Point Of View In The Grapes Of Wrath By John Steinbeck

Point Of View In The Grapes Of Wrath By John Steinbeck
Throughout The Grapes of Wrath, John Steinbeck utilizes alternating chapters, constantly switching
from a third person omniscient point of view, to the focusing upon the Joad family, and an unknown
narrator who differentiates certain points of view. The narrator focuses on illustrating the scene of
Oklahoma during the Dust Bowl in chapter one, but later promotes the usage of first person
pronouns in the middle of the novel; moreover, the narrator displays a first person interjection in
chapter nineteen, describing thirty–thousand acres of land, stating, "Jesus, what I could do with that,
with five acres of that! Why, hell, I'd have ever'thing to eat" (235). Although the unknown narrator
switches point of view often, especially within the climax
... Get more on HelpWriting.net ...

Analysis Of The Book ' The Hardy Boys '
The Hardy Boys series written by various authors, all under the pseudonym Franklin W. Dixon has
been around for a very long time. Their first appearance was in 1927, and they have survived
numerous reboots and reprints since then. Part of their charm, especially for kids, is that, unlike
Sherlock Holmes and other popular detectives, they are teenagers. Like their readers, they have
school, chores, and church on Sunday. This essay will focus, as far as plot is concerned on the first
book The Tower Treasure, the differences between the Hardy Boys and typical detective fiction, as
well as on the cultural impact of the books. The Tower Treasure begins with the sons of private
detective Fenton Hardy running an errand for their father. The errand and their lives are almost cut
short, however by a speeding car that nearly runs them off the road. They survive the incident, and
continue on, completing their errand successfully. They then detour to the farm of Chet Morton, a
"school chum of the Hardy boys [who] lived on a farm about a mile out of Bayport" (Dixon 14). On
the way to Chet's they discover the car that almost killed them overturned. They examine the wreck
to find that it has been abandoned. Upon arriving at Chet's, they discover that his jalopy, the 'Queen'
has been stolen. They drive into their hometown of Bayport, where they run into Callie Shaw. Callie
accuses Chet of lending his car to someone who then hit her and ruined a cake she was carrying for
a neighbor. They

Fan Fiction: A Short Story
Where Are You Going? Where Have You Been? Fan Fiction Connie entered the golden jalopy and
glanced back at the place she called home. That is when it all hit her; she realized that her normal
life would be over and her wish to just die may actually come true after all. "See Connie sweetheart,
we're just going for a ride," Arnold Friend said with a triumphant grin across his mask of a face. She
remained silent, still wondering what was in store for her next. The jalopy as Arnold Friend started
the engine like a coachman cracking his whip to lead the horses onward. Connie knew then that he
had absolute control over her and could decide at any moment to do away with her. They drove for
sometime towards a mountain before she finally broke her ... Show more content on Helpwriting.net
...
They had just passed the entrance of the tunnel which seemed more like a portal as they ventured
deeper into it with no exit in sight. Connie was filled with utter terror witnessing the entrance close
and disappear before her very eyes. "Where is that?" Connie frantically exclaimed, "Why, why are
you doing this to me!" "I am just claiming what is rightfully mine baby" He said calmly as the
jalopy came slowly to a halt. "We're here." The car stopped at its final destination still unknown to
Connie, the only real passenger aboard the carriage to eternity. The place was all too familiar to
Arnold Friend for this was where he truly had domain. "Ellie," Arnold called to his companion still
listening to his transistor radio, "get her outta the car so she can see her know home." Ellie Oscar
opened the front passenger seat for Connie. They exited the jalopy, its gold paintjob now chipping
off, as Connie looked out to the endless land before her. All around the trio there was fire, an endless
valley of fire that neither spread or ceased. Arnold Friend stood in front of them turned around back
to Connie and Ellie and said only, "You and everything around here belongs to

Summary Of The Story 'Where Are You Going, Where Have You...
Religious parallel's are found throughout the story "Where Are You Going, Where Have You Been?"
It is quite evident that one of the central personages is symbolic of the devil, Arnold Friend. In the
story, it is evident that Arnold isn't just any kind of boy. On the contrary, he appears to be someone
he is not. He possesses these evil traits. Second of all, the drive in restaurant that seems to be
Connie's happy place in her life has become the allegory of the church. In the mean time, Connie is
a fifteen–year–old girl who seems to be searching for her identity as any other teenager. As Oates
stated, "Everything about her had two sides to it, one for home and one for anywhere that was not
home: her walk, which could be childlike and bobbing, ... Show more content on Helpwriting.net ...
"Don't you know I'm your friend?" "Didn't you see me put my sign in the air when you walked by?"
(Oates) This sign is marked on her making her the chosen one. However, "In folk magic and
mythology, the "X" symbolizes crossroads which represents a location "between the worlds" and, as
such, a site where supernatural spirits can be contacted and paranormal events can take place."
(Wiki) He also has this control over her when she tries to call for help she cannot. "She cried out,
she cried for her mother, she felt her breath start jerking back and forth in her lungs as if it wee
something Arnold Friend was stabbing her with again and again with no tenderness."(Oates)
Although he tells her not to call the police she still grabs the phone to call, but then throws it and he
says, "That's a good girl. Put the phone back." Joyce also states "Something roared in her ear, a tiny
roaring, and she was so sick with fear that she could do nothing but listen to it."(Oates) causing her
to choose whether she is going to protect her family's safety or her

John Steinbeck's Disturbing Tone In The Grapes Of Wrath
Steinbeck exploits a disturbing and melancholy tone in The Grapes of Wrath in order to describe the
desolation and destitution of California, once the Joad family arrives. A majority of the novel
supports Steinbeck's disturbing tone, especially with the novel set during the Great Depression;
moreover, the setting of the novel proves parallel with Steinbeck's disturbing tone. Many families
traveled to California in attempts to begin a better life; however, many of the migrants discovered
that California's lifestyle did not meet any of the expectation many of the families had. The poverty,
low wages, and unemployment that the Okies faced in California proved disappointing, and
Steinbeck continually illustrates the struggles the Okies face to

