. Overall, the
initial feminist movement was more

The L Word Analysis
In the Rebecca Beirne book "Lesbians in Television and Text After the Millennium", she writes
about the Showtime series, The L Word (2004–09). Throughout the book the author explains how
this show negotiates all kinds of contradictory ideologies about lesbian identities. The L Word has
been considered an innovative television program because it is one of the first mainstream programs
with a lesbian cast. The theme of lesbian genders and the representation of femininity amongst
lesbians possess both positive and negative images. The L Word offers a superficial and unrealistic
image of gay women. The protagonists are all glmourzied and good looking livingin Los Angeles.
Through the text the author discloses some irony and allusion, as well as ... Show more content on
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Instead of suggesting hesitancy to engage with political controversy, its conflicting representations
of the lesbian women reflect the challenges that are associated within lesbian gender performance.
Beirne writes, "Just as the lesbian characters of The L Word have been placed in contrast to "your
mother's lesbians", in these narratives of genesis, contemporary lesbianism are often pitted against
its foremothers." (4). The classically butch and femme lesbians shown provide an obvious launching
point for issues of gender representation, and on a superficial level, we are presented with a clear
critique of butch–femme performance. From the heteronormative outlook, the show needs to have
the femme lesbian accompanied by the butch lesbian identity because that way it is easier for the
audience to watch the masculinity and femininity each women shares in their relationship like do
straight people. From the book it is said that lesbian femme's are less lesbian and de lesbianized in
the show The L Word, because of these gender variation with in

Judith Butler Religion
A traditional view of homosexuality is that it is perceived as wrong. It is to be avoided, to be
'othered', and is subject to social abjection . In Judith Butler's Gender Trouble, she identifies a need
for a new interpretation of gender against the previous regime of 'gender hierarchy and compulsory
heterosexuality.' In this essay, I will argue that Judith Butler's approach to gender politics is an
improvement on previous attitudes towards homophobia. I will do this through a close contextual
reading of Butler's work, particularly Gender Trouble and her article Imitation and Gender
Insubordination. Butler calls for a more fluid, variable interpretation of gender that would strive for
a new equality where subjects are not restricted to notions of masculinity or femininity . Butler
herself argues that gender is performance and is false, and this act of doing is just a social construct.
This then calls into question what the alternatives can be, and this essay will argue these
improvements on attitudes towards homosexuality requires a deconstruction of attitudes towards
gender.
It will argue this through, firstly, establishing that a patriarchal societal regime with a mind towards
procreation has the expectation of conformity to binary gender roles in place. From this, it can be
drawn that sexual preference is inherently linked to gender construction, which needs to be
challenged. And then from these first two premises it guides us to question what the binaries of
'male' or

The Social Consequences Of Heteronormativity
As children, we are indoctrinated into the social construct of heteronormativity. Based on our
biological sex at birth, we are given blue or pink clothes, play princesses or superheroes, and are
told either, "cross your legs and sit like a lady" or "act like a man and stop crying". As adults, we
watch movies and TV shows where the husband comes home from a long day at work to greet his
wife who has just finished making dinner. Heteronormativity refers to those norms related to gender
and sexuality which keep in place patriarchy and compulsory heterosexuality as well as other
systems and ideologies related to power (Sharma 2009). Gay, lesbian, queer, homosexual, agender,
androgynous, bigender, bisexual, butch, femme, dyke, stud, lipstick lesbian, gender fluid; There are
a seemingly endless terministic screens used to label women who love women, but they all come
down to one meaning, we aren't normal. "Even if any given terminology is a reflection of reality, by
its very nature as a terminology it is a selection of reality; and to this extent it must also function as
a deflection of reality" (Burke 1968). Viewing lesbians through heteronormative gender roles
oversimplifies complex identities into false dichotomies.
When I was around five years–old my step–sister, Kelly, came to live with us. I thought that she was
the coolest person that I had ever met. It was 1990 and she was around 25, drove a lifted jeep, had a
short haircut, and wore baggy jeans and Timberland boots in

Stereotypes Of Homosexual Women
People who grow up being a race minority and non–heterosexual have dealt with experiencing a set
of stereotypes and standards that not everyone deals with. The norm for a woman is for her to be
sensitive, yet rough. While men should behave in a way that is tough and in command at all times.
Not only are these stereotypes one should live up to heinous, but adding on the LGBT+ community
and culture standards shows that they are impossible to uphold. Although women have multiple
different sets of rules they should live up to, they aren't the only ones. Men have equally
contradicted and particular rules they must follow per society. Which is why while reading Bros
over Hos by Michael Kimmel and Impossible Expectations by Stephen Hinshaw the issue ... Show
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This remark is usually used by other men to create a sense of intimidation for those who identify as
homosexual. The idea that someone who is sensitive, has certain hand gestures, or speaks in a
certain tone should have their sexuality questioned is just baffling. Men who often deal with this are
those who are in the spotlight and have their every action examined. Now for men who are in fact
homosexual, but are in the closet due to circumstances, this can be especially hard to deal with.
Which makes them act in a hyper–masculine way. Hyper–masculinity in gay men is discussed in the
article "Are gay men more masculine than heterosexual men?" published by the LGBTQ Nation.
The article in sum discusses the same idea of gay men feeling so alienated by the comments about
not being as masculine by doing everything humanly possible to prove themselves. This not only
creates a confusion in your sense of self, but it can create a high amount of anxiety for the man. Not
only can this lead to anxiety, but it can create internalized homophobia. Men also face the stereotype
of "all nice guys being gay" a common statement that has been debunked by a recent study, "Are all
the nice guys gay? The impact of sociability and competence on the social perception of male sexual
orientation." conducted by the University of Trier. The study found that participant's

