The Big Sleep Gender Roles

The Big Sleep Gender Roles
The Big Sleep follows the tough wisecracking, and morally upright private eye, Philip Marlowe
(Humphrey Bogart) after he is hired by the old, ailing and tremendously wealthy, General
Sternwood. While originally Marlowe was hired to help the General deal with a man named Arthur
Gwynn Geiger, who is blackmailing the General over the General's youngest daughter, Marlowe
soon finds that the problem lies much deeper than previously thought and finds himself intertwined
in the scandalous and hazardous lives the generals two spoiled, pretty, and wild daughters. This
intertwinement though, fully depends on Marlow's attraction to the eldest sister and fixation on
solving the mystery of what these two girls have gotten themselves into. In this film the female
characters play many different roles. The youngest Sternwood, the flirtatious and extremely spoiled
party girl, Carmen plays both the role of the villain and victim and on many occasions tries (but
fails) to play the role of a femme fatale to the disinterested Marlowe. Carmen who is described as a
sociopath by her own father and who makes a habit of sucking her thumb while stating her
catchphrase of ... Show more content on Helpwriting.net ...
Eddie Mars a casino owner who Marlowe describes as "... a blackmailer, a hot car broker, a killer by
remote control" (The Big Sleep), tries to bribe, trick, and force Marlowe to stop him from his quest.
Mars who is blackmailing Vivien, tries to get her to pay Marlowe off to get him to end his
investigation and when that doesn't work he tries to trick Marlowe into believing that the case is
over by staging an act with Vivian in order to make Marlowe think that there is nothing between the
two of them. After all of these attempts fail as well as trying to have the D.A. force Marlowe off the
case, Mars sends two of his thugs to give him a "working over". Marlowe, though in pain, continues
on his quest for the truth, determined and
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Essay on The Big Sleep
In the books The Big Sleep and Sir Gawain and the Green Knight, both authors, Raymond Chandler
(The Big Sleep) and Simon Armitage (Sir Gawain and the Green Knight), create the protagonist of
each story into archetypal knights. The protagonist of The Big Sleep is named Phillip Marlowe and
in Sir Gawain and the Green Knight the protagonist is named Sir Gawain. The 3 knightly qualities
that we will be focusing on in this essay are self–sacrifice, loyalty and courage. These qualities are
displayed throughout each story in different and similar ways throughout each book.
In The Big Sleep, Phillip Marlowe displays self–sacrifice a few times throughout the book. Phillip
Marlowe displays an act of self–sacrifice on page 129 and he says, "The ... Show more content on
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"I left out a couple of personal matters. I intend to keep on leaving them out... Because my client is
entitled to that protection..." Marlowe is loyal towards the Sternwood family as he specifically
leaves out pieces of the story about Carmen and her family. This act of nobility ties directly to the
figure of a knight, in which Marlowe represents. Gawain as well displays loyalty throughout the
book Sir Gawain and the Green Knight. Gawain displays an act of loyalty on page 19, line 339.
"Gawain now to his king inclines and says, I stake my claim. This moment must be mine." Gawain
intervenes with Arthur's challenge with the Green Knight as he steps to the challenge in a form of
loyalty to the crown. This act of loyalty is another sign that Sir Gawain represents a knight
throughout the book.
The last knightly characteristic that we will cover in this essay is courage. Both protagonists, Phillip
Marlowe and Sir Gawain demonstrate a lot of courage throughout each book. Phillip Marlowe
displays this trait in The Big Sleep on page 33 when he says
–At seven–twenty a single flash of hard white light shot out of Geiger's house like a wave of
summer lightning. As the darkness folded back on it and ate it up a thin tinkling scream echoed out
and lost itself among the rain drenched trees. I was out of the car and on my way before the echoes
died. This act was very courageous, as Marlowe had no idea what he was getting into. He decided
that it was

The Never-Ending Journey of the Sisyphean Hero in "The Big...
The subject of heroism has been the focus of art since the beginning of civilization. It should be no
surprise that the hero would even be at the heart of a dark genre, such as Noir. However, since the
time period of Noir, roughly the 1930s–1950s, is simultaneous with such monumental changes as
the transition from a Romantic view of America to a more realistic and even existential view, the
hero of this genre embodies a similar ideal in his character. Existentialism pivots around the idea
that an individual wanders – often disoriented – in an absurd and meaningless world. In his novel,
The Big Sleep, author Raymond Chandler introduces protagonist Philip Marlowe as this new
existential hero. Marlowe is a detective who is loyal to his client and his client only. He possesses
the qualities of an antihero who is not bound by the law, yet fights against the criminal underworld
and works for justice in his own way. In the end he does not receive anything in return, except for
the satisfaction of completing his job. Similarly, Albert Camus describes the punishment of his hero,
Sisyphus, who is condemned to roll a rock up a mountain for the rest of eternity. Regardless, he
performs his task with neither hesitation nor contempt. Raymond Chandler depicts Philip Marlowe
as a private eye who concurrently parallels the Sisyphean hero seen in his moment of consciousness
when he takes charge of his fate through cogitation, to reveal that one possesses freedom of thought
at every step.
Both

Symbolism And Imagery In Raymond Chandler's The Big Sleep
In this essay, I will focus on Raymond Chandler's The Big Sleep. I will try to analyze the symbolism
and imagery of Los Angels in this Raymond Chandler's fiction. The Big Sleep talks about a dying
millionaire General Sternwood hires Philip Marlowe (private detective) to handle the blackmailer of
Carmen Sternwood, one of his wild daughters. With further investigation， Marlowe finds himself
involved with more than extortion. The Big Sleep is Raymond Chandler's first novel. It has been
recognized as a landmark in the history of the American hard–boiled detective novel. It was
published in 1939. At that time, the Great Depression was raging and World War II was coming. The
Big Sleep is set in 1930s Los Angeles and Hollywood. Los Angeles serves as the setting for most of
Chandler's novels. Probably no writer has evoked images of Los Angeles for more readers than
Raymond Chandler. David Fine points out "Raymond Chandler makes Los Angeles becomes the
permanent home of hard–boiled detective fiction "(1). In this novel, ... Show more content on
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He treats the city as a living character, capturing its smells, sights, and sounds. In The Big Sleep , we
can find jam–packed with corrupt policemen, double–crossing women, shady blackmailers, and
gunmen for hire. Chandler uses these figures to show us some facts from different side. Frederic
Jameson points out that Chandler uses the plot device of Marlowe waiting in his office as "a
monadic window from which something of the deeper truth of Los Angeles is able to be disclosed"
(3). Los Angeles is about to be seen through a perceptual window, the consciousness of Marlowe,
whose sensitivity indicates the nature of the world around him. Marlowe's retreat into his shabby
office also contains symbolic significance:he takes shelter from the chaotic society outside.
However, his office is also loaded with the endemic nothingness. He discloses a profound truth
about American life around the

