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Kay Richardson
i-mean 3: Bristol, 2013
   Identity as „character‟
   Political persona and political life:
    ◦ Character in politics
    ◦ Spheres of political action
    ◦ Onstage/offstage political performance
   Stance: respect/disrespect; responsible/not
    responsible
GB: A good family. Good to see
you.
GD: And the education system in
Rochdale I will congratulate it.
GB: Good. And it's very nice to see
you, take care.
[GD departs, Gordon enters car]
GD: Thanks take care. Good to see
you all. Thanks very much.
[In car]
GB: That was a disaster. Should
never have put me with that
woman. Whose idea was that?
Unknown male: I don‟t know, I
didn‟t see.
GB: Sue‟s, I think. Just ridiculous.
Unknown male: Not sure if they‟ll
go with that one.
GB: They will go with it.
Unknown male: What did she say?
GB: Everything. She‟s just this sort
of bigoted woman who said she
used to be a Labour voter…
Ridiculous.
The self, then, as a performed character, is not an
organic thing that has a specific location, whose
fundamental fate is to be born, to mature, and to
die; it is a dramatic effect arising diffusely from a
scene that is presented, and the characteristic
issue, the crucial concern, is whether it will be
credited or discredited.

(Erving Goffman, The Presentation of Self in
Everyday Life, 1959)
The self, then, as a performed character, is not an
organic thing that has a specific location, whose
fundamental fate is to be born, to mature, and to
die; it is a dramatic effect arising diffusely from a
scene that is presented, and the characteristic
issue, the crucial concern, is whether it will be
credited or discredited.

(Erving Goffman, The Presentation of Self in
Everyday Life, 1959)
With the development of print and other media,
however, political rulers increasingly acquired a
kind of visibility that was detached from their
physical appearance before assembled
audiences. Rulers used the new means of
communication not only as a vehicle for
promulgating official decrees, but also as a
medium for fabricating a self-image that could
be conveyed to others in distant locales.

John Thompson, 2005, “The New Visibility”
Ever since the advent of print, political rulers
have found it impossible to control completely
the new kind of visibility made possible by the
media and to shape it entirely to their liking;
now, with the rise of the Internet and other
digital technologies, it is more difficult than
ever.

John Thompson, 2005, “The New Visibility”
Conversations or interactions that individuals believe
to be private (whether carried out face-to-face or
with the aid of one-to-one technologies like the
telephone) can be picked up and recorded by covert
means, and subsequently made available to many
thousands or millions of others through the media.
Words or actions that were originally produced as
private communication or behaviour can
unexpectedly acquire a public character, becoming
visible in ways that were certainly unanticipated,
possibly very embarrassing and perhaps even
seriously incriminating (as Monica Lewinsky and Bill
Clinton, among many others, discovered to their
cost).
John Thompson, 2005, “The New Visibility”
People become more concerned with the character of the
individuals who are (or might become) their leaders and
more concerned about their trustworthiness, because
increasingly these become the principal means of
guaranteeing that political promises will be kept and that
difficult decisions in the face of complexity and
uncertainty will be made on the basis of sound
judgement. The politics of trust becomes increasingly
important, not because politicians are inherently less
trustworthy today than they were in the past, but
because the social conditions that had previously
underwritten their credibility have been eroded.

John Thompson, 2005, “The New Visibility”
Private/public     /
                   =      Offstage/Onsta
                          ge

Political sphere   Political sphere (a)
Personal sphere    Onstage
                   Political sphere (b)
                   Offstage
                   Personal sphere
                   (Offstage)
Strategic projection of
                                        political identity in
                     SPHERE OF PUBLIC   publicity
                     AND POPULAR
                                        Journalistic mediations
                                        and criticism
                                        (interactive sourcing
                                        and interactive
   SPHERE OF                            performance)
   POLITICAL
   INSTITUTIONS                         Interaction of private
   AND PROCESSES                        life with career in
                                        political institutions


                    PRIVATE SPHERE      Strategic projection of
                                        private life in publicity