Where Are You Going Where Have You Been Summary
Joyce Carol Oates's story, "Where Are You Going, Where Have You been?" Is a story about fifteen
year old Connie, who is conceded in her appearance and believes that her parents are never right.
This mindset takes a turn on Connie when she is abducted from her own home. Oates's lesson
behind the story is that being truthful and honest about what one is doing is imperative to one's
safety. Connie was too wrapped up in her beauty and wanting the attention of boys that she missed
the warning signs of a potential threat. At the beginning of the story Connie is found standing at the
mirror staring at her admiring her appearance when her mother scolds her in attempts to get Connie
to look at things around her rather than only what she has to offer on the outside. Connie thinks her
mother is just being mean and that she favors her sister June, but in ... Show more content on
Helpwriting.net ...
During this time her whole life changed. "The gravel kept crunching all the way in from the road–
the driveway was long–and Connie ran to the window. It was a car she didn't know. It was an open
jalopy, painted a bright gold that caught the sunlight opaquely. Her heart began to pound and her
fingers snatched at her hair, checking it, and she whispered, "Christ. Christ," wondering how bad
she looked." (202) Connie had not yet realized that this boy was not a boy at all but rather a man
that was going to take her regardless of her position on the matter. The boy introduced himself as
Arnold Friend, and as they began talking was very nice to her but always had a hidden agenda. After
trying his best to be nice and get Connie to leave with him, Arnold began getting irritated and
changed to a mean person with threats towards Connie's family if she did not go with him. Connie
feared for her family and eventually gave in to

Where Are You Going Where Have You Been By Joyce Carol Oates
The fictional story "where are you going where have you been" by Joyce Carol Oates follows the
life of Connie. Connie is a young 15–year–old girl. Like most girls, she was very self–conscious.
Not because she didn't think she was pretty but because she always wanted to make sure others
thought she was. "She was fifteen and she had a quick, nervous giggling habit of craning her neck to
glance into mirrors or checking other people's faces to make sure her own was all right" (Oates,
157) She loved going out with friends to hang out with older teenagers. Connie and her friends
loved the feeling of getting attention, but what they loved most was feeling in control of the
attention. If a boy tried talking to them their favorite thing was to turn away and ignore him. Soon
enough she would meet someone that she couldn't just turn away and giggle about. Connie falls prey
to the sexual predator Arnold Friend. She was an innocent girl in the begging of the story, but that
all changed after she met Mr. Friend. His spine chilling methods of seduction and persuasion were
just a few of his creepy features. He used this in addition to scare tactics to convince Connie to leave
with him. Oates clearly shows how Arnold Friend selected Connie as his victim, seduced her, and
ultimately persuaded her to leave with him.
Arnold Friend was a predator but was not dumb in his selection of Connie. Although Connie had no
knowledge of who Mr. Friend was, he knew all about her. The first time she met him

Where Are You Going, Where Have You Been by Joyce Carol Oates
In Joyce Carol Oates "Where are you going, where have you been?" introduces us to Connie a self–
absorbed, rebellious, and very naïve fifteen year old who is tossed into this world of sexuality, and
adulthood she believes she knows all about. As Oates explains about Connie to us we get introduced
to what influences her to act out and not care what others think and go about dealing with problems
herself. Her mom is brought in as an over protective mother who wants to see her daughter succeed
but doesn't go about it the right way she uses the lines "stop gawking at yourself!" to tell us how
Connie only cares about her looks and the way she dresses. She even brings in the involvement of
her sister and her she lives under her shadow. June is twenty four and works as a secretary at her
high school and she had to hear everything June did right while she was usually having trashy
daydreams. "She was plain, chunky and steady" as oates described in her story, but Connie got to go
out a lot since she hung with her girlfriends. While we learn more and more we believe Connie is
going to end up in a ditch dead by the end of the story until she is put in a scenario where she
transforms into a character where she has to use her brains to survive and get out of a bad situation.
Our Story of Connie's growth begin in mid–summer, her best friend's father dropped them off at the
shopping plaza all day and didn't have to worry about them bugging him anymore. They usually
went across a highway to

Analysis Of Where Are You Going, Where Have You Been?
In certain cases, especially in one of Joyce Carol Oates most renowned pieces of writing, you'd wish
you had never left home. "Where Are You Going, Where Have You Been?" is a modern classic short
story written by Joyce Carol Oates. Oates decided to dedicate the short story to Bob Dylan after
hearing his song, "It's All Over Now, Baby Blue". His song was Oates inspiration to the most
anthologized of all of her works, based on a real–life serial killer in the 1960's, Charles Schmid.
Oates modeled her realistic story after the real people and events, into a powerful imaginary work of
fiction (Quirk 413). Oates purpose was for the reader to be able to identify the parallels between the
magazine reports of the real life criminal and her story representing the death of an American Dream
(Quirk 413.) "Where Are You Going, Where Have You Been?" is centered around a fairly ordinary
fifteen–year old protagonist on the edge of adulthood, named Connie. While Connie is in search of
finding her place in the world, she often challenges her parents, but mainly her mother. She scolds
her mother for always being in favor of her older sister's side, June. Connie's mother was pretty like
she was once upon a time, but is no longer, which leads to feelings of envy and hatred toward's her
daughter's conceitedness. One thing Connie enjoyed that her mom didn't object to was going to the
shopping plaza with her sister June and her girl friends. The father of one of Connie's best girl
friends would

Character Analysis Of Arnold Friend In Where Are You...
Within Joyce Carol Oate's story "Where Are You Going, Where Have You Been?" there is a sinister
character named Arnold Friend. Arnold Friend could indeed be a human, but there are a number of
theories to what he actually is. Many people think he could be a demon, devil, or a satyr. However,
one particular theory discussed in Professor Landis's Literary Analysis class is that he is in fact a
vampire. A vampire is said to be "a mythical being who subsists by feeding on the life essence
(generally in the form of blood) of living creatures"(Vampire). Many of Arnold Friend's
characteristics could prove this theory to be true. He has a very unique wardrobe, and a menacing
personality; he is eventually able to lure the main character, Connie, out of her house. Oates could
have been inspired to have him represent a vampire because of myths she may have read or heard
about. When Arnold Friend drives up to Connie's house she notices he is driving a jalopy. A jalopy
is an old beat up car; on the car, there are numbers: "he read off the numbers 33, 19, 17" (Oates).
There is a ... Show more content on Helpwriting.net ...
If Connie doesn't come outside of the house, he says he will go after her family. He knows who she
is, who her friends are, where her parents are, and what her parents are even doing. He knows
Connie's family is at a party: "Right now they're–uh–they're drinking, sitting around," he said
vaguely, squinting as if he were staring all the way to town and over to out Tillie's back yard"
(Oates). To know this information, he would have to have a supernatural ability. Extrasensory
Perception could explain Arnold Friend's ability to know everything he does about Connie.
Extrasensory Perception is "perception or communication outside of normal sensory capability, as in
telepathy and clairvoyance." Vampires are known for having psychic abilities whether it is mind
reading, telepathy, or extrasensory