Film Analysis: The Big Sleep
1. The author states, "We can't explore enlightenment without knowing endarkenment" (Sluyter 32).
This quote is basically saying that as individuals, we cannot truly appreciate the benefits and
advantages to experiencing a state of enlightenment without going through a struggling or dark
experience first. Even though this may seem counter intuitive, if one only experiences and knows
happiness and freedom, they then transform into a greedy and arrogant person who begins to take
this form of enlightenment for granted. By experiencing darkness and tragedy, it truly makes you
grateful and feel blessed for the gifts enlightenment offers.
2. The Big Sleep is most commonly known as a famous 1946 mystery film by Howard Hanks, and it
is known for its "impossibly twisted story line" (Sluyter 33). The main character is Philip Marlowe,
a private detective who is hired by General Sternwood. Behind the obvious facts about the film, this
cinema is supposed to not only look "lot like the six realms" of Samsara while Marlowe is supposed
to represent us as individuals working our way through these six realms and find a way to achieve
enlightenment (Sluyter 35). Overall, by picking apart the movie part by part, we are able to learn
"the six realms are just ... Show more content on Helpwriting.net ...
Within the film, "The Buddha's head is noir shorthand for decadence" (Sluyter 48). However, in
Buddhism, it represents a very crucial teaching about dharma, that "in every chamber of samsara, no
matter how dark and confused, the Buddha...is present" (Sluyter 49). This actually also proven by
the Wheel of Life diagram discussed earlier because within every realm, "is the Buddha, offering
help toward liberation in a form accessible to the locals" (Sluyter 49). Overall, this is meant to give
us the message that we should never give up and should always remember that we can work hard to
be reborn into a better realm until we finally reach the state of nirvana, liberating us from the this
constant cycle of rebirth once and for

William Chandler 's Farewell My Lovely
Detective fiction at its finest is displayed through the famous novel by Raymond Chandler called,
Farewell My Lovely. Chandler published this novel in 1940 with every intention of giving his
readers something dark and mysterious to dive into. Throughout the novel, the kind of protagonist
that we naturally expect to encounter, is much more the opposite. The unconventional hero in this
case would be the suggested "protagonist" names Philip Marlowe. He plays a cynical man who
appears to not need any additional company but his own when solving the crimes committed around
town. That is one of the most appealing features that caught my attention about Marlowe. He
entertains the reader with his bravery and ambiguous heroism throughout the corrupt streets of L.A.
Corruption, murder and this complicated character guiding us through the thick of these cases are
the three key aspects that make Chandler's novels so appealing. The association that a reader has
with an anti–hero of a novel is very similar to a love hate relationship. We want to love him for the
gritty, yet effective work, but for one who drinks as hard and heavy as Philip Marlowe does, its hard
to keep their best interest at heart. Chandler isn't the only author who tries to make the reader root
for the bad guy. A few classic examples of this would be our frequently discussed Detective
Sherlock Holmes, and the recent TV series called Breaking Bad.
Sherlock Holmes is a great example of an anti–hero. He reminds me much

The Simple Art Of Masquerade
The Simple Art of Masquerade Centuries ago, long before the thoughts of man were transcribed into
words, drawings were used to convey the thoughts and ideas, each telling a story like no other, with
an even greater discord between the accurate meanings of the story and meaning which the reader
garnered from the tale. Fast forward a few centuries to a time where stories were ultimately being
shared by word of mouth, altering a bit from the original thoughts and ideas of the author who
formerly spoke the tale. Traveling yet a few more centuries now to a time where stories are now
written and transcribed, not only by hand but also, finally, by printing press. This illustrious
invention paved the way for those who wished to share their ... Show more content on
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However, it is not only the authors' portrayal of the characters that is important, but the interactions
amongst the characters themselves. It is within Raymond Chandler's The Big Sleep that he presents
each character through the eyes of Philip Marlowe, and is able to present who they are trying to be,
who they are, and the moral issues which arise in each. Chandler manipulates costumes and setting
to show who Carmen Sternwood's character is trying to be, who she really is and the moral issues
associated with each of these as seen through the eyes of Philip Marlowe. Since countless of the
characters throughout The Big Sleep do not show their true colors until the end of the book or
characters life, which the latter seems to be sooner than the former, the literary clues given by
Chandler to determine who they are trying to be as well as who they truly are is uniquely important.
She tries to portray herself as an innocent little girl, in order to woo Marlowe, but to no avail. For
example, in the first encounter with Philip Marlowe, she "wore pale blue slacks," with the pale blue
color associated closely with that of a newborn baby, showing that her character is one that is trying
to give off a sense of childishness (5). Not only is she seen constantly giggling but she also uses
elementary words such as "cute," furthering her agenda of trying to act like a little girl.

Disease And Corruption In Raymond Chandler's The Big Sleep
In a world delineated through images of disease and corruption the use of a hero becomes all the
more necessary. In Raymond Chandler's The Big Sleep, the narrator associates the protagonist,
Philip Marlowe, with a knight. In more ways than one, Chandler establishes that Marlowe has a
strict code of conduct synonymous to the rules of chivalry. For example, he resists the temptations
of lust whenever Sternwood's daughters attempt to seduce him, displaying a certain medieval–like
ideal of courtly love; like how he explains to Vivian, "[k]issing is nice, but your father didn't hire me
to sleep with you," his job is to extract information in order to fulfill his ultimate goal, that is, of
finding the truth (Chandler 151). Moreover, this metaphorical ... Show more content on
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Towards the final chapters an evil spirit manifesting itself in the form of her insanitary controls
Carmen, recreating the damsel in distress scenario, in which Marlowe assumes the role of the knight
and attempts to rescue her. However, after Carmen tries to kill Marlowe for resisting her sexual
advances, which is how Regan died, he relays to Vivian that he cannot save her sister from her
mental illness, so she needs leave town with her sister who is to be treated. Knowing that no one
will receive justice for the crimes they've committed Marlowe confesses, "I was part of the nastiness
now... But the old man didn't have to be. He could lie quiet in his canopied bed, with his bloodless
hands folded on the sheet, waiting...And in a little while he too, like Rusty Regan, would be sleeping
the big sleep" (230–231). Since Marlowe failed to save Carmen once again, he compromises his
chivalric code a second time so that she could find treatment, but more importantly, so that the
General would never find out. Sparing the General of what could be potentially devastating news for
him, reinforces the idea of how Chandler's theme is dismantled by the detectives emotions. Marlowe
displays the ultimate act of dishonesty, which is chivalry, by withholding information the General
has asked for. Marlowe's corruption

The Role Of Corruption In The Big Sleep
In The Big Sleep, author Raymond Chandler sets the scene in 1930's America; a dark, dirty place
teeming with immorality and crime. The very thing the country blossomed from leads to its
corruption and decay: the American Dream. The Dream thrives on the thirst for money, drawing in
people that want bigger and better opportunities. By choosing Los Angeles as his setting, Chandler
shows how the last area of the States developed, the West, turned into a greedy place. Some of the
most corrupt and fame–hungry people flock to Los Angeles. He also uses the time period itself
because it takes place immediately after the First World War and during the era of the Great
Depression, which left lives in shambles and people in despair. Some sank to new depths morally in
order to stay afloat, which Chandler portrays through the other characters in the story. Money
motivates or corrupts nearly every character in the novel. General Sternwood lives up on a hill,
literally and figuratively, and his immense wealth comes from the oilfields below, making it dirty in
almost all senses of the word. Raised more by money than ... Show more content on Helpwriting.net
...
He fits into the role of knight in the story, with qualities of virtue and chivalry. These are
demonstrated by his refusal to take advantage of Carmen or Vivian, despite their attempts to lure
him in. His lack of desire for money differentiates Marlowe from the other characters. Charging a
mere $25 a day plus expenses, he receives small wages because he wishes to avoid becoming
corrupted by wealth. He adheres to his strict code of ethics, using it to dictate his actions. His sense
of duty to his client motivates him to pursue the case of the missing Rusty Regan. Still, Marlowe has
a few faults; drinking excessively, treating others callously, and not reporting illegal activity to law
enforcement make him far from flawless. Chandler purposefully writes Marlowe as an imperfect but
inherently good