                                        Journalistic revelations
                                        of private life: gossip
                                        and scandal.
John Corner, 2000, Mediated Persona
and Political Culture: Dimensions of
Structure and Process
Open mike gaffes and popular/political culture

Authentic open-mike
 gaffes
Dramatised fictional open-
mike gaffes
(Yes Prime Minister, „The
Tangled Web‟ 28 Jan 1988)

Fake open-mike gaffes
(Getting something into the
public domain, but endorsing
its authenticity from seeming
to originate offstage not
onstage)

Dramatised fictional fake
open-mike gaffes
(The West Wing, „The US Poet
Laureate‟ , 27 March 2002).
GB: That was a disaster. Should never have put me
with that woman. Whose idea was that?
Unknown male: I don‟t know, I didn‟t see.
GB: Sue‟s, I think. Just ridiculous.
Unknown male: Not sure if they‟ll go with that one.
GB: They will go with it.
Unknown male: What did she say?
GB: Everything. She‟s just this sort of bigoted
woman who said she used to be a Labour voter…
Ridiculous.

Strategic publicity considerations: this will play on TV
as an unfortunately convincing, eloquent, public,
dramatisation of „Labour‟s own supporters are
deserting the party‟
Onstage performance – “Respect”
 willingness to enter into f2f discussion with GD
 length of time spent in conversation with her
 tributes to her life and family

 political undertakings, past and present, that
  speak to her concerns
 Politely framed but substantive responses to her
  criticism
 ◦ Rational-political initial response to her point about
   immigration (possible trigger for the „bigoted‟ epithet)
Offstage performance – Disrespect
“She‟s just this sort of bigoted woman who said
  she used to be a Labour voter”
Length of time
   Gordon Brown: Hello, how are you? Now,           GB: You're a very good woman, you've
    come and talk with me. How are you                served the community all your life.
    getting on? Where do you stay around             GD: I am, I‟ve worked for the Rochdale
    here?                                             council for 30 years. And I work with
   Gillian Duffy: Yes.                               children and handicapped children.
   GB: It's a nice area, isn't it?                  GB: Oh well I think working with children is
   GD: Now, my family have voted Labour all          so important isn‟t it? So important. Have
    their life. Me father, even when he was in        you been at some of the children‟s
    his teens went to Free Trade Hall to sing         centres?
    the red flag and now I'm absolutely              GD: But what I can't understand is why I am
    ashamed of saying I'm Labour.                     still being taxed at 66 years old because
                                                      my husband's died and I have some of his
   GB: No, you mustn't be. Because what have         pension tagged onto my pension.
    we done? We've improved the health               GB: Well, we‟re raising the threshold at
    service. We're financing more                     which people start paying tax as
    neighbourhood policing, we're getting             pensioners, but yes, if you‟ve got an
    better schools and we're coming through a         occupational pension you may have to pay
    very difficult world recession.                   some tax. But you may be eligible for the
   You know what my views are. I'm for               pension credit as well, you should check...
    fairness. For hard working families.             GD: No, no, I‟m not, I‟ve checked and
   I've told these guys across there - look if       checked and they said I‟m no they can't do
    you commit a crime you're going to be             it.
    punished.                                        GB: Well you should look it again just to be
                                                      sure, to be absolutely sure.
   GD: I'm afraid I don't think it's happening      GD: Yes they‟ve told me, I‟ve been down to
    in Rochdale.                                      Rochdale council to try and get it off me
   GB: Well, with a bit more policing than           tax.
    there were... but obviously we're going to       GB: We‟re linking pension to earnings in
    do better in the future with neighbourhood        two years' time, we‟ve got the winter
    policing. Neighbourhood policing is the           allowance as you know, which I hope is of
    key to it. You're a very good woman you've        benefit, two fifty...
    served the community all your life.
   GD: I agree with that, it‟s very good, but          you‟ve got to go back to work. At six
    every year I talk to people of my age and            months…
    they say "Oh well, they‟ll be knocking it off,      GD: You can‟t say anything about the
    it will be going - it will be going."                immigrants because you‟re saying you‟re,
   Simon Danczuk (Labour parliamentary                  but all these eastern Europeans coming in,
    party candidate for Rochdale): No, that's            where are they flocking from?
    not true. You were particularly impressed           GB: A million people come in from Europe,
    with the bus pass as well.                           but a million British people have gone into
   GD: Yes.                                             Europe, you do know there‟s a lot of British
   GB: We‟ve done the bus passes, free eye              people staying in Europe as well.
    test prescriptions...                               Look come back to what your initial
                                                         principles: helping people - that's what
   GD: But how are you going to get us out of           we're in the business of doing.
    all this debt, Gordon?                              A decent health service, that's really
   GB: We‟ve got a deficit reduction plan, cut          important, and education. Now these are
    the debt by half over the next four years,           things that we have tried to do.
    we‟ve got the plans that have been set out          We're going to maintain the schools so that
    to do it - look, I was the person who came           people have that chance to get on.
    in and said...                                      GD: So what are you going about do about
   GD: Look, the three main things that I had           students who are coming in now? You've
    drummed in when I was a child was                    scrapped that now Gordon, to help
    education, health service and looking after          students go on to university.
    people who are vulnerable. There are too            GB: Tuition fees?
    many people now who aren‟t vulnerable               GD: Yes. I'm thinking about my
    but they can claim and people who are                grandchildren. What will they have to pay
    vulnerable can‟t get claim.                          to get into university?
                                                        GB: We've got forty per cent of young
   GB: But they shouldn‟t be doing that, there          people now going to university...
    is no life on the dole anymore for people, if
    you‟re unemployed
Simon Danczuk: More than ever.