Analysis Of The Tunnels Of Oppression At Fontbonne University
Judgements come in a variety of forms and people all over the world face adversity every single day.
By experiencing The Tunnels of Oppression at Fontbonne University, eyes were opened to the
variety of forms of harassment that one may not typically experience. A great deal of the people felt
uncomfortable in the simulation because most of the students who experienced the simulation are
middle class, white men and women. The experience can be described as an experience where
students "encounter first–hand different forms of oppression through interactive acting, hearing
monologues and multimedia presentations. Participants come into direct contact with the following
scenes of oppression: ethnocentrism, bias, privilege, LGBTQ concerns, body ... Show more content
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It's the visible reflection of the way that girls who became gay women (or trans men) struggled and
learned to do so on their own terms, rejecting the pre–packaged notions of femininity offered to
them in their youths as the required counterpart of masculinity. It is an attempt to be a whole person,
even if that whole person does not "fit in" to what is expected of one's gender"

Femme Fatale
Makeda Scott
Mr. Halter
Composition I
06 October 2015
Femme Fatale Pink lips. Long nails. Extravagant jewelry. Flirty dresses. High heels. These are some
of the typical things your average femme lesbian prides herself on. These are some of the things I
pride myself on. My appearance constitutes a large part of my identity and self image. I am your
standard girl next–door, except, I am not waiting on that handsome athletic jock to hit on me, I 'm
waiting on the other girl next–door to come swoop me off my feet and ride into the sunset with. As
lesbians, we assume we have a certain amount of gaydar ingrained within us, like it 's a prerogative.
We think that we have the capability to pinpoint any woman in a crowd and say "Yes! She 's one of
us." But where does this presumed gaydar come from? Is it a feeling we get, a judgment of
mannerisms, something we see in ourselves reflected in others, or is it simply what people wear? Do
short hair, plaid shirts, Jordan 's and ties delineate what we perceive a lesbian to be? Gaydar is
probably a conglomeration of all these attributes, but we can 't deny that the most conventional and
simplest way to ascertain someone 's sexual orientation is from what they 're wearing. This process
is highly inaccurate. Clothes are just a way to categorize us into subcultures. Indeed, we can all
recount that one lesbian that was so butch, she could be spotted from a mile away, and we

Stereotypes In The Movie Brave
Disney Presents: A Brave Butch
In the Disney movie, Brave, the main character is a princess named Merida. You see from the
beginning that Merida enjoys archery, riding her horse, and doing many non–girly things. It is
refreshing to see a princess in a movie that is not your typical girly girl. This can teach young girls
that they do not have to succumb to the type of behavior the rest of society makes them feel they
should.
However, in other people's eyes, including her mother's, this is not how a proper princess should
behave. Merida should want to wear dresses, take a husband, and become a proper lady. This idea is
the one that most Disney movies give to young women. Ladies should be proper, extremely
feminine, and have a man to complete ... Show more content on Helpwriting.net ...
I love it. Here Merida is proving that even though she is a princess and it is her duty to marry, it is
not what she believes in and she will not stand for it. This is how these children's movies should be.
Women have the right to be free in all of their choices, and they do not need men to complete them.
Also, when she crushes her competition it is shows young women that they too can excel in
activities that are seen as manly.
At the end of the movie Merida's mother changed her mind about the marriage. It is decided that the
firstborns of the clans will marry when and who they choose, even though this goes against the
normal traditions. Merida is finally accepted as she is, and is allowed to just be herself.
In Stone Butch Blues, Jess realizes that the only way to be happy in this world is to be yourself. She
comes out as a butch and refers to herself as a he/she. She begins to speak out into the community
about her story and is fully accepted into the gay community. She finds herself and she finds peace.
Comparing these two stories, Jess and Merida were both different from the mold that they were
supposed to fit into to. Both of these characters fought for what they believed in and found
happiness in just being who they are. While Merida found love and acceptance with her family, Jess
found that same love and acceptance within a new family and

Butch Or Femme Film Analysis
Many movies from the 20th century put a negative connotation on the lesbian community by
making viewers have the idea that lesbians live a depressing lifestyle and are 'dark' individuals.
However, that changed in the 21st century when more media portrayed lesbians more positively by
showing how they are individuals just like everyone else. Typically. society stereotypes lesbians to
be either "butch" or "femme". Butch lesbians dress in a more masculine manner than other women
who don't, they are called femme. This Is a way for people to categorize gender, sexual identity and
sexual relationships in the gay community. This movie refutes the stereotype that all lesbians are
butch, dress like men or have masculine characteristics because it portrays

Roseanne Kennedy Masculinity
If a respectable mother is exclusive of her sexuality, gender non–conforming lesbian mothers
already exist as illegitimate parents. The heterosexual matrix instils the notion that gender non–
conformity marks sexuality – more specifically, non–heterosexuality. Female bodies stand
antithetical to masculinity (Moody 2011). The subtleties of Stef and Nic's masculinity mark their
lesbianism in contrast to Lena and Jules femme because without the slight masculinity, Lena and
Jules' "lesbianism disappears, or, more accurately, never appears in the first place" (Martin 1996).
This is perhaps why the characters all lean toward femininity. While the productions allow room for
lesbianism, it is what Roseanne Kennedy refers to as an "absent presence" (Suk Gersen 2009, 513).
... Show more content on Helpwriting.net ...
Similarly, the butch body "cannot be de–lesbianized" and thus, she embodies sexuality and "is
already and always marked as lesbian" (Ciasullo 2001, 602). To align the characters with butch is to
cast them as contradictory to a respectable maternal subject. Associated with the working class and
racialized bodies, perceptions of butch include a lack of sophistication, crude and unrefined, and a
threat to the order of the heterosexual matrix, since masculinity is held the exclusive property of
men (Moody 2011). The butch body corrupts, contorts and colonizes masculinity (Soloman 1993).
On the border of gender conformity, Nic and Stef embody sterile representations that dilute butch of
"(homo)sexual residue" for mainstream consumption (Ciasullo 2001, 586). To portray the characters
as gender failures would perpetuate doubt in lesbian women's suitability for parenting. This would
risk negating both historical and ongoing social and political advocacy for lesbian and gay parenting
rights and it would be contrary to the productions' political intentions which aim to normalize
lesbian