The Big Sleep Heroism
The idea of heroism is a common motif in Noir literature; one that dominates the characterization of
the traditional hard–boiled detective. This remains constant in Raymond Chandler's novel, The Big
Sleep, in which Philip Marlowe is hired to investigate the blackmail of a rich man with two
troublesome, fun–loving daughters. As Marlowe gains more information throughout the course of
his investigation, he becomes closer with the daughters, Vivian and Carmen Sternwood, and learns
many dirty secrets about the family and people close to them. This becomes as much of an
exploration of the exploitation of General Sternwood, as much as it is an exploration of Marlowe
himself and his role in life. Throughout the course of the novel, Marlowe's attempts ... Show more
content on Helpwriting.net ...
This viewpoint of Marlowe as the knight in the window is so strong due to easily recognizable
comparisons drawn between the two scenes. However it is the differences in the scenes that
highlight his shortcomings. Because Carmen is under the influence of drugs and there is a dead body
lying nearby, this situation is not ideal, to say the least. Marlowe acts accordingly through decisions
about what to do with Carmen, because his decisions are also not ideal for a hero. He "decided to
pass up her underclothes, not from feelings of delicacy, but because [he] couldn't see [him]self
putting her pants on and snapping her brassiere" (Chandler 37). This instance alone, that Marlowe
decides not to properly dress Carmen, not due to maintaining boundaries or intimate feelings, but
because he, as a man, cannot see himself doing that, is a perfect example as to why can never be the
perfect hero. A traditional hero would set aside all concerns about how comfortable he feels, and
simply do it in as professional of a manner as he can. Marlowe's decision to disregard her
undergarments for superficial reasons do not meet the knights; chivalric standards. His expectations
of himself as a hero do not live up to the realities because of how he decides to care for and control
Carmen. To get Carmen to cooperate, he "slapped her face. She blinked

Marlowe And Jones Quotes
The book "The Big Sleep" which is written by Raymond Chandler is so entertaining and unique.
Every character regardless how big their roles are, have a significant influence over the storyline.
Despite the fact that Harry Jones is a minor character in the novel, it is still possible to reveal his
character through some dialogues, action, and scenes. Several scenes are provided in order to gain
better understanding of Jones by paying more attention especially to his personality and actions.
Although Jones is visualized as a small man, he shows bravery through his actions, emphasizing that
he is not afraid of anything. The first scene takes place on Marlowe's office. Chandler tries to
describe physical appearance of Jones as a little man by saying "He was a very small man, no more
than five feet and would hardly weigh as much as a butcher's thumb."(161) Additionally, Chandler
also writes " He wore a double–breasted dark grey suit that was too wide in the shoulders and ...
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The second scenes also held at Marlowe's apartment but in different conditions. In Marlowe's
apartment, Marlowe and Jones agree with each other to trade information for money. Based on this
agreement, Marlowe has to meet Agnes and give her two hundred dollars in cash as an exchange of
the information. Jones' loyalty is being tested by Marlowe's actions. Marlowe attempts to acquire the
information faster, so he demands Jones to reveal the information himself. He states to Jones "Can't
you tell me yourself? I've seen Agnes."(169) However, instead of fulfilling Marlowe's request, Jones
rejects Marlowe by replying "" I promised her", he said simply. He buttoned his over coat, cooked
his hat jauntily, nodded again and strolled to the door."(169). Given the fact that he knows Marlowe
has met Agnes, he shows his courage and loyalty toward his action when he successfully keeps his
word with Agnes by rejecting

Theme Of Justice in "The Big Sleep" and "The Black Cat" Essay
The Big Sleep by Raymond Chandler and The Black Cat by Edgar Allen Poe both approach the
theme of justice and present it in dissimilar ways. The Big Sleep presents justice as something
which you can achieve through beliefs and morals, without the use of money and crime. The Black
Cat presents justice as something which is absolute and something which you cannot escape
psychologically, a force which is inevitable.
In The Big Sleep, a conversation between Philip Marlowe and Vivien Sternwood is proceeding, in
which Marlowe is offered $15,000 to be silenced over the disappearance of Rusty Regan, and within
the conversation the reader is given an insight into the motivations and morals of Marlowe, and his
own personal view of the topic in ... Show more content on Helpwriting.net ...
Whether it is perceived as irony or outright sarcasm, Marlowe reveals he does his job "for the
money", which is only $25 per day, but then later refuses to accept the offer of $15,000 despite the
fact that he knows he could "own a home and a new car and four suits of clothes...even take a
vacation". The refusal shows Marlowe's anti–heroic status, as he appreciates the advantages of
corruption but believes the well–being of his client and "... to protect what little pride a broken and
sick old man has left in his blood" is more important. Edgar Allen Poe's tales usually contain graphic
imagery and themes of fear and horror, all shown in The Black Cat. In this extract, as it written in a
narrative form it shows the true psychological struggle between the narrator and their "demons" as it
explores the criminal mind from a first person point of view, noticing both character and motivation.
The aspects of justice shown in The Black Cat are Criminal Justice and the ideology of Religious
Justice. Unlike The Big Sleep, the Criminal Justice System of the 19th century was much more
ruthless in that even the narrator is aware his actions will get recognised and punished, an action
which appears inevitably. Revealed later on, the narrator explains that he has been consigned to the
hangman, an act of Criminal Justice upon the narrator.
"The infinite mercy of the Most Merciful and Most Terrible God", a common notion in the 1800's
was that justice would be served

Movie Analysis: The Big Sleep
The Big Sleep (Howard Hawks, 1946) uses mostly restricted narration, perceptual subjectivity, and
the lack of mental subjectivity to show the strength of Marlow's (Humphrey Bogart) loyalty towards
Vivian (Lauren Bacall) and General Sternwood (Charles Waldren). The Big Sleep uses a mostly
restricted narration through the eyes of Marlow, with a few exceptions to make the audience feel
more connected to Marlow. Early in the movie Marlow goes to Geiger's (uncredited) house and sits
outside only able to see the shadows behind the curtain and then hear the scream later on. In this
case the limited narrative allows the movie to go on because if the audience had been able to see
inside the house we would have been able to see who had killed Geiger the entire time. However
there is one scene when Joe Brody (Louis Jean Heydt) holds a gun to Marlow's back and the
audience sees it but Marlow does not. While this example of unrestricted narrative is valid it is also
an outlier. For the most of the movie the film has a restricted narration through the eyes of Marlow,
so that the audience is solving the case with Marlow and making the audience more connected to
Marlow's confusion with the case. ... Show more content on Helpwriting.net ...
We see Harry Jones (Elisha Cook Jr.) talk with Lash Canino (Bob Steele) and then we see Jones get
killed by Canino all from Marlow's point of view from the other room. This makes it so that the
audience don't wholly know what is going on as well as making it so that the audience feel how
tense Marlow is from trying not to be caught spying. It also shows Marlow's need for information
more than his need to help Jones showcasing Marlow's loyalty to the Vivian and the General
winning out over his need to serve

The Big Sleep- the Depiction of Marlowe as a Modern-Day...
The Big Sleep– The depiction of Marlowe as a modern–day knight
The novel "The Big Sleep" by Raymond Chandler was published in 1939 during the heart of the
Great Depression. The novel is written in a very sinister, dark and kind of a gangster tone and carries
much of the cynicism of 1930s America. The Big Sleep is a story of intrigue, corruption,
delinquency and obliquity with a rather complex plot which can be very confusing. The main
character in "the Big Sleep" is the private detective Philip Marlow who is very masculine man with
values and a good moral. His strong moral is often evidenced throughout the novel. Marlowe is the
only one in this complex world who cannot be corrupted because the other characters are all
described as sleazy, ... Show more content on Helpwriting.net ...
There is another passage where he is looking down at a chess board saying: "I looked down at the
chess board. The move with the knight was wrong. I put it back where I have moved it from.
Knights had no meaning in this game" (95). It is clear that he depicts himself as the knight and he is
referring to his cold case and the mistakes he has made so far in solving the crime. The sentence
"knights had no meaning in this game" refers to his chivalrous behavior and that this has not been
helpful so far in solving the crime and that frustrates him. Furthermore, his behavior has no meaning
or value for the other characters that are included in this crime and he is instantly reminded that he is
the only one in this "game" who is faithful and morally. However, the description of chivalry is not
only portrayed through the imagery in the novel but moreover through the behavior of Philip
Marlowe. For hundreds of years, the knight is one of the most fascinating figures or motives of the
history which has not lost his symbolic brightness and power. If one is looking for a definition of a
knight it always includes certain terms like strong, noble, chivalrous, morally straight or protector of
the weak as well as the existence of a certain code. According to this code it is the duty of a knight
to protect women, children and to have faithfulness. This is exactly the behavior that Marlowe
displays throughout the novel. Within the novel there are several passages and examples

