Head Of Goliath Caravaggio

Head Of Goliath Caravaggio
Perhaps the most infamous, most mysterious, and most intriguing work Caravaggio was able to craft
before his short life ended is his painting "David with the Head of Goliath" [c 1610 image 3]. This
piece for work is a particularly startling image, should the viewer be aware of Caravaggio's physical
appearance. While other depictions Caravaggio had created of David and Goliath stayed away from
self–portraiture, this take on the biblical reference put himself straightforwardly into the picture.
However, he is by no means in the heroic position. His head hangs, slain and bloody, from the hands
of David: he is the monster, he is Goliath. A website devoted to Caravaggio, caravaggio.org, writes
in "David with the Head of Goliath (1610)" that "It
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Essay on Howard Hibbard's "Caravaggio"
Howard Hibbard's Caravaggio is an insightful look into the troubled mind and life of one of the
most discussed artists of all time, Michelangelo Merisi da Caravaggio. Hibbard immediately
expands on his belief that Caravaggio is the most important "Italian painter of the entire seventeenth
century." Furthermore, his paintings "speak to us more personally and more poignantly than any
others of the time." Caravaggio is an artist whose life was far different from all other contemporary
artists of his time, or any time. Unlike Annibale Carracci, Caravaggio's works were able to express
many of his own feelings and emotions. As Hibbard says, Caravaggio was an artist who "somehow
cut through the artistic conventions ... Show more content on Helpwriting.net ...
His ability to cut to the bone of life is not an ability, but merely a forced action and a reflection of
his mind. Hibbard makes that statement like Caravaggio "somehow" managed to be a superior artist
– almost as if it was a struggle for him to create his works of emotion. This idea is backwards,
Caravaggio's art was not a struggle to create but an outlet to express his fleeing mind keeping him
sane. Overall, it is likely that Caravaggio may not have even been aware of the personal emotional
touch which he inflicted on all of his works. They were merely a place which he could express
himself.<p>
Hibbard begins with a general background of Caravaggio's youth. He was born in 1571 near Milan.
At a young age, Caravaggio trained in art under the leadership of Simone Peterzano. His mother and
father both died when he was a teenager. This left him with debt payments for the family and the
loss of both parents at a influential age in his life. According to Hibbard, it is likely that the sudden
loss of his father and mother led Caravaggio to much of the style of his later works. One of
Hibbard's points is that Caravaggio exerts a lot of energy through his paintings in response to his
father. When depicting men, especially older men, Hibbard believed that Caravaggio was showing
hostility towards the early death of his own

Caravaggio Influence
In the early Seventeenth Century, Dutch painting underwent a transformation that may be attributed
to influence of Italian Baroque art. After traveling to the heart of mannerism, Flemish artists worked
directly from Italian Masters such as Michelangelo and Caravaggio. Judith Leyster's The Last Drop
(The Gay Cavalier) c. 1639, oil on canvas, displays several aspects of the influence that Caravaggio
had on Dutch painting as well as individual development that extended from Italian influence. First,
Leyster embraced Caravaggio's use of affetti to let the characters within the scene narrate the story
through small gestures and physiognomy, a technique directly influenced by his work. Second,
Leyster took Caravaggio's most well known attribute, ... Show more content on Helpwriting.net ...
Caravaggio is most widely recognized for his use of light within his paintings. Large beams of light
emphasize importance, create hierarchy, and illuminate the frame. Many of the Dutch Caravaggists
took advantage of this innovative thought and incorporated it in their work. With The Last Drop,
Leyster capitalized on Caravaggio's idea of high contrast between light and dark as well as
illumination to create hierarchy. The cavalier, obviously the center of attention, is so brightly lit that
he is almost glowing. Extremely dark shadows on the ground and in the back of the man with a jug
are contrasted with the bright whites, reflecting off of the fabric of the cavalier's coat. Unlike
Caravaggio, Leyster does not accomplish this hierarchy and contrast through the use of an outside
light source, streaming into the frame. Rather, the artificial light of the candle illuminates the
composition from the center out, leaving some areas in complete darkness. This technique allows
Leyster to create a warm glow, drawing the viewer into the scene. Leyster's active yet artificial
lighting is unique to Dutch portraiture; nevertheless the influence of Caravaggio is a clear factor in
the creation of vitality throughout the

The Era Of The Renaissance
Italy can be looked at as the home of the renaissance and consequently the immergence of great art.
Artists such as Michelangelo, Botticelli, Da Vinci, and Raphael are some of the greats and are
looked at for standards. But what about the artists whose lives are mysteries, and their works that
were influenced by the greats? These artists hold just as much importance in the history of art as do
the artist's whose names can be recalled off the top of an average person's head. During the sixteenth
century things began to change in the art world, and that change was the Baroque. This new style of
art brought a revolution to how subject matter was painted, it brought upon "... a radical
reconsideration of art and its purposes..." (249) and how artists of all ranks could learn to paint the
up and coming style of Baroque.
Renaissance art created standards and principles that every painting and artist had to utilize in order
to even be considered good, let alone great. Characteristics such as the phenomenon of natural light,
one–point and linear perspective, and highly idealized religious or mythological figures changed
into the Baroque techniques of manipulating light to create emphasis, dramatizing the illustrated
allegory, and unidealized realism. Additionally, "... the Baroque trend dominated and gave its name
to the age... [but it was the presence of both styles] that give the Italian seventeenth century its
richness and diversity." (4) Italy, and Rome especially, is home to what can

Caravaggio In The Calling Of St. Matthew
Caravaggio was born as Michelangelo Merisi in Italy around 1571. He was left alone at age 11 and
apprenticed with an artist in Milan. He moved to Rome, where his effort became prevalent for the
tenebrism method he used, which used shadow to highlight brighter areas. His profession, however,
was short–lived. Caravaggio murdered a man during a brawl and fled Rome. He died not long after,
on July 18, 1610. Even though Caravaggio was rejected after his death, he finally came to be
recognized as one of the founding fathers of current painting. The Calling of St. Matthew was
painted from 1597 to 1601 by Michelangelo Merisi (Caravaggio) through oil on canvas
(Biography.com Editors).
Additionally, Caravaggio transports this canvas to life with bright colors; bold contrasts of reds,
golds and greens and many surfaces of velvets and soft fur. He also contrasts gestures and
expressions and used the contrast principle to differentiate the bright from the dark, which creates
interest in the characters portrayed. He intends to tell us that the atmospheric perspective used in this
painting is to create depth, like the window behind the individuals. Additionally, the painting is
mostly organic forms, but the window can be classified as an organic form. This painting, along
with two others of St. Matthew by Caravaggio, was specially made for the Contarelli chapel situated
in San Luigi dei Francesi in Rome (Biography.com Editors).
Saint Matthew was one of the twelve apostles and he was a

