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t h e i n v i s i b l e m a l e
a conversational collage of queer identity and difference
research - initial
I based my initial research on the
continuation and expansion of my CP2 project
taken in 2nd Year. Through this project I was
left with many questions and themes
surrounding the subject of masculinity,
identity and difference as well as the
correlation between myself as a designer and
my own individual queerness.
I became interested in exploring and
questioning the nature of difference within
the LGBTQ+ community.
My early approach was focused on creating a
personal project which allowed me to continue
with the academic nature of my CP2 work
whilst also allowing me to move into a new
practice free of the intimidation of a
written piece of work.
My first question was simple and concise and
set the foundation for my continued research:
Is my identity and queerness directly
influencing my design direction?
Contextualising Practice - Modern Bodies
research - secondary
Having established a pathway for my research,
I started looking at individual roles within
the LGBTQ+ community and the idea of
subcultures. I wanted to uncover the
different approaches and attitudes towards
constructed and natural identity attributes.
“Queer identity cannot possibly arise in the
absence of a queer subculture” - Rictor Norton
The idea that identity is formed through
social surroundings and outsider influence
fascinated me and so led to me breaking down
the social roles within the community, for
example the bears, twinks, chubs, femmes etc.
Social Constructs and Identity
research - continued
Is my style and art direction based on my own
identity and past? Am I consciously
influenced by my own life experiences as an
out queer male?
I began to question the idea of the self, a
theme which had been a focus of my work in
second year. I focused on the idea of the
self being the inner personality rather than
the constructed ‘outside’ personality. How
can I explore this theme whilst engaging with
my own practice as a designer?
Continuing with this research, I moved onto
body image and the psychological and social
effects this has on the individual. I spoke
about this in depth through my CP2 work and
felt that body image has been a constant
factor in the development of the LGBTQ+
community as well as its emergence into
popular culture and media.
Individuality and the self
visual research
visual research
keywords and themes
identity difference masculinity
otherness constructs physicality
queerness individual personality
social awareness insiderness
manchester design responsibility
style and direction
I knew from the beginning that I wanted to
create something which would reflect both my
personality and aesthetic preferences. I was
aware that whilst my subject was not directly
related to design, the finished outcome would
be a reflection of myself as a designer, an
individual and my own skills.
My main focus was on researching documentary
film styles, however this moved into watching
numerous interviews and DIY style student
films. I took great interest in listening to
audio interviews and conversations and this
helped to shape and mould the direction of my
finished piece.
Before beginning to piece together plans for
filming, I decided on a conversational
approach rather than a typical documentary. I
hoped to achieve a DIY visual style whilst
maintaining the core ideas and influences.
PROCESS
I spent one day filming numerous
conversations with friends with the intention
of gathering different viewpoints and
opinions on the subject of masculinity and
difference, however once this was completed I
discovered that one conversation in
particular provided the most in depth views
on the subject. This led to decided to focus
on one conversation rather than multiple.
To compliment this, I created a spoken word
‘script’ alongside the conversation which
aimed to guide the viewer without providing a
defined and definite narrative. I intended on
allowing the viewer to decide on their own
interpretation whilst maintaining the core
thematic and visual goal.
EDITING
The editing process allowed me to piece
together the filmed footage alongside other
footage I had collected previous to beginning
the project. I also included stock footage
which was intended to compliment the
conversation and provide a side narrative.
The intention with this approach was to
create a ‘video collage’ in order to further
the DIY approach to the piece.
I purposely blurred the footage in order to
provide an almost anonymous feel. This
gradually fades to reveal the interviewee
towards the mid to end of the video.
The overall feeling I wanted was a blend of
audio visual with a DIY documentary
atmosphere. I feel the editing compliments
this idea and helped achieve the initial
goals set out at the beginning of the
project. I was happy that I had created a
substantial piece of work which complimented
my practice whilst also allowing me to expand
on the academic subjects covered during my
contextual studies in second year.
https://www.youtube.com/watch?v=S51i48w7yF4

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Dissertation Presentation

  • 1. t h e i n v i s i b l e m a l e a conversational collage of queer identity and difference
  • 2. research - initial I based my initial research on the continuation and expansion of my CP2 project taken in 2nd Year. Through this project I was left with many questions and themes surrounding the subject of masculinity, identity and difference as well as the correlation between myself as a designer and my own individual queerness. I became interested in exploring and questioning the nature of difference within the LGBTQ+ community. My early approach was focused on creating a personal project which allowed me to continue with the academic nature of my CP2 work whilst also allowing me to move into a new practice free of the intimidation of a written piece of work. My first question was simple and concise and set the foundation for my continued research: Is my identity and queerness directly influencing my design direction? Contextualising Practice - Modern Bodies
  • 3. research - secondary Having established a pathway for my research, I started looking at individual roles within the LGBTQ+ community and the idea of subcultures. I wanted to uncover the different approaches and attitudes towards constructed and natural identity attributes. “Queer identity cannot possibly arise in the absence of a queer subculture” - Rictor Norton The idea that identity is formed through social surroundings and outsider influence fascinated me and so led to me breaking down the social roles within the community, for example the bears, twinks, chubs, femmes etc. Social Constructs and Identity
  • 4. research - continued Is my style and art direction based on my own identity and past? Am I consciously influenced by my own life experiences as an out queer male? I began to question the idea of the self, a theme which had been a focus of my work in second year. I focused on the idea of the self being the inner personality rather than the constructed ‘outside’ personality. How can I explore this theme whilst engaging with my own practice as a designer? Continuing with this research, I moved onto body image and the psychological and social effects this has on the individual. I spoke about this in depth through my CP2 work and felt that body image has been a constant factor in the development of the LGBTQ+ community as well as its emergence into popular culture and media. Individuality and the self
  • 7. keywords and themes identity difference masculinity otherness constructs physicality queerness individual personality social awareness insiderness manchester design responsibility
  • 8. style and direction I knew from the beginning that I wanted to create something which would reflect both my personality and aesthetic preferences. I was aware that whilst my subject was not directly related to design, the finished outcome would be a reflection of myself as a designer, an individual and my own skills. My main focus was on researching documentary film styles, however this moved into watching numerous interviews and DIY style student films. I took great interest in listening to audio interviews and conversations and this helped to shape and mould the direction of my finished piece. Before beginning to piece together plans for filming, I decided on a conversational approach rather than a typical documentary. I hoped to achieve a DIY visual style whilst maintaining the core ideas and influences.
  • 9. PROCESS I spent one day filming numerous conversations with friends with the intention of gathering different viewpoints and opinions on the subject of masculinity and difference, however once this was completed I discovered that one conversation in particular provided the most in depth views on the subject. This led to decided to focus on one conversation rather than multiple. To compliment this, I created a spoken word ‘script’ alongside the conversation which aimed to guide the viewer without providing a defined and definite narrative. I intended on allowing the viewer to decide on their own interpretation whilst maintaining the core thematic and visual goal.
  • 10. EDITING The editing process allowed me to piece together the filmed footage alongside other footage I had collected previous to beginning the project. I also included stock footage which was intended to compliment the conversation and provide a side narrative. The intention with this approach was to create a ‘video collage’ in order to further the DIY approach to the piece. I purposely blurred the footage in order to provide an almost anonymous feel. This gradually fades to reveal the interviewee towards the mid to end of the video. The overall feeling I wanted was a blend of audio visual with a DIY documentary atmosphere. I feel the editing compliments this idea and helped achieve the initial goals set out at the beginning of the project. I was happy that I had created a substantial piece of work which complimented my practice whilst also allowing me to expand on the academic subjects covered during my contextual studies in second year.