Poe and Morrison Transformed Jalopies into Hot Rods
The subconscious is said to control various aspects of the life of a human to include major and
minor decisions alike; whether to follow the path carved out so cautiously by others or to forge a
unique path and travel it fiercely with reckless abandon and ambition guided by extreme
individuality. What is this perplexing, intangible thing we call the subconscious? And what role does
it play in the writing process of a poet? In general, when given the task of defining the
subconscious, the initial impulse is to provide an ordinary idea such as, "one's natural instinct that
lies beneath the actively aware mind and its intentional thoughts"; however, what if the
subconscious is something more? What if the subconscious is actually the ... Show more content on
Helpwriting.net ...
John Allen resented Poe's desire to write poetry, as he saw it more fit that Poe obtain a formal
education in business and pay closer attention to formulating his plan for a career (Hutchisson 12).
Eventually Poe candidly wrote of his painful difficulties in life, "I have many occasional dealings
with Adversity, but the want of parental affection has been the heaviest of my trials (Ackroyd 13)."
Equally, Morrison endured an icy and emotionally distant relationship with his father. Although
Morrison followed through with his father's requests to graduate from college with a degree, the
direction in which Morrison took that degree was not at all what his father had visualized for his
son. At the core of Morrison were a poet and a musician, both of which were unacceptable to his
father (Hopkins 63). Furthermore, Poe and Morrison shared fairly comparable philosophies on the
creation of poetry. On poetry, Poe is quoted as saying "A poem in my opinion, is opposed to a work
of science by having for its immediate object, pleasure, not truth" (Hutchisson 27). Poe's philosophy
on poetry shows his commitment to allowing the pleasure principle to act as the force behind the
poem instead of adhering to a rigid standard put in place by others before him. Similarly, in an
interview lead by Richard Goldstein in 1969, Morrison attempts to clarify his thoughts about the
process of writing poetry; he states, "when you write a poem often you just, you have to be

The Devil in Disguise: Comparing and Contrasting the Devil...
The Devil in Disguise "Even before he reached me, I recognized the aroma baking up from the skin
under the suit––the smell of burned matches. The smell of sulfur. The man in the black suit was the
Devil." (King) A common theme among depictions of The Devil is that of unusual physical
attributes. The Devil is depicted in three different stories (Joyce Carol Oates' 'Where Are You Going,
Where Have You Been?', Nathaniel Hawthorne's 'Young Goodman Brown', and Steven King's 'The
Man In The Black Suit') in three different ways, yet each description bares remarkable similarities in
some aspects to the next. Themes common to the devil are that of his physical appearance or how he
presents himself, his apparent supernatural ... Show more content on Helpwriting.net ...
I know your name and all about you, lots of things," Arnold Friend said. He had not moved yet but
stood still leaning back against the side of his jalopy. "I took a special interest in you, such a pretty
girl, and found out all about you–like I know your parents and sister are gone somewheres and I
know where and how long they're going to be gone, and I know who you were with last night, and
your best girl friend's name is Betty. Right?'" (Oates) This quote shows that he knows everything
about Connie. In 'The Man in the Black Suit' The Devil knows all about Gary and his family. He
knows how Gary's brother died. He knows why he died.
Another thing that is universal in these depictions is the Devil's victimology. In each story, his
victim is young, naïve, and inexperienced. Gary is only nine years old. A nine–year–old is very
gullible and easy to take advantage of. Young Goodman Brown is also naïve at least in his belief
that all men and women are what they appear to be. Connie is a young, inexperienced, teenage girl.
The devil can appear in any shape or form. He has been personified throughout history in literary
works such as in Joyce Carol Oates' 'Where Are You Going, Where Have You Been?', Nathaniel
Hawthorne's 'Young Goodman Brown', and Steven King's 'The Man In The Black Suit'. In each he
has

Fat Jenkins Research Paper
The worst thing the employees at Shady Shoals had to go through were the Jenkinses. Not just
because they were loud, obnoxious, and grumpy, but mainly because there were three of them. No
one in Bikini Bottom seemed to know why, and it just became accepted amongst everyone.
Fortunately, it was relatively easy to tell them all apart. One of the Jenkinses in particular was the
most famous around town. He was green, short, fat, and sported big glasses. For an old man in a rest
home, Fat Jenkins managed to find his way around. Practically every old chump around town had
seen him at least once, whether he was digging for change at the Barg'n Mart or bumping into pillars
at the Krusty Krab. Fatty Jenkins was nice to everyone, but at the same time

Arnold's Symbolism In Where Are You Going, Where Have You...
Not everything is as it seems. The short story "Where Are You Going, Where Have You Been" by
Joyce Oates, is about a fifteen year old girl, Connie, who is so focused on her appearance and boys
that it later gets her into trouble. She deceives the people around her and it leads her to make bad
choices. Connie's actions subsequently attract the attention of a deceitful man, Arnold Friend. Upon
the meeting of Arnold, Connie is conned into thinking one way about Arnold. Only to find out too
late, when the truth comes out, she has been deceived. Oates uses symbols to contribute to the theme
of this story, which is, "Not everything is as it seems." She uses Arnold's attributes and the objects
surrounding him as symbols to support the theme in her short story. ... Show more content on
Helpwriting.net ...
Throughout the story Arnold's traits change, which makes him seem as though he is not who he says
he is. When Arnold first arrives at Connie's home, he acts as though they had met before. However,
Connie repeatedly says, "Look, I don't even know who you are" (654). Although Connie keeps
saying this, Arnold continues to act like nothing's wrong. Later in the story he seems to break his
previous character, and Connie notices. "He spoke in a simple lilting voice, exactly as if he were
reciting the words to a song" (656). His mannerisms change here because he realizes Connie has
figured out that something is off about him. He changes his mannerisms from being an eighteen year
old friend to being an aggressive man. "She looks out to see Arnold Friend pause and then take a
step toward the porch lurching. He almost fell. But, like a clever drunken man, he managed to catch
his balance" (659). His illusion of being an eighteen year old drops here. Oates is able to use
Arnold's mannerisms as a symbol to contribute to the theme because he first acts one way, only to
act another the next. First impressions are not always correct and they may not be as they