Personal Narrative: How My Culture Transcends
My culture transcends borders, because we are in every country of the world. My culture speaks all
the languages of the world and celebrates all religions and no religion. My culture transcends dress,
because we are found in all traditions. My culture is not inherited; rather, it is found and newly
established by every individual in every generation. Some people find their place in this fluid culture
right away, and others take years to recognize it.
My culture is queer: we are the gays, the lesbians, the faggots, the dykes, the HIV positive, the trans
kids, the protesters, the allies. In my culture, we have often created our own families, because the
ones we were given at birth don't always want us. My cultural home is West Hollywood, San

How Heteronormativity And Media Stereotypes On Queer...
Running head: HOW HETERONORMATIVITY AND MEDIA STEREOTYPES IN SOCIETY
INFLUENCES HOW QUEER PEOPLE EXPRESS THEIR SEXUALITIES
How heteronormativity and media stereotypes influences how queer people express their sexualities
Vanessa Gomes
Ryerson University
"Who is the man in the relationship?" "Who tops or bottoms?" These questions have become a
fundamental part in queer people's lives. Why do non queer people need for queer people and their
relationships to imitate heternormative heterosexual ones to understand them? Why are all lesbian
women portrayed as butch, and all gay men as flamboyant? Do these ideas being reinforced over
and over affect how queer people view their own sexuality? When our society is ... Show more
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In media, queer men and women are almost always portrayed in stereotypical roles, and bisexuality
is almost always expressed as a phase or not real. These ideas affect how others view queer
identities and how queer people view their own identity, and the social norms around them. Men are
commonly described as "feminine" whilst women are portrayed as "masculine" (Tara Sarper, 2013).
How did these widespread ideas come to exist and how do they continue to affect members of the
community? These stereotypes can be harmful as they build a picture of what it means to be a
certain sexuality, as well as the heteronormativity behind the stereotype. We often see queer people
in relationships being asked who's the dominant one, the man in the relationship, the top, etc. These
ideas come from a heteronormative society that puts harmful misogynistic norms even in
relationships where women might not be present. Where does the overwhelming pressure for there
to be a "man" or "top" in the relationship come from, and why are those two associated with each
other? Since same sex relationships go against the norm in society, society still puts pressure on
heternormative ideas to be present in them. If two men decide they want to be exclusively a bottom
or top, dominant or submissive, in either their sexual relationship or in their general dynamic, that is
their choice and right to do so. However, a social constructionist would say

Twentieth Century America
Faderman takes a decidedly social–constructionist analysis as she examines lesbian life in Twentieth
Century America, arguing from the start that its definition has less to do with innate same–sex
attraction than with external sociopolitical influences. It is apparent that in the debate between the
"essentialist lesbians" and "existentially lesbians" she offers no apologies (and plenty of reasons) in
siding with the latter. Not only does she explore how the sub–culture continually responds to
external pressures such as conservative politics and institutional biases but deeply analyzes how
then the community expands and contracts to its marginalization and oppression. For instance, she
describes numerous times (such as the butch/femme role enactment and the demand for a regulated
sexual intercourse between women in the 1970's) when the lesbian community – and corresponding
social movement – enacts various border patrolling and internal policing to maintain its strict
identity as women to keep the pressure and agents of the patriarchy outside. It is this policing and its
motives I find so applicable to my work. The lesbian community has undergone many tribulations as
a targeted ... Show more content on Helpwriting.net ...
If spaces don't register such movement it risks becoming encased in a temporal amber, frozen in
stubborn philosophy and therefore stuck in outdated policies. It is important to note that while
Faderman notes in her conclusion that the lesbian culture/social movement has been evolving
(noting its different iterations throughout the 20th Century) she cannot imagine this metamorphosis
encapsulating transsexual lesbians. It seems that, much like those lesbian/cultural feminists she
critiques, she too has fallen victim inside an essentialist version of the

The Pros And Cons Of Homosexuality In Japan
The major opposition to homosexuality in Japan is not so much that it is viewed as 'wrong' or 'sinful'
and more that it is just 'different'. Unlike the United States and most European countries, Japanese
culture and religions that were cultivated in Japan don't have a history of discrimination towards
homosexuality, but there is a strong social conservatism that runs through Japan's populace. Since
1880, same–sex sexual activity has been legal, yet LGBTQ citizens still lack full equality.
Transgender citizens have been allowed to legally change their gender after having sex–
reassignment surgery since 2002. Gay marriage is not legal, but some prefectures do allow same–
sex couples to attain a 'partnership certificate.' Japan's federal civil rights laws do not protect
LGBTQ individuals from discrimination and major political parties show little support for LGBTQ
rights, but they also tend to not support discrimination against LGBTQ people. Japan's political
atmosphere has a tendency to ignore the topic altogether. Even though there are no federal anti–
discrimination laws, some areas in Japan – such Tokyo's government – have passed laws that ban
discrimination in employment based on the employee's sexual identity. There are several political
figures that are 'out' to the public. In 2003, Aya Kamikawa became the first openly transgender
citizen to be elected an official in Japan; in 2005, an assemblywoman from Osaka came out as being
a lesbian. In Japan's popular culture,