Caravaggio Persuasive Art
4. The Persuasive Art by Caravaggio and its Influence on other Painters
After the Counter Reformation, Caravaggio's emerging ability to depict new religious paintings
highly depicting the human feelings and dramatic emotion in his Chiaroscuro style provided to be an
important inspiration for many artists throughout the ages which included masters such as Georges
de La Tour in France and Gerard van Honthorst in the Netherlands.
4.1 Caravaggio (1571 – 1610) Italy The Calling of Saint Matthew (1599–1600)
Caravaggio's technique was one that highlighted realism through which he remained faithful to
truthful details and never beyond that normally seen. He created a type of realism that griped the
spectator's attention to the symbolic ... Show more content on Helpwriting.net ...
This painting was commissioned by Cardinal Matthew Contarelli, who provided resources and
specific guidelines for the decoration of a chapel based on scenes from the life of Saint Matthew.
The Calling of Saint Matthew shows the passage in the Gospel of Matthew (Matthew 9:9), when
Jesus went into the custom house, saw Matthew at his seat and called to him, "Follow me".
According to the Holy Scriptures, Matthew rose and followed him.
The Calling of Saint Matthew can be divided into two parts. The figures on the right form a vertical
rectangle while those on the left create the horizontal chunk. In this painting Jesus is situated
standing on the right hand side of this painting and is almost fully covered by the apostle Peter
however is notable by his extended hand. Christ is pointing towards Levi, a tax–collector and is
depicted as the highly visible bearded man wearing a dark coloured beret. Levi is placed well to the
left hand side of this painting however the viewer's attention is drawn to him by the hands of Jesus
and Paul jointly pointing at him but also by the intensity of the light shining on his face. The other
figures that appear in this painting are similar if not modelled by those persons in other of
Caravaggio's works, such as Cardsharps painted

Artemia Gentileschi's Accomplishments
Artemisia Gentileschi Who is Artemisia Gentileschi? Why is she important? Well in the following
paragraphs I will write about Artemisia, about her life, and accomplishments. In this case her art
work that has had much fame. Artemisia's was the first female artist, this is a great accomplishment
because despite all the shame people put on woman in her time, she became a well known artist and
was a huge example for other woman. Gentileschi was the daughter of Orazio Gentileschi; An
Italian Baroque painter. Orazio was one of the most important painters who was influenced by
Caravaggio. (britannica.com) Artemisia was a Baroque period painter. Gentileschi was born in
Rome, Italy on July 8th of 1593. Artemisia lived in Florence, and then moved to Genoa and Venice,
She lost her mother at the age of 12. (britannica.com) She was later rapped by one of her Orazio's
colleagues; Agostino Tassi. She moved to live in Naples in the year of 1630. One of her works is
"Madonna and Child" (http://www.artemisia–gentileschi.com/madonna.html) ... Show more content
on Helpwriting.net ...
Gentileschi gained and developed her skills from her father whom was influenced by Caravaggio.
She later went on to marry a painter from Florence; Pietro Antonio di Vicenzo Stiattesi. Artemisia
moved to Florence with her husband and had a daughter. Artemisia was a very successful artist for a
woman in baroque period, she became friends with many artists including Galileo. (britannica.com)
Most of her work were of woman, such as Woman Playing the Lute
(http://www.arthistoryarchive.com/arthistory/baroque/images/ArtemisiaGentileschi–Woman–
Playing–the–Lute–1609–12.jpg) She did many paintings of Judith; "Judith and her

Art History And Its Impact On Art
Art history allows for a greater understanding of the progression of human thought and how
conditions from one time period to another are reflected in art. Humanity represents itself through
art and by doing so we are able to take a deeper look into the mentality and emotions that were held
within a certain time period. Human studies such as cultural studies or history only highlight small
specific areas of humanity while art history combines the two and gives a comprehensive look into
all factors that influenced not only the art of a certain time but the events that influenced certain
styles. Through the study of art history we are able to see the different events that caused shifts in
prospective and influenced changes in art styles. For example the iconoclasm during the protestant
reformation drastically altered the type of art that was being produced and greatly limited forward
progression of certain styles. All images of God, Jesus, and any other paintings or sculptures that
depicted images of "false idols" were destroyed or removed from view. In ancient Egypt, the carved
visages of some pharaohs were obliterated by their successors. The destruction of art was used as a
way to influence ideas through out a community of people. By limiting the growth of art, the
recorded history of Christianity was greatly altered. Humanity is constantly changing and evolving
in relation to its surroundings as viewed through the study of art. Art is all encompassing of a
multitude of

Michelangelo Merisi Research Paper
Michelangelo Merisi, famously known as Caravaggio, is the little town in Northern Italy that he was
born into. Much is unknown about Caravaggio's young life, but it is known that most of his family
died due to the bubonic plague. Afterwards, still at a young age, he was apprenticed by a local
painter in Lombard named Simone Peterzano. Afterwards, Caravaggio briefly stayed in Milan. At
the age of 21 Caravaggio got into an altercation with a police officer that led to the officer getting
wounded. Caravaggio fled to Rome with no possessions (even clothes), no money, and no
immediate residence. During this period in Rome, the church was the major sponsor and contributor
of art in the area.
Caravaggio got his start with an artist that the current Pope was a particular fan of. He started with
small works such as painting fruit or flowers and quickly gained notoriety for the amount of realism
that he included in his painting. ... Show more content on Helpwriting.net ...
Before Caravaggio was famous he was known to have a quick temper, enjoyed drinking, and loved
gambling. When he finally gained noterietiy in Rome he fell in with a crowd that was involved in
street fighting, an activity that Caravaggio grew to love. A famous quote that describe Caravaggio's
late fame lifestyle, "After a fortnight's work he will swagger about for a month or two with a sword
at his side and servant fallowing him, from one ballcourt to the next, ever ready to engage in a fight
or an argument". One day, the fast life caught up with Caravaggio. He got into an argument with
pimp named Ranuccio Tomassoni that escalated to the point where Caravaggio murdered him.
Historians still do not know what the cause of the dispute they speculate that it was either an
argument over debt or a game of tennis. After the murder Caravaggio fled to many different Italian
locations including Sicily, Naples, Malta, and a few others, to escape punishment for his

The Expression Of The Arts
The Expression of the Arts
The "Allegory of Music" a painting by Laurent de la Hyre, a French painter from
Paris that was born in 1606 and died in 1656 in Paris. He painted the Allegory of Music in
1649 when he was about 43 years of age. La Hyre painted this painting from oil on canvas and
made the size of the painting approximately 41 5/8 x 56 3/4 in, we can observe that the amount
of detail La Hyre add to his painting, he went from darks to lights. This painting look classical
and idealized because of the clothing, the instrument and how she looks perfect in her features. I
choose this painting because I loved the use of lighting that the artist used to give shadow, to
make it more detailed. Also what catched my attention was the lighting Laurent used to capture
the side of his model face and body. what caught my attention is how natural this painting is it
simple and not over do, nor it to dramatic it just simple but it still shows her passion for music or
his transmition of his passion for music and art.
What mostly intrigues me about knowing more of this painting is some of the
meaning of the things that are symbolize in this painting, like the bird and all the instruments.
Also how long it took the artist to finish this painting. To find information that will help me more
to understand the painting and it artist I will do research and read the label of the painting so I
can understand