                                                    GD: They‟ve just come back from
   GB: More than ever. So you got to have           Australia where they‟ve been stuck
    some balance. If you get a degree and you
    earn twice as much after you get the             for ten days they couldn‟t get back
    degree then you got to pay something             with this ash crisis
    back as a contribution.                         GB: They got through now?
   But there are grants for your                   GD: Yes.
    grandchildren. There are more grants than       GB: We‟ve been trying to get people
    ever before. You know more young people          back quickly. But are they going to
    are going to university than ever before.        university, is that the plan?
    And for the first year the majority of          GD: I hope so. They‟re only 12 and
    people going to university are women. So         10.
    there's big opportunities for women.
                                                    GB: They‟re only 12 and 10! But
   So education, health and helping people.         they‟re doing well at school?
    That's what I'm about.
                                                    GD: Yes. Very good.
   GD: I hope you keep to it.                      GB: A good family. Good to see you.
   GB: It‟s been very good to meet you. And        GD: And the education system in
    you‟re wearing the right colour today!           Rochdale I will congratulate it.
    (Laughter) How many grandchildren do you
    have?                                           GB: Good. And it's very nice to see
   GD: Two.
                                                     you, take care.
   GB: What age are they?
   GD: They‟ve just come back from Australia
    where they‟ve been stuck for ten days they
    couldn‟t get back with this ash crisis.
   .
GB: You're a very good woman you've served
   the community all your life.
GD: I am, I‟ve worked for the Rochdale council
   for 30 years. And I work with children and
   handicapped children.
GB: Oh well I think working with children is so
   important isn‟t it? So important. Have you
   been at some of the children‟s centres?
Look come back to what your initial principles:
 helping people - that's what we're in the
 business of doing.
A decent health service, that's really important,
 and education. Now these are things that we
 have tried to do.
We're going to maintain the schools so that
 people have that chance to get on.
Politely framed but substantive
 responses to her criticism: Rational-
 political engagement on immigration
GD: You can‟t say anything about the immigrants
   because you‟re saying you‟re, but all these
   eastern Europeans coming in, where are they
   flocking from?
GB: A million people come in from Europe, but a
   million British people have gone into Europe,
   you do know there‟s a lot of British people
   staying in Europe as well.
(GB changes the subject)

(but also vague, implausible, repetitive,
minimal)
   You can‟t say anything about the immigrants
     because you‟re saying you‟re, but all these
     eastern Europeans coming in, where are they
     flocking from?