Importance of Sex(Gender Role)
A gender role is a theoretical construct in the social sciences and humanities that refers to a set of
social and behavioral norms that, within a specific culture, are widely considered to be socially
appropriate for individuals of a specific gender. Proponents of gender role theory assert that
observed gender differences in behavior and personality characteristics are, at least in part, socially
constructed, and therefore, the product of socialization experiences; this contrasts with other models
of gender that assert that gender differences are "essential" to biological sex. Research supports this
theory, finding gender differences in almost all societies, but with differences in the norms adopted,
suggesting that gender differences ... Show more content on Helpwriting.net ...
These varied opinions of ethnoconvergence represent themselves in a spectrum; assimilation,
homogenization, acculturation, gender identities and cultural compromise are commonly used terms
for ethnoconvergence which flavor the issues to a bias.
Often it is in a secular, multi–ethnic environment that cultural concerns are both minimalized and
exacerbated; Ethnic prides are boasted, hierarchy is created ("center" culture versus "periphery") but
on the other hand, they will still share a common "culture", and common language and behaviors.
Often the elderly, more conservative–in–association of a clan, tend to reject cross–cultural
associations, and participate in ethnically similar community–oriented activities.
Traditional gender roles include male attraction to females, and vice versa. Gay, lesbian and bisexual
people, among others, usually don't conform to these expectations. An active conflict over the
cultural acceptability of non–heterosexuality rages worldwide. (See Societal attitudes towards
homosexuality.) The belief or assumption that heterosexual relationships and acts are "normal" is
described – largely by the opponents of this viewpoint – as heterosexism or in queer theory,
heteronormativity.
Perhaps it is an attempt to reconcile this conflict that leads to a common assumption that one same–
sex partner

Gender Roles In The Little Mermaid
When I was a child, watching Disney's The Little Mermaid became a sort of ritual. While other girls
dreamed of ball gowns and tiaras, I desperately wanted to sprout a tail and dye my hair red–not
orange–red, but Ariel–red. Singing along with Jodi Benson, I longed to be a part of Ariel's
underwater world. As the years passed, my dreams faded and reality set in. Gradually, I became
more intrigued with Ursula–I began to realize that she did not conform with the other female
characters; though female in nature, she was a masculine character. In fact, I later discovered that
Ursula was actually inspired by the drag queen, Divine (Dart). Consequently, it is her masculine
characteristics that further set her apart from the world around her. With ... Show more content on
Helpwriting.net ...
and are responsible to provide the necessities of life and protection," and "Mothers are primarily
responsible for the nurture of their children," lead to conclusions of concrete gender roles (102).
Since many of the "practices" concerning LDS beliefs center on attire, this idea likely transferred
onto the portrayal of HCTO's Ursula, especially manifesting itself in the specific elements of hair
and the color and shape of her bodysuit. The soft edge to her hair and figure, along with her curves
and the glamorous mix of silver and black in her outfit all served to perform "female," all the while
reinforcing Ursula's identity and role as a

Leslie Feinberg 's Stone Butch Blues
In many ways, Leslie Feinberg's Stone Butch Blues does more than explore what it means to be a
part of the LGBTQ community. In many ways, Stone Butch Blues is a "how to" book just as much
as it is a lifeline for the LGBTQ community. It is a "how to" book in the sense it examines how to be
a member of the LGBTQ community, while at the same time revealing the follies of a definitive
correct way how. In doing so, Feinberg reveals not only the performative nature of gender, but also
how the concept of gender and strict binaries can be a destructing and limiting forced within and
outside of the LGBTQ community.
From some of her earliest childhood memories onward, Jess is haunted by a recurring question: "is
that a boy or girl?" The scope of ... Show more content on Helpwriting.net ...
In this way, at its core, the problem at hand is one of power. Because she is different, she is a threat
to their own identities and own position within the system of power. As a result, Jess's peers must
take her identity away from her. By creating a guessing game out of her gender gender ["a group of
girls squealed as I passed, 'Is it animal, mineral, or vegetable?" (24)], or letting her know Jess "[isn't]
a girl's name" (25), her classmates deprive her of the option to define her own identity. As she and
her peers "mature", so does the caliber of harassment. When she's young enough to describe the sky
as "crayon blue" (17) the bullying manifests as tying her up and stripping her to "see how [she]
tinkles" (18) and once she's in high school, it progresses even further to the rape. The dissonance of
needing to categorize her while at the same time being unable to do so is perhaps so conflicting they
have nowhere to go but violence.
After growing up with an unsympathetic family and unimaginable circumstances, Jess has nowhere
to go but out. It is as if she is physically propelled out of a space she can no longer belong. So when
Jess finally musters the courage to enter Tifkas, there is a lot at stake in terms of finding a
community: "When I stepped inside, it was just a bar.