`` No Country For Old Men `` By Cormac Mccarthy
Cormac McCarthy wrote a novel by the name of "No Country for Old Men" in 2005 which was
created into a movie of the same name in 2007. The film adaptation represents both continuity
within the film noir styles and also breaks away from them in relation to films such as "The Maltese
Falcon," "The Big Sleep" and "The Killers". In the film there are multiple characters that are hard–
boiled and each try to figure out "who did what" and "what happened" for their own individual
reasons. This characterization and the actions done by the main characters are remnant of film noir
styles. In film noir, the main character is usually hard–boiled by showing no emotion and does the
task at hand of finding out the unanswered questions; usually being portrayed as a detective. This
differs though from past styles as in the film there are many hard–boiled characters and not just one
that is considered the stronger character, the detective, who is above the others who are subjective to
emotion. The portrayal of the hard boiled character has transitioned away from the traditional
representation of the detective.
In film noir there are various components that are needed in order to place a film within the genre,
such as the established archetype of the hard–boiled character. In most film noir, this character is
usually a male detective that tries to find a killer while trying to fight off the evil around him.
Typically this character shows no outward emotion and is seemed to be as the strong

Big Eyes Movie Essay
Set in the 1960's, Big Eyes is a movie based on a true–story that is not only accurate and believable,
but extremely impactful. The movie tells of Margaret, an up–and–coming artist who runs into trial
after trial while trying to make a name for herself. One day, while in the park trying to sell her
unique paintings of children with big eyes, she meets Walter Keane. This man would go on to play
an extremely important part in Margaret's career and her development as an independent woman.
Walter's charming nature (which is later clearly revealed as extremely manipulative) allows him to
work his way into Margaret's heart and eventually become her husband. After being married for only
a short time, Walter begins to take credit for all of Margaret's art and he refuses to let her claim any
as her own. Soon Walter Keane becomes known as the artist who paints the children with the big
eyes. Over and over, Walter takes advantage of Margaret and yet she still continues to take care of
him, even bailing him out of jail once. ... Show more content on Helpwriting.net ...
Margaret is constantly being told what to do, where to go, and how to live her life. By the middle of
the movie, she seems almost blank, every ounce of her individuality having been drained out of her.
At one point she goes to confession, saying that she lied to her own daughter at her husband's
bidding. The priest simply says that as a Christian, she should respect and understand that the man is
the head of the household, and therefore he must know what is best. This shows that there really was
no one, not even the church, that would stand up for a woman who was in a controlling, even
potentially abusive

Essay about Traits of Marlow in the Big Sleep
Marlowe – The Big Sleep
What are my traits?
Marlowe runs a single man operation out of the Cahuenga building in Los Angeles. He is tall and
big enough to take care of himself. And his interests are Liquor, women, reading, chess and working
alone. He is educated enough that he can speak English ‘if he's required to'. Marlowe used to work
for the district attorney, but was fired for insubordination.
Philip Marlowe, a private detective. Tall, dark, and rugged, with a poker face and a quick wit, he is
attractive to women but wary of them and of all entanglements. Though cynical and hard–boiled,
and a heavy drinker capable of violence, Marlowe is idealistic, even puritanical. Contemptuous of
money, he is an honest loner in a corrupt ... Show more content on Helpwriting.net ...
Through viewing scenes where Marlowe is beaten up and tied up by Mars' men, we come to realize
the strength of Marlowe's integrity and will. Although he is put through much physical pain as well
as the mental pain of witnessing horrific acts, he bites the bullet and commits himself completely to
the tasks placed before him. Once again, he does not do his task for the small amounts of money, but
he does it because he feels it is what he must do.
Conventions of the Genre
Film Noir was a result of it's time – The war had just ended and It was time where prohibition had
influenced an abundance in crime and corruption. Film noir serves to highlight the darkest aspects of
human beings. ‘Society is making the machinery of it's own destruction.
Characters:
The Typical ‘masculine' hero – often makes others seem inadequate.
–This is an indication of changing societal needs.
Mis–en–scene shows Viven matching Marlowe in wit and power. ‘You're not very tall are you?'
represents the ‘higher standing' in society as a woman in late war America.
Film Noir tags: High contrast filming, low–key lighting provides a sense of underlying
evil/undercurrent of malevolence in society.

Contrasts to Arthur Conan Doyle's rigid Victorian context with an environment where ‘order is the
exception rather than the rule'
Film noir is the perfect medium to reflect the bleak nihilism of post world war one in

`` Hard Boiled And `` Golden Age `` By Dashiell Hammett 's...
While American and British authors developed the two distinct schools of detective fiction, known
as "hard–boiled and "golden age," simultaneously, the British works served to continue traditions
established by earlier authors while American works formed their own distinct identity. Though a
niche category, detective works reflect the morality and culture of the societies their authors lived in.
Written in the time period after World War I, Dashiell Hammett's The Maltese Falcon and "The
Gutting of Couffignal", and Raymond Chandler's "Trouble Is My Business" adapt their detectives to
a new harsh reality of urban life. In "hard–boiled" works, the detective is more realistic than the
detective in "golden age" works according to the ... Show more content on Helpwriting.net ...
Though this is a form of vigilante justice, it is necessitated by the urgency of the situation, at least in
the mind of the Op.
As depicted in The Maltese Falcon, the city of San Francisco is characterized by "the Alcatraz
foghorn's dull moaning" and "night–fog, thin, clammy and penetrant," (11–12) both of which
contribute to creating an ominous mood. The succinct wording makes it clear that San Francisco is a
cold, dark city, and the allusion to its famous prison serves to reinforce how prevalent crime is in its
society. The city is not only the place where the crimes occur, but an active participant in the novel:
G.K. Chesterton comments on how the "eyes of a great city, like the eyes of a cat, begin to flame in
the dark" (385). Responding to this cold, dark atmosphere, even Sam Spade's physical
characteristics seem harsh and sinister– he is described as "long and bony" and had the look of "a
blond satan" (3). A curious way to describe the supposed protagonist of the novel. Because of the
difficult world he lives in, Spade is reluctant to trust others, yet he is fiercely loyal to his clients and
his sense of professionalism. When he discovers that Brigid killed his former partner, he must turn
her in. He explains that "when a man's partner is killed he's supposed to do something about it. [...]
I'm a detective and expecting me to run criminals down and let them go free