Arnold Friend Analysis
In Where Are You Going, Where Have You Been? Joyce Carol Oates uses characterization to
foreshadow that Arnold is a kidnapper and that Connie gets Kidnapped. Arnold Friend is portrayed
as a manipulator, which foreshadows that he will eventually do something like, kidnap Connie.
Connie is portrayed as vain, which foreshadows that she will be a victim similar to getting
kidnapped. Connie decided to go out with her friends. She spots a demonic looking man, across the
street, who's looking at her. Connie, who's at home alone, sees a car pulls up in her driveway and in
the gold, slogan covered, Jalopy are two male strangers. When she goes out to see who they are,
what they want, she see's that it's the strange man that was staring at her when she was out with her
friends. When you normally see strangers/strange people outside your home, you do nothing and
stay inside. When she went outside you can tell that something is wrong. She will get kidnapped.
One example of foreshadowing using characterization is that Arnold Friend begins as a strange man
that was once staring at her, then he become a dangerous stalker, and when that happens, when you
learn he's a stalker, you get the feeling that he will do something worse to Connie than stalk her. On
page 1, paragraph 7, and line 9 it reads "He wagged a finger and laughed and said,"Gonna get you,
baby," and Connie turned away again without Eddie noticing anything." On page 4, paragraph 4 it
reads "But I know what it is. I know your name and all about you, lots of things," Arnold Friend
said. He had not moved yet, but stood still leaning back against the side of his jalopy. "I took a
special interest in you, such a pretty girl, and found out all about you–like I know your parents and
sister are gone somewheres and I know where and how long they're going to be gone, and I know
who you were with last night, and your best friend's name is Betty. Right?" Arnold Friend is a
manipulative person that you hypothesis will do something bad. When he introduces himself to
Connie her tells her, everything that he knows about her and you start to classify him as a stalker.
Arnold has a lot of personal and sensitive information on Connie. When he tells her that, you know
he has to have

Comparing Steinbeck's Of Mice And Men
This passage fit with the scene where Casy was killed because he was a "red". He had a concept he
knew that if people united they could achieve more than a single person or family ever could. His
only objective was to help the people he had suffer with and was willing to risk his own life for it.
He was just a man he had no more power than any other common man but he was brave enough to
share his ideals and that scare the companies. It only takes one man to united the people. In the
passage Steinbeck is saying that everything around us humans can be devastated everything we have
ever known our cities and our nations, we can even lose our love ones but we will always be willing
to fight for what we believe in because that's what defines human

Arnold Friend : Subliminal Temptations?
The devil's greatest strength is convincing the world that he does not exist and what better way to do
it than through the manipulation of temptation? From the three temptations of Jesus to the
temptation of Adam and Eve, classic depictions of satan contain the same basic principles of evil
through temptation. Though such biblical characters are not modern in literature, the basic lessons
and motifs can be reapplied to modern, present– day stories in order to help one better understand
how these propositions are still unequivocally applicable to human nature. In the short story, "Where
Are You Going, Where Have You Been?" by Joyce Carol Oates, Oates manipulates characterization,
symbolism, and plot in order to convey the theme that temptation comes in familiar forms through
the character Arnold Friend's portrayal as a symbolic satan. Through subliminal revelations, Oates
slowly expresses the true character of temptation in the form of Arnold Friend. Oates's eerie
introduction of Arnold can be utilized to extrapolate the true meaning of Arnold Friend's name thus
revealing its underlying satanic meaning. When the character Arnold first arrives at Connie's house,
it is stated, "This here is my name, to begin with, he said. ARNOLD FRIEND [...] I wanta introduce
myself, I'm Arnold Friend and that's my real name and I'm gonna be your friend, honey" (Oates 3).
When Arnold is introduced he seems genuine although his words quickly spiral towards deception
and the irony of his

Symbolism Of The Arnold Friend
There is a point in the adolescence of a child in which they encounter a fork, that can lead one of
two ways. The path they end up on is determined by their personal feelings toward the world, the
way they have been raised, and who they want to become in the future. In the short story titled,
"Where are you going where have you been" this point is explicitly expressed in the title alone. One
of the interpretations of this short story is that a man named Arnold Friend liberated a young
rebellious girl, Connie, from the torment of her youth. However, in reality the audience is eluded to
the symbolism that Connie is being pulled away from her "golden" innocence and into the arms of
Satan himself. Arnold Friend exhibits Satanic traits, and on this symbolic level, a young girl being
stripped from her childhood, and into an unforgiving world. The story reveals that Arnold Friend is
no boy or friend, he is referred to as a devil–like character. As the story progresses, signs are
observed that highlight the rebellious girl as she sneaks out, omits information from her parents and
is sucked into the "teenage" culture of the time. One Sunday Connie's family woke up and, "–none
of them bothered with church–" (Oates), Sunday, in religious settings is historically the Lords Day.
Oates isolates this sentence with dashes to set it apart from the rest of the story, foreshadowing the
future satanic references. These dashes are used to symbolize that this Sunday takes a strange turn,
and

‘’Where Are You Going, Where Have You Been?’’ Essay examples
Analysis of Connie's Character and Her Demise There are some stories that capture the reader's
attention and which keep us riveted from the beginning to the ultimate line of the tale. ''Where Are
You Going, Where Have You Been?'', a short story written by Joyce Carol Oates in 1966, is one of
those. Inspired by the mythic song of the phenomenal singer Bob Dylan entitled ''It's all over Now,
Baby Blue,'' the author describes the main character as a 15–year–old girl named '' Connie'', who is
obsessed by her beauty and does not get along with her family. The heroine of the story ''Connie,''
engages in an adolescent rebellion against her entourage by acting to appear older. This increases
her vulnerability through the story and at the end ... Show more content on Helpwriting.net ...
In her sorrow for the behavior of her daughter Connie, the mother often expresses a bit more
appreciation and consideration for the older sister June. She declares somewhere in the story, ''Why
don't you keep your room clean like your sister? How've you got your hair fixed–what the hell
stinks? Hair spray? You don't see your sister using that junk'' (Henderson ). It is well–known that
anything in excess is harmful, but Connie does not seem to have been aware of this. Connie's
behavior, far away from doing good to her, exposes her to her sexual predator as an easy prey. In the
same vein, narcissism is another trait that characterizes Connie's attitude. She obviously has the
sophisticated mind–set of a young lady that she pretends to be although she is only an adolescent. It
is easy to detect through the story that the protagonist Connie spends all her time acting and
protecting her ego. So many passages illustrate that point of view. Connie is a two faced adolescent.
She presents to the exterior world the image of a modest and well behaved girl whereas she has in
her the hidden quality of sexual flirtation. To describe Connie, Oates mentions, ''Connie had long
dark hair that drew anyone's eye to it, and she wore part of it pulled up on her head and puffed out
and the rest of it she left fall down her back. She wore a pull–over jersey blouse that looked one way
when she was at home and another way when she was away from home''