How Gender Operates Within The Setting Of An Olivia Vacation
31/10/2014
Assignment 1 – Minor Essay
OPOL216 – Sex and Gender Matters
Allysen Stewart 32579398 Assignment 1 – Minor Essay
OPOL216 – Sex and Gender Matters
This essay will critically discuss how gender operates within the setting of an Olivia Vacation
(https://www.olivia.com), drawing from personal experiences from a recent trip to a Hawaiian
Resort. The paper will focus on personal observations of the underlying forces involved in the
reproduction and disruption of gender relations, and their resulting effects (Atwell, 2014). By
focusing on the gender roles within a lesbian environment, the paper will examine topics from the
course material that deliberate sex and gender, gender and nature, sexuality, ... Show more content
on Helpwriting.net ...
Trans people suffer from gender dysphoria, which accompanies Gender Identity Disorder (GID)
where they feel that their emotional and psychological identity is in opposition to the biological sex
they were assigned at birth (Wilchins, 2004; Furnham & Sen, 2013).
Gender is socially constructed, signifying processes and practices of conduct ("doing", "undoing"
and "re–doing" gender) (West & Zimmerman, 1987; Deutsch, 2007; West & Zimmerman, 2007)
based on an assigned sex category (Hird, 2000; Risman, 2004; Connell, 2010). Sex, in contrast,
refers to the biological differences between men and women (chromosomes, hormones and
genitalia) (Harding, 1996; Hird, 2000).
According to Wittig (1992), lesbians are categorised sexually as women, yet they abandon the
heteronormative assumptions associated with the female identity (Hird, 2000, Bobel & Kwan,
2011). An example of this is the social assumption that a girl will grow up and marry a man.
Heteronormativity suggests that people fall into distinct gender roles (man and woman)
(Woodruffe–Burton & Bairstow, 2013), challenging the essentialist view of sexuality being
biologically determined (Morton, Postmes, Haslam & Hornsey, 2009) while implying the social
construction of homosexuality (DeLamater & Hyde, 1998; Fuss, 1989). Within the lesbian
"community", distinct gender roles still exist and are visibly adopted by members, as was evident
during my Olivia experience.
In the book, Persistence (Coyote & Sharman, 2011), one of

Examples Of Conformity In Stone Butch Blues
Social Conformity Leslie Feinberg's Stone Butch Blues is a story about Jess; a masculine girl who
understands from hir earliest memories that ze is different from other girls. Ze feels frustrated as Ze
consistently gets asked the question," Is that a boy or a girl?" Since ze feels that ze does not fit in the
society and hir family and people around her reject hir, ze finally decides to come out as a stone
butch lesbian in the gay drag bars of a blue–collar town. A stone butch has been so battered by
homophobia and sexism and the intractable human fear of difference overall that her emotions have
turned to stone. As ze struggles to find hir true color, ze experiences pressures and forces that
influence hir social identity through out the story. In the book Stone Butch ... Show more content on
Helpwriting.net ...
This is important because Jess is consistently negotiating hir social identity and such pressures
influenced hir decision on coming out as a stone butch. Family is the first structure that one becomes
a part of and it has a huge impact on people's life. Parents play an important part on a child's
development. Jess's family had a significant impact on Jess's emotional state. Hir parents did not
give the love that a child would require from the beginning. Leslie Feinberg states, "My mother
admitted she was afraid to touch me, except to pin on a diaper or stick a bottle in my mouth"
(Feinberg 14). They treated hir as ze was different (?) .Another significant experience that Jess had
in hir childhood was when

Media Influence On Lesbian Identity
Through the questionnaire and responses from all six participants, some dominant and overall
themes emerged. I found that the results of this investigation did and did not cooperate with my
initial hypothesis for reasons that I will explain more in the following paragraphs. The current
research both confirms and departs from existing research done on this topic, as there is a mixture of
lesbian representations including media and stereotypes having both positive and negative
influences on lesbian identity. As mentioned in the data results, the overall opinion by the group of
participants was that lesbian representations including media imagery and resulting stereotypes, did
not have a significant influence on lesbians' self–identity. When ... Show more content on
Helpwriting.net ...
Although majority of the participants said that they assumed media representations had negative
impacts on other lesbians' identities and lesbian communities, it was also brought up that it could
and can be used as a positive influence on identity. One of the examples given by one of the
participants was the media's use in helping her realize she was a lesbian in the first place by
portraying lesbian women that she began to have sexual feelings for. Another women had explained
that she felt if a young girl was struggling with sexuality, media could possible provide the outlet for
her to not only learn about lesbian relationships but to help identify herself as one as well. It is
through Gomillion's article that we can relate to the medias positive influence on lesbian identity
where she explains, media had influenced self–realization, coming out, and current identities by
providing role models and inspiration and also media role models serve as sources of pride,
inspiration, and comfort (330). We can see that media has the potential to aid and contribute
positivity to lesbians self–identity, if only we can move from the stereotypical and unrealistic
representations so dominantly used. The participants also expressed a sense of media's growing
potential to have a positive influence on lesbian identity. The history of lesbian invisibility and the
vast number of lesbians and lesbian relationships currently on mainstream media has the potential to
greatly impact how lesbians are viewed and thus how they may look at themselves. As lesbianism
becomes more of a norm and less of a fetish and a broader variety of lesbian women are brought
into the mainstream hopefully including different races, classes, abilities,

The Movie ' Thelma And Louise '
I don't care, I love it The film Thelma and Louise is most famous for its ending scene. The iconic
scene of the two girls kissing and driving off the canyon into their death is present even today in pop
culture and referred back by those who liked it. Although the kiss in the scene was not a romantic
kiss, it captured the love between the two girls, not a romantic homosexualised love, but a
heteronormal sisterhood type of love. Also, their faces prove that they died happy, and chose to die
not only because they had no other choice but because that way they had agency as to what would
happen to them and how they would die. The ending is empowering to women, because the women
have the power of choice, even though they die. Unlike other films we have seen in class such as
Vertigo and Crouching Tiger, Hidden Dragon where the women who die do not seem happy or
content with their demise. Throughout the film both Thelma and Louise are fighting against the
patriarchy they must endure daily and a life they no longer want to live, in a society where they
cannot fully express who they are. The women decide to go on a "girl's weekend," from there they
run into various predicaments that eventually lead to their deaths. When Louise picks up Thelma,
she asks "how did Daryll let you come?" and she admits she did not tell him. This moment in the
film shows how repressed these women were. This is a breakthrough for women in film because
they begin to have agency, and

