Research Paper On Henri Cosquer

Research Paper On Henri Cosquer
In 1991 Henri Cosquer found a cave. It was 120 feet beneath the ocean. The cave was very old. It was a prehistoric cave. Henri Cosquer found the
cave that was prehistoric. He had kept it a secret until he was called in to help find 3 scuba divers that went missing. He had found them dead in the
area where Henri found the cave. Then he told them his secret. They thought it was a hoax and that he was trying to cash in on the public's
fascination with cave art, but they were wrong. Henri had help with a guy that was called Jean Clottes. He was an archaeologist but not a diver, so
they called in someone who was a diver and an archaeologist. His name was Jean Courtin. Jean Courtin was the co director of the French Department
of Underwater Archaeological
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Henri Matisse's Painting Comparison
These three famous paintings are going to be analyzed below, pointing their similarities and differences. Henri Matisse was mostly known for his work
during the Fauvism movement, Pablo Picasso excelled during the Cubism movement and Paul Cezanne showed his talents through the
Post–Impressionism movement.
Discussion
Matisse's painting shows a broad open field focusing on the bright landscape with a lot of nature and the expression of sensuality and eroticism. The
bodies in this painting are seemed graceful and curvy. On the hand, Picasso used geometric forms and an illusion of depth to exhibit a more
suggestive kind of sensuality. In his painting, he did not use bright landscapes, but a closed and dark place that looks crowded. The women illustrated
are referenced as prostitutes from a brothel located in Avignon Street in Barcelona. Both Matisse and Picasso illustrated a woman standing in the same
position on the left side of Matisse's painting and in the middle of Picasso's painting. They both have their elbows raised. Paul Cezanne used structure,
order and optical effects of color in his painting. The Large Bathers is ... Show more content on Helpwriting.net ...
Matisse and Cezanne used landscape and sensuality. Picasso and Cezanne used similar colors of blue and brown. Picasso differs his painting through
the rude sensuality expressed and the geometrical forms of his movement. Paul Cezanne inspired both paintings to use sensuality of females. He
inspired Matisse to focus on the landscape, and Picasso to focus on the colors. Even though he was a source of inspiration for painters from different
movements, Matisse and Picasso differentiated their work with the characteristics from their own movements. Matisse used the bright and cheery
landscapes referenced in Fauvism and Picasso used geometrical forms with an illusion of depth from Cubism. All three paintings are famous worldwide
and gave recognition to their authors for their well done

Henri Rousseau Life And Accomplishments
Henri Rousseau, was born in France in May 21, 1844 to a hard working family, he worked with his family forcefully even though he was still a
young child. As he got older he attended a High school, close to his home even though he wasn't as good, in other materials he was recognize and
even achieve some prizes for his wonderful skills in music and drawing. After finishing his high school years he worked and attended college
where he studied law. From 007AcThere in 1863 he left and served for an entire four years in the army. After his father's dead he left from Laval,
France and move to Paris were his mother was at. He was married two times had six children with his first marriage, but only one of his children
survive, after the death of

What Was Cubism And Fauvism?
What is Cubism and Fauvism? Well, lets start with Cubism first. Cubism is a style of modern art developed by Pablo Picasso and Georges Braque.
These two artist were always working with each other very closely, so closely that their paintings were almost indistinguishable in who the artist was.
Fauvism on the other hand, "was the first of the avant–garde movements that flourished in France in the early years of the twentieth century" (Rewald,
Hilbrunn Timeline of Art History). Fauvism was first portrayed by Henri Matisse and also shown somewhat in the paints of Van Gogh's. So what is the
different between Cubism and Fauvism? Many characteristics separate Cubism from Fauvism, such as: multiple angles, reconstruct objects, flattened
space and geometric blocks of color. There are also many characteristics that separate Fauvism from Cubism, such as: sketchy brushwork, explosive
colors, impulsive brushwork, and having themes of modern urban alienation. Some of the artists of Cubism and the paintings that we learned about are
Pablo Picasso and his House on the Hill, and Georges Braque and his Violin and Palette. These paintings are easier on the eye compared to Fauvism.
Fauvism has a more bold personality and can sometimes be harsh on the eyes. Artists of Fauvism include Henri Matisse and Van Gogh. Henri Matisse
most famous Fauvism painting that the book talked about was The Joy of Life (Le Bonheur de vivre). This painting is full of colors exploding across
the canvas. The Joy of

Henri Cartier Bresson
Year 11 Photography and Digital Media– Assessment Task One Describe the artistic practice of Henri Cartier–Bresson Henri Cartier Bresson
(1908–2004) was a French photographer and photojournalist, working throughout his homeland of France and around the world. When looking at
Cartier–Bresson's artistic practice – the physical actions, techniques and procedures used to create the work combined with the conceptual ideas,
influences, meanings and beliefs – we can see an emphasis on the story behind the image rather than its formation. There is a subtle influence of
composition on his works though, due to his interest in painting before he became a photographer.1 We can observe his ability to capture the decisive
moment, producing a... Show more content on Helpwriting.net ...
This was what photojournalism of the time embodied; the wider picture. 9 Again there is sensitive composition, mainly in the form of contrast between
the stark, denuded landscape and the colossal machinery, emphasised by the machine's dominance within the frame. On his second trip to the Soviet
Union, Cartier–Bresson presented a very different Russia from the one shown in work from his first trip. His first visit was significant as he was the
first Western photographer permitted to enter the Soviet Union since Joseph Stalin had died a year earlier;10 maybe he did not want to then produce
bleak and melancholy images, which eventually came after his second visit in the early 1970s. Saint Petersburg (Leningrad) [Plate 3] is from the work
Cartier–Bresson made on his second trip. Compositionally, the photograph features a low horizon line, a technique which allows the eye 9 Galassi,
P. 2010, op. cit. "China. 1958." 10 Galassi, P. 2010, op. cit. "Leningrad, Soviet Union. 1973." to be drawn by the large white buildings to the space in
between them, and into the expansive sky. The power lines also provide a focal point in the top–left corner, which then leads your eye across and down
the image. Subtle composition, but it is integral to the image. The interesting aspect of this photo is the clever juxtaposition and contradiction of
subject. The newly–built residencies seem to

Differences Between Henri De Lautrec's Painting And Degas...
Lautrec once said, "I paint things as they are. I don't comment" ("Henri de Toulouse–Lautrec quotes," n.d.). A painting can represent various objects and
emotions within a square canvas, which each artist creates an artwork with different techniques. These make each painting has it own meaning. There
are several differences between Lautrec's painting and Degas' painting, which are the artists themselves, the subject matter, the emotions depicted, and
the technique of painting.
The first difference between the paintings is the artists themselves. An artist is a person who produces an artwork. Henri de Toulouse–Lautrec is a french
man. He was born into an aristocratic family, which seems to be beneficial to him. However, he was born with a genetic condition. Between the ages
of thirteen and fourteen, his legs were fractured, and both of them ceased to grow because he had a skeletal disorder that causes his bones to recover
improperly (Johnson & Whitten, 2003). Due to his abnormality, he was not able to do the same activities as others, so he mainly focused on art. He
became a well–known ... Show more content on Helpwriting.net ...
Composition means the position that each element placed in a painting. Lautrec managed the position of the feature in Seated Dancer in Pink Tights by
focusing on the center and painting this ballerina in a major scale of the artwork (Martin, 2003). On the other hand, Degas painted two objects in
Waiting, and the artist divided the space into two section for each of them (Martin, 2003). There are numerous techniques to place features into
different positions. Seated Dancer in Pink Tight, Lautrec's painting, focuses on the single object at the center of the painting, which is a ballerina. On
the other side, Degas's painting illustrates several features, which is a ballerina and a woman dressing in black, in order to support the contrary detail
of each feature. In summary, composition is the fourth

Henri de Toulouse-Lautrec Essay
Henri de Toulouse–Lautrec
Henri de Toulouse–Lautrec was arguably the greatest graphic artist of his time; he is best remembered for his bold, colourful posters of
Parisian entertainers. His childhood years were spent at his family chateau in the southwest of France where he broke both of his legs and therefore
stunted his growth. This left him ill proportioned and dwarfish. This unfortunate event probably helped his artistic ability as he spent most of his time
on his own.
Lautrec was at his peak as a painter and poster artist in the early
1890's at the time of the post impressionists.
During his life Lautrec felt most comfortable in the nightclubs, dance halls and brothels of Paris. The narrow life he led is clearly shown ... Show more
content on Helpwriting.net ...
The first picture I have chosen to talk about is Lautrec's first important painting, which is called 'At the Circus Fernando' which was painted in 1888.
The painting includes his favourite clown Cha–u–kao who he painted many times before. This early example of Lautrec's caricature and graphic style
shows the ringmaster and a bareback rider at one of the famous Montmatre circuses. The people at the Moulin
Rouge thought so highly of the painting that it was hung in the dancehall from the opening night. The exaggerated features and silhouetted suit tails
of the ringmaster make it look as if he has been cut out and stuck down in an appropriate position on the circus floor. I admired this painting because
I liked the way he incorporated the sense of movement into the painting by firstly painting the horse when it was in the middle of a stride with its
hooves in the air and secondly how he painted the rim of the circus in a curve, which gave a good effect. I was attracted to this painting because it is
full of life and colour. Lautrec uses bright colours when he is painting the seating and the background, which contrasts with the relatively dull colours of
the ringmaster and horse. Lautrec makes the dancer on the horse stand out by painting a dull green entrance wall behind the strong yellow hair of the
dancer, which attracts your attention. I thought it was clever how he puts a bit more life into the painting

Pablo Picasso's Cubism And Henri Matisse Fauvism
Art before the 20th century consisted of new styles and three–dimensional spectrums to create the most realistic painting possible. Portraits and
landscapes were presented as sort of photographs with a paint brush. Everything required specific fundamentals and anything different would be
rejected and labeled degenerate. During this time, foundations were put to the test and it was completely disordered by revolutionary ideas and styles.
This art influenced a vast majority of modern day art. Pablo Picasso's cubism and Henri Matisse fauvism helped shape this era not only in style of
painting, but a revolution against conformity of a social artistic structure.
Cubism was a style of painting imagined, created, and performed by Pablo Picasso. ... Show more content on Helpwriting.net ...
This gives it a much more vivid mood (Southgate, 1131).
Fauvism is an ideological style of painting that Henri Matisse is famously known for. Fauvism consists of very strong colors that interfere with the
realism portrayed by the painting. The goal of this is to not only paint on a canvas, but create a story and all sorts of moods to the painting thanks to
the beautiful use of oddly realistic colors. This tactic also influenced some of Picasso 's work, including the Les Demoiselles d 'Avignon. These
painting styles created a whole new era in traditional painting that revolutionized art itself. Without these ideas, modern art will not be anywhere close
to what it has developed into. The influence these artists and their ideas took on 20th century art, changed art and how we will see it forever.
Henri Matisse's Fauvism contributed to this revolutionary. Henri Matisse was born on December 31, 1869 and died on November 3, 1954. He
was a French artist mostly recognized by his use of color and diversity of spectrums in his art. Very much like Pablo Picasso, he was a draughtsman,
printmaker, and sculptor, but he was known primarily as a painter. He developed the idea of favism art in 20th century art. A particular painting that
Henri Matisse is known for is his Joy of Life (Le Bonheur de Vivre) (1905–06). During Henri's Fauvism era, he

Henri Matisse Biography
Henri Matisse was a French artist during the late 19th and early 20th century. In 1941, Matisse was diagnosed with abdominal cancer leaving him
bedridden. His art moved from paintings, sculptures, and printmakings to decoupage. With the help of assistants, Matisse produced art by arranging
colorful pre–painted sheets of paper into dynamic compositions. This technique was his major medium in the final decade of his life. Matisse created
dynamic compositions using the decoupage method and later introduced text to create his own artist books. One of Matisse's most famous books was
Jazz, first issued in 1947. Jazz contained art that featured Matisse's colorful and abstract use of decoupage. Each piece is vibrant in color and is very
complex. Most of the pieces contain some sort of rhythmic pattern that balance the complexity of each piece. The page Icarus uses... Show more content
on Helpwriting.net ...
The works of art in this book were black and white unlike the bright, vibrant colors of Jazz. Matisse used mostly simple line work instead of shapes
to imply objects and create movement. The images were raw and felt more sketched out. Jazz created a more positive mood with its color scheme
while PasiphaГ©, Chant de Minos created a calmer and less energetic mood. The typeface in PasiphaГ©, Chant de Minos was thin and serif which
fit the style and mood of this book more that the typeface used in Jazz. Overall, PasiphaГ©, Chant de Minos is calm and graphic with simple line
work that creates movement and tension in the images. Jazz was vibrant and bold. Each composition was thoughtfully placed to create complex yet
balanced works of art. Matisse's use of black and white and line work in PasiphaГ©, Chant de Minos created a more relaxed energy to the book.
Although these two artist books are produced using the decoupage method, they are vastly different in

Who Is Henri Matisse?
Henri Matisse was born on December 31, 1869, In Le Cateau Cambresis, France. When Henri was born he was in a small tumbledown weavers
cottage on the rue du Chene Arnaud in the textile town of Le Cateau Cambresis at eight o'clock in the evening on the last night of the year [31
December 1869.] The house the Henri was held in had two bedrooms, it had an earth floor [just dirt and grass.] It also had a leaky roof [from the
rain outside.] Matisse grew up in a world that was still detaching itself from a way of life in some ways unchanged since Roman times. Matisse's
father, Emile Hippolyte Matisse, was a grain merchant whose family were weavers. Anna Heloise [Henri MatisseВґs mother] worked hard. She ran the
section of her husband's shop that sold ... Show more content on Helpwriting.net ...
Be quick, Look out, Run along, Get cracking. were the refrains that rang in his ears as a boy. In later years when survival itself depended on habits
of thrift and self denial, the artist prided himself on being a man of the North. When Matisse in turn had children of his own to bring up, he chided
himself for any lapse in discipline or open display of tenderness as weakness on his part. In 1887 Matisse went to Paris to study law, working as a
court administrator in Le Cateau Cambresis after gaining his qualification. Although he considered law as tedious, he nonetheless passed the bar
in 1888 with distinction and began his practice. Once Matisse finished school, his father, a much more practical man, arranged for his son to
obtain a clerking position at a law office. Matisse's discovery of his true profession came about in an unusual manner. Following an attack of
appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, "From the
moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves."
Matisse's mother was the first to advise her son not to adhere to the "rules" of art, but rather listen to his own emotions. Matisse was so committed to
his art that he later extended a warning to his fiancГ©e, AmГ©lie Parayre, whom he later married: "I love you dearly, mademoiselle; but I shall
always love painting more." Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed
his

The Between Edouard Vuillard 's Interior With A Screen (...
The art world has been host to a vast menagerie of talent, intellect, and creativity for about as long as human culture has existed. It has grown,
developed, and changed just as humanity has. Naturally, with such an impressively expansive history, various avenues of art are visited time and time
again by new artists. Artists seek not only to bring their own personal flavor and meaning to timeless concepts, but to find new ways to approach
them. While not every single creator and craftsman can make such a great impact on art or the world, their efforts have given birth to some truly
magnificent and unique works. In an effort to create a more meaningful understanding, as well a deeper appreciation, of the nuances, techniques, and
design choices employed in these attempts, a comparison will be made between Edouard Vuillard's Interior With a Screen (1909–1910) and Henri
Matisse's Blue Nude (Souvenir of Biskra) (1907). In this essay, each artist's approach to the subject of the female nude will be closely analyzed,
compared, and contrasted, as will their styles of painting, handling of visual elements, and their use of the principles of design. An interpretation of
each work and what the artist intended when creating it will also be provided. The analysis of these paintings will begin with Vuillard's oil painting
Interior With a Screen. This piece depicts a female nude placed in the interior a large and furnished room; the woman appears to be slightly hunched
over

Art Analysis Of Henri Matisse's The Rose Marble Table
This formal and historical art analysis will define the color, composition, line, and values of the revolutionary modernist painting "The Rose Marble
Table" (1917) by Henri Matisse. Matisse utilizes a modernist approach to this painting by presenting a minimalist approach to the placement of the
rose and the table, which presents a very basic color scheme. The strong lines of the painting define the simplistic presentation of a sculptured object
of beauty, which is nestled in various flora at the fringes of the composition. More so, Matisse's modernist approach defines the perspective of
detachment from social norms, which occurred during the First World War. Matisse sought to present an internalized vision of beauty that would not
allow the horrors of war to impede his vision of beauty. This internalized view defines the revolutionary focus of Matisse's work, since he did not
allow the enteral issues of the world to influence the subject matter of his paintings. In essence, a formal and historical analysis of the revolutionary
spirit of modernism will be examined in Henri Matisse's "The Rose Marble Table." In formal terms, Matisse's "The Rose Marble Table" is a presented
as a two–dimensional style of painting in the modernist style of the early 20th century. The rose marble table at the center of the composition is seen
with the top of the table fully exposed, and the lower base of the table that extends below it. This central positioning of the table provides a
compositional approach that makes the colorful values of the table come forth in contrast to the dark brown background. More so, the placement of a
basket on the table and few small fruits provides some evidence of depth perception, although they are also presents in a very two–dimensional style.
In the background, the black stems of trees and ivy vines provide a fringe accent to the painting, as ivy covers the base of the table and is seen at the
upper right side of the painting. These organic parts of the painting define a more realistic presentation of flora, which contrasts the more
two–dimensional aspects of the rose table at the center of the painting. This type of compositional arrangement blends the modernist shape of the table
as a

Robert Henri Cozad
For 74 years the individuals of this community are full of the actual fact that nobody knew what became of the person World Health Organization
based our city that bears his name. when a agonizing incident that occurred on on a daily basis late within the fall of 1882, John J. Cozad on the
Q.T. slipped away. His woman missioner Gatewood Cozad with their 2 sons John and parliamentarian conjointly disappeared shortly when, though
adult male. Cozad came for on a daily basis within the early nineties he didn't reveal his secret and ever since the blackout has been complete. There
has been a persistent rumor that one in every of the Cozad boys became illustrious as an author however the mystery was ne'er cleared. On September
twenty eighth,... Show more content on Helpwriting.net ...
Cozad, his father, World Health Organization died in ny in 1906. The portrait was painted in 1903 and is signed and dated. at the present the
portrait, size thirty two x twenty six is within the hands of Hirschl and Adler, 270 Park Avenue, New York." Mr. Norman Hirschl like a shot wrote:
"I am terribly happy to advise you that within the assortment of paintings of the estate of Robert Henri there's a fabulous portrait of John J. Cozad by
Henri signed and dated January seventeen, 1903. i might say that it's one in all his finest portraits, since it's the precise quality of a portrait painted
with nice personal feeling. The portrait is presently in our gallery. A photograph is being send to you beneath separate cowl. it's conjointly thought
attainable that Miss Organ World Health Organization was heir to the Henri estate may even have in her possession a photograph of John J. Cozad.
This well–tried to be true and on Gregorian calendar month fifteen, 1956, she gracefully armored not solely a photograph of Robert Henri however
conjointly variety of images of his paintings in conjunction with 2 rare previous family images of man. Cozad, the sole 2 that area unit famous to
exist. They weren't solely rare however invaluable. Negatives are product of the first images of man.

Herc Rousseau Self Portrait Sketch
Myself: Portrait– Landscape is one of the most representative painting from the genre "Portrait Landscape" which created by Henri Rousseau himself.
In this painting, the artist (Henri Rousseau) first painted his favorite city in the background. In the painting, you can see the Eiffel Tower, the iron
bridge crossing the Seine, and the ship along the river with different countries flags which are showing the Henri Rousseau favorite part of the city–
Paris, France. In the foreground, the portrait is holding the paintbrush and the mixing palette representing Henri Rousseau himself. As Henri Rousseau
is recognized as "Self–Taught" artist who never learns from any Art Academies, the inspirations of him mainly came from the nature around, the
illustrations ... Show more content on Helpwriting.net ...
From the title "Self Portrait with Seven Fingers" and also placing his right hand with seven fingers in the center part of the painting fully reflects his
Jewish background and his identity. In terms of Jewish Numerology, "Seven" is the general symbol of god. In the painting, we can see the Eiffel
Tower from the window which showed the viewers that the artist (Marc Chagall) was in Paris, France. The broken, puzzle–like objects showing Marc
Chagall's early work out in the idea of Cubism. The body shapes, the face, the landscape seen from the window and the objects in the room have
been broken down into abstracted forms and appear in two dimensional. And Marc Chagall used the element of colour and value to create the
feeling of volume of the body and the facial features. The artist (Marc Chagall) applied dark and sober colours on the arms, main body, legs and on
the face which help to create the volume of muscles and protrude the facial features. In the painting, Marc Chagall also applied the principle of
contrast. The colour tone of the whole painting is low–keyed, appearing a dim environment. And the artist (Marc Chagall) painted his clothes in bright
and warm colours like white, yellow and red, this great visual contrast can bring viewers' attention to him. The artist (Marc Chagall) also put emphasis
on the size and the use of colour intensity so

Henri Matisse's The Red Studio
Henri Matisse's "The Red Studio" was created in 1911. The painting depicts an art studio with works everywhere hanging on the walls, and on the
floor. There are potted plants and sculptures on the tables and the room is mostly red. This 5вЂІ 4вЂі x 4вЂІ 3вЂі painting was obviously well named.
Red is not the only color, there are hints of blue, yellow, orange, black, green, and pink worked into the painting. Everything in the painting is still.
There is no action and no movement, just the still shot of the studio filled with art supplies, paintings, sculptures, furniture, and plants. The majority of
the shapes are square or rectangle. It is very linear with very little curved shapes. This brightly colored painting does not have a ton of dimension.

Henri Dutileux Research Paper
Henri Dutileux was one of the mot famous French composer of classical music during the second part of the XXth century. He was born on the 24th
of January 1916 and died on the 22nd of May 2013. His work has been mainly more played outside of France (Great–Britain and United States) than in
France. His work is part of the comtemporary art period.
Biography:He was born on the 24th of January of 1916, in the middle of WWI. During the war, his familly went to Amiens to run away the horror of
the war Henri was born there. At the end of the war, in 1918, the family went to Douai where Henri in 1926, started to studymusic at the Conservatoire
of Douai. He was studying harmony and piano and theory. In 1933, he went to the Conservatoire of Paris, which is the most famous of France.
During those years, he was in class with many other famous French musicians for example Leo Chauliac. In 1938, he won the first price of Rome.
From 1939 to 1945, he didn't compose much because of the war but he composed some short songs for the French Resistance.In 1946, he got married
to a pianist called GeneviГЁve Joy. She had been for a long time his main performer.
Works:He wrote many pieces for many different types of group (orchestra, chamber music, ballet and even for single piano): ... Show more content on
Helpwriting.net ...
The neo–impressionist period is known for painting but not much for music. The differences with other movement are: for example for the piece "Tout
un Monde Lointain..." there are 5 movements, each comes from a famous poem of Charles Baudelaire called "Les Fleurs du Mal". The concerto is
written for flutes, oboes, clarinets, bassoons, horns, trumpets, trombones, tuba, percussionists, harp, celesta and

La Musique ( English : The Music ), By Henri Emile Benoit...
La Musique (English: The Music), by Henri Emile Benoit Matisse. Henri Matisse was born in France in 1869 and is often given credit to being a
founder of the "Fauve" or "wild beast" movement. This movement in art was generally known for bright colors and often quite lively
compositions. La Musique was completed in 1939 using oil paints on canvas. Matisse was often described as having a deep admiration for
dancing and music, with that being said, this was not his only work of art that involved or portrayed musical art in some manner or form. Henri
Matisse viewed composition as "the art of arranging in a decorative manner the various elements of a painter's disposal for the expression of his
feelings". He often strived to create paintings that felt and appeared effortless. However, this was often not the case, and La Musique was no
exception. Matisse had placed every element with the utmost care and effort. Matisse took advantage of bold, vivid and intense colors in an attempt
to portray his view of the world. These colors often help to create a joyful or exuberant mood.
I chose this particular work because I myself grew up playing multiple instruments starting with the guitar and moving to bass guitar and drums (and
many others inbetween). Also, the bright colors really caught my eye in the art gallery. And lastly, I chose this work of art because I enjoyed the
disproportion in the people, giving the painting almost an abstract feel to it. La Musique involves two women

Henri And John Relationship Analysis
John and Henri aren't related but they have a very strong relationship. First of all, Henri is John's mentor and caretaker. They spent years together so
they bonded quite well. On page 75, Henri picks John up from school and has a small chat with him. This is a normal thing a parent would do for
their child. In chapter 19, John goes to save Henri after he didn't return from Athens. This shows that John cares about Henri and will do anything to
help him. Another way they show their strong relation is when Henri trains John. He works carefully and makes sure John learns to control his legacies
such as his telekinesis. John uses the powers the way Henri hoped he would, to fight the mogadorians. Even though John and Henri aren't related, they
have a strong father–son like relationship.... Show more content on Helpwriting.net ...
First of all, she is very skilled at fighting. John has been training for a long time but he never was as skilled as six. In chapter 29, she reveals that
she has the power of invisibility, a very rare legacy. Six also saves John. After the mogadorians found him, John was trapped in his school. Six
comes and together they fight their way out of the mess. Six is smarter then John too. She knows many more things about Lorien then he does.
She also knows what most of the special items in the chest are and do. Six is a person John looks up to because of her intelligence and skill. The
magazine "They Walk Among Us" had a big impact on the story. When Henri goes to see the publishers, he doesn't return and John goes to save him.
John uses his powers for the first time to fight the people holding Henri in captivity. This was also the first time John saw a mogadorian face to face.
Because the mogadorians knew where John was, they later on attacked him. This event caused John to admit to his friend, Sam, that he was an alien.
The magazine "They Walk Among Us" drove the story forward and helped it

How Does Henri Nouwen Speak In A Pattern Of Christian...
If anyone has the authority to speak on Christian leadership, it is Henri Nouwen because of his professorship at Ivy League Universities and
long–standing role as a priest. Yet Nouwen leans not on either of these credentials; instead, he shares his reflections on leadership that he learned while
serving at Daybreak community for handicapped people. What is more, Nouwen learned the most amazing leadership principles when he was asked to
speak in Washington D. C. on leadership and Daybreak sent a resident named Bill Van Buren with him. Out of this experience, Nouwen creates a
pattern of Christian leadership based on Jesus' temptation in the wilderness. Nouwen believes that all leaders are similarly tempted. Therefore, Nouwen
follows the pattern of task, question and discipline, which give great insights into a true Christian leader. Furthermore, Nouwen shares many amazing
leadership lessons and the most impactful lessons are: the need for prayer over competence, embracing brokenness within a leader's life and the role of
community in leadership. First of all, Nouwen addresses the influence of culture upon Christian leadership. His assessment is that the culture seems to
think that competence is all that is needed to deal with problems in life. He shares the culture's sentiment by eloquently stating,
The problem is not lack of faith, but lack of competence. If you are sick, you need a competent doctor; if you are poor, you need competent politicians;
if there are technical

What Is The Mersey Sound Poem
"The Mersey Sound – Adrian Henri, Roger McGough & Brian Patten"
by JesГєs Milla Cabrera Table of contents
1.Introduction
2.Setting the scene (Suburban poetry)
2.1.Liverpool: pop poetry
3.Adrian Henri
3.1.Biographical notes
3.2.Main works
3.3.Style and influences
3.4."Love is..."
4.Roger McGough
4.2.Main works
4.3."Let Me Die a Youngman's Death"
5.Brian Patten
5.2.Main works
5.3."Little Johnny's Confession"
6.Personal conclusion
7.Bibliography 1.Introduction
When I heard about an anthology written by Liverpool poets, I immediately decided to write this paper about it. I have been in love with the pop
music and The Beatles since I was a young teenager. That is the reason... Show more content on Helpwriting.net ...
Love has been called "you" and "me" referring to the two lovers (line 17). Personification of love has given it a significant presence. Love makes a
lover feel imprisoned in the jail of love (line 18). In other words, love keeps you go back to your lover again and again. Even when the two lovers are

physically separated from each other, they can feel the presence of love in their lives (line 19). The feeling of love is so great that it doesn't know
any bounds. It transcends all boundaries of physical existence and makes the person feel the presence of their beloved even they are not close to them.
Bibliography
Henri, Adrian, Roger McGough, and Brian Patten. The Mersey Sound. London: Penguin Books, 2007 [1967]
Medina Casado, Carmelo. Poetas Ingleses Del Siglo XX. Madrid: Sintesis, 2007
Wade, Stephen. Gladsongs and Gatherings: Poetry and Its Social Context in Liverpool Since the 1960s. Liverpool: Liverpool University Press, 2001
Further bibliography
Charu B. "Summary of "Love Is..." by Adrian Henri." World's Largest Collection of Essays! Published by Experts. 2012. Web: 5 Nov

Henri Boulangerie
Henri Boulangerie: Creating and Using a
Master Budget
BACKGROUND
PART I: CREATING THE BUDGET
MEETINGS WITH DIVISIONAL MANAGERS
Henri Boulangerie is a medium–sized regional bakery that specializes in providing orders to grocery and convenience stores. Because of the popularity
of its brand, it has also opened a small cafГ© for walk–in business.
In order to maintain its high quality standard, Henri produces only three products: breakfast muffins, fresh bread, and chocolate chip cookies.
Although business has been good in the past few years, a lucky contact with a large chain has recently allowed it to expand its brand out of the local
region.
Growth has been high since the new contract went into effect. Andy Griff, the ... Show more content on Helpwriting.net ...
Henri Boulangerie sold
45,000 one–dozen packages of muffins for $5.50 each, 65,000 one–dozen packages of cookies for $4.75 each, and 85,000 one–dozen loaves of bread
for $5.25 each. When Nicole got to Jeff's office, he motioned her in to have a seat.
"Is it time for our meeting already?" he asked. "Where does the day go?"
"Who knows? It seems like one minute I'm having my morning muffin and the next I'm saying good–bye to everyone," Nicole said with a sigh.
"There's never time to get everything done. And now I get to do the budget." Jeff started to laugh. "Thanks," she muttered. "I knew I could count on
your support."
"I'm sorry. I just have to laugh at the amount of time you are going to put into something that isn't really used anyway, except for setting bonuses, of
course."
"Not really used? I don't know how it's been around here in the past, but this year, at least, the budget will prove to be a valuable tool." Nicole waved
away Jeff's retort. "Anyway, one way or another I have to create one and, as you know, the process always starts with projected sales. Do you have a
copy of last quarter's results?"
"Yes, right here somewhere," Jeff said, shuffling papers around on his desk. "Got it!" he exclaimed, waving it gently as he pulled it from under a
stack of other papers. "Now, what do you want to know exactly?"

"Well, Andy thinks that since we

Analysis : ' Still Life With Oranges II '
In the paper I would like to focus on a painting that is almost 120 years old, however it appears provocative even today – in the world of contemporary
art, where there seems to be no room left for astonishment. What I find so special about this beautiful painting is the technique and the artist's
vision of the scenery. Even though the second half of the 19th century was the time of rebelliousness in the art world, Henri Matisse managed to
find his own niche and create his own style of painting. While "Still Life with Oranges II" appears as a primitive piece of work that neglects
canonic rules of proportion, shade and volume, it opens doors to the personal world of the artists, where there is a place for imagination and
flirting with the audience. Bright colors and swirls of brush strokes celebrate life and create an uplifting mood, which we often under appreciate in a
painting. "Still Life with Oranges II" is a traditional portrayal of a still life. There are fruits and crockery, artistically placed on a table by the window
on what seems to be a warm sunny day. The composition is quite traditional, even canonic. However, the way Henri Matisse sees it, distinguishes the
image from the classical portrayal of Nature Morte. His version is rather abstract that has adapted even a naturalistic and even cartoon–like effect. The
color is the dominant figure in the painting – its protagonist and the linking element. It is bright, warm and very harmonious. The colors draw the
audience

Antoine Henri Jomini
The eighteenth and nineteenth centuries were turbulent eras generating several changes in the way how commanders led the war. The world owes a
debt to one man for interpreting and recording his contributions to strategy and the art of war: Antoine Henri Jomini. The purpose of this paper to
explain why the Jomini's theories are a school of thoughts that remain adequate for explaining warfare in the modern era. The importance of logistics,
the acceptance of principles of war, and the concept of the geometry of battlespace proposed by Jomini's theories are three broad concepts that are still
adequate for explaining in the modern era. Incorporating the logistics in the planning process is a key task to achieve important military outcomes.
Clausewitz ... Show more content on Helpwriting.net ...
Mallick argues that "The Principles of War are the principles expressing the rules of military thought and actions that serve as the permanent basis
for combat doctrine. Ettrich mentioned that to have a better understanding of how Jomini developed his principles of war creating a set of
thoughts that have remained relatively unaltered for approximately two centuries, it is necessary to study his life, his intense studies of war,
military career, and the circumstances that shaped his tactical and strategic thinking. Jomini as the same way of other military philosophers, tried
to articulate his insights about of the art of war presenting his ideas through a list of maxims or "as a list of general truths whose application
contributes to success in war," they may be legitimately viewed, "as the prototype of the modern principles of war" . Jomini's maxims are the
closest thought to the modern principles of war. Without considering the fact that Jomini never defined his concepts like general principles of war,
nor did he provided precise details of the fundamental principles he wrote, these have been adopted for many armies in the world. In chapter six of
Peter Paret's Makers of Modern Strategy: From Machiavelli to the Nuclear Age, John Shy mentioned that many of the nineteenth centuries military
leaders accepted Jomini's maxims as valid principles. Ettrich recalls that historically, the Jomini's concepts of principles of war were introduced to
the United States in 1817 and were used initially at the US Military Academy; these principles are still valid in the US Army doctrine. Weigley argues
that during the United States Civil War, "military leaders from both sides embraced concepts and principles learned while studying as contemporaries
at the Military Academy prior to the rise and secession of the Confederacy"; as a result, Union and Confederates leaders achieved

Analysis Of Oil Painting : Tiger In A Tropical Storm
Surprised!, also known as Tiger in a Tropical Storm, is an oil painting that was produced in 1891 by a post impressionist painter. The painter was
well known as Henri Rousseau, whom created all his pieces in Paris, France. Surprised! was the first of the jungle themed paintings, and this is
relevant to all of Rousseau's pieces because many of his paintings took place in the jungle ("Henri Rousseau Paintings, Biography, Quotes"). Surprised!
features objects and details that will carry through to his later works ("Henri Rousseau Paintings"). As mentioned before, Henri Rousseau painted many
jungle themed pieces. Rousseau worked to portray contemporaries between the home life and wildlife. Although Henri never travelled outside of
France, the jungle theme expressed in his paintings came from experience through common visits to the city's natural history museums and Paris zoos
(Henri Rousseau Paintings). Henri Rousseau painted with such detail, symbolism, and colors, as well as making an everlasting impression on the
post–impressionist movement, modern art, and artists of that period. Henri Rousseau employs many different colors, textures, and shades within the
painting called Surprised!. The focus of the painting is the tiger in the crouched position ready to pounce on the prey, which is not depicted in the
painting, but is interpreted that it is just off to the right of the canvas ("Henri Rousseau Paintings"). The tiger has been lurking in the grass while the
rain, swaying

How Did Henri Matisse Influence Art
Henri Matisse was an extravagant artist they lived from 1869 till 1954. Throughout his life he pushed the boundaries of what was acceptable in art
and helping head the fauvism art movement of the time. His life through art progressed through several stages, firstly his early influences in his
childhood home and surroundings, secondly his early days of art at the academies of Paris and his first years on his own and thirdly his later life
when he delved into the more progressive art movements of the times. Henri Matisse was born December 31st, 1869 in a small village in
northwestern France. His family took part in grain farming as was the norm for the area. throughout his childhood his parents taught him the lesson of
hard work and determination that would help in later as he quoted his father always saying, '"be quick!', 'look out!', 'Run along!', 'Get cracking!'" one
of his earliest ... Show more content on Helpwriting.net ...
During his early years in the profession he was often panned as being vulgar and pornographic. But then as more abstract movements took hold of
the industry he quickly gained fame and popularity in places as far and as varied as Russia, America, Britain, France and even some of northern
Africa. In his early years he would use more classical styles but as he grew as a person he would reach into styles such as fauvism and abstract. His
mediums would grow to encompass painting, sculpting and paper crafts. Throughout his life he was varied but his lasting impression is definite, the
abstract art world was forever changed because of him.
In conclusion Henri Matisse's life spanned two war and countless hardships, he would leave the world with three children. Throughout it all he would
paint, he would paint until he changed the world with his brush. These ideas would shock some and delight others but no matter what the ideas have
and will continue to have a lasting impression on the world of

Literary Analysis Of Woman In A Purple Coat
For this analysis, I will be using Woman In A Purple Coat by Henri Matisse (1937), oil on canvas. 1937 was a turbulent year globally. From the
Hindenburg blimp exploding, to the Japanese invasion of China, and the disappearance of Amelia Earhart. Many events happened that year that
would forever alter the course of history. Henri Matisse, an eclectic soul, would make his mark upon 1937 as well with Woman In A Purple Coat.
This piece would cause all who came before and after him to rethink how they would make their legacy, as Matisse moved the bar to previously
unobtainable heights through this work. The first thing you notice in Matisse's painting is the purple coat that Lydia Delectorskaya, his lover of many
years, is wearing. This coat, an exotic Moroccan costume, with its bold and vivid color, jumps right out at its viewers. While Lydia reclines for her
pose, the vase of flowers and fruit on the table in the foreground become apparent to the audience. As do the bold shapes and patterns that are on
the walls, with their incredibly bright colors, outlined with thick lines. The lines Matisse used creates a certain symmetry within the frame. His
perspective lines give order and dimension to an otherwise visually busy art work. Henri used bold, thick lines to create definition, even using the
back end of the brush to scrape away paint to leave exposed canvas to create his effects. Matisse was a pioneer within his profession. He was often
criticized for his lack of

Interview Skill Analysis
"The Challenge of Love"
Some of the biggest challenges in relationships are rooted between the push and pull of give and take. People tend to enter into relationships to gain
something: they 're trying to find someone who 's going to make them feel good. In reality, the only way love is true is if the relationship comes from a
place of giving.
For some love is primarily taking, for some love is primarily giving and for some it is more evenly a matter of "give & take". A person driven by
intense need often attempts to control the relationship, taking to fulfill their personal needs. When the emphasis is on taking, love becomes very
threatening. Love takes on many forms, but true love is not one of power and control.
The ... Show more content on Helpwriting.net ...
That said, in time when love failed his grand daughter Janine, Louis "although inexpert in the gestures of love" (p.267) supported Janine in managing
her own feelings of pain, betrayal, and abandonment after her marriage ended.
Janine was able to see an honesty and openness in Lois that at times he didn't see in himself. Her ability to see Louis for the man he was and not
his actions was a demonstration of her true love and devotion to him. Janine was acutely aware that her grand father was "a terrible, even at times a
dreadful man" (p.280) but she was able to accept him and his personal truth, without judgement. It was Louis's influence alone in the end that
"entirely changed her way of looking at things" (p. 280). To Janine, her grand father was not man of power and control, but a man "weighed down
by a sense of unworthiness" (p.279), and for that she felt sad a partly responsible. Louis was a man who needed truth, to feel worthy, loved, and to be
free, something he was not able to be around his family – his wife Isa and two children. In the end Louis experienced love through Janine.
True to form through the last section of the book Louis aims criticism at Janine. To Louis his grand daughter was "weak" (p. 254), she was "a women
incapable of receiving anything from another person" (p. 265), a person who "thought so little" (p. 256) about others. These qualities connected the
two, as Louis was much the same. Louis a

Henri Matisse 'Chapel Of The Rosary'
Henri Matisse's "Chapel of the Rosary" (1949–1951), is an architectural masterpiece, said by Matisse himself. The chapel obtains personal value,
religious value and aesthetic value. In the late 1940's, Matisse turned to cut–outs as his primary medium. The period of the 'Cut–Outs' have been
described as Matisse's "second life" by the art critic Alastair Sooke; while Matisse had completely changed his medium, he continued to be completely
fascinated with vibrant colours. After a life–saving surgery, the artist was left extremely weak and unable to get out of his bed and painting and
sculpture were a challenge. Here he invented a ground–breaking and completely non–traditional way of making art, he described the making process as
"drawing with

Essay on Annotated Bibliographies; Henri Fayol's Work...
Rodrigues, CA, 2001, 'Fayol's 14 principles of management then and now: a framework for managing today's organizations effectively', Management
Decision, vol. 31, no. 10, pp. 880–889.
Rodrigues discusses in some detail how Fayol's principles of management individually are/are not used in modern management. He doesn't necessarily
hold a contention or argument as he is ultimately comparing and contrasting the world of management in US organisations from early 1900's to now.
However the result of each of his discussions fall in the same favour each time, which may potentially be viewed as a bias and further as a limitation of
this journal. A further limitation of this article is that it blurs the line between positive and normative... Show more content on Helpwriting.net ...
Pryor, MS & Taneja, S 2010, 'Henry Fayol, practitioner and theoretician– revered and reviled', Journal of Management History, vol. 16, no. 4, pp.
489–503.
The purpose of this paper by Pryor & Taneja (2010) is to illustrate through examining contemporary management and management theories how
Fayol's contribution of his principles and model theory is relevant in management today.
This is done by a process of researching and examining the work of major academics (e.g. Mintzberg (1989), Porter (1985), Taylor (1947), Kotter
(1982), & Berdaves (2002)) Pryor and Taneja (2010) compare the works and ideas of both Fayol and these authors to find the similarities and
differences between their theories.
A limitation of this article may be the large focus of similarities between studies, paying rare attention to the differences between Fayol and the given
management theorist. Future studies on this issue should be undertaken in an argumentative manner, given equivalent attention to both aspects of the
argument. Indeed; this article supports the conclusions of similar studies (e.g. Rodrigues, 2001. Archer, 1990. Fells, 2000) that Fayol's theory is
relevant today, and that his 5 management functions are evident in all organisations (Hales 1986). Another shared conclusion between journals is that
Fayol's work sets the foundations of management practise and theory today. Even though Mintzberg (1973) argues differently, his theory "tends to

Le Bonheur De Vivre, By Henri Matisse
We can first look at what these paintings where all about. Le bonheur de vivre (The Joy of Life) is a painting by Henri Matisse and together with
the Picasso's Les Demoiselles d'Avignon, Le bonheur de vivre is regarded as one of the pillars of early modernism. Modernism is the period of the
19th, 20th century period that was characterized by the culture trends changes and transformation. Therefore the work of Le bonheur de vivre taken
from the Baudelaire's poem, Invitation to a Voyage (1857) depicts a man inviting her lover travel with him to a paradise. This painting shows nude
women in a "traditional classical idyll but one woman – thought to represent the painter's wife – wears contemporary dress. This is Matisse's only
major painting

Paul Gauguin And Henri Matisse
"Primitivism" was a cultural attitude that arose in Europe during the late 19th and 20th century in opposition to the increasingly decadent and
materialistic European culture. Rather than an artistic movement, "primitivism" is a European conception of foreign civilizations and lands as
"simple", less developed, and naive. This is an important distinction to make, because "primitivism" was defined in the eyes of the Europeans who saw
foreign civilizations as unsophisticated, indicating that the concept of "primitivism" is heavily biased in the view of the Europeans. Paul Gauguin and
Henri Matisse were two artists that were highly influenced by the concept of "primitivism," and some similarity can be depicted in their works such as
the use of female nudes, vivid colors, and artistic techniques. However, their definition and methods of achieving "primitivism" differ heavily, due to
the fact that the vagueness of "primitivism" allows it to be a self–defined concept. These similarities and differences can be seen through the two works
of art The Spirit of the Dead Watching by Paul Gauguin, and The Blue Nude by Henri Matisse, and the way they depict women in each of the pieces.
The first important similarity between the two pieces is the obvious use of the reclining female nude. The female figure was a popular subject matter
for the primitivists of this time, because society viewed women to be more "natural" than men, who were more "civilized." Society assumed that
women's

Henri Vieuxtemps Research Paper
Henri FranГ§ois Joseph Vieuxtemps was born on February 17th, 1820, in Verviers Belgium. He was the only child to his mother and father, whom
were both weavers. His father was an ameteur violinist, and had decided to begin instructing Henri at the age of four. In that time, and until the age of
six, Henri was taught by his father, in addition to Joseph Lecloux–Dejonc, after which he made his first public performance, a violin concerto. This
debut performance was considered so impressive, Henri was sent to tour many local cities, including Brussels and Liege. During this tour, Henri would
attract the attention of Charles de BГ©riot, who would try and take take him on as a student sometime in 1829. Charles's assistance in Henri's career
came in... Show more content on Helpwriting.net ...
He followed this up with another tour in America in 1857, with him settling down to compose a fifth violin concerto coming in 1861. Unfortunately,
Josephine passed away in 1868, leading him to take another period of foreign touring. After this tour concluded, Henri took a teaching post at the
Brussels Conservatory in 1871. Two years later, he suffered a paralyzing stroke in his right arm, mostly forcing him to stop performing other than in
private chamber arrangements. With most of his work over, he left his teaching post and kept composing music until another stroke led to his death in

Micah And Henri In A Company Of Fools
Comparative essay Micah and Henri, from Ellis' Novel A Company of Fools, are very different people when they meet each other for the first time
but as the story progresses their similarities begin to show. They are both orphans that have been taken in under the religious monks of St Luc.
Micah was snatched from the jaws of death on the streets where he lived, sung and stole, unlike Henri who grew up with the nuns from an early
age and then moved to the monk's Abbey to become a choirboy. As Henri began his time at St Luc he was known as a quiet and shy boy but as
Micah came into Henri's life his attitude towards others changed. Henri and Micah start off by not enjoying each other's company very much but as
their time together progresses they become closer and closer together until they are the best of friends. Micah and Henri are both orphans that have
been taken into the careful hands of the monks of St Luc and although they are both orphans they both grew in very different backgrounds. Henri
grew up in the monks and nuns care since a young age but Micah was forced to survive on his voice and stealing. Micah told us "Fever, he died when
my mother died. The fever took both of them" and Henri told... Show more content on Helpwriting.net ...
The story states "You and Micah are likely to be partners in the procession, so you might as well get to know each other. I was not sure I liked the
idea of that" showing that at the start of their time they did not enjoy spending time together or even have to be next to each other for processions.
The story also states "Don't worry about Micah, you will see him again" showing that Henri is missing Micah because he left the Abbey to go back to
live in Paris and they are great friends when Micah left. Henri and Micah didn't enjoy each other when they just met but by the time Micah left they
were the best of

Henri Matisse Research Paper
For Henri Matisse, the scandal was just another dark episode in a painful struggle. Born in Bohain, a poor unlovely, industrial town in northern France,
Henri was already a lawyer when he dismayed his working–class parents by deciding that art was his life's true calling. Painting never came easily to
Matisse; he studied constantly. When he failed to break into the prestigious mainstream of French art, his family labeled him an embarrassment with no
talent. But Henri, as uncertain and depressed as he was, had bigger worries than rejection. By 1905, he was 35, a married man with three children –and
he was broke. He'd pinned his hoped on the 1905 exhibition. A hardworking perfectionist, Matisse believed that at last he was bringing something

Harmony In White : Henri Matisse And His Use In Color
Henri Matisse was mostly known for his use in color. Although he was a French artist Matisse was influenced by many cultures. The idea of Fauvism
was created by Matisse that soon made his work famous, and influential for many artists to come. One of his first drawings in the early twentieth
century developed this term called fauvism; Harmony in Red. In each piece of his work he used such vibrant colors to help draw attention to this new
idea of fauvism. These vibrant colors, and large brush strokes allow more feeling to be made when evaluating, and viewing his work. Starting with
his background Matisse was mostly known for his use of bright colors. He also worked as a sculptor, printmaker, and draughtsman, but was strongly
known for his paintings. According to Biography, "Matisse began painting while recuperating from an illness, and his vocation as an artist was
confirmed." (Editors at Biography) Matisse began learning more about art; while also exhibiting some of his work, this soon led to his breakthrough.
The breakthrough led him to his innovation of fauvism. Now, beginning with Harmony in Red; Matisse revealed bright hue colors, and patterns to
develop the innovation of fauvism. Like most artists Matisse began his work with an influence by other art forms, and artists. According to, Art Forms
"He saw a large collection of Gauguin's Tahitian works in 1905 and soon he extended the older artist's innovations." (Frank. 393) With most artists,
there is a certain source

Henri Matisse Research Paper
Jasmine McLean Professor Jeff Whelan GE 130–04 Art Appreciation October 26, 2015 Henri Matisse Matisse was born Henri–Emile–Benoit Matisse
in Le Cateau–Cambresis, France on December 31, 1869 to his mother and father Anna Heloise Gerard and Emile Hippolyte Matisse. He was the first
son of the couple. Matisse's father was a grain merchant and his mother made hats and painted China. He grew up in nearby Bohain–en–Vermandois
until the age of ten, when his father sent him to St. Quentin for high school. In ways that area hadn't changed much since Roman times. The young
Matisse was an awkward youth who seemed ill–adapted to the rigors of the North; he hated the gelid winters. He was a pensive child and by his own
account he was dreamy, frail and

Principles Of Henri Fayol
In the early 1900s, large organizations were finding that they needed to be managed too. At the time little management models and procedures were in
place until scientists like Henri Fayol came along and paved the way. Henri was born in 1841 and his first concepts in principles of management are
the underlying factors for successful management. Henri Fayol, a French coal mine director, is most notably known for his contributions to the five
main functions of management that are described in detail in his book entitled "Administration Industrielle et Generale" (Norma, n.d.). Henri Fayol's
management idea is that there are 14 principles of management that can be drilled down into five components that should be used to control and plan
production. Fayol's ideas were introduced into textbooks in the 1950's and since then the five main points have been drilled down, by other authors, to
four main components of management. Those four main points are planning, organizing, leading, and controlling, which is also called the P.O.L.C.
process. Staffing was removed as a main function in management. One of the most important steps in managing a business is planning, which is also
the first step in the P.O.L.C. process. Planning is one of the most vital tools you will need to use in business. From starting your own business to
growing into an empire you will plan the entire way. As a business grows you will need to map out the new path the company will take. For

How Did Henri Matisse Create A Motif
Henri Matisse is a well–known French painter that was born 1869 and later dies in 1954 at the age of 84 years old. Being well known and famous for
several paintings, he was given a charge by a well–known Russian Sergri Shchukin. He was charged to produce three canvases to decorate Sergei
mansion staircases in Moscow. On incident, the painting now recognized as Dance I was just a sketch that Matisse had created. The initial sketch
and final version of the painting is quite similar in concept. Matisse did use the idea of another famous painting Bonheur de Vivre. The idea he
used was the motif. A motif is a distinct decorative pattern or design. Many of early 1900 art pieces expressed pleasure joy and happiness. The
painting of Dance I has the same concept and has what some believe to be bean dolls joyously dancing with one another. Unlike the paintings that
Michelangelo produced using large and realistic humans, the bean dolls do not have actual physiques. The make of their bodies is not as realistic. The
women in the painting Two Fridas was not as detailed as Michelangelo figures but they had more of a composition than the bean dolls that Matisse
produced. Matisse often made his drawings seem to be effortless, amazing other painters and followers. Because Matisse produced such simple but yet
paintings that individuals were able to interpret and understand allowed him to stand out from other painters. Some painters spend hours trying to
figure out... Show more content on Helpwriting.net ...
It sometime causes individuals to have disagreements. I believe that whenever someone is interpreting art they need to be open to other opinions. For
example, when I first looked at the painting titled Fountain I seen a fire hydrant. But in actuality it is a urinal placed on a pedestal. That is just a
prime example how we see things differently as humans even though we are looking at the same

How Does A Horse See The World, By Herschel B.
With the advent of Modernism in the early twentieth century, many artists and critics began making theoretical pronouncements about their works
and ideas. Using three different artists and their writings from the Theories of Modern Art book by Herschel B. Chipp. I will study the artist's
works and ideas in relation to the role of art in their society, the role of traditional practices in art, their view on nature versus reality, and their view
on the relationship between art and truth. The three artists and works will be the Fauvist Henri Matisse's "Notes of a Painter," the German
Expressionist Franz Marc's "How Does a Horse See the World?" as well as "Aphorism," and lastly the Dadaist Jean Arp's, "Abstract Art, Concrete Art."
This section... Show more content on Helpwriting.net ...
Truth is always on the move. It is always somewhere, but never in the foreground, never on the surface." Unlike Matisse, who talked about truths as
challenges, Marc seems a little lost about truth in artwork or maybe that was simply how he felt at that time. Marc's words conveyed an elusive
quality to truth, that they cannot be seen or touched so easily as Matisse implied. I think this elusiveness is best symbolized in his Stables. In
"Abstract Art, Concrete Art," page 390, Jean Arp expressed his idea of a main truth, that artists do not want to copy nature but produce it. That they
wish to create their own art directly and not have to interpret it from nature. As I was reading it felt like Arp had a good understanding of what he
believed to be the important truths in art and he continually strived to create artwork that conveyed those ideas, as can be seen in his Birds in an

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