The Joad In John Steinbeck's The Grapes Of Wrath
In the novel The Grapes of Wrath, written by John Steinbeck, it's about a small family from
Oklahoma in the late 1930's, they are referred to the Joads throughout the novel. The reader follows
along with this family from Oklahoma to the state of California for their search of jobs for the
family. The Joads runs into many conflicts throughout their journey and some of these dealing with
the concepts of integrity and honesty which are seen constantly in the novel. In particular, the 1930's
was when the depression was affecting almost everyone in the U.S. and many families struggled
with this sort of living. In Oklahoma, the Joad family would begin their journey here. The family
struggles with their farm, they soon travel across the country to California to find work. In order to
travel from state to state they were in need of a truck. Now, most families had experienced this
before, not many people had much money during these times. Families were just scraping by and
they needed to get to California in order to get a chance to start a new life. They needed a truck to
get them there and cheap salesmen weren't exactly ... Show more content on Helpwriting.net ...
There were a few along the way who actually wanted to help these people. It was usually a rare
occasion for people to help them but Steinbeck illustrates a few random acts of kindness. In chapter
15, there is a scene in a restaurant where a young woman helps an older man an his two younger
boys. The man asks about the candy that's being sold and she says that it's only two for a penny,
"Them wasn't two–for–a–sent candy," he said "What's that to you?" Mae said fiercely. "Them was a
nickel apiece of candy" (161) A man in the restaurant exclaims that she lied to the man but it wasn't
necessarily bad, it was just a small white lie. This woman obviously felt some sort of sympathy for
the family because she lied out of the kindness of her

Analysis Of Connie In Joyce Carol Oates Where Are You...
In Joyce Carol Oates "Where are you going, Where have you been" Connie is a typical teenage girl,
she is pretty but cocky. She seems to be extremely normal, she fights with her sister, disagrees with
her mom, she enjoys music, & goes out with friends. Everything is normal in her life until on night
she is out with her friend. This is the night she meets Arnold Friend, a mysterious stranger, she can't
quit looking back at Arnold, something about him just draws her attention. Arnold seemed like a
creep from the beginning. The first time he ever saw Connie "He wagged a finger and laughed and
said, "gonna get you, baby."" Connie forgot all about the creepy guy from the parking lot until one
day while her parents were gone to a barbeque, she heard

How Does Steinbeck Use Ethos In The Grapes Of Wrath
John Steinbeck is the renowned author of novels such as Of Mice and Men, East of Eden, and The
Pearl. In his novel The Grapes of Wrath Steinbeck expounds on the theme of the cruelty people
inflict on one another as well as how they can overcome the inhumanity of others. Steinbeck's
artfully demonstrates that this cruelty is often born out of the human tendency to think of oneself
first; others, if they are thought of at all, come second.
In The Grapes of Wrath, Steinbeck effectively uses the rhetorical strategy of pathos to illuminate the
dehumanization of migrant workers during the Great Depression. His story revolves around the Joad
family, as they travel from Oklahoma to California in search of work. Steinbeck appeals to the
reader's empathy ... Show more content on Helpwriting.net ...
This style of writing is a crucial part of the power of The Grapes of Wrath, because this writing
draws you into the plight of the Joads and their fellow migrants.
The above passage is also an example of Steinbeck's masterful use of imagery. Steinbeck's vivid
descriptions of the setting and the thoughts of the characters allow the reader to step into the story,
as if they themselves had become a part of it. Another example of Steinbeck's imagery occurs near
the end of the novel, when the Joads are moving into a train car:
"Ma opened the door of the house and stepped inside. The floor was splashed with grease. In the one
room stood a rusty tin stove and nothing more. The tin stove rested on four bricks and its rusty
stovepipe went up through the roof. The room smelled of sweat and grease. Rose of Sharon stood
beside Ma. 'We gonna live here?'" (Steinbeck 408).
This quote is a prime example of the poor living conditions to which the Joads have become
accustomed. The reader may be sitting on a comfortable couch or in a grand library; still, they can
almost smell the grease and the sweat, see the hazy light through the dirty

Where Are You Going Where Have You Been Character Analysis
In the short story, "Where Are You Going, Where Have You Been?" authored by Joyce Carol Oates,
there is a main character [also the narrator] named Connie. Oates does not create Connie as a hell–
raiser; rather, a young lady that is indubitably unexperienced in either life or love. This story depicts
a key insight to the main characters life, then tells of a vision Connie has about being abducted.
Connie has many issues in her life at this point, and she is stuck trying to make sense of it all which
a difficult task when there are so many different models in her life. First, a reader must look at the
Connie's life and typical routines. "Everything about her had two sides to it, one for home and one
for anywhere that was not home..." this displays

Arnold as the Devil in "Where Are You Going, Where Have...
Interpretation of Where Are You Going, Where Have You Been? The story Where Are You Going,
Where Have You Been? by Joyce Carol Oates is about a fifteen year old girl named Connie who has
a strange encounter with a man named Arnold Friend. I agree with Joyce M. Wegs' interpretation of
the story, that Arnold is symbolic of Satan. Connie first encounters Arnold in a parking lot while she
is out with her friends, but she does not yet know who he is. She notices him standing near his car, a
gold colored convertible jalopy, staring at her. When she walks by he says he is going to "get" her,
but Connie does not think anything of it and just turns away. One Sunday, not too long after the
parking lot incident, Connie is home alone ... Show more content on Helpwriting.net ...
Arnold starts a conversation by talking about the radio station DJ. The fact that Arnold is wearing
mirror sunglasses makes Connie somewhat uncomfortable because she cannot tell exactly what he is
looking at. Arnold asks Connie to go for a ride with him and his friend, and she declines. He keeps
talking though, and after a while he calls her by name. Connie is confused by this since she had not
told him her name. This is the first indication that something about this situation is not right,
although Connie does not yet realize it. She looks at the car and notices the phrase "Man the flying
saucers" (158) painted on it; an expression that the kids had used the previous year but not this year.
This is another indication that something about Arnold is not right, but like the first clue, Connie
does not pick up on it. Arnold continues trying to persuade her to get into the car with him. After a
while Connie begins to think that there seems to be something not quite right about him. She starts
thinking about his appearance, and suddenly it hits her; she asks Arnold his age. Arnold does not
appreciate being asked this question, "His smile faded. She could see then that he wasn't a kid, he
was much older – thirty, maybe more. At this knowledge her heart began to pound faster." (158).
This is the turning point of the story, everything goes downhill from here. When

George Stephenson's Revolutionary Inventions
Did you know there are currently about 700 railroads in the US at this moment? So that's about
150,000 miles worth of railroads. That's a lot of space for the Steam Locomotive, watch that steam
engine fly from point A to point B. Now let's get in depth inside of this revolutionary invention that
changed the way of commercial and public usage now. Next onto the importance of George
Stephenson and his fine invention was to transport material such as coal and coal and other
materials, mostly because coal was way too important in England during that century, fun fact, did
you know children would be sent into the coal mines, keep in mind the coal mines were dark and
scary for the children, let's not forgot about how easily you could injure yourself