The Big Sleep By Raymond Chandler
Throughout the history of mankind, money has always been the prime motivator for people. Its
possession meant higher placement in society; with money you could virtually get away with
anything. During the 1930's especially, the need for money was universal due to the Great
Depression, which was hovering over the economical balance in the United States. Greed created a
cycle of corruption within the society, where if one had money, they could pay the money to the
'right' people who were in need of it to find a way that the wealthy could get away with their crimes,
which was exactly what others were chasing. Raymond Chandler challenges and reflects upon these
beliefs in his novel, "The Big Sleep". In a society where greed is developed in ... Show more content
on Helpwriting.net ...
The fall into poverty led people to abandon their morals and exert to wrongful ways of obtaining
wealth, which caused the crime rate to rise in the country dramatically. Petty thefts, and even
murders for the sake of obtaining money have become a more popular approach to making a living
in the US. Along with the historical events of 1930's, citizens' beliefs have also shifted. " The Great
Depression brought a rapid rise in the crime rate as many unemployed workers resorted to petty
theft to put food on the table." People were desperate to survive, therefore committing crimes in
order to provide for their families was the only option available. Another way out which Americans
have found was alcohol. Those who were vulnerable to hardship resorted to drinking as a way of
escaping the brutal reality around them. Suicide rates rose due to the depression taking over the
nation; suicide seemed to be the only option left for those who weren't able to deal with the pressure.
Prostitution, as well, became more popular among women desperate to pay their bills, resulting in a
shift in the way women were viewed at the time. In Chandler's novel women were also portrayed as
sexual creatures, taking advantage of it to get what they wanted. In "The Big Sleep" Raymond
Chandler tells the story of an honest yet cynical detective, Philip Marlowe, hired by a wealthy old
man, General Sternwood, to help him "take care of" a pornographer who has been

Essay on Similes in The Big Sleep
Similes in The Big Sleep
In response to Raymond Chandler's The Big Sleep, I have just one question. Why all the similes?
There isn't a single page in the novel that doesn't display this annoying literary device. Everything is
"like this" or "like that." It never ends! Similar to decoding a secret message that isn't difficult to
understand, but nevertheless tiring due to the overwhelming amount of messages, the novel is
frustrating to read. The following analysis acknowledges Chandler's creativity in developing his
main character, Philip Marlowe, with his usage of simile. However, the excessive style of the novel
creates a dominating force that ultimately leaves the reader unfulfilled at the end.
Chandler goes ... Show more content on Helpwriting.net ...
"The smile would wash off like water off sand and her pale skin had a harsh granular texture under
the stunned and stupid blankness of her eyes" (64). This is a rather harsh observation, yet is
important in realizing Chandler's excessive use of simile. His analogies are often lost when he
compares every type of characteristic; whether it is external or internal, positive or negative. The
Sternwood daughters are two different characters whom Marlowe observes in contrasting ways.
Using numerous similes to describe both characters simply confuses this difference.
It is from this standpoint that the novel is absolute drudgery completing. Simile after simile is
overlooked because they are too numerous to count. The reader accepts Chandler's analogous style
and skims over it in order to solve the mystery in their lifetime. Marlowe gives an astute observation
that is often lost because the reader's mind has swelled into a ball of oozing muck from the heavy
dosage of similes. However, this problem is a small droplet in an overwhelming sea of redundancy
that Chandler whole–heartedly navigates to perilous depths.
Not only are the similes potentially overlooked, they also create a bigger problem in deterring
readers from finding the more interesting themes, such as truth and loyalty, in the novel. If they skim
over the similes, they will most likely skim over some of these important, and interesting, themes.
His interactions with

Blue Dress, By Walter Mosley
Nearly five decades later, Walter Mosley introduced his detective mystery, Devil in a Blue Dress,
which would become a classic amongst hard–boiled literature and would also make it to the big
screen. When we look at Mosley's essay, "Poisonville," which describes hard–boiled as "a state of
being...when a man or a woman, or an entire nation of women and men, is pressed to physical,
emotional, economic, and/or intellectual limits..."(Paragraph 1), it can be argued that he carried
these ideas over to his novel. With a storyline full of alcohol, corruption, poverty, racial tension,
sexual slavery, economic disparity, family conflict, emotional strife, and, yes, the femme fatale,
Mosley manages to cover the hard–boiled life at a multitude of levels. As an African American
writer, his novel is given a unique perspective and he is able to give us a convincing account of a
black protagonist, nicknamed Easy, who struggles financially and evolves from a day laborer to a
detective while finding himself surrounded by corrupt money and crime. Easy has settled in L.A. in
hopes of pursuing the American Dream and quickly finds himself entangled in a spiraling turn of
events full of mystery, deceit and murder. As Mosley's own description of hard–boiled would have
it, Easy struggles with his place in this world and no matter how well he has played the game of life,
it is unpredictable and tainted and he is not safe. He is alone, black, and poor and knows that he will
never be equal to the

The Crime On Cote Des Neiges By David Montrose
Suspense is an important trait in many works of fiction. In David Montrose's novel The Crime on
Cote Des Neiges, he uses narration, digression and secondary characters to create suspense
throughout the novel.
With the use of narration, Montrose is able to create suspense in The Crime on Cote Des Neiges.
The story line revolves around Private Investigator Russell Teed, the narration from his point of
view throughout the story allows us to know what Teed is thinking and how he can get one step
closer on closing this case. The insight of Teed's thoughts and actions allows the reader a chance to
further understand the main character as well as create a suspenseful atmosphere, allowing them to
wonder which moves to follow or anticipate. Take for instance, when Teed follows the map found in
the Sark's wallet up to the Island in the Laurentians. We know that Teed is following a lead he found
at the first crime scene because Montrose has given us that bit of information. When comparing
Montrose's work to that of Raymond Chandler's novel and the film adaptation, The Big Sleep we
can see that the narration of detective Philip Marlowe is not very telling of where the story is to go
or any insight into the detectives mind. Almost as if Chandler deliberately left out those clues due to
the fast pace of the film. When Marlowe follows Geiger from the jewelry store to his home, we only
know that he wants to speak with him and not much other information is disclosed. Although
mentioned to

Movie Essays
Romanticism in the Film Version of The Big Sleep
In Raymond Chandler's novel The Big Sleep, he presents two sisters, Vivian and Carmen. These
women become the central characters, aside from Philip Marlowe, and they control much of the
action in the novel. The 1946 film version of The Big Sleep, however, manipulates Chandler's
characters considerably. Aside from playing with the dialogue of the novel, the screen–writers
change the very essences of Vivian and Carmen. Perhaps it is the casting of the film which forces
changes from the novel, or perhaps the Production Code keeps the writers from developing the
women in the way that Chandler does; either way, the film version of The Big Sleep makes the story
romantic and ... Show more content on Helpwriting.net ...
(Chandler 19)
In the novel, Marlowe doesn't care for Vivian anymore than she does for him. A fact that is
hammered home throughout the novel in the dialogue between these two characters.
In the movie, however, there is a distinct attraction between the characters, purposely created to
capitalize on the real–life affair between Humphrey Bogart and Lauren Bacall. Director Howard
Hawks was charged with creating a movie vehicle for these stars as a result of their incredible
chemistry from the earlier movie To Have and Have Not. Bogart and Bacall were phenomenally
well–matched on–screen and off, and Hawks decided that The Big Sleep was the best film to display
their chemistry. In order to do so, the script needed to be revised from the novel. The novel calls for
Marlowe and Vivian to go their separate ways, with Marlowe discretely threatening to reveal
Vivian's secrets and Vivian shattered and responsible for Carmen's deranged life. Hawks asked
William Faulkner to create a screenplay that would maximize the drama while maintaining an air of
romance between Bogart and Bacall. The script that resulted concluded with Marlowe and Vivian
together, presumably heading off into the sunset towards an implied marriage; the traditional happy
ending.
The character of Vivian that comes out of Faulkner's script is softer and more dynamic than
Chandler's Vivian. Faulkner's sings in a gambling