Diversity Is The Human Race
DIVERSITY PAPER
Gay. Straight. Black. White. Male. Female. Wealthy. Poor. Modern society has systematically sorted
the human race into collections and communities of descriptive factors. Deeply embedded within a
systematical labeling system, diversity has fell victim to the harmful segregation and prejudice of
the past. Diversity is not about the inferior nor the morally corrupt. Diversity is not the hallow
substance of labels. Diversity is culture, pride, and heritage.
To rural South Dakotans, diversity amongst the human race is rare. In the agricultural state I call
home, variation lies not in the people but rather in the contrasting species of livestock and corn.
Hailing from a town population of 3,025, any kind of knowledge about a social world beyond
Hartford, South Dakota was limited. I set up my childhood moral system on a tainted blend of
inaccurate perceptions and assumptions. A moral system which would ring true until I found myself
as the diversity. I am my own diversity. I am the collection of the variant and the assortment of
different. I am gay.
To answer any impending questions which may be surrounding one's head at the current time, just
lean towards the answer no. While some individuals may be born with the innate sense of who they
are, I was not. Unfortunately, my sense of childhood identity came not from deep self–reflection and
soul searching, but rather a combination of my restricted experiences and limited knowledge of the
social world. I was not

Queer Culture Has Long Been K.d. Lang, Ellen Degeneres,...
The faces of Queer Culture has long been K.D. Lang, Ellen Degeneres, and Elton John. While these
icons represent the queer community in that they are gay individuals, they are not wholly
representative of the community because there is no one "queer story." However, these icons all
have cisgender, white privilege which results in a great dearth of representation for transgender,
non–binary, and people of color in the media. Another issue with queer representation in the media
is the differentiation between gender expression and sexual orientation. Gender expression
associated with masculinity such as short hair, loose clothing, and rough materials such as denim
when worn by a woman is seen as a demarcation of "alternative" sexualities. However, those
assumptions neglect to recognize the diversity of gender expression. Gender expression among
heterosexuals varies greatly with some men presenting as "metrosexual" and some women
presenting as "tomboys." Similarly, this type of variation exists within the LGBTQ+ community as
members can range from "femme" to "butch" to androgynous. Portia de Rossi would be a classic
example of a "femme" lesbian in terms of her long hair and frequent wearing of dresses. Often times
these feminine lesbians, if they are portrayed at all, are often used to attract male audiences.
However, Orange is the New Black challenges these conventions through the genres of Sophia
Burset, Piper Chapman, and Big Boo. Sophia Burset breaks the cisgender, white

Women In Comedy Have to Be Double Threats to Be Taken...
Everyone knows that we live in a male dominated world. In the entertainment industry, as well as
every other profession in America, we see women struggling to be taken seriously. Fueled by the
media's obsession with appearances, women are under extreme pressure to look and act a certain
way to please the men around them. In the world of stand–up comedy, there is another layer to that
pressure. I'm talking about the pressure to be funny. A post circulating the internet displays a triangle
with the points labeled "intelligent", "good looking", and "emotionally stable". In the center are the
words "pick two". Replace "emotionally stable" with "funny" and you have the dilemma that female
comedians are faced with. In a male dominated industry, they are forced to decide whether they
want to reject today's idea of beauty and play up their wit and intelligence, or highlight their
appearance and play the "dumb blonde" for laughs. It is only recently that comediennes are refusing
to comprise their integrity to succeed.
Christopher Hitchens famously argued in a 2007 Vanity Fair that women aren't funny – or haven't
developed their comedy skills – because they don't have to. Comedy, he said, was a mating tool and
women don't need that particular arrow in their quiver because they are pretty and make babies. But
men, Hitchens said, get fat and bald so to attract women they either need wit or wealth. Ergo, men
have evolved their comedic skills to a greater level. Women are socialized out

`` Word Is Out `` By Nancy Adair And Casey Adair
LGBT history has changed the way society works in the United States and has had an impact around
the world. The homosexual community came as an impact to the world during the early 1900's.
They were considered different; odd, ill, and weak, but little did we know the effects it would have
in today's society and politics. The war, queer, and AIDs movements seem to relatively impact
members of the gay and lesbian community the most. In an series of interviews in "Word is Out"
conducted by Nancy Adair and Casey Adair, the reader is introduced into the lives of Pam, Rusty,
and Pat; lesbian women living within their true identity during the mid–1900's. Their stories consist
of broken family relationships, marriage failure, and gender roles. To help one understand the
dynamics of their relationships and lives, John D'Emilo talks about the effects of war and how it
structures and damages the gay community and their opportunity for equality. Elizabeth Davis
speaks about the Lesbian experience in public spaces that exposes many to find their character by
associating with those that fit best to their community in "Lesbian Bar Culture in the 1930's and
1940's". The LGBT community for centuries has won the spotlight in the news and many articles
published in well know newspapers, but what many never get to hear or see are the struggle that
many homosexuals face. Both gays and lesbians in the United States have received backlash
because of their race, gender, and social class. The