    You can‟t say anything about the immigrants
     because you‟re saying you‟re RACIST, but all
     these eastern Europeans coming in, where are
     they flocking from?



Gillian Duffy is also reflexively aware of political
„presentation of self‟ issues: cf Van Dijk, „I‟m not a
racist but...‟
Interpretation

GB is dissatisfied with his own performance, caught out, as
he sees it, by Gillian Duffy‟s unexpectedly critical stance. To
retrospectively maintain his own face to himself and to his
aides, he needs to propose rationalisations for the
imperfections of that performance. He chooses character
attack as one of these rationalisations. If Duffy were indeed
„bigoted‟, then his own failure to deploy intelligent and
persuasive reasoning to convince her is explicable. Rational
political discussion is not an option with people who are
bigoted. They are beyond the reach of rationality, their views
guided by prejudices that resist all evidence and all logic.
The open-mike comment, though it was not
meant to be heard by Duffy or the wider voting
public, was meant to be heard by a more
immediate grouping – the aides who were
present in the car as he spoke. This set of
people is also an audience, but an affiliated
audience, part of „team GB‟, who share a
concern with the efficacy of their leader‟s
campaigning.
What GB says is
 “onstage” (live radio
 broadcast, publicly
 audible)

What he does (hand to
 head) is “offstage”
 (visible only locally).
 Open-cam gaffe?
   Although the „bigoted‟ comment was taken to
    index Gillian‟s comment on immigration
    specifically, this interpretation is misleading.
   Politicians and those who help them need to be
    careful in the „always-on‟ political era.
    (Thompson)
   The offstage political sphere is not innocent of
    „presentation of self‟ considerations, varying
    according to context. There are audiences in this
    sphere too.
   In multimodal configurations, performances can
    be simultaneously onstage and offstage.
   John Corner 2000: Mediated Persona and
    Political Culture: Dimensions of Structure and
    Process. European Journal of Cultural Studies,
    3(3), 386-402
   Erving Goffman 1959: The Presentation of
    Self in Everyday Life. New York: Anchor Books
   John Thompson, 2005: The New Visibility.
    Theory, Culture and Society 22 (6), 31-51
   Teun van Dijk, 1987: Communicating racism:
    Ethnic prejudice in thought and talk. Newbury
    Park, CA: Sage.