Corruption In Like Murder, My Sweet, The Big Sleep
The world in this film is portrayed in a realistic fashion like many film noirs that revolve around the
hard–boiled detective novel hero on a case. The film follows detective Philip Marlowe a private eye
that was also the main character of Murder, My Sweet as he tries to solve yet another mystery. Like
Murder, My Sweet, The Big Sleep comes from a hard–boiled detective novel by Raymond Chandler
an author who criticized "classic" detective novels for lacking realism. The Big Sleep features life–
like characters with realistic goals and drives. The common drive of many of these characters in the
film is money, which is a drive that is believable and common in reality. This need for, and
corruption by money, is the basis for why these characters behave the way they ... Show more
The theme of corruption is a theme based in realism, and is the basis and the backbone of the
entirety of the film. All of the characters in the film are corrupt in some way or another except for
the protagonist Philip Marlow, who serves as the truth seeking blackened knight who doesn't find
much motivation out of money but finds purpose in solving mysteries and saving women. Philip
Marlow is the one outlier in this world of corruption who not only does not get seduced by it, but
works to fight against it. Throughout the film, the viewpoints that money breeds corruption and that
men are easily corruptible, are frequently alluded to. In the first sequence of the film, detective
Marlowe and his client General Sternwood are in a green house, the General talks about his dislike
for orchid due to there similarity to men. "Nasty things. That flesh is too much like the flesh of men.
Their perfume has a rotten sweetness of corruption" (The Big Sleep). This points to the author's
belief that men, and in turn

Procedural Happy Valley Characters
Throughout the 20th century, hard–boiled detective novels were very popular and the public quickly
devoured these male–centered stories. They had a major focus on plot and the characters in various
novels often fit the same stereotypes, such as the cynical and isolated detective and the seductive
femme fatale. However, as the years have gone on, there has been a rise in female detectives that do
not fit the mold of the previous crime fiction pieces. Sally Wainright's BBC police procedural Happy
Valley gives way to a woman that is flawed, but does her best to succeed in the police force despite
the various problems she faces. She is not just a female version of these male detectives, but rather
carves her own path in the police force and the genre. In addition, the format of the series itself is
different from the predecessors since it is character–driven and the plot is only secondary.
One of the most distinguishing characteristics that separates Happy Valley from other pieces of
crime fiction and police procedurals is how the audience knows who the ... Show more content on
Helpwriting.net ...
She is typically considered to be a bombshell, very seductive, and has dangerous intentions. The
detective in the story is attracted to her and cannot seem to leave her, no matter how manipulative
and cunning she is, and she is often placed in juxtaposition with the protagonist. Although she is
often a criminal and has feminist beliefs, she has no physical flaws and is not representative of a
typical woman in society. One of the most well–known examples of the femme fatale is Brigid
O'Shaughnessy in The Maltese Falcon. She is able to charm Spade the second she meets him and
uses her sexuality as a weapon to obtain control over the men in her life. In an attempt to get away
with murder, she emphasizes her physicality and tries to cover up for her crimes by seducing

The High Window Edges Close At The Death Of Morningstar...
As The High Window edges close to the climax and conclusion, Raymond Chandler uses this stage
as a time for readers to make comparisons and assumptions between characters. With the protagonist
the most relatable Chandler presents Marlowe several intriguing similarities with other characters,
thus allowing the reader to create assumptions about his overall development throughout the novel.
However, despite coming off as a tough, quick–witted detective, Marlowe unveils new unordinary
characteristics and reactions as the novel progresses through a series of events. Despite that, the
introduction of Detective–Lieutenant Jesse Breeze in Chapter 10 ultimately proves to be Marlowe's
vague double with their job conclusively making them complete opposite.
Nonetheless, despite showing no sign of odd or unusual behavior throughout the first several
chapters of the novel, Chandler only after the death of Morningstar and detective Phillip begins to
display Marlowe's unnatural behaviors. As Marlowe experiences a tunnel of events, Chandler
slightly presents his awkward and odd reactions to distinctive situations deliberately. With a pattern
of character development seen by Marlowe, his pattern ultimately proves to shape his characteristics
as emotions and reactions shift from the ordinary detective persona to a more open and real world
approach. With his case expanding to police investigations along with murders Marlowe begins to
realize that his case is far from ordinary or similar to

In Raymond Chandler's novel The Big Sleep, a private detective is trying to unravel a blackmailing
case for a dying millionaire, General Sternwood. Philip Marlowe, the detective, finds that the case
not only involves blackmail, but also homicide. Set and written in 1930's America, the economic
devastation of the Great Depression has a significant influence on the book's plot, and showcases
character's struggle to retain honor and virtue in a world that revolves around profit–seeking
delinquency and organized corruption. Marlowe's work as a private detective brings him face to face
with criminals of every variety, and each corresponds to a piece on the chessboard that appears
repeatedly in the story. Marlowe's symbolic identity is the ... Show more content on Helpwriting.net
...
The newspapers in the city of Los Angeles show how the people of the city are corrupt. A person
uses a newspaper to understand, but in The Big Sleep the newspapers lie about the truth. The
deceitfulness of the newspapers is seen when they lie about murders. Geiger had been slain by the
Sternwood 's chauffeur, Owen Taylor, but the newspapers claimed that a man named Joe Brody, who
was a small time criminal, another pawn in the game, was responsible for the murder. Even bigger
players, like gambling ring leader Eddie Mars states, "I get them the way they happen, not the way
you read them in the papers," (Chandler 131) even further showing how stories are changed by the
police for their benefit and the truth is hidden from the papers, and therefore from the public.
The...
Unique writing style is definitely an essential element in any piece of writing, and Raymond
Chandler uses his style efficiently in The Big Sleep. Chandler 's style is one that seems to come
easily to him and it also seems very natural to the reader, perhaps because there is not a lot of high,
eloquent language. Rich in description and dialogue, the characters seem more realistic to the reader
as a result of such details and natural speech. Chandler includes many descriptive words, similes,
metaphors; yet they are not complicated or ambiguous which may lead to

Corruption in Raymond Chandler’s The Big Sleep
In Raymond Chandler's novel The Big Sleep, a private detective is trying to unravel a blackmailing
case for a dying millionaire, General Sternwood. Philip Marlowe, the detective, finds that the case
not only involves blackmail, but also homicide. Set and written in 1930's America, the economic
devastation of the Great Depression has a significant influence on the book's plot, and showcases
character's struggle to retain honor and virtue in a world that revolves around profit–seeking
delinquency and organized corruption. Marlowe's work as a private detective brings him face to face
with criminals of every variety, and each corresponds to a piece on the chessboard that appears
repeatedly in the story. Marlowe's symbolic identity is the well–intentioned knight, who represents
the shred of chivalry that remains in a society of pawns and crooked kings, and the chess game is his
combat against crime in a period of national despondency.
In the heart of the Great Depression, America as a whole is in serious financial turmoil and people
have become pessimistic about the future. Money is the main incentive for the actions of several
characters that Marlowe deals with throughout the story. When he wonders why Harry Jones and
Agnes Lozelle want to blackmail him, Jones replies, "[Agnes is] a grifter, shamus. I'm a grifter.
We're all grifters. So we sell each other out for a nickel" (Chandler 168). People have become
money–hungry criminals simply because they have nothing left to lose