The Bar Scene: A Place for Homosexual Culture and Identity...
In every walk of life, people seek refuge from the judgmental perception of their contemporaries.
Thus, many people live in secrecy. For them, secrecy is an absolute necessity in dodging undesired
scrutiny and maintaining normalcy in public. When it comes to gender and the expression of it, lines
are often blurred. While some hide, others brazenly parade their sexuality in public and their
alternative perspectives on gender roles. In "The Bowery as Haven and Spectacle" from Gay New
York, by George Chauncey, explores the emergence of the Bowery "fairy" bars, and how they
became a sanctuary for the queer and working–class of New York City. He discusses in great length
the tension that arises between the middle–class and working–class, the ... Show more content on
Helpwriting.net ...
With this said, I will explore the importance of the bar scene in the development of gay gender
perspectives, and to do this, I will use both Chauncey and Mushroom to show the how the bar scene
provided a gateway where it was possible for homosexuals to birth a unique culture and custom
tailor a set of guidelines for ones gender expectancies.
Binary relationships constitute our perceptions of the contemporary world. Binary relationships such
as working–class versus middle–class, homosexual versus heterosexual, femininity versus
masculinity, dictate what is presumed to be acceptable, correct, and standard, versus what is
incorrect, unacceptable, incorrect, and uncommon. In order for the bar scene to thrive, the perfect
environment would have to be chosen. This is what Chauncey discusses in his piece. In the late
nineteenth/early twentieth century, the Bowery was the epicenter of "commercialized vices", and
had a distinctive working–class culture with its own codes of conduct, dress, and public socializing,
thus facing much scrutiny from the middle–class. Chauncey writes, "[...] The Bowery, like the
Tenderloin, was an area where working–class men and women could engage in sexually charged
encounters in public, it also took on a particular significance in bourgeois ideology and life in the
late nineteenth century as a so–called red–light district (p 35)."

Analysis Of The Movie ' Dope '
I recently watched the Netflix movie, Dope, a coming–of–age movie that doubles as a parody and a
dedication to the 1990s–vintage ghetto generation. Malcolm and his friends Jib and Diggy are nerdy
high school seniors who bond over anything '90s related, play music together in their punk band,
and have grown up together in "The Bottoms," in Inglewood, California. Malcolm was trying to
escape a gang one day when he had an encounter with a neighborhood drug dealer named Dom.
Dom ended up invited him to his birthday party, and with hesitation, Malcolm and his friends decide
to go. After an eventful night, Malcolm and his friends later discover that Dom had stashed a
handgun and a large amount of drugs in his backpack to hide it from the police who raided the party.
The rest of the movie plays out into a war over the drugs that Malcolm accidentally possessed.
Malcolm ends up selling the drugs and promises Dom's prominent supplier, who was also
coincidentally Malcolm's college interviewer, the profits made from the drugs. Malcolm makes this
deal with him only as long as he helps Malcolm achieve his goal of getting into Harvard. Malcolm
ends up setting up the supplier with the police while still getting into Harvard and finally being able
to get out of the hood. In terms of black masculinity, Malcolm counteracts the hyper–aggressive
stereotypes that some have in their head about young African–American men. In the movie Dope,
numerous aspects of intersectionality are represented in

In This Chapter, I Present How Two Pop Cultural Sites—The
In this chapter, I present how two pop cultural sites–The film The Kids Are All Right, the television
series The Fosters–represent butch motherhood. My intention is to expose the discourses in action to
reveal how they operate and contain instruction that delivers as disciplinary performance. I divide
the following sections into individual discussions of each cultural text to reveal the cogs within each
site. I then compare and contrast both texts to investigate the tensions between both productions and
how the discourses thematically collude. Finally, this comparative analysis considers the
disciplinary discourse that develops in accord with gender and motherhood.
The Kids Are All Right, but are the representations?
The Kids Are All ... Show more content on Helpwriting.net ...
Reinforcing The Gender Binary
Jules and Nic are slightly ambiguous representations of butch and femme yet the film overtly
reinforces binary gender roles in its homonormative depiction of the family. Nic presents a more
masculine identity: she has messy, cropped hair, wears little makeup, and wears relaxed fitting jeans
and button–down dress shirts. She is quick to anger, aggressive, a workaholic doctor, and operates
more on conservatism and logic. Nic is both the disciplinarian and breadwinner in the family. In
contrast, Jules is more visually feminized. She has long, smooth red hair, wears sexy lacy lingerie,
and flowy or fitted t–shirts. Free spirit Jules is a more liberal. She is the nurturing parent –
emotionally sensitive, compassionate and craves intimacy, characteristics that construct the femme
(Martin 1996). These characteristics that construct Jules are antithetical to masculinity (Crewe
2015). These roles suggest that Nic is the 'man' and Jules is the 'woman.' This homonormative
discourse continues throughout the film in a way that Nic becomes dissonant from the role of
mother.
As the 'man' in the relationship, Nic performatively embodies a dominant, masculine 'fatherly' figure
(Fox 4). In postulating a masculinized identity, she reinscribes heteronormative conventions. This is
established early

Tarantino's Pulp Fiction
Pulp Fiction is a movie that almost everyone today has seen during it theater run or at home on
DVD or Netflix. However, it can be a complicated movie to understand if one is only looking for a
straight narrative. Pulp fiction seems to have multiple plots being told almost simultaneously
creating an aura of confusion for the ones not paying close attention. Some will say it is about two
hit men or a boxer, but actually there is no set story behind the film. The whole purpose of the film
was to parody every type of film movement created.
Tarantino's film included all types of film movement ever created; however, his film had no story.
Maybe this was done to show that by applying some of the rules from each movement, a director
can make ... Show more content on Helpwriting.net ...
Other aspects of the film such as mise–en–scene also make the film's meaning. Tarantino also used
his film to define social themes, especially through the use of the mise–en–scene. Specifically, in the
scene where the young Butch is about to receive his father's gold watch, he is watching a show that
can be considered racist showing the upbringing and themes of the past. Another example, is when
Jules and Vincent take Marvin's body to Jimmie's house. Jimmie's reaction is actually very
surrealistic. In other words, the incident manages to rekindle the racial stereotypes that were lurking
in Jimmie's subconscious. Jimmie says a swear word that can be offensive without even thinking
twice about what he has said, especially in front of his African American friend, Jules. Normally, in
most movies and real life situations this would not be tolerated and would cause an issue. Tarantino
also makes many references to television shows throughout his film. This gives his film a Post–
Modernist style, however, it can also be used as a social commentary on the importance of television
to modern–day society. Additionally, Tarantino seems to have based his characters on different
characters from the earlier styles of cinema. For

