Unit 1 Flashcards
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Art 109A: Art Since 1945 Fall 2017
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Unit 1 Flashcards
- 1. Art 109A: Art Since 1945 UNIT 1 FLASHCARDS
- 2. Art 109A: Art Since 1945 Chapter 2: Postwar Europe
- 3. Chapter 2: Postwar Europe _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ CONTEXT: Chronological time period Geographic location Relevant social, political, economic context
- 4. Chapter 2: Postwar Europe _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Vocabulary/Concepts Existentialism “Existence precedes essence” L’Art Informel Art Brut Haute patê CoBrA Détourned painting
- 5. Chapter 2: Postwar Europe _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Alberto Giacometti, Man Pointing (L’homme au doigt), 1947. Tate Gallery
- 6. Chapter 2: Postwar Europe _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Alberto Giacometti, The City Square, 1948-49 Museum of Modern Art
- 7. Chapter 2: Postwar Europe _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Jean Fautrier, Nude, 1943 (from the Otages series) Museum of Contemporary Art, Los Angeles
- 8. Chapter 2: Postwar Europe _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Jean Dubuffet, View of Paris with Furtive Pedestrians, 1944 Metropolitan Museum of Art
- 9. Chapter 2: Postwar Europe _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Jean Dubuffet, Triumph and Glory, 1950 Solomon R. Guggenheim Museum
- 10. Chapter 2: Postwar Europe _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Francis Bacon, Three Studies for Figures at the Base of a Crucifixion, 1944 Tate Gallery
- 11. Chapter 2: Postwar Europe _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Karel Appel, Hip Hip Hoorah!, 1949 Tate Gallery
- 12. Chapter 2: Postwar Europe _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Asger Jorn, The Avant Garde Doesn’t Give Up, 1962 Bougival, France, Collection Pierre Alechinsky
- 13. Art 109A: Art Since 1945 Chapter 3: Abstract Expressionism
- 14. Chapter 3: Abstract Expressionism _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ CONTEXT: Chronological time period Geographic location Relevant social, political, economic context
- 15. Chapter 3: Abstract Expressionism _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Vocabulary/Concepts Action painting Color field/chromatic abstraction The Sublime Automatism
- 16. Chapter 3: Abstract Expressionism _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Jackson Pollock, Full Fathom Five, 1947 Museum of Modern Art
- 17. Chapter 3: Abstract Expressionism _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Jackson Pollock, Autumn Rhythm, 1950 Metropolitan Museum
- 18. Chapter 3: Abstract Expressionism _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Willem de Kooning, Gotham News, 1955 Albright Knox Art Gallery
- 19. Chapter 3: Abstract Expressionism _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Willem De Kooning Woman I, 1950-52 Museum of Modern Art
- 20. Chapter 3: Abstract Expressionism _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Mark Rothko, No. 3/No. 13, 1949 Museum of Modern Art
- 21. Chapter 3: Abstract Expressionism _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Rothko Chapel, Houston Texas Founded by John and Dominique de Menil in 1971 http://www.rothkochapel.org/
- 22. Chapter 3: Abstract Expressionism _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Barnett Newman, Onement I, 1948 Museum of Modern Art
- 23. Chapter 3: Abstract Expressionism _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Barnett Newman, Vir Heroicus Sublimus, 1950-1 7' 11 3/8" x 17' 9 1/4" Museum of Modern Art
- 24. Chapter 3: Abstract Expressionism _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Franz Kline, New York, New York, 1950 Albright Knox Gallery
- 25. Chapter 3: Abstract Expressionism _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Robert Motherwell, Elegy to the Spanish Republic, 1957-61 Museum of Modern Art
- 26. Chapter 3: Abstract Expressionism _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Clyfford Still, 1948-C, 1948 Hirshhorn Museum
- 27. Chapter 3: Abstract Expressionism _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ David Smith, Hudson River Landscape, 1951 Whitney Museum
- 28. Art 109A: Art Since 1945 Chapter 6: Post Painterly Abstraction
- 29. Chapter 6: Post Painterly Abstraction _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ CONTEXT: Chronological time period Geographic location Relevant social, political, economic context
- 30. Chapter 6: Post Painterly Abstraction _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Vocabulary/Concepts: Clement Greenberg Harold Rosenberg Formalist art criticism Non-Formalist art criticism
- 31. Chapter 6: Post Painterly Abstraction _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Helen Frankenthaler Mountains and Sea, 1952 National Gallery of Art
- 32. Chapter 6: Post Painterly Abstraction _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Morris Louis, Tet, 1958 Whitney Museum
- 33. Chapter 6: Post Painterly Abstraction _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Kenneth Noland, Beginnings, 1958. Hirshhorn Museum
- 34. Chapter 6: Post Painterly Abstraction _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Kenneth Noland, Blue Veil, 1963 Museum of Modern Art
- 35. Chapter 6: Post Painterly Abstraction _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Josef Albers, Homage to the Square: Soft Spoken, 1969 Metropolitan Museum
- 36. Chapter 6: Post Painterly Abstraction _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Josef Albers, Homage to the Square: With Rays, 1959 Metropolitan Museum
- 37. Chapter 6: Post Painterly Abstraction _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Ad Reinhardt, Abstract Painting, 1957 Museum of Modern Art Ad Reinhardt, Abstract Painting, Red, 1952 Museum of Modern Art
- 38. Chapter 6: Post Painterly Abstraction _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Ad Reinhardt, Abstract Painting, 1960-66 Guggenheim Museum
- 39. Chapter 6: Post Painterly Abstraction _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Ellsworth Kelly, Colors for a Large Wall, 1951 Museum of Modern Art
- 40. Chapter 6: Post Painterly Abstraction _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ _________________________ Ellsworth Kelly, Red, Yellow, Blue II, 1965 Milwauke Art Museum