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Bristol paper 2

  • 1. Kay Richardson i-mean 3: Bristol, 2013
  • 2. Identity as „character‟  Political persona and political life: ◦ Character in politics ◦ Spheres of political action ◦ Onstage/offstage political performance  Stance: respect/disrespect; responsible/not responsible
  • 3. GB: A good family. Good to see you. GD: And the education system in Rochdale I will congratulate it. GB: Good. And it's very nice to see you, take care. [GD departs, Gordon enters car] GD: Thanks take care. Good to see you all. Thanks very much. [In car] GB: That was a disaster. Should never have put me with that woman. Whose idea was that? Unknown male: I don‟t know, I didn‟t see. GB: Sue‟s, I think. Just ridiculous. Unknown male: Not sure if they‟ll go with that one. GB: They will go with it. Unknown male: What did she say? GB: Everything. She‟s just this sort of bigoted woman who said she used to be a Labour voter… Ridiculous.
  • 4.
  • 5. The self, then, as a performed character, is not an organic thing that has a specific location, whose fundamental fate is to be born, to mature, and to die; it is a dramatic effect arising diffusely from a scene that is presented, and the characteristic issue, the crucial concern, is whether it will be credited or discredited. (Erving Goffman, The Presentation of Self in Everyday Life, 1959)
  • 6. The self, then, as a performed character, is not an organic thing that has a specific location, whose fundamental fate is to be born, to mature, and to die; it is a dramatic effect arising diffusely from a scene that is presented, and the characteristic issue, the crucial concern, is whether it will be credited or discredited. (Erving Goffman, The Presentation of Self in Everyday Life, 1959)
  • 7. With the development of print and other media, however, political rulers increasingly acquired a kind of visibility that was detached from their physical appearance before assembled audiences. Rulers used the new means of communication not only as a vehicle for promulgating official decrees, but also as a medium for fabricating a self-image that could be conveyed to others in distant locales. John Thompson, 2005, “The New Visibility”
  • 8. Ever since the advent of print, political rulers have found it impossible to control completely the new kind of visibility made possible by the media and to shape it entirely to their liking; now, with the rise of the Internet and other digital technologies, it is more difficult than ever. John Thompson, 2005, “The New Visibility”
  • 9. Conversations or interactions that individuals believe to be private (whether carried out face-to-face or with the aid of one-to-one technologies like the telephone) can be picked up and recorded by covert means, and subsequently made available to many thousands or millions of others through the media. Words or actions that were originally produced as private communication or behaviour can unexpectedly acquire a public character, becoming visible in ways that were certainly unanticipated, possibly very embarrassing and perhaps even seriously incriminating (as Monica Lewinsky and Bill Clinton, among many others, discovered to their cost). John Thompson, 2005, “The New Visibility”
  • 10. People become more concerned with the character of the individuals who are (or might become) their leaders and more concerned about their trustworthiness, because increasingly these become the principal means of guaranteeing that political promises will be kept and that difficult decisions in the face of complexity and uncertainty will be made on the basis of sound judgement. The politics of trust becomes increasingly important, not because politicians are inherently less trustworthy today than they were in the past, but because the social conditions that had previously underwritten their credibility have been eroded. John Thompson, 2005, “The New Visibility”
  • 11. Private/public / = Offstage/Onsta ge Political sphere Political sphere (a) Personal sphere Onstage Political sphere (b) Offstage Personal sphere (Offstage)
  • 12. Strategic projection of political identity in SPHERE OF PUBLIC publicity AND POPULAR Journalistic mediations and criticism (interactive sourcing and interactive SPHERE OF performance) POLITICAL INSTITUTIONS Interaction of private AND PROCESSES life with career in political institutions PRIVATE SPHERE Strategic projection of private life in publicity Journalistic revelations of private life: gossip and scandal. John Corner, 2000, Mediated Persona and Political Culture: Dimensions of Structure and Process
  • 13. Open mike gaffes and popular/political culture Authentic open-mike gaffes Dramatised fictional open- mike gaffes (Yes Prime Minister, „The Tangled Web‟ 28 Jan 1988) Fake open-mike gaffes (Getting something into the public domain, but endorsing its authenticity from seeming to originate offstage not onstage) Dramatised fictional fake open-mike gaffes (The West Wing, „The US Poet Laureate‟ , 27 March 2002).