Arnold Friend: A Short Story
Connie did not exactly understand how she found herself in the passenger seat of Arnold Friend's
gold–painted jalopy. All she knew was that just a few minutes ago, just a mile or two back home,
just a tick and a tock away, she could feel her chest heaving and her stomach twisting right behind a
screen door with her eyes staring right into Arnold Friend's face. Now that she thought about it, she
couldn't remember what exactly he looked like, even if his face was only inches away from her own.
Maybe it was the panic or maybe the door, maybe it was because the sun was setting or was it just a
cloud passing by and covering its rays? Anyhow, Connie didn't quite understand why she couldn't
picture him in her mind. So she decided to look to Arnold ... Show more content on Helpwriting.net
...
Maybe she'll get it this time." And Connie found herself inside the jalopy, wide awake. She looked
behind her and her house was getting smaller and smaller, and Connie remembered how just
minutes before, she was standing behind a screen door with her eyes staring right into Arnold
Friend's face. But now she was staring straight ahead onto the dirt road in front of. "Let's try this
again, baby girl," Arnold said to her. "O–okay," Connie agreed. "Maybe you're not so bad after all.
Your music taste isn't that bad." Connie's favorite song was playing on the car's radio, and Arnold
chuckled and chuckled and chuckled once again. "Nuh–uh, hun. Come on, you gotta get it this
time." Arnold shook his head, and Connie found herself in the jalopy's passenger seat. She turned
around and her house was fading into a little speck. All she could remember was that her parents
were supposed to be home in a few hours, and just a few minutes ago, just a mile or two back home,
just a tick and a tock away, she could feel her chest heaving and her stomach twisting right behind a
screen door with her eyes staring right into Arnold Friend's face. Now, Arnold was sitting right next
to her, humming Connie's favorite

Analysis Of Where Are You Going, Where Have You Been By...
"Where Are You Going, Where Have You Been" by Joyce Carol Oates (1966) Is a story of a fifteen
year old girl named connie who is naive and self–centered, through her search of independence she
is murdered.
In the story Connie believed her looks were everything "She was fifteen and she had a quick,
nervous giggling habit of craning her neck to glance into mirrors or checking other people's faces to
make sure her own was all right." "she knew she was pretty and that was everything." By showing
this you can see that Connie believes that she is an adult and by acknowledging her beauty she was
searching for her independence from her family, trying to use her beauty to find a boy who take her
away "Connie sat with her eyes closed in the sun, dreaming ... Show more content on
Helpwriting.net ...
She began to scream into the phone, into the roaring. She cried out, she cried for her mother, she felt
her breath start jerking back and forth in her lungs as if it were something Arnold Friend was
stabbing her with again and again with no tenderness. A noisy sorrowful wailing rose all about her
and she was locked inside it the way she was locked inside this house. After a while she could hear
again. She was sitting on the floor with her wet back against the wall. Here we finally realize that all
her fears were coming true and he life was coming to an end and there was no way of her stopping
it. In these moments Connie realized all that these were her last moment and the first thought was of
her family and how she thought of all the time she wished. "My sweet little blue–eyed girl," he said
in a half–sung sigh that had nothing to do with her brown eyes but was taken up just the same by the
vast sunlit reaches of the land behind him and on all sides of him–so much land that Connie had
never seen before and did not recognize except to know that she was

The Light On Daisy
In the literary criticism How to Read Novels Like a Professor by Thomas C. Foster, Foster
underscores the notion of character's desires. In the literary criticism of chapter fourteen of The
Light on Daisy's Dock, Foster says that not only is the novel is driven by character's desires but also
character's desires are often associated with symbols and conflicts. These symbols and conflicts
guide readers in a significant way which readers will understand the message the author is
conveying in the novel. Therefore, Foster's concept of character's desires along with symbols is
applied in "Where Are You Going, Where Have You Been" and "Sonny's Blues." In The Light on
Daisy's Dock, Foster elucidate his concept of character's desires and ... Show more content on
Helpwriting.net ...
Therefore, the author of this novel is conveying the message of the desires soon leading to the
downfall of characters. Because of this type of example, Foster conveys the notion of symbols and
obstacles following character's desire, which is implicated in author's message of the novel.
Throughout the short story "Where Are You Going, Where Have You Been" by Joyce Carol Oates,
the protagonist Connie encounters the antagonist Arnold Friend with his gold car. While Connie
walks with Eddie to his car, Connie first notice Friend, who "was a boy with shaggy black hair, in a
convertible jalopy painted gold" (Oates, 15). The significance of gold is associated with compassion
because the color of gold is yellow which is the symbol for happiness. The symbol of the color of
the car is applied when Arnold Friend confronts his love for Connie by asking her to go on a quest
with him in his car. In other words, Friend's desire of taking Connie into his car becomes the main
plot of the story. When Connie saw the "open jalopy, painted a bright gold that caught the sunlight
opaquely[,] her heart began to pound and her fingers snatched at her hair, checking it,
and...wondering how bad she looked" (Oates, 17). In this quote, Connie demonstrates sudden
actions regarding with her hair. These actions can be implied that Connie is worrying about her
beauty especially

Syntax In The Grapes Of Wrath
In John Steinbeck's novel, Grapes of Wrath, Steinbeck represents the hardships the Great
Depression, possessed on salesman and farmers. Chapter seven, of Grapes of Wrath, Steinbeck
portrays the obtrusive salesman and sorrowful farmers, with the repetition and staccato syntax.
Chapter sevens purpose, exemplifies the desperation of people wanting to move, and people trying
to make money.
The purpose repetition utilized in chapter seven, sets the scene of presumptuous salesman.
Repetition bestowed in the word car and jalopies, serves Steinbeck's purpose. The reiteration car
manages to convey the automobiles for sale, "... used cars, good cars,...checked cars, and guaranteed
cars." The formality that repetition serves, helps convey the need to purchase a car. Another purpose
repetition serves, is prices exhibiting the farmers, "We got to move that lemon for thirty–five
dollars...what can you lose for a nickel?" The literary device repetition conveys naivety, and
demonstrates the farmers desperation of wanting to move. ... Show more content on Helpwriting.net
...
Sure, no trouble. I'll pull her out of the line." Staccato sentences create a sense that have customers
limited decision making, resulting in purchase of a car more expensive than it's worth. Staccato
syntax is also enforced through continuous questions, "Lookin' for a car? What do you have in
mind? See anything attracts you?" Staccato syntax helps demonstrate the salesman pushy aspects.
John Steinbeck's novel, Grapes of Wrath, chapter seven describes the intent desperation and money
possessed during the Great Depression. Repetition and staccato syntax essentially serve Steinbeck's
purpose. The clarity Steinbeck's purpose possesses is just how pushy, and naive people