Summary Of Heart Of Darkness Chapter 1-11
Chapter 1 Philip Marlowe, who is a private detective, goes to see General Sternwood. Who is a very
rich man. Philip Marlowe has an appointment with him. Chapter 2 As Philip Marlowe is at the
mansion, General Sternwood tells Philip that he is being blackmailed by a guy named Arthur Geiger,
he sent in an envelope to General Sternwood with his daughter's gambling debt, and wanted to see a
few thousand dollars. General Sternwood once paid a man named Joe Brody 5000 dollars to leave
his daughter be. His daughter being Carmen Sternwood, who might have a little crush on Philip.
Chapter 3 The oldest daughter of General Sternwood, Vivian Regan, wants to talk to Philip as she
thinks her father hired him to find her disappeared husband: Mr. Regan. But ... Show more content
on Helpwriting.net ...
He decides not to escape, but he starts the car. Then Canino comes outside as well shooting his gun.
Philip plays dead, and Canino falls for it. He goes back into the house and comes outside again with
Mona. Mona sees Philip and pretends to think Philip is dead, but Canino doesn't fall for it. As
Canino grabs his gun, it is too late because Philip already has got his, and shoots Canino. Mona
Frees Philip of his handcuffs. Chapter 30 Philip goes to the missing person office, and tells them that
where Mona had been hiding. But they already knew and they were just playing along with the
game of Eddie Mars. Philip goes to bed but he keeps thinking about the case. He has got a feeling
that something isn't right. Then suddenly Norris calls him saying that the General wants to see him
immediately. In half an hour Philip is at the Generals place. He is mad because Philip continued the
case about Regan without permission from the General himself. And they have a conversation. At
the end, the General tells him that he need to find Regan. Chapter

Raymond Chandler's hardboiled detective novel, The Big Sleep is a story of murder mysteries,
revelations, blackmailing and lies that the private detective Philip Marlowe gets caught up in.
Marlowe is a private detective who is hired by the millionaire General Sternwood to tackle a
blackmail attempt on his one of the two wild daughters, Carmen Sternwood by a man named Arthur
Geiger. Arthur Geiger is a bookseller; therefore, Marlowe begins to investigate about his bookstore.
Consequently, he meets Agnes Lozelle, the clerk of the pornography library disguised as a
bookstore. She is Brody's girlfriend, but after his death, she is seen to be in cahoots with Harry Jones
to blackmail Marlowe by offering information about the location of Mona Mars. Although Harry
Jones is a deceiver, a chronic liar and an appalling tailgater, but his loyalty and morality command
respect. As the novel progresses, there is more to it. It is not just a blackmail attempt that Marlowe
has to deal with, but complications such as extortion, kidnapping and seduction as well. Harry Jones
comes to light as the man in a gray Plymouth sedan following Marlowe. Apparently, crime is the
wrong business for him, as illustrated by his unsuccessful attempt of tailgating Marlowe secretly. In
the scene when Marlowe notices the Plymouth sedan that was following him, he says "He stayed
close enough so that I couldn't make a short block and leave that before he entered it, and he stayed
back far enough so that other cars

The Big Sleep, By Raymond Chandler
In Raymond Chandler's The Big Sleep, detective Philip Marlowe is hired by the Sternwood family
to deal with a blackmailer. Later, Marlowe's case twists into a more complex assignment involving
murders, pornography, missing persons and unknown culprits. Throughout the story, Marlowe
encounters several characters that play a role in the case. Two sisters, named Vivian and Carmen,
and their father, the General, make up the last of the wealthy Sternwood family. The general
explains to Marlowe, that Rusty Regan, his son–in–law and someone he was quite fond of, has been
missing. The Sternwood girls are full of trouble and are always finding themselves involved in some
type of mischief that Marlowe ends up investigating. Using direct and indirect characterization, it
can be determined if Marlowe, Vivian, Carmen, and the General are round, flat, static, or dynamic
characters and how each character is depicted with regards to the theme of the story.
Philip Marlowe, the detective, sees a stained–glass panel in the main hallways of the Sternwood
house. "The knight had pushed the vizor of his helmet back to be sociable, and he was fiddling with
the knots in the ropes that tied the lady to the tree and not getting anywhere" (3). Marlowe associates
himself with the knight and feels it is his duty to protect and rescue the damsel in distress. This
description of the stained–glass is an example of direct characterization of Marlowe. Rather than
stating the Marlowe's, the descriptive

Sam Spade And Marlowe
Kristen Charles – Francis
ENG 3115–01
Professor Galgan
10/21/17
Formal Essay: Compare and Contrast Spade and Marlowe
When you first read or watch something dealing with detectives, as an observer, you must
always pay attention to the actions of the characters. The characters are what makes detective
stories mysterious, because each character is looked upon as a suspect and for the detective to
figure out a solution, he must study everyone 's actions, changes in their mood and character and
once a detective has found something that leads him to his culprit, he would have solved his
investigation. From this the detective is given the "whodunit" phase, where he is led with clues
that can help him solve his investigation. Two ... Show more content on Helpwriting.net ...
John Paul Athanasourelis 's says that Raymond Chandler's character learns to identify his flaws
and also identify the flaws in others. (Luhr, vol. 45 pg 299). Just like Spade, it took a while for
Marlowe to grow into a role model, because when the characters were first made, they were not
looked upon as anything special.
You can also see this in Dashiell Hammett 's Sam Spade stories. What each author is
portraying is that, detectives, are people who go through a lot in their life like other people and
the same why that the deal with the situations, is the same why they deal with others, this is what
makes them unique problem solving, they don't go by the book but they figure things out by

what they know from their own lives. But most readers who have read detective stories, say that
Marlowe is one of the most interesting detectives, and just from his stories alone, Chandler
makes him a model for other detective stories like Sam Spade. (Luhr, vol. 45 pg 299).
Sam Spade and Philip Marlowe are detectives who show skills of experienced crime
fighters like well knowed detectives. Reading the two Sam Spade stories, what they have in
common with The Big Sleep is the control of dialogue, and what I mean from this is that Spade
and Marlowe use stern tones to make their points heard. What Chandler and Hammer did with
these these two detective

William Marlowe As A Detective
Detective Marlowe is portrayed as a strong, dependable man who can carry the weight of the world
on his shoulders. He is a tough but honest man with the intentions of bringing good into the world.
He embraces his masculinity and shows it proudly. Many male detectives masculinity in novels are
noticed and stressed to the reader. Detective Marlowe, at times a person can certainly view him as a
cocky, confident individual because of his actions. Being a detective is the only thing he lives for
and the most important aspect of his life. Yet, as serious as Detective Marlowe takes his job he has
an extremely sarcastic attitude. When having a conversation he makes snide comments and remarks.
As stated by Brunsdale "The unforgettable attractive, ... Show more content on Helpwriting.net ...
Like the other women, she is not making it any easier for him to find die culprit in the rather
confusing environ
ment of corruption, mob–methods, gambling, drinking, easy women, and easy
money. And yet she has come to represent the epitome of the female role in the hard–boiled crime
story for which Chandler set the standard." (Schmidt,Nette pg.423). Detectives in the majority
novels show no emotion and often have a sarcastic attitude. They often live alone and only depend
on themselves to survive. Detective Marlowe is not married by does recognizes women and their
troubles that he believes follows them. Detective Marlowe was hired to find and search for who
stole the sexual nude pictures of Carmen and was holding them as black man. Women in detective
films are viewed as being uneasy and weak individuals. If they are not viewed as uneasy and weak
they are viewed as scandalous. Women are constantly fit and sculpted to fit the role of a woman who
serves only to a man and his needs and wants. Carmen was portrayed as a persuasive woman found
naked passed out with a dead man at her feet. In a way also vulnerable and searching for a protector
to save her from the person that is blackmailing her. She is also a persuasive woman who convinced
everyone surrounding her that she was the victim. She uses her sexuality in a way of getting what
she wants. A woman who bats her eyes at men and has a flirtatious body