  • 14. GB: That was a disaster. Should never have put me with that woman. Whose idea was that? Unknown male: I don‟t know, I didn‟t see. GB: Sue‟s, I think. Just ridiculous. Unknown male: Not sure if they‟ll go with that one. GB: They will go with it. Unknown male: What did she say? GB: Everything. She‟s just this sort of bigoted woman who said she used to be a Labour voter… Ridiculous. Strategic publicity considerations: this will play on TV as an unfortunately convincing, eloquent, public, dramatisation of „Labour‟s own supporters are deserting the party‟
  • 15. Onstage performance – “Respect”  willingness to enter into f2f discussion with GD  length of time spent in conversation with her  tributes to her life and family  political undertakings, past and present, that speak to her concerns  Politely framed but substantive responses to her criticism ◦ Rational-political initial response to her point about immigration (possible trigger for the „bigoted‟ epithet) Offstage performance – Disrespect “She‟s just this sort of bigoted woman who said she used to be a Labour voter”
  • 16. Length of time  Gordon Brown: Hello, how are you? Now,  GB: You're a very good woman, you've come and talk with me. How are you served the community all your life. getting on? Where do you stay around  GD: I am, I‟ve worked for the Rochdale here? council for 30 years. And I work with  Gillian Duffy: Yes. children and handicapped children.  GB: It's a nice area, isn't it?  GB: Oh well I think working with children is  GD: Now, my family have voted Labour all so important isn‟t it? So important. Have their life. Me father, even when he was in you been at some of the children‟s his teens went to Free Trade Hall to sing centres? the red flag and now I'm absolutely  GD: But what I can't understand is why I am ashamed of saying I'm Labour. still being taxed at 66 years old because my husband's died and I have some of his  GB: No, you mustn't be. Because what have pension tagged onto my pension. we done? We've improved the health  GB: Well, we‟re raising the threshold at service. We're financing more which people start paying tax as neighbourhood policing, we're getting pensioners, but yes, if you‟ve got an better schools and we're coming through a occupational pension you may have to pay very difficult world recession. some tax. But you may be eligible for the  You know what my views are. I'm for pension credit as well, you should check... fairness. For hard working families.  GD: No, no, I‟m not, I‟ve checked and  I've told these guys across there - look if checked and they said I‟m no they can't do you commit a crime you're going to be it. punished.  GB: Well you should look it again just to be sure, to be absolutely sure.  GD: I'm afraid I don't think it's happening  GD: Yes they‟ve told me, I‟ve been down to in Rochdale. Rochdale council to try and get it off me  GB: Well, with a bit more policing than tax. there were... but obviously we're going to  GB: We‟re linking pension to earnings in do better in the future with neighbourhood two years' time, we‟ve got the winter policing. Neighbourhood policing is the allowance as you know, which I hope is of key to it. You're a very good woman you've benefit, two fifty... served the community all your life.
  • 17. GD: I agree with that, it‟s very good, but  you‟ve got to go back to work. At six every year I talk to people of my age and months… they say "Oh well, they‟ll be knocking it off,  GD: You can‟t say anything about the it will be going - it will be going." immigrants because you‟re saying you‟re,  Simon Danczuk (Labour parliamentary but all these eastern Europeans coming in, party candidate for Rochdale): No, that's where are they flocking from? not true. You were particularly impressed  GB: A million people come in from Europe, with the bus pass as well. but a million British people have gone into  GD: Yes. Europe, you do know there‟s a lot of British  GB: We‟ve done the bus passes, free eye people staying in Europe as well. test prescriptions...  Look come back to what your initial principles: helping people - that's what  GD: But how are you going to get us out of we're in the business of doing. all this debt, Gordon?  A decent health service, that's really  GB: We‟ve got a deficit reduction plan, cut important, and education. Now these are the debt by half over the next four years, things that we have tried to do. we‟ve got the plans that have been set out  We're going to maintain the schools so that to do it - look, I was the person who came people have that chance to get on. in and said...  GD: So what are you going about do about  GD: Look, the three main things that I had students who are coming in now? You've drummed in when I was a child was scrapped that now Gordon, to help education, health service and looking after students go on to university. people who are vulnerable. There are too  GB: Tuition fees? many people now who aren‟t vulnerable  GD: Yes. I'm thinking about my but they can claim and people who are grandchildren. What will they have to pay vulnerable can‟t get claim. to get into university?  GB: We've got forty per cent of young  GB: But they shouldn‟t be doing that, there people now going to university... is no life on the dole anymore for people, if you‟re unemployed