"Where are you going Where have you been" by Joyce Carol Oates, tells us about one innocent girl
in search of independence, drawn in by a mysterious guy named Arnold Friend who contrasts with
Satan. The author uses several accounts of imagery that relate to the theme in the story, Fantasy and
Reality. In reality Connie is a 15 year old girl, who lives with her mother, father and sister June. She
occasionally sneaks out with her friends. Now Connie fantasies about truly being a woman. To have
her yearning desires be fulfilled. She lives in her fantasy world until Arnold Friend shows up and
Connie realises it's not fun and games anymore. In the story "Where are you going Where have you
been," she uses the theme Reality vs. illusion therefore creating imagery ... Show more content on
Helpwriting.net ...
The author used Connie's beauty to represent purity, vulnerability and immorality, as imagery. She
made them the things Arnold friend prayed on. Connie altered her appearance and behavior so she
could attract the attention she wanted from older guys, according to the text "Everything about her
had two sides to it one for home and one for anywhere that was not home." Connie seeked attention
but only attention from guys she wanted. Unlike when connie and her friend were walking to the
burger place and guy they knew from school invited them over but she ignored him. She said it felt
good to ignore him, like she was in control. That is until she glanced at Arnold Friend. Connie
created an illusion of what she believed her past and future relationships were like or supposed to be
and she constantly lived in that fantasy world majority of the story. When Arnold friend shows up
connie realizes that the game she was playing wasn't a game at all, it was a call back to reality how
society really worked. She realizes that Arnold is dangerous and he represented the dark side of
reality. He threatens her and her family that leaves her vulnerable, making

Symbolism In 'Where Are You Going, Where Have You Been?'
Where Are You Going, Where Have You Been?: The Realities of Imagination
There are a lot of times in life when things turn out not to be what one originally thought it was.
Tons of people come up with ideas in their head of how something is supposed to be or appears to
be. They do this without sitting and taking the time to think about how something truly is which can
create problems in the future. Sometimes people do come to realize the true side, but it may be too
late. In Where Are You Going, Where Have You Been?, Joyce Carol Oates uses symbolism to show
the theme of battle between make–believe and reality. Connie, the main character, is a typical
fifteen–year–old girl. She lives in her own fantasy world of beauty and boys, therefore, ... Show
more content on Helpwriting.net ...
Arnold Friend is a pedophile or in other words, a predator to Connie. He wants to take advantage of
Connie and tries his best in order to do so. Not only does his actions opposite of the things in
Connie's fantasy world, but his looks as well. Arnold's hair is "shaggy, shabby black hair that looked
crazy as a wig" (208) which opposed to Connie's blonde hair. Connie notices that Arnold dresses
like the type of guys she usually likes with "tight faded jeans stuffed into black, scuffed boots, a belt
that pulled his waist in...a white pullover shirt that was a little soiled..." (209) so at first she thinks
that he fits into her own little world. The thing is that all of this is a way for Arnold to cover up his
true self. The car Arnold pulls up in; however, is a mixture of both reality and fantasy. The new
paint job goes along with Connie's world in order for him to pull her in, while the model of the car
though, is an old jalopy, lining up with Arnold. The color of the car is gold which can represent a
way for Arnold to not only lure in Connie, but to attract other kids her age as well. Connie notices
the words on the front fender of the jalopy, reading "MAN THE FLYING SAUCERS" and points
out it was an "expression kids had used the year before, but didn't use this year" (210). This shows
another way that Arnold tries to fit in with the other

Letter To Kamariah
Hello family, Its me Kamariah.Im writting you this letter to inform you have the horrible actions
that ive made.I wanted to make some dough.Back in the days of my teen years my mom taught me
not to be a pushover and not let poeple run over me.Sometimes on the weekends people were going
to that one joint over by the popular movie theater.All of the owls would be out .During that time I
met a lady she was a big time gold digger.We both wanted the same thing and that was money.So we
paired and stated our own little buisness.Later on in the months of us making money we ended up
getting caught sadly and now we are behind bars. I know you're probably disappointed but i'll tell
you why i did it.At the time I was just being a dumb dora.It ... Show more content on
Helpwriting.net ...
He told me and the lady to hit up this one spot because we could bank there.SHe asked if i was
comfortable going to a new place.I was down so we went there and out of nowhere so man started
asking us a bunch of questions.He asked if we were selling alcohol,he took out his badge and told us
that we were under arrest.The lady ran away and escaped.She left me behind and as she was running
she yelled "peace out" while holding up two fingers.I am now serving some years in jail.Within two
months of being put in jail I was sharing a cell with the lady that so called tried to run away away
from business.The cops gave me props for not trying not to escape and owning up to what I did.IM
so sorry for making these poor desicions but this was the best way for me to make money at the

Where Are You Going Where Have You Been Arnold Friend...
While taking English 102: Introduction to Literature as a dual enrollment course at Chesapeake
College, one particular reading assignment from the course still haunts me to this very day. Joyce
Carol Oates's "Where Are You Going, Where Have You Been" involves the predation of a young,
careless girl, Connie, by a manipulative older male, Arnold Friend. Accidentally catching Arnold's
eye while passing by his car, Connie is initially intrigued by her admirer. While home alone, Arnold
unexpectedly arrives at her house and beckons her to come out for a ride with him to which she
rejects. Consequently, Arnold abandons his friendly facade as he verbally threatens Connie and her
family if she decides to call the police or does not comply with his requests. Therefore, in hopes of
protecting her family, Connie surrenders to Arnold Friend. ... Show more content on Helpwriting.net
...
Unfortunately, such a quality is present in many young girls of this generation as they may not
receive any attention from individuals in their lives, which leaves them to be fascinated by people,
even strangers, who give them such desired attention. Arnold Friend also gets Connie to notice him
through his flamboyant gold convertible and his mysterious yet stylish physical appearance.
However, with a closer look, Connie realizes that Arnold Friend's flashy car is just a "convertible
jalopy painted gold", his shabby black hair is likely a wig, his tall stature likely simulated by stilts or
heels, and his fashionable clothing articles unlikely his as nothing fitted him properly. Nevertheless,
this attribute from the piece demonstrates how not everything is as it seems from its first glance.
Such a literary text also highlights how beauty impacts an individual's impression and actions as
Connie notices Arnold Friend's "beauty", at first, and Connie's youthful beauty compels Arnold
Friend to want to pursue

Personal Narrative-The Memogorgon
The demogorgon arose right before our eyes. The abominable amphibious stood eighteen feet tall,
looming with heavy obscurity. We held each other in fear of the vicious beast. We had to protect the
eggs, it was our only hope for the people of Edolas, suffering from waves of
pneumonoulicroscopicsil– icovolcanoconiosis that came over their home. Our relations dwelled in
the city and we had to defend them. Surprisingly, the monster was not aiming for the Seishin kitsune
eggs –spirit fox eggs, our cure– and was actually aiming for another necessity; our jalopy batteries.
It used it's tenacious claws to seize our vehicle, dump us out, and rive the batteries. All of a sudden,
it vanished, with slime as its only trace of existence. Thankfully, we