Essay On Caravaggio
Caravaggio is a popular Italian painter who is considered one of the fathers of modern painting. His
full name is Michelangelo Merisi, was born in Italy around 1571 and when Caravaggio was 6 almost
everyone his family was killed by the bubonic. At the age of 11, he started apprenticing with a
painter name Simone Peterzano in Milan and moved to Rome early 1588. His works became very
popular and known well as used tenebrism technique which used shadow to emphasize lighter areas.
However, his career started to go downhill because of his drastic mood swings and a love for
drinking and gambling. In 1606, Caravaggio killed a man during a violent fight and fled Rome.
Even as he fled, Caravaggio still continued to work; he painted "Madonna of Rosary", ... Show more
content on Helpwriting.net ...
Now this masterpiece located in Musée Du Louvre, Paris, France. As I can see in the painting, a
woman wearing a simple red dress lying on the bed and surrounded by a lot of people, some of them
look at the woman with a very sad impression and some cover their face like they are crying, they
look in pain. Contrarily, the woman looks like she's sleeping, she looks so peaceful and innocent like
she doesn't know what happen around her.
By the work of light and shadow, Caravaggio shows the sadness and silent in "The Death of the
Virgin". He has very focused on light and shadow toward the model, the object, figures and clothing.
For example, when everyone's posture and viewers eye toward the woman and she's wearing a red
dress, color like blood which make the scenes more dramatic effect. Caravaggio creates the illusion
of depth through lighter area, like from the back of a woman's neck sits in the right hand corner and
the face to the hands, the heads of the apostles. He also invests this scene through the intensity of
their emotions, the evidenced show by a thin halo gathered around a dead woman, whom it's hard to
recognize and the apostles's faces are almost all engulfed in shadow or hidden by

Essay on Compare and Contrast Caravaggio and Gentileschi
Michelangelo da Caravaggio's "David with the Head of Goliath" and
Artemisia Gentileschi's "Judith and Maidservant with the Head of
Holofernes"
The period of Baroque art was from 1600 to 1750, and relates to the style of architecture and art that
was dominant at that time. Rome was the center of this new style that reflected the Counter
Reformation; the
Church was regrouping during this period, and was trying to build up its patronage by bringing
people back to worship after the Reformation. In much of the art during this time, the papacy
commissioned artists to lavishly restore Rome in the hope that Rome would become the most
beautiful city that would attract Christians. Meanwhile, in the rest of the world, William
Shakespeare ... Show more content on Helpwriting.net ...
Her father was a painter named Orazio Gentileschi, who taught her how to draw and paint.
Influenced by Caravaggio's work, Gentileschi also used chiaroscuro in her work and created
beautifully dramatic pieces. Like
Caravaggio, she also was able to depict a moment of elevated drama in her work and was totally
capable of emphasizing it. In the time that she lived, women generally were not painters; very few
women even attempted it, but Gentileschi was the first woman to actually become a member of the
prestigious Accademia di Arte Disegno in Florence, Italy and to paint important historical and
religious paintings that were actually
praised and viewed as an integral part of the artistic movement.
Both Gentileschi and Caravaggio painted unconventional religious subjects; two paintings of similar
themes are Caravaggio's "David with the
Head of Goliath," (c.1610), and Gentileschi's "Judith and Maidservant with the Head of Holofernes"
(c. 1625). Both paintings evoke drama and use the technique of chiaroscuro to add effective
intensity to the story of their paintings, which entail the heroic and rather gruesome removal of
someone's head. The subject of Gentileschi's painting comes from the
Book of Judith and relates the story of Holofernes who attacked the
Jewish people of Bethulia; Judith, who was a beautiful Hebrew widow that may have been raped by
Holoferenes, entered Holofernes's camp and beheaded him while he was

Martha and Mary Magdalene by Caravaggio
The Painting Martha and Mary Magdalene is one of the many masterpieces in the DIA's collection
in Detroit. Although there is much more to understanding a work of art then just looking at it. In
order to understand a piece, you have to understand the Artist, the time period, and the symbols in
that painting that may have very different meaning today.
Michelangelo Merisi da Caravaggio better known as simply Caravaggio was an Italian Baroque
master painter born in Italy around 1571. After he apprenticed with a painter in Milan, he moved to
Rome, where he lived for most of his life. His work influenced painters around Europe. He's most
known for his gruesome subjects and use of Tenebrism, which was a technique that used heavy
shadow to ... Show more content on Helpwriting.net ...
"From prostitute to sibyl to mystic to celibate nun to passive helpmeet to feminist icon to the
matriarch of divinity's secret dynasty." (James Carroll "Who is Mary Magdalene") What we know
for sure is that Mary Magdalene was a former sinner that became a leading figure in Jesus'
followers. She stayed by Jesus' side, to the end, she visited him at his tomb, and was the first person
that Jesus "appeared after his resurrection and the first to preach the "Good News" of that miracle."
During the time period of this painting Mary Magdalene, a sinner and prostitute, illustrated "the very
essence of spiritual conversion." (Ebert–Schifferer 63) It's no stretch to say that the painting is
meant to show the moment at which Mary changes her ways, and becomes "married to the word of
god". The conversion of Mary was a new concept to Rome, The book "Caravaggio: The Artist and
His Work" claims that this painting is the first to depict it.
There is no lack of symbolism in Caravaggio's 'Martha and Mary Magdalene'. The painting shows
the contrast between the two sisters even though they are wearing the same colors. Martha is dressed
simply, while Mary is dressed elaborately and provocatively. Mary's fancy dress is said not to be
because of her prostitution, but because of her future loftier spiritual aspiration, in comparison to her
sister Martha. Although the way the two are dressed are far from being the only symbols in this
piece.
The use

Art Appreciation Unit 4 Ip Essay
From the Baroque Period through the Romantic Age
May 20, 2010
Unit 4 Individual Project
ART205–1002B–12
American InterContinental University
Abstract
During this assignment I will talk about three types of Work of Art from three different artists from
the Baroque period through the postmodern era. 1). Michelangelo Merisi da Caravaggio; 2)
Rembrandt van Rijn; and 3) Peter Paul Rubens, these three artists were known for their religious
theme in their art work. The naturalism that was visibly demonstrated in each of the artist work with
high contrast of lighting that noticeably appeared in these paintings. Each artist was well known and
respected for their work.
The three artists Works of Art that I have chosen are: ... Show more content on Helpwriting.net ...
Until the late 19th century many biographers and art scholars deliberately ignored Caravaggio work.
Some people felt as if his work was to natural or just ordinary. (Sayre, 2010) His work of art was
characterized by displaying weakness or humankind. Sometime people had a difficult time trying to
figure out if his painting was religious or not. In fact the contrast in his paintings between light and
dark tones was evident in the spiritual content and its representation in the painting. (Sayre, 2010)
Caravaggio became ill on a beach in Port Ercole. Caravaggio passed away July 18, 1610 after
battling with malaria which he fought to overcome.
Rembrandt van Rijn: The Resurrection of Christ c. 1635–39 (Oil on Canvas)
Description of Rembrandt Work of Art
The Resurrection of Christ is from the Baroque period. This work of art portrays the sense of
dramatic antagonism that Caravaggio achieved by manipulating light across full range of tones,
changing the intensity and transforming its radiance this was done so that every beam and shadow
expressed a dissimilar emotional content. (Sayre, 2010) In Rembrandt painting he focused on using
emotional contrast between light and dark tones to emphasize the emotional difference. Here you
can see pure light radiating out of the tomb of darkness. Christ himself begins to rise from the tomb
in the light of true symbolic