  • 18. Simon Danczuk: More than ever.   GD: They‟ve just come back from  GB: More than ever. So you got to have Australia where they‟ve been stuck some balance. If you get a degree and you earn twice as much after you get the for ten days they couldn‟t get back degree then you got to pay something with this ash crisis back as a contribution.  GB: They got through now?  But there are grants for your  GD: Yes. grandchildren. There are more grants than  GB: We‟ve been trying to get people ever before. You know more young people back quickly. But are they going to are going to university than ever before. university, is that the plan? And for the first year the majority of  GD: I hope so. They‟re only 12 and people going to university are women. So 10. there's big opportunities for women.  GB: They‟re only 12 and 10! But  So education, health and helping people. they‟re doing well at school? That's what I'm about.  GD: Yes. Very good.  GD: I hope you keep to it.  GB: A good family. Good to see you.  GB: It‟s been very good to meet you. And  GD: And the education system in you‟re wearing the right colour today! Rochdale I will congratulate it. (Laughter) How many grandchildren do you have?  GB: Good. And it's very nice to see  GD: Two. you, take care.  GB: What age are they?  GD: They‟ve just come back from Australia where they‟ve been stuck for ten days they couldn‟t get back with this ash crisis.  .
  • 19. GB: You're a very good woman you've served the community all your life. GD: I am, I‟ve worked for the Rochdale council for 30 years. And I work with children and handicapped children. GB: Oh well I think working with children is so important isn‟t it? So important. Have you been at some of the children‟s centres?
  • 20. Look come back to what your initial principles: helping people - that's what we're in the business of doing. A decent health service, that's really important, and education. Now these are things that we have tried to do. We're going to maintain the schools so that people have that chance to get on.
  • 21. Politely framed but substantive responses to her criticism: Rational- political engagement on immigration GD: You can‟t say anything about the immigrants because you‟re saying you‟re, but all these eastern Europeans coming in, where are they flocking from? GB: A million people come in from Europe, but a million British people have gone into Europe, you do know there‟s a lot of British people staying in Europe as well. (GB changes the subject) (but also vague, implausible, repetitive, minimal)
  • 22. You can‟t say anything about the immigrants because you‟re saying you‟re, but all these eastern Europeans coming in, where are they flocking from?  You can‟t say anything about the immigrants because you‟re saying you‟re RACIST, but all these eastern Europeans coming in, where are they flocking from? Gillian Duffy is also reflexively aware of political „presentation of self‟ issues: cf Van Dijk, „I‟m not a racist but...‟
  • 23. Interpretation GB is dissatisfied with his own performance, caught out, as he sees it, by Gillian Duffy‟s unexpectedly critical stance. To retrospectively maintain his own face to himself and to his aides, he needs to propose rationalisations for the imperfections of that performance. He chooses character attack as one of these rationalisations. If Duffy were indeed „bigoted‟, then his own failure to deploy intelligent and persuasive reasoning to convince her is explicable. Rational political discussion is not an option with people who are bigoted. They are beyond the reach of rationality, their views guided by prejudices that resist all evidence and all logic.
  • 24. The open-mike comment, though it was not meant to be heard by Duffy or the wider voting public, was meant to be heard by a more immediate grouping – the aides who were present in the car as he spoke. This set of people is also an audience, but an affiliated audience, part of „team GB‟, who share a concern with the efficacy of their leader‟s campaigning.
  • 25. What GB says is “onstage” (live radio broadcast, publicly audible) What he does (hand to head) is “offstage” (visible only locally). Open-cam gaffe?
  • 26. Although the „bigoted‟ comment was taken to index Gillian‟s comment on immigration specifically, this interpretation is misleading.  Politicians and those who help them need to be careful in the „always-on‟ political era. (Thompson)  The offstage political sphere is not innocent of „presentation of self‟ considerations, varying according to context. There are audiences in this sphere too.  In multimodal configurations, performances can be simultaneously onstage and offstage.
  • 27.
  • 28. John Corner 2000: Mediated Persona and Political Culture: Dimensions of Structure and Process. European Journal of Cultural Studies, 3(3), 386-402  Erving Goffman 1959: The Presentation of Self in Everyday Life. New York: Anchor Books  John Thompson, 2005: The New Visibility. Theory, Culture and Society 22 (6), 31-51  Teun van Dijk, 1987: Communicating racism: Ethnic prejudice in thought and talk. Newbury Park, CA: Sage.