Line Space Light Color Texture Pattern Time Motion
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This document discusses various artistic elements related to line including different types of lines like outline, contour, and implied lines. It provides examples of works by artists such as Titian, Van Gogh, Giacometti, and Johns that demonstrate these line qualities and varieties. The document also examines how line can convey intellectual, emotional, and expressive aspects in addition to defining shapes and forms.
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Line Space Light Color Texture Pattern Time Motion
- 1. LINE SPACE LIGHT AND COLOR TEXTURE PATTERN TIME AND MOTION The Formal Elements
- 2. http://www.youtube.com/watch?v=OGh97__-uLA The Dot and The Line LINE
- 3. LINE VARIETIES OF LINE
- 4. Andy Goldsworthy. Hazel Leaves . June 5, 1991. http://movies.netflix.com/WiPlayer?movieid=60027273&trkid=2361637 1:03:40
- 5. Outline and Contour Line
- 6. Outline and Contour Line Outline : indicates the edge of a two-dimensional shape Contour Line: indicates the edge of a three-dimensional form
- 7. Jaune Quick-to-See Smith. House . 1995. 6 ft. 8 in. x 5 ft.
- 8. Henri Gaudier-Brzeska. Female Nude Back View . c. 1912.
- 9. Implied Line Is a function of line of sight , the direction the figures in a given composition are looking
- 10. Alberto Giacometti. Man Pointing . 1947. 70 1/2 x 40 3/4 x 16 3/8 in.
- 11. Titian. Assumption and Consecration of the Virgin . c. 1516–18. 22 1/2 x 11 4/5 ft.
- 12. Line analysis of Titian, Assumption and Consecration of the Virgin . c. 1516–18. 22 1/2 x 11 4/5 ft.
- 13. Chéri Samba. Calvary. 1992. 35 x 45 5/8 in.
- 14. Qualities of Line Line also possesses certain intellectual, emotional, and expressive qualities
- 15. Pat Steir. Drawing Lesson, Part I, Line #1. 1978. each 16 x 16 in., edition of 25.
- 16. Rembrandt van Rijn. The Three Crosses . 1653. 15 1/4 x 17 3/4 in.
- 17. Pat Steir. Drawing Lesson, Part I, Line #5 . 1978. each 16 x 16 in., edition of 25.
- 18. Vincent van Gogh. The Starry Night . 1889. 29 x 36 1/4 in.
- 19. Vincent van Gogh. The Sower . 1888. 25 1/4 x 31 3/4 in.
- 20. Sol LeWitt. Wall Drawing No. 681 C, A wall divided vertically into four equal squares separated and bordered by black bands. Within each square, bands in one of four directions, each with color ink washes superimposed. 1993. image: 120 x 444 in.
- 21. Installation of Wall Drawing No. 681 C . August 25, 1993.
- 22. Installation of Wall Drawing No. 681 C . August 25, 1993.
- 23. Jasper Johns. Numbers in Color . 1958–59. 67 x 49 1/2 in.
- 24. Matthew Ritchie. No Sign of the World. 2004. 99 x 154 in.
- 25. Jacques Louis David. The Death of Socrates . 1787. 51 x 77 1/4 in.
- 26. Jacques Louis David. Study for the Death of Socrates . 1787. 20 1/2 x 17 in.
- 27. Eugène Delacroix. Study for The Death of Sardanapalus . 1827–28. 10 1/4 x 12 1/2 in.
- 28. Eugène Delacroix. The Death of Sardanapalus . 1827. 12 ft. 1 1/2 in. x 16 ft. 2 7/8 in.
- 29. Zeus, or Poseidon . c. 460 BCE . height 82 in.
- 30. Robert Mapplethorpe. Lisa Lyon . 1982.
Editor's Notes
- Watch this, then talk about line.
- They can rise or fall – move to the left or right – disappear into the distance – divide one thing to the other – connect things – thick or thin – long or short – smooth or agitated – straight or curved. What other ways? Nature, paths, tracks, rivers, shooting stars.
- Expressionistic, emotionally charged, almost chaotic, imprecise
- Precise, controlled, mathematically rigurous, logical, rationally organized.
- The grid – pattern of vertical and horizontal lines – lends a sense of order out of chaos.