Raymond Chandler's 'The Long Goodbye'
The Long Goodbye "All I myself can do is urge you to place friendship above every other human
concern that can be imagined! Nothing else in the whole world is so completely in harmony with
our nature... real friendship is more powerful than kinship; for the latter may exist without goodwill,
whereas friendship can do no such thing" (Cicero, Laelius De Amicitia). This expresses the
importance of friendship and the uniqueness is brings into our lives. Friendship is something that his
author claims we need to cherish more than anything else in the world. Further along, we learn that
friendship cannot exist without certain goodness from people involved. This is apparent when in his
explanation of friendship he states, "I am inclined to regard ... Show more content on
Helpwriting.net ...
Marlowe's reaction is a clear indication that he felt betrayed by his friend. It relates back to the quote
that says without goodness friendship cannot exist. In the friendship between Terry and Marlowe,
Terry did not bring any goodness into the friendship. He left his friend Marlowe to believe he was
dead when in actuality he was alive and well. The friendship could then no longer exist. Marlowe is
as loyal as a dog to Terry from the beginning to the end of the story. Though Marlowe is the main
character, the plot revolves around Terry Lennox because of Marlowe's loyalty to him. We see
Marlowe go through the novel fixated on figuring out the truth about what happened to Terry and his
wife. In the end, Marlowe was disappointed to learn that Terry abandoned their friendship. The
novel and film of The Long Goodbye are much different, though they both do the job of capturing
this unique story about friendship. Though the ending seems brutal in the film, it is representing a
burden being lifted off Marlowe's shoulders. After killing his fake dead friend, music is played and
Marlowe happily walks along the dirt road waving and dancing to people passing by. This could
represent the light at the end of the tunnel. Marlowe can finally stop fixating about Terry, and he was
rid of the negative neglected friendship that he

The Big Sleep: Movie vs. Novel Essay
The Big Sleep: Movie vs. Novel
Film and literature are two media forms that are so closely related, that we often forget there is a
distinction between them. We often just view the movie as an extension of the book because most
movies are based on novels or short stories. Because we are accustomed to this sequence of
production, first the novel, then the motion picture, we often find ourselves making value judgments
about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes
that prevents us from seeing movies as distinct and separate art forms from the novels they are based
on.
I enjoyed The Big Sleep by Howard Hawks, but can still recognize and appreciate the ... Show more
The tone in the book was cleverly created by Chandler's fast–paced lines; the flick was equally
clever with the new dialogue for added scenes. Bogart might not meet the expectations of your
mental image of Marlowe, but no one should be expected to recreate someone else's imagination in
a piece of reality. Expecting an artist to do so is ignorant. The Bacall/Bogart connection, and the
way the novel was altered to fit them, gave the movie a sense of individuality, and a signature of its
own merit. The movie was well made, as the book was well written: both are sufficient to stand and
to be appreciated alone.
When making a distinction between movie and novel, it is not acceptable, in my opinion to talk
about the differences between the two versions in terms of "better" or "worse." You may like how
the artist creates a scene in the movie or how another artist plays with the same scene in the novel,
but these are subjective preferences; neither speak to the quality of the work. You cannot critically
compare different media, because you do not have a common set of terms with which to
comparatively discuss the works.
In his book Novels into Film, George Bluestone supports my opinion:
? The film becomes a different thing in the same sense that a historical painting becomes a different
thing from the historical event which it illustrates. It is as

Movie Review : ' The Big Sleep '
Film Review of The Big Sleep The Big Sleep was originally written as a novel in 1939 by Raymond
Chandler. Philp Marlowe, a private investigator was hired by a wealthy general to help in resolve the
blackmailing and gambling debts of his wild daughter, Carmen. Things get off to a quick start in the
movie and it immediately begins to unravel, Marlowe suddenly had found himself in a deep web of
love triangles, blackmail, murder, gambling, and organized crime. Vivian the oldest daughter of the
general, quickly jumps in to help Marlowe and warn him of the dangers to come (sort of). As
Marlowe begins to dig deeper into the case he comes to an owner of a casino named Eddie Mars,
and this is when the story takes a turn of events again, and everyone begins to warn him to back off,
but he persists. In the end Marlowe, lures Eddie to the house of a man murdered in the beginning.
This is where things take another turn, Eddie brings a bunch of henchmen to the house, where
Marlowe and Vivian are waiting unexpectedly. Marlowe holds Eddie at gun point and had him
confess to his crimes, Eddie then runs out the door and meets his fate, shot to death by his own
henchmen. There are several things going to be discussed in the following paragraphs. These to be
discussed include: what makes this a hard–boiled novel/film, what characteristics of a noir does the
film have, and cinematic techniques used in the movie. What makes The Big Sleep a hard–boiled
crime? First it is best to start off

Corruption In The Great Gatsby
In the novel, The Long Goodbye by Raymond Chandler, one of the main topics reflected throughout
the novel is the importance the wealthy class has in society. During his narrative, Philip Marlowe is
put in various situations where the influence of the rich is seen in a person's character, their power
and authority, and the costs to reach and stay in the upper–class. More specifically, the novel uses
certain situations to highlight the corruption that exists within the rich to maintain their social
appearances. Although some might disagree and believe the corruption exists within the lower class,
the novel uses Marlowe's personal narrative to specify the lengths the upper class would go through
to avoid having their status tarnish in society. ... Show more content on Helpwriting.net ...
In addition, the words of Mr. Potter in chapter 32, where he describes having ownership of the
"finest packages in world Mr. Marlowe..." but having "The stuff inside is mostly junk..." as if it were
referring to the beauty and status the rich have but the corruption over others that is hidden within.
In addition, corruption is also connected to the position of power the rich have. For example, the
quote, "Newspapers are owned and published by rich men... Just so long as it doesn't damage the
prestige and privilege and position of the owners. If it does, down comes the lid..." (p. 68) highlights
the influence the rich have in making news to prevent information that could affect them negatively.
Additionally, there are more direct approaches that demonstrate the cost of wealth contributing to
the process of making money, "We're a big rough rich wild people and crime is the price we pay for
it, and organized crime is the price we pay for organization. Organized crime is just the dirty side of
the sharp

The Big Sleep Movie And Book Comparison Essay
In today's society, one thing that seems to bother people is the number of differences between a
novel and the movie that inevitably follows the publication of that novel. The Big Sleep, written by
Raymond Chandler, is one such novel that less than a decade after being written inspired the
creation of a film, starring Humphrey Bogart and Lauren Bacall, that contains a few interesting
differences. According to John Dugdale in an article for The Guardian, Chandler created something
never seen before with The Big Sleep. Chandler's main character, Philip Marlowe, is a new type of
detective who represents someone who makes jokes and seems to be at ease with people of all
standing, and the simple fact that Marlowe enjoys the company of women and women enjoy his
company also sets him apart from the rest of the detectives of the time period (Dugdale). Despite the
many similarities existing within the plot and characters such as Carmen Sternwood, a few key
changes within the depiction of Detective Philip Marlowe differentiate the masterful novel written
by Raymond Chandler and the Howard Hawks' film produced in 1946. ... Show more content on
Helpwriting.net ...
Despite this creative license, the film, directed by Howard Hawks, follows Raymond Chandler's
novel closely with regards to the plot. A.G. Geiger remains the blackmailer and pornographer that is
killed by the young Sternwood chauffeur, Owen Taylor (Chandler 102). Owen Taylor is a character
whose only important role is to be a murderer. Once done with this role, he dies in a way that no one
knows the exact circumstances surrounding his death. Multiple other deaths occur. The big sleep
fills this novel from cover to cover. Joe Brody, an opportunistic gambler; Harry Jones, a little man;
Lash Canino, a deadly thug; and Mr. Regan, an elusive ex–bootlegger, all suffer from the sting of
death. The curse of the big sleep makes the crossing over from Chandler's novel to Hawks's

The Big Sleep Gender Roles

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