Alcohol And Mappletherope: Exploring Gender As Disguise...
From the New York Times an article "Warhol and Mappletherope: Exploring Gender as Disguise
and Identity" The author takes the reader through a brief history of paintings in the late century in
relation to gender Identity. Male figures in their works were changed and given female social
constructs of gender relation with winged eyeliner, eyeshadow, blush, lipstick, and other "female"
products. Their appearances were also altered with assortments of clothing they related to females.
In the tenth section the author describes images of Patty Smith "Four years later, she looks coy in a
diaphanous white dress on the cover of her album "Wave," with a dove perched on each hand. In a
1986 portrait, she is transcendent her long hair crimped, her countenance

Bears Vs. The Bears
Bears versus Butches...The Bears Climb to the Top while Butches Attempt but Instead Plop. The
Bears and the Butches have both experienced discrimination throughout their lives because of who
they are, both being minorities in the gay and lesbian community. The Bears feel that they are the
marginalized group of a marginalized group in the gay community (Ingram), while the Butches
aren't accepted into lesbian meetings because they of how they make themselves appear (Feinberg
135–136). The Bears have an easier time negotiating the straight world than the Butches. The Bears
aren't looked down upon at all in comparison to the Butches. The Bears can go around town, across
the country, the world even and not get stared after. The Butches face violence because of their
appearance, while the Bears do not. Gay men, especially the Bears have more acceptance in the
world than the Butches in Stone Butch Blues. The Bears in Bear Nation have a lot of acceptance
already. Their national conference is being held, and men from all over the country and those even
from other countries have arrived to the conference to celebrate that they are Bears. Their arrival at
the hotel doesn't stir much attention. People who were not Bears did not know what the meeting was
for. Another resident of the hotel assume that the hotel is having some sort of convention for
truckers (Ingram). When seeing a man whose gender expression is masculine, and is burly, strong,
and looks like he could be in a motorcycle

Revolt Of The Homosexual Analysis
In his published 1968 article printed by the Village Voice, Seymour Krim's, Revolt of the
Homosexual, converses with a fictitious 'straight guy' to reduce the preconceived notions of the life
of homosexuals, and insisted that it is a natural behavior. This was a bold action considering that
homosexuality at the time was considered an aberration or a disease. He challenged the theory that
being gay is a sickness, and he desired a right for all homosexuals to not be criminalized, as long as
it does not conflict actual harm on another person. Basically, he demands a 'simple human right', and
believes that if the oppression continues then homosexuals will gradually start to stand against it
because they are tired of having to hide– just like how ... Show more content on Helpwriting.net ...
For example, some people believe that lesbians are not a real sex experience because there is no
phallus involved. This translates to the idea that there needs to be a man and a woman, or aka, the
dominant and the submissive. Therefore, women cannot emulate masculinity– only a man can
assume that role. Not even butch lesbian women could mirror that aspect, and if a woman were to
claim that feature then they were pretending to be man. Therefore, a stigma gets attached to lesbian
relationships, and renders the butch as a less desirable being. While in the 19th century Butch–
Femme was a more prominent trend in lesbian relationships, it does not translate to today's times
(Smith and Stillman). In itself, this occurrence may be a revolt, and may be one of the main
contributions to the lightening of homosexual views as 'revolting'. On the one hand, common
lesbians are stereotypically viewed as obese, short haired, and 'ugly' women. On the other hand, with
the rise of online dating apps, especially for the homosexuals, more attractive women are gradually
coming out to shed the image of the stereotypical lesbian. Consequently, lesbian women are
demeaned as only something physically appealing to look at by others, as observed by the
considerable porn websites like Pornhub categorizing lesbian porn under a 'straight' category.
Likewise, while female body issues are in general more prominent in the media than men, males are
experiencing increasing pressures to attain a certain

Gay Women And The Stereotypes Of Lesbians And Lesbians
Everyone knows a woman that dresses feminine–in long, flowy dresses, bright pink lipstick, and
towering high heels. Personally, my usual attire is composed of a flower headband and a pastel
yellow sundress. People typically expect straight women to uphold a certain feministic standard and
anticipate that lesbian women appear masculine. Lesbians are stereotyped to have short hair, wear
striped flannels and boyfriend jeans, and not wear makeup. Masculine–appearing women are
assumed to be gay; however, there is a group of lesbian women who dress femininely. Lipstick
lesbians, or LLs, are a part of the feminine lesbian community. The LGBT (lesbian, gay, bisexual,
and transgender) community has built up recently and an abundance of stereotypes as well. Contrary
to popular belief, lesbians are not bound to one appearance. We as humans should have the
opportunity to express ourselves in whichever way we desire. Similar to everyone else, lesbians'
appearances do not have to be strictly based off of who they are attracted to. Lipstick lesbians
positively influence lesbian stereotypes because they defy masculine appearance and are unafraid to
express themselves. By recognizing that lesbians who dress femininely are still lesbians, individuals
can avoid awkward and uncomfortable situations by being respectful and acknowledging their
boundaries.
Lipstick lesbians commonly dress in a feminine fashion, are polite and gentle people, and are not
afraid to fight back against rude people. LLs

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