The Hidden Characteristics Of The Renaissance
The Baroque style is the product of the obsession with perfection from the Renaissance and the
strangeness of the Mannerists. These two periods combine with each other and what you get is the
Baroque. The Renaissance had hidden meanings and complex theologies hidden in their paintings.
The Baroque simplified that formula and made art more accessible to people, no hidden meanings
and no hidden symbols. Not only did it have this but the Baroque just did not simply tell a story but
a moment in time from that story. This moment in time technique not only allowed for some
showmanship in skill but allowed the viewer to take part of the moment with usually and empty
space for the viewer. Because of this does the viewer remain just that, a viewer or do we become
part narrative? This interaction between the viewer and the art is no longer like the outside and
miniscule feeling one gets from looking at the perfection of Renaissance masters. And it is definitely
not like the strange exchange and confusion that comes from the harsh mannerists. But rather, the
Baroque offers the viewer a space in the scene, an interaction. It is often warm and inviting when
appropriate and allows even uneducated people to understand what is going on. The Baroque has
more of a human quality than a divine one. The use of spot lighting by certain artists such as
Caravaggio and his followers allow the story to become the most important and the interaction
between the viewer and the art becomes a story of its

Art Of Caravaggio's 'Death Of The Virgin'
Section A Video
The large–scale painting of Caravaggio's work of "Death of the Virgin" shows a light relgouis style.
An example is a halo can be barely be seen on top of the Virgin Mary's head. The Virgin Mary
portrayed in the painting seems to have a contemporary Roman feel to her. Her is undone and her
clothes as well. Her feet are also bare , some say she looked a prostitute who had been dragged out.
Some monks even rejected the panting due to how she looks. Caravaggio's interest in the everyday
and the common life probably influenced this style. His mixture of the spiritual and physical world
is seen perfectly in this panting. This panting embraces real life emotions.
Section B Texts
One of the most widely imitated artists
An artist can sometimes feel sensitive towards his someone talking bad or copying his arts. One
artists named Michelangelo Merisi da Caravaggio felt that artistic originality must be a scared thing.
He even went too far lengths to threaten both the artists Guido Reni and biographer Giovannia
Baglion for copying his artistic style. Ironically Caravaggio had become the most copied artists in
the entire history of Western art. In 1610 Caravaggio had died not knowing how his masterpieces
styles had left their mark on the world. A lot of Italian and non–Italian artists who called themselves
followers of Caravaggio wanted to keep his legacy alive. Even though they thought of themselves as
'followers' they never had a Renaissance master–follower

Michelangelo Merisi Research Paper
Perhaps, at his very death bed, Michelangelo Merisi thought back on his life, and chuckled.
Eventually to become known as Michelangelo Caravaggio, after the town he resided in as a child,
Caravaggio became regarded as one of the best Italian artist in human history, and most
mysteriously regarded. He conquered technical training, studying art and having an apprenticeship
for quite sometime, before his career really took off (Biography of Caravaggio). Looking at his wide
array of artistic works allows the viewer insight into Caravaggio's personality and state of being, as
his stylistic intentions are often reflected through his brush strokes. Some of his work seemingly
recognizes his errors and asks for apologies, others portray his understanding

Artemisia Gentileschi's Judith Slaying Holofernes
The artwork I have chosen is Artemisia Gentileschi's Judith Slaying Holofernes, in particular the
version which is currently hanging in the Uffizi Gallery in Florence. Dated around 1612–13, the
painting depicts the biblical Judith at the moment of her decapitating Assyrian general Holofernes.
Gentileschi is reported to have done this painting as a commission for the Medici family. The
painting starkly differs from previous versions of the scene, particularly the influential version made
by Caravaggio, as Judith is less detached from the violence of the scene but rather actively
participating in it. Gentileschi's Judith is seen physically putting her weight to pin Holofernes down,
and her facial expression is determined instead of afraid or disgusted as previous depictions portray
her to be. Her hands, which show her strength as she is busy at work, also differ from the dainty
hands that women were usually painted with. The red of the blood is also much darker than previous
versions and (in ... Show more content on Helpwriting.net ...
He backs up Garrard's argument that portraying the painting as a visual response to psychological
trauma takes away from Gentileschi as a painter, and that the painting represents an entirely
different interaction of women and art, that is the role of women artists and historical context .
Instead, Christiansen believes that Gentileschi's Judith is actually an assertion of agency because of
it's production. He also agrees with Bissell's claim that the painting would be inconceivable without
the experience of the earlier treatment of the Judith theme by Caravaggio and Rubens. However he
further explores the nature of Gentileschi's borrowing and influences, noting the effort she made to
create the bloody effects to portrays violence as something that is a very real occurrence. Thus he
argues that Gentileschi amplifies the realism to present a story in strongly expressive

Art Criticism Of The Baroque Era
The Musicians "In art criticism, the word Baroque came to be used to describe anything irregular,
bizarre, or otherwise departing from established rules and proportions," (Britannica, 2016).
Caravaggio, born Michelangelo Merisi (1571), an Italian painter, can be said almost single–
handedly to have created the Baroque style during the late sixteenth and early seventeenth centuries.
None other can be more appropriately defined as "Baroque" than Caravaggio; his character, like his
art, was confrontational and uncompromising, and both loved and hated. "He introduced a
powerfully frank realism and dramatic, theatrical lighting and gesture into Italian Baroque art.
Caravaggio's unvarnished realism and tenebrism influenced nearly every important European artist
of the seventeenth century."(Stokstad, Cothren). By the end of the 16th century, art began to break
away from the refined and disciplined style of mannerism, heavily influenced by the Counter–
Reformation of the Church, and emergence of powerful monarchies. This movement comes to be
known as the Baroque Era. Baroque artists were particularly focused on natural forms, spaces, color,
and the use of light in order to create a strong emotional experience; almost theatrically, inviting the
viewer to participate in the story. The Catholic Church found itself needing to influence and rebuild
its following; turned its' attention to the arts. The Counter–Reformation used the arts to appeal as
much to the emotions and knowledge

BAROQUE ART
BAROQUE ART
Art Appreciation –HUMA 205–1202A–05
Janice Miller
AIU
Abstract Baroque art is presented as an art style. Baroque art style is such diversity within in the
Baroque period 1600–1770 because of the relationship to the era's border and intellectual tendencies
there was three important effects on the art. Which are, western Christianity, religious tensions, and
the division of the Roman Catholicism and Protestantism. The Baroque artist appealed to their
viewer in a dramatic way because there were two powerful forces competing with each other in the
17 century.
Baroque artistic style was between the years 1600 thru the year1770, they highly expressed their
motion in ... Show more content on Helpwriting.net ...
The painting was painted for a Roman Catholic Cathedral in his homeland. This composition is
arranged along a diagonal anchored at the bottom of the right by a very muscular figure. This
painting is a realism, and an action and drama picture (Frank 2011). In this painting it is showing
soldier lifting Christ body on the cross. This painting is done on an oil canvas, measuring 182 by
134 inches. Some know the Rising of the Cross by the name Elevation of the Cross. The Rising of
the Cross was stolen by the French in 1794 and taken to Paris, and later returned to Antwerp in 1815
to the Church of our Lady. Painting is part of a triptych , in which he was a man of faith and his
painting is known for emotional religious masterpieces. People that has looked at this art has notice
a strong contrast of light and dark and a struggle to lift Christ to his death. It is a violent contrast
between light and shadows. It also shows the battle that we have between good and bad, while it
also shows the men to reinforce the weight off Jesus scarifying himself for the burden of the world
sins. The painting has strong lines of diagonal motion and serve as a dramatize, which becomes a
simple scene. The thought that was put into this picture was to let the worshippers know of the true
nature of the supernatural scene that is shown to them. Baroque art is a style that is used by artist
between the years of