Arnold Friend
Joyce carol Oates makes her mark on the cultural reform taking place in the 1960's with her short
story "Where are you going, where have you been." A story about a young girl named Connie, and
her exploration of sexuality and independence. Throughout the story we learn of her late night
adventures, her disdain for her mother, and her very close off relationship with her father. "He didn't
bother talking much to them, but around his bent head Connie's mother kept picking at her until
Connie wished her mother was dead and she herself was dead and it was all over." The story is also
dedicated to Bob Dylan, who bares a striking resemblance to the antagonist Arnold Friend.
However, in interviews, Oates simply said that Dylan's song "It's all over ... Show more content on
Helpwriting.net ...
Rock music in this time period was controversial. Many groups of people claimed it to be satanic.
Young Bob Dylan shares some commonalities with Arnold Friend. "she recognized the driver: he
had shaggy, shabby black hair that looked crazy as a wig and he was grinning at her." Connie then
describes his voice as "fast, bright monotone." In scripture, it talks of how the devil will appear as
an angel of light. In other words, he appears as what you most want him to be. 2 Corinthians 11:14
"And no wonder, for Satan himself masquerades as an angel of light." Bob Dylan being as
influential in the 60's as he was, it is no wonder that this would be the manifestation that Arnold
chose. He was a very smooth talking and Connie even compared his voice to that of someone she
listens to on the

Where Are You Going Where Have You Been Arnold Friend...
In any story or novel whether it be short or long, characters can make or break the story. Characters
are vital to author so that the reader can build a relationship with he or she. Relationship between
the characters and reader is what pull them in and initiate their imagination in a sense that reader's
loses themselves in the story, dismissed from the mind that it's not real life. In the story "Where are
you going, Where have you been?" Arnold Friend is a character that signifies a disturbed, aggressive
and manipulative man who sought to have Connie by any men necessary. Arnold is simply the pure
definition of an antagonist to the full measure, having a combination of traits that signifies true evil
in real world. Based on the story, Arnold ... Show more content on Helpwriting.net ...
He caught Connie's eye as she was walking out with a boy. Arnold then smiled and mouth the words
that he would have her. At this moment you can assume such an action is quite unusual and that we
have not seen the last of him. He then is reintroduced when he shows up at her house. Arnold uses
his appearance to help him look younger as if he was actually a teen and not a thirty something year
old man. Arnold does this in order to not alert Connie as he attempt to socially engage with her. The
author has done so in a manner that help the reader grasp the extent that this man is willing to go,
therefore creating a suspicion of Arnold and what his true intention are. Connie describes him as a
boy with shaggy black hair who wear tight jean, boots, belt and shirt that was worn to show his
muscular physique. All of which was typical of the boys in that society. Connie also describes his
car; a convertible jalopy painted gold with decals of a phrase that was use by kids but was outdated,
a smiley face with glasses that resembled a pumpkin, and his name. Arnold really has his teenage
image down almost impeccable. Dressing as a teen is not the only suspicious characteristic Arnold
has, his outdated phrase

In the short story "Where are you going,Where have you been",the author uses three types of
imagery techniques throughout the short story.The author makes the story much more appealing by
integrating kinesthetic,visual,and auditory. The author creates movement in the short story by
adding words for movement. Joyce Carol Oates writes, "They must have been familiar sights,
walking around the shopping plaza in their shorts and flat ballerina slippers that always scuffed the
sidewalk, with charm bracelets jingling on their thin wrists; they would lean together to whisper and
laugh secretly if someone passed who amused or interested them"(pg1). In this quote from the short
story,the author uses action verbs like scuffed,walking and lean to describe what the two character
are doing in the story. Also, in the next quote the author describes how Connie reacted when she
heard a strange noise in the drive way. I Joyce Carol Oates,Where are you going ,Where have you
been she write,"She went into the kitchen and approached the door slowly, then hung out the screen
door, her bare toes curling down off the ... Show more content on Helpwriting.net ...
When Joyce Carol Oates describe the jalopy in the story,she writes " It was a car she didn't know. It
was an open jalopy, painted a bright gold that caught the sunlight opaquely" (pg) The author gives
the reader a vivid description o how the jalopy by informing us that the jalopy is painted gold and
it's so shiny that the sun beams off it. Another way the Joye Carol Oates uses visual imagery is when
she describe some things about Connie,when she write, "Connie had long dark blond hair that drew
anyone's eye to it".(pg1) The author gives us clear details on Connie hair and length by saying that
she has long dark blond hair. To put briefly, the author describes the two scene in the short story and
create more of a visualize

Theme Of Parenting In B Joyce Carol's 'Where Are You Going?'
There is a lot of problems going on in this short story, lack of parenting seems to be the number one.
Connie, the lead character in the short story, "Where are you going? Where have you been?", written
b Joyce Carol, seems to do whatever she wants, unchecked. She's 15, seems to want to attract
unwanted attention by the way she dresses and the way she acts, and her parents let her. Her parents
seems not to care at all about what she dresses, who her friends are, who she goes out with, and
where she goes. Her mom, instead of telling her why she shouldn't dress or look the way she does,
seems to be jealous and talks down to her. Neither one of these parents seem to care about their
daughter.
This non existent parenting is the leading cause of why she goes out wearing ... Show more content
on Helpwriting.net ...
The guy seems to go back and forth, from enticing her, to threatening her. She's unable to react or to
defend herself, her parents apparently never taught her how or what to do if a stranger tries to get in,
for she doesn't even know the number for 911 and attempts to scream into the phone.
Arnold ends up threatening her family if she doesn't come out and take a ride with him. What's
remarkable about Connie is her willingness to protect her family, even though they are the way they
are. She has a love for her family, even though they seem not to love her. In the end she agrees to go
with Arnold and save her family.
All this could have been avoided if her parents parented her the way they were supposed to. They
never taught her the risks of dressing and looking the way she does. They never taught her what to
do in a situation like the one she's in at the end, and I admit you can't prepare for everything. They
never taught her how to call 911. They were never there for her and yet in the end she is to ready to
sacrifice herself for

Where Are Going Where Have You Been Essay
Rock 'N' Roll's' Social Influence
The character Connie in Carol Oates short story "Where Are Going, Where Have You
Been?" has a lot of issues. The problems Connie has with her social life, family, and the people that
she talks to come to control her future which anticipates the development of her character, this
correlates up to her unfortunate death. The Bob Dylan song "It's All Over Now, Baby Blue,"
perfectly describes her situation which was the inspiration for Oates's story. In 'Where Are You
Going Where Have You Been' music is a big influence on Connie and Friend specifically rock 'n'
roll music. Throughout this story, there are plenty of references to music becoming a lifestyle and
characters mimicking their favorite artists' clothing trