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Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill 
Education. 
Chapter 9 
Creative 
Strategy: 
Implementation 
and Evaluation
Appeals and Execution Style 
 Advertising appeal: Approach used to attract 
consumers’ attention and/or to influence their 
feelings toward the product, service, or cause 
 Creative execution style: Manner in which a 
particular appeal is turned into an advertising 
message presented to the consumer 
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill 
Education. 
2
Types of Informational/Rational 
Appeals 
Competitive advantage appeal 
• Compares to another brand and claims superiority on one or more attributes 
Feature appeal 
• Focuses on the dominant traits of the product or service 
Favorable price appeal 
• Makes product price the dominant point of the message 
News appeal 
• Involves a type of news about the product, service, or company 
Product/service popularity appeal 
• Stresses the popularity of a product or service by pointing out the: 
•Number of consumers who use the brand or those who have switched to it 
•Number of experts who recommend the brand 
•Leadership position in the market 
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill 
Education. 
3
Advantages of Emotional-Only 
Campaigns 
More effective in relation to campaigns using 
emotional and rational content 
Work well during economic downturns 
Influence consumers’ interpretations of product 
usage experience 
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill 
Education. 
4
Transformational Ads 
The ads 
create . . . 
The ads 
create . . . 
It makes the 
product use 
experience. . . 
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill 
Education. 
Richer 
More 
Exciting 
Warmer 
Feelings 
Meanings 
Images 
Beliefs 
More 
Enjoyable 
It makes the 
product use 
experience. . .
Figure 9.1 - Bases for Emotional 
Appeals 
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill 
Education. 
6
Figure 9.2 - Levels of Relationships 
With Brands 
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill 
Education. 
7
Additional Types of Appeals 
Reminder advertising 
• Builds brand awareness and/or helps keep the brand 
name in front of consumers 
Teaser advertising 
• Builds curiosity, interest, and/or excitement about a 
product or brand by talking about it but not actually 
showing it 
User-generated content (UGC) 
• Created by consumers rather than by the company 
and/or its agency 
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill 
Education. 
8
Ad Execution Techniques 
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill 
Education. 
9
Basic Components of Print Advertising 
Headline 
Headline 
Words in the Leading Position of the Ad 
Words in the Leading Position of the Ad 
Subheads 
Subheads 
Smaller Than the Headline, Larger Than the Copy 
Smaller Than the Headline, Larger Than the Copy 
Body Copy 
Body Copy 
The Main Text Portion of a Print Ad 
The Main Text Portion of a Print Ad 
Visual Elements 
Visual Elements 
Illustrations Such As Drawings or Photos 
Illustrations Such As Drawings or Photos 
Layout 
Layout 
How Elements Are Blended Into a Finished Ad 
How Elements Are Blended Into a Finished Ad 
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill 
Education.
Ad Layout 
Visual Element 
Subhead 
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill 
Education. 
Headline 
Copy 
Identifying mark
Basic Components of Television 
Advertising 
Video 
• Visual elements that attract viewers’ attention and 
communicate an idea, message, and/or image 
Audio 
• Includes voices, music, and sound effects 
• Voiceover: Message is delivered by an announcer who is not 
visible 
• Needledrop: Music that is prefabricated, multipurpose, and 
highly conventional 
• Jingles: Catchy songs about a product or service that carry 
the advertising theme and a simple message 
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill 
Education. 
12
Figure 9.4 - The Three Phases of 
Production for Commercials 
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill 
Education. 
13
Production Stages for TV 
Commercials 
All work before actual 
shooting, recording 
PPrreepprroodduuccttiioonn All work before actual 
shooting, recording 
Period of filming, taping, or 
recording 
PPrroodduuccttiioonn Period of filming, taping, or 
recording 
Work after spot is filmed or 
recorded 
PPoossttpprroodduuccttiioonn Work after spot is filmed or 
recorded 
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill 
Education.
Preproduction Tasks 
Select a director 
Cost estimation 
and timing 
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill 
Education. 
Choose 
production 
company 
Bidding 
Preproduction 
meeting 
Production 
timetable 
Preproduction
Production Tasks 
PPrroodduuccttiioonn 
LLooccaattiioonn TTiimmiinngg TTaalleenntt 
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill 
Education.
Postproduction Tasks 
EEddiittiinngg PPrroocceessssiinngg 
Sound 
effects 
Audio/video 
mixing 
Release/ 
shipping 
DDuupplliiccaattiinngg 
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill 
Education. 
Sound 
effects 
Audio/video 
mixing 
AApppprroovvaallss OOppttiiccaallss 
Release/ 
shipping 
PPoossttpprroodduuccttiioonn

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Belch 10e ch09_ppt

  • 1. Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Chapter 9 Creative Strategy: Implementation and Evaluation
  • 2. Appeals and Execution Style  Advertising appeal: Approach used to attract consumers’ attention and/or to influence their feelings toward the product, service, or cause  Creative execution style: Manner in which a particular appeal is turned into an advertising message presented to the consumer Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. 2
  • 3. Types of Informational/Rational Appeals Competitive advantage appeal • Compares to another brand and claims superiority on one or more attributes Feature appeal • Focuses on the dominant traits of the product or service Favorable price appeal • Makes product price the dominant point of the message News appeal • Involves a type of news about the product, service, or company Product/service popularity appeal • Stresses the popularity of a product or service by pointing out the: •Number of consumers who use the brand or those who have switched to it •Number of experts who recommend the brand •Leadership position in the market Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. 3
  • 4. Advantages of Emotional-Only Campaigns More effective in relation to campaigns using emotional and rational content Work well during economic downturns Influence consumers’ interpretations of product usage experience Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. 4
  • 5. Transformational Ads The ads create . . . The ads create . . . It makes the product use experience. . . Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Richer More Exciting Warmer Feelings Meanings Images Beliefs More Enjoyable It makes the product use experience. . .
  • 6. Figure 9.1 - Bases for Emotional Appeals Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. 6
  • 7. Figure 9.2 - Levels of Relationships With Brands Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. 7
  • 8. Additional Types of Appeals Reminder advertising • Builds brand awareness and/or helps keep the brand name in front of consumers Teaser advertising • Builds curiosity, interest, and/or excitement about a product or brand by talking about it but not actually showing it User-generated content (UGC) • Created by consumers rather than by the company and/or its agency Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. 8
  • 9. Ad Execution Techniques Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. 9
  • 10. Basic Components of Print Advertising Headline Headline Words in the Leading Position of the Ad Words in the Leading Position of the Ad Subheads Subheads Smaller Than the Headline, Larger Than the Copy Smaller Than the Headline, Larger Than the Copy Body Copy Body Copy The Main Text Portion of a Print Ad The Main Text Portion of a Print Ad Visual Elements Visual Elements Illustrations Such As Drawings or Photos Illustrations Such As Drawings or Photos Layout Layout How Elements Are Blended Into a Finished Ad How Elements Are Blended Into a Finished Ad Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
  • 11. Ad Layout Visual Element Subhead Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Headline Copy Identifying mark
  • 12. Basic Components of Television Advertising Video • Visual elements that attract viewers’ attention and communicate an idea, message, and/or image Audio • Includes voices, music, and sound effects • Voiceover: Message is delivered by an announcer who is not visible • Needledrop: Music that is prefabricated, multipurpose, and highly conventional • Jingles: Catchy songs about a product or service that carry the advertising theme and a simple message Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. 12
  • 13. Figure 9.4 - The Three Phases of Production for Commercials Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. 13
  • 14. Production Stages for TV Commercials All work before actual shooting, recording PPrreepprroodduuccttiioonn All work before actual shooting, recording Period of filming, taping, or recording PPrroodduuccttiioonn Period of filming, taping, or recording Work after spot is filmed or recorded PPoossttpprroodduuccttiioonn Work after spot is filmed or recorded Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
  • 15. Preproduction Tasks Select a director Cost estimation and timing Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Choose production company Bidding Preproduction meeting Production timetable Preproduction
  • 16. Production Tasks PPrroodduuccttiioonn LLooccaattiioonn TTiimmiinngg TTaalleenntt Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
  • 17. Postproduction Tasks EEddiittiinngg PPrroocceessssiinngg Sound effects Audio/video mixing Release/ shipping DDuupplliiccaattiinngg Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Sound effects Audio/video mixing AApppprroovvaallss OOppttiiccaallss Release/ shipping PPoossttpprroodduuccttiioonn