A Controversial Painter of Post-Renaissance, Michelangelo...
Michelangelo Merisi de Caravaggio (1571–1610) is heralded as the last, and the most controversial
painter of the Italian post–Renaissance. In an age when the papacy itself was self–indulgent, corrupt
and immoral, Caravaggio's sexual ambivalence, his propensity for violence and his scorn for the law
made him the enfant terrible of the Italian aristocracy. Qualities that only succeeded in furthering
Caravaggio's notoriety and success.
Caravaggios endeavors into art began In 1584 when he was apprenticed for four years in Milan to
the Lombard painter Simone Peterzano (1540–1596), who claimed to have studied under Titian.
Peterzano's speciality 'was doing frigid and cluttered pastiches of Michelangelo' – Caravaggio –
documentary by Robert Hughes (1975) 1 of 7
After which he moved to Rome.
Caravaggio would use models from the street, hiring pimps, prostitutes and street urchins to pose as
sensuous, sometimes nude models for the Catholic Churches commissions of sacred religious icons,
dressing the New Testament figures in his paintings in the clothing of his own contemporaries,
complete with bare feet and dirt under their fingernails. This radical naturalism shocked and
delighted his patrons, who (in light of the Protestant reformation) were seeking a simpler, more
direct art that would have a maximum effect in stirring emotion and recruiting the Protestant
dissidents.
What little is known of Caravaggio's life is exposed as the artist having a deeply troubled
personality,

Compare David And Goliath
One of the most distinctive images from Caravaggio's post–Roman work is his tragically famous
rendering of David with the Head of Goliath (Fig. 10). Compared with the jubilance David is
expressed as having in the original Bible verse (I Samuel 17:20–58) the image of David in
Caravaggio's interpretation is much more solemn, pensive and brooding. The young David gazes at
the decapitated head of Goliath not in pride, but almost in pain. The furrowed brow of the young
boy suggests some sort of discomfort, which leads analysts to consider the painter's mental state at
the time. The story of David and Goliath is known to be about humility defeating pride, something
Caravaggio could be desperate to prove in this year of his life. The artist was still ... Show more
The presentation drew the attention of countless art critics who were now interested in investigating
the final tragic years of a once–great artist. While relatively small, with only sixteen paintings out of
the suggested twenty–one that Caravaggio completed after fleeing Rome (twenty–two if you count
the Nativity, which was stolen thirty–five years ago in Palermo) the exhibit is still awe–inspiring and
emphasizes not only the talent of Caravaggio, but also the speed with which he was able to work.
Richard Spear echoes this accomplishment in his article Late Caravaggio: Naples and London,
noting, "nearly half of the twenty–two paintings are big, multi–figured canvases. Even granting that
Caravaggio painted quickly during his last phase, this is an impressive output over four years from
an artist who had to resettle six times in five different cities and spent a month in prison" . The speed
at which he created these works, however, was not at the price of their extravagance. David
Packwood, author of A Brush with Death applauds Caravaggio for these later pieces, saying, "it is
astounding that he produced such a body of original and innovative work during a period when he
seems to have been fearful for his life" . As examined above, the fear that Caravaggio was feeling
was no doubt channeled into many of these exceptional works, especially in those in which his

Ip 4 Art
Baroque Period
Unit 4 IP
Art Appreciation
Nicole Woodford
American Intercontinental University
May 6, 2012
Abstract
"Baroque was born in Italy, and later adopted in France, Germany, Netherlands, and Spain. The
word "baroque" was first applied to the art of period from the late 1500s to the late 1700s, by critics
in the late nineteen century. Baroque covers a wide range of styles and artists. In painting and
sculpture we recognize three main forms of Baroque:
Baroque that was primarily associated with the religious tensions within Western Christianity:
division on Roman Catholicism and Protestantism. In response to the Protestant Reformation of the
early sixteen century, the Roman Catholic Church had embarked in the 1550s ... Show more content
on Helpwriting.net ...
Instead the wealth father welcomes his son back into the home. "The aged artist's power of realism
is not diminished, but increased by psychological insight and spiritual awareness. Expressive
lighting and colouring and the magic suggestiveness of his technique, together with a selective
simplicity of setting, help us to feel the full impact of the event." (Rembrandt's Prodigal Son, 2012).
Just like Caravaggio's art, Rembrandt's art had a biblical perspective with their art, that is displayed
with energy and feeling.
The rising of the cross by: Peter Paul http://static.artbible.info/large/rubens_oprichtig.jpg The rising
of the cross is also a religious baroque painting, the painting shows Jesus being risen up on the after
being crucified, the painting is filled with drama and power. The strong, tainted figures lug the ropes
in order to raise the cross, carrying the pale body of Jesus. drama and power. The strong, tainted
figures lug the ropes in order to raise the cross, carrying the pale body of Jesus. The influence of
Michelangelo and Tintoretto on Rubens is obvious in the muscular bodies. Peter Paul Rubens was a
renowned diplomatic artist.
All of the Baroque paintings

Caravaggio: Judith Beheading Holofernes
I am not an expert by any means of art, however, a few years ago, I was in Modern Humanities,
which used art to experience the perceptive and sensitive of humans. we had to choose a painting
which was done by numerous artists. I chose the Book of Judith because it was the subject of many
paintings, including artists Caravaggio, Judith Beheading Holofernes (1598–1599). I discovered
Caravaggio's, the interpretation was strongly believed to be inspired by the assault of a woman, by
her father, Beatrice Cenci and the tragic outcome of her situation. However, in Caravaggio's
interpretation, the women were seen more in the view men had at that time. The women were fragile
and feminine. But strangely, Judith was shown small and pathetic. Perhaps

Essay on The Baroque Art Style
The Baroque Art Style
The era known as the Baroque period includes the seventeenth and most of the eighteenth centuries
in Europe. The Baroque style was a style in which the art and artists of the time focused upon details
and intricate designs. Their art often appeals to the mind by way of the heart. During this time the
portraits began to portray modern life, and artists turned their backs on classical tradition. Much of
the art shows great energy and feeling, and a dramatic use of light, scale, and balance (Preble 302).
Buildings were more elaborate and ornately decorated. These works of art created history and
altered the progress of Western Civilization. Architecture such as the palace of Versailles, and artists
like ... Show more content on Helpwriting.net ...
He tended to explore the darker aspects of life and death in his paintings. Rebelling against
conventional ideas– divine intervention, Virgin Mary, and death– he came to create his own style,
forcing civilization ahead, and forcing others to follow his path. His paintings show pleading
through man's direct knowledge of God (Cunningham and Reich 1640). By revolting against the
classical traditions, he created his own style, which other artists wished to portray also. Thus, he
created a forward movement in the fashion of art and architecture. Rembrandt was also an artist who
wished to depict art in a new manner. He is known for being a fashionable portrait painter. In
paintings such as Bathsheba, Rembrandt uses classical ideas and studies from nature to achieve
balance. He perceived old images in a new light, transforming them into "the light of human
experience" (Cunningham and Reich 183). He used contrast between light and darkness, and rich
textures in order to create depth and enhance the emotional power of the portrait. Just as Caravaggio
did, Rembrandt created a path in art and others followed.
Jan Vermeer was a Dutch painter who fascinated by the use of light in his paintings. "Unlike
Caravaggio and Rembrandt, who used light for dramatic emphasis, Vermeer concentrated on the
way light reveals each color, texture, and detail of the physical world" (Preble 307). Vermeer

Use Of Realism, Violence, Profanity, Nudity, Torture,...
During the late 1590's and early 1600's Michelangelo Merisi da Caravaggio, father of the baroque
period not only heavily influenced the artists around him, but also influenced thousands of artists of
future generations, one such artist is Valentin de Boulogne. This influence is evident as Boulogne
would use many of the same religious themes and concepts in his work as Caravaggio implemented
in his art. Caravaggio's use of realism, violence, torture, vulgarity and decapitation resonated deeply
with Boulogne as he expanded on these themes. One such piece that bares a unique resemblance to a
work Caravaggio painted in 1599 is Judith and Holofernes. Painted by Boulogne in 1626, this
painting contains many characteristics associated with the ... Show more content on Helpwriting.net
...
The story is understood as an account of the Assyrian General Holofernes' attack on the city of
Bethulia. The attack led to many of the residents to lay down their arms and surrender, but a wealthy
widow named Judith developed a plan to take back control of the city. She dressed up in her finest
clothes and most expensive perfume; she crossed the valley and entered into the camp of the
general. Judith demanded to see the general for she had information on the best way of entering
Bethulia and ensuring a victory. Once in front of Holofernes she explained that many of the Jews in
the city had renounced their religion to the dismay of God and the city deserved to be destroyed.
Judith also struck a deal with the general to spare her life self and her maid for this information. As
part of the deal she would be allowed to leave the camp only at night to pray as Judith claimed God
would provide her with the best time to attack the city.
Her nightly prayers continued for three days and on the fourth day Holofernes held a banquet. There
was food and wine, but Judith only ate and drank what her maid prepared for her. During the
banquet, Holofernes drank more than he had ever before and became extremely intoxicated. Feeling
comfortable with Judith they returned to his tent in the hopes he would have his way with her, but
the vast amount of alcohol consumed caused Holofernes to fall unconscious. Judith seizes her
opportunity,

Judith And Holofernes By Artemisia Gentileschi
Throughout the years artists have chosen to portray the same event in the forms of paintings or
sculptures, but often, due to the time period and views or values of the artist the interpretations differ
and the final products are vastly different. Two primary examples of this are Caravaggio and
Gentileschi who are both renowned artists of the Baroque era and style, which encompasses the
intensity of the colors, as well as the brutal subject matter that it entails.
Figures 17.9 "Judith and Holofernes (c. 1598)," by Caravaggio and figure 17.10 "Judith
Decapitating Holofernes (c. 1620)" by Artemisia Gentileschi both illustrate the same biblical story
of Judith seducing Holofernes and decapitating him to free the people of his oppressive rule.
Caravaggio and Gentileschi pick the precise moment of the decapitation and capture it with brutal
realism. These pieces when glanced at have a similar resemblance, but when one looks more deeply
their differences are put on display. The most apparent and most important difference that changes
these pieces entirely is the way the two artists choose to depict the nature of Judith. ... Show more
Judith takes ahold of Holofernes head and begins to slice but her expression is one of uncertainty
and repulsiveness as she is standing away from the body. The maid stands besides her anxiously
awaiting for the act to be completed. In Caravaggio painting Judith is portrayed as young and
beautiful as well as more fragile and timid. Caravaggio uses an amplified chiaroscuro called
tenebrism. In his painting there is a dramatic contrast between a somewhat toned down light and an
intense dark. In his painting the darker shades are concentrated on Holofernes and the maid. The
light is casted upon Judith, which may be more of a use of symbolism of the heroines and virtue of a
young and beautiful

Caravaggio And The Caravaggesque
Caravaggio, arguably one of the best Baroque–artists of all time. Best known for his extremely
detailed, and realistic style of Baroque art, which, when paired together with Annibale Carracci'
(1560 – 1609 ) classical style, allowed for him to overshadow the almost–mundane style of
Mannerism. Though he was not considered the best artist of his time, when he was alive, he
managed to reinvigorate religious art in both Rome and Naples, allowing for wide–spread change in
the religious art world, that, after spreading through Rome, reached almost all corners of Europe.
Though Caravaggio was acursed with a violent hand, he is considered to be one of the most
influential artists of the 17th century, as his style revolved around taking certain characteristics from
previous afamed artists, thus allowing for him to create his own unique style that was recognized
nationwide, leading to the term 'caravaggesque,' meaning, when a painting mimics the style of his
works, it is deemed as being 'caravaggesque'. ... Show more content on Helpwriting.net ...
From, 1584 – 1592 he lived in Milan, learning how to paint, being shown both style and technique
from the artist Simone Peterzano ( 1540 – 1596 ) . At the age of 21, a young and talented
Caravaggio moved to Rome in order to further pursue his career as an artist, and indeed, this is when
Cardinal Francesco Maria Del Monte first noticed his work. Cardinal Francesco first noticed
Caravaggio after observing one of his paintings, The Cardsharps ( 1594 ), the Cardinal, upon seeing
such talent, had Caravaggio go work for Cardinal Matthew Contarelli, in the Contarelli Chapel. The
two paintings Caravaggio made were, The Calling of Saint Matthew (1599– 1600) and, The
Martyrdom of Saint Matthew (1599 –

Artemisia Gentileschi Research Paper
Artemisia Gentileschi is a world famous painter but her path to become a successful artist was not
an easy one and it was one that was filled with tragedy, injustice and finally redemption. Artemisia
Gentileschi's Judith and Maidservant with Head of Holofernes was Artemisia's revenge against her
teacher and rapist, Agostino Tassi.
Artemisia Gentileschi was born in Rome in 1593. Her father was Orazio Gentileschi, a painter and
close friend of Michelangelo Merisi also known as Caravaggio; the master of light and dark
perspective. Artemisia grew up around famous artists and would become one of the first women to
achieve international fame as a painter.
In 1612 when Artemisia was 19, she was taken advantage and raped by her teacher Agostino Tassi.
Agostino was a Florentine artist who worked for Artemisa's father and served as Artemisia's teacher.
Agostino tried numerous times to get Artemisia alone in her bedroom and when he finally succeeded
he convinced the young and naive Artemisia that he would marry her. When Artemisia realized that
she was taken advantaged of and Agostino was not going to marry her, Artemisia's father field suit
for injury and damages to his daughter and a seven month trial ensued ... Show more content on
Helpwriting.net ...
He accused her of sleeping with numerous men before him and midwives had to examine Artemisia
to validate how recent she lost her virginity. Agostino further humiliated Artemisia by claiming that
Artemisia was an unskilled painter and did not even understand simple laws of perspective.
Agostino may have even gotten away had it not been for a former friend of Agostino who testified
that Agostino boasted about how he exploited Artemisia. Agostino was found guilty of rape but for
his punishment he only spent a year in prison. Far from the justice that Artemisia and her father was
looking

Michelangelo Merisi Da Caravaggio
MASTER TURNED MURDERER: AN ANALYSIS OF CARAVAGGIO'S LATE PAINTINGS
AFTER HIS EXILE FROM ROME
Colleen ODonnell
FNAR 343: Baroque Art
7 April 2016
Michelangelo Merisi da Caravaggio was as talented as he was troubled. For every masterpiece he
created with a paintbrush, it seems there was an accompanying instance of trouble created with a
sword. Defined by police reports and remembered by his paintings Caravaggio truly stands as one of
the most accomplished and yet least approachable painters to influence the Baroque period. Though
his career was short, spanning only eighteen years, Caravaggio was able to produce upwards of
eighty magnificent pieces. In his last four years of life, following an incident that lead ... Show more
While in Naples, Caravaggio completed The Seven Works of Mercy (Fig. 5) to be housed in the
church of Pio Monte della Misericordia. Richard Spear described this image as "powerful mannered
chaos" that "begins a pattern of such confusingly positioned bodies that often it is difficult to tell
which limb belongs to whom" . This anarchy can be directly contrasted to his earlier works, such as
the Boy with a Basket of Fruit (Fig. 1), where a singular subject is serenely identified. While
Caravaggio's expert use of light and shadow remains similar, the human form and the emotions the
subjects evoke are drastically changed. Gone are the calm Caravaggio pieces, having been replaced
by pandemonium and turmoil. The soft white seen on the drapery of androgynous boys will not
come up in Caravaggio's work again, as he now chooses to cloak his subjects in darkness. Roger
Hinks expresses a similar explanation in his book Michelangelo Merisi da Caravaggio: His Life, His
Legend, His Work describing it as almost Gothic, with calculated light that serves to distort the
bodies of Christ and the executioner. Hinks suggests that the "curious use of shorthand symbols and
portmanteau actions" seen in the neurotic piece were not done out of haste and speed, but instead
deliberate actions taken by a perturbed Caravaggio in order to evoke the sense of intensity that
embodies the image as a

Who Is Caravaggio?
Michelangelo Merisi da Caravaggio's style of painting is a well–known flair that's as emphasize on
the field of artistic nature and realism. Caravaggio became one of most popular Baroque artists in
the Italian county in the 17th century. Caravaggio had many techniques that brought up revolution
about the painting, so this includes chiaroscuro and tenebrism. His new techniques of painting of
tenebrism and chiaroscuro took the center stage in the middle and north Italian country for being the
best and quality content. However, its popularity of painting was adopted by using various and
random people off the street. His art styles became popular and controversial, and his artwork
heavily relied on realism.
Despite his popularity, people will often find him unique and controversial artist. Caravaggio was
well educated perhaps Patristic, however, he often got in trouble with the law. He'd get involved bar
brawls. At one point in his life, he allegedly murdered someone and fled to the north part of Italy.
The film depicts his works became the greatest importance ... Show more content on
Helpwriting.net ...
The features had a diagonal light leaving the other part black on the canvas. The painting will have 2
shades of light and dark. Often his paintings will have darker shades in the background and the
illuminated parts in the foreground. For example, in Caravaggio's Conversion of Saint Paul, the
painting clearly showing the tenebrism. It creates contrast between the background and foreground.
The illuminated light signified the importance of Saint Paul, who is lying on the ground, both arm
stretches out and ready to embrace the "holy light" that struck him. The color effect on the painting
suggests the religious influence on the use of light. In other paintings, the lighting technique,
tenebrism, also depicts the calling of Saint Matthew in Biblical scriptures with the light illuminating
some men with traces of Jesus Christ in the

Caravaggio, Death of St. Matthew Essay
Caravaggio, Death of St. Matthew
Michelangelo de Caravaggio is one of the most renowned and popular artists of the Baroque Period.
In fact, many paintings from this period, as well as after have been described as "Caravagesque."
Caravaggio's works are some of the most popular in Italy, as well as around the world, and have
been put into there own stylistic group. In his painting, the Martyrdom of St. Matthew, there
contains certain characteristics that make the painting easily recognizable to a connoisseur of fine
paintings. This paper will discuss some background of this artist's life, the content of the work, some
ideas that it portrays and contains, and a visual description of the painting. Michelangelo Amerigi,
known in ... Show more content on Helpwriting.net ...
"When he heard these words, the king was consumed with rage, and went out of the church. After
the Mass, the king sent a swordsman, who came behind Matthew as he stood at the altar with his
hands raised to Heaven in prayer, drove a sword into his back, and consummated the apostle's
martyrdom (death). This story was not written into the Bible, since the Gospels were written before
Matthew traveled to Ethiopia as a missionary. That being the case, the story is recounted from the
book the Golden Legend.
Another characteristic of Caravaggio's work was his use of light and dark. The Death of St. Matthew
is dark overall, with a mysterious light source that eliminates the actual death of the Saint. This
mysterious glow brings a religious feel to the painting and along with that gives the story a more
powerful expression. Shadows and space are used very carefully to give a sense of immediacy to the
scene. The figures around the murder all seem to be backing away from the action in different ways,
which helps centralize the important part of the scene. This use of geometric placing of objects
shows that he has not totally gotten away from earlier classical artistic methods.
This painting also contains natural looking figures and objects, which help give some realism to the
story. Grimaces on the face of Matthew, as well as the swordsman, and onlookers depict the reality
of experiencing such a terrible occurrence. Flesh is

Caraavaggio
Renaissance And Baroque Art
Caravaggio
Caravaggio was an Italian painter born in Milan around 1571. He is considered one of the fathers of
the modern painting. His father was called Fermo Merisi, who was an architect decorator and a
household administrator. His mother was called Lucia Aratori and she came from one of the
Propertified families in the region. In 1576, the family relocated to Caravaggio to escape the plague
that devastated Milan. His father died in 1577 and the mother died in 1584 (Frank, 2013, p. 292).
Caravaggio remained an orphan at 11 years of age and he was apprenticed in Milan. When he later
went to Rome, his work became accepted due to the technique of tenebrism he used which involved
the use of shadow for

Caravaggism In Claude Vignon'sDavid With The Head Of Goliath?
Claude Vignon's work called David with the Head of Goliath, is an interpretation of the artist
Caravaggio's original masterpiece, which shows art's familiar paradigm, every painter paints
himself. His motivation for creating this piece was from visiting rome in 1610, he was influenced by
Caravaggism, which was art inspired in the style of Caravaggio. "Some art historians regard him as
a precursor of Rembrandt." Painted circa 1620–1623, it is an oil on canvas, made in Paris, France,
133.7 cm x 98 cm (52 5/8 in. x 38 9/16 in.). "Vignon was a French painter, printmaker and
illustrator, and, in 1623, was one of the most respected, productive, and successful artists in France,
in which his patrons were king Louis XIII and Cardinal Richelieu." He was born into a wealthy
family and started art lessons when he was a young boy. A theme could be religious rebellion against
others who were seen as powerful such as Goliath, and were not fit to be in power.
David is holding Goliath's head in his left hand, and the sword in his right. His face has a nonchalant
expression on it while he is holding the head as if he is not impressed or phased by his decapitated
head. There is more variety with David's human–like face and Goliath's green and bleeding face.
There is unity in the similar color scheme, but the visual elements are varied in order to achieve
intricate and complex relationships in it. The piece is asymmetrical with david taking a large portion
of the left side, however there is

Caravaggio Research Paper
Caravaggio lived through a dark period of time. His behavior, however became more and more
violent as he began to challenge the beauty of art. He becomes more and more of a murder and uses
more dramatic composition heightening his view of the situation.
May 29th of 1606 he killed Ranuccio Tomassoli despite claiming to be an innocent man. Without
any further protection and freedom of being in jail again and again. But in Malta as well he got into
trouble, imprisoned, only to escape and flee to Sicily.
It was in Naples he completed this final work, before setting sail for Rome, where he hoped to
finally receive pardon. Carravagio went to Naples to escape his death. Eventually Colonnas was
interested in his work and asked him to paint church ... Show more content on Helpwriting.net ...
July 14th, 1608 robed and knighted as the greatest painter whether living or dead. The Knights
Catherdral at St.John where he done paintings in respect therefore he was granted hospitality by the
Knights of St John and later a pardon by the Pope, the famous and controversial painter produced a
number of works of the Order and inducted into its ranks as a Knight of Grace.
After the painting was complete again in 1608 arrested for believing to commit murder on one of his
fellow knights. Caravaggio, then again fears of being captured for committing murder he fled to
Sicily and lived in Sycrause with his friend and wife.
However returned from a long depature more and more enemies are forming against him and he
uses the his relationship with the COlonnas to remain protected and guarded from others. He is here
to paint biblical stories of John the Bapitist nd denial of Saint Peter.
Caravaggio painted David and Goliath, however here the artist is questioning and doubting his true
identity. David as viewed as a hero while Goiathw as a murder. Desperate to catch up with his ship
with its precise cargo, Caravaggio sets off north towards Porto

Caravaggio Research Paper
As you can see, I chose Caravaggio. I chose him because, well he murdered someone. He is well–
known for being one of the "Fathers of Modern Art." His best pieces are "The Death of The Virgin"
and "David With The Head of Goliath." He also inspired generations of artists to his style of art.
Caravaggio's life started on September 29, 1571 in Italy. His full name is Michelangelo Merisi. He
died on July 18, 1610. His death was caused by a bad fever on his way back to Rome. His father was
Fermo Merisi. His mother was Lucia Aratori. They both came from the same district. He didn't have
an education, considering he was orphaned. He was never married and had no children, that people
knew of. There was really no one who inspired him to make art.
He

Judith Beheading Holofernes By Michelangelo Merisi
Michelangelo Merisi da Caravaggio is one of the most famous Baroque painters. His work is full of
dramatic scenes that focus on the most dramatic elements. Caravaggio uses dark background to push
the subjects to the front of the screen. He is very interested in naturalism and his subjects are often
life like and very realistic. One such painting that uses all of these elements is judith Beheading
Holofernes. This piece was painted between 1598–1599 using oil and canvas. This art work is
currently on display in the Galleria Nazionale d'Arte Antica at Palazzo barberini, Rome. The subject
of this painting tells the biblical story of Judith, who saved her people from Assyrian gereral
Holofernes by seducing and then beheading him. A servant can ... Show more content on
Helpwriting.net ...
In 1606 Caravaggio had to flee Rome because there was a bounty on his life after he committed a
murder. This lifestyle led him to paint pictures with much disparity and darkness and as he got older
to more grim his work became. Gentileschi's life was just as traumatic. She was raped by her
teacher, who was her father's friend. She uses the pain and torment from this incident in her art
work. In her Judith beheads horofernes she painted herself in the image of Judith and Horofernes in
the image of her

Caravaggio Essay
The Controversial Caravaggio
The Italian Renaissance, which occurred between the fourteenth and sixteenth centuries, was a
period of dramatic cultural change where tremendous achievements were made in literature,
architecture and art. Michelangelo Merisi da Caravaggio, born in Milan, Italy on September 28,
1571, was a Renaissance artist. He is remembered for his revolutionary yet controversial art which
was often deeply rooted in religion. Caravaggio painted during the Counter–Reformation when the
Catholic Church was actively decorating churches with extravagant artwork while trying to win
back Protestants who had converted from Catholicism. Caravaggio embodied the spirit of the
Renaissance by demonstrating individuality through his ... Show more content on Helpwriting.net ...
Objects tend to be placed against, and sometimes beyond, the picture plane, allowing for virtuoso
displays of foreshortening" ("Michelangelo Merisi da Caravaggio"). During his initial years in
Rome, Caravaggio expanded upon many techniques. He specifically created detailed backgrounds
while retaining focus on small objects within the painting, thus creating illusions of depth and
volume. This technique led to his command of foreshortening, which became a technique
Renaissance artists used to makes limbs appear shorter or objects fade into a background. Having
worked tirelessly for years in Rome barely escaping poverty, Caravaggio became known for his
revolutionary artistic style and volatile temper. Despite his trouble with the law, his personal
connections won him the commission of two paintings for the Contarelli Chapel. The pieces blended
elements from his past religious work and utilized both light from the sun as well as an overhead
light from an artificial source ("Michelangelo Merisi da Caravaggio"). Unlike most artists,
Caravaggio used two sources of light to enhance his painting. Sun light flowing from a window
brighten some of the painting while an unseen lamp illuminates the other side of the scene. The
paintings for the Chapel made Caravaggio's name known to the world and he demonstrated that
innovative use of light could differentiate certain aspects of his art from the surrounding gloom.
Throughout the rest of his life as an artist,

Artemisia Gentileschi Research Paper
The Life and Times of an Italian Artist: Artemisia Gentileschi
The 17th century was a time of great change in the art world; characterized by the introduction of
the Baroque style and the Counter–Reformation, the influential and talented artist Artemisia
Gentileschi was born into this period. Gentileschi was one of the few female artists during the
renaissance period due to a misunderstanding among the male artists of that period that women are
automatically inferior in intelligence due to their very nature. Gentileschi was decided to be an
anomaly among artists due to her brilliant painting skills and considered rare. Despite having many
detrimental setbacks to Gentileschi's career and mental wellbeing, she went on to become a very
successful ... Show more content on Helpwriting.net ...
Tassi is now best known, not for his paintings, but for the violence he enacted upon Artemisia
Gentileschi. Both Gentileschis were influenced greatly by the work of Caravaggio, specifically in
the theatricality of the subject's gestures, and the realistic nature of the painting. Where Gentileschi's
father and Caravaggio are inferior in to Gentileschi is the painting of women. In Gentileschi's
painting, Susannah and the Elders, the subject Susannah actually looks like a realistic woman, rather
than an idealized version of a woman. This painting is actually the first instance of a woman being
painted in a realistic manner (Stokstad). According to R. Ward Bissell, author of "Artemisia
Gentileschi: A New Documented Chronology", the painting may have been created as a way to
document how Gentileschi's father felt as to what had been done to her by Tassi. Another
speculation is that her best known work, Judith Slaying Holofernes, may have been allegory for how
she felt towards Tassi. There are further speculations that all of the female subjects for Gentileschi's
paintings had facial features similar to her own; furthermore, some surmise that Gentileschi painted
Holofernes with a likeness towards Tassi. According to Bissell, Gentileschi's unfortunate
circumstances regarding Tassi may have been the reason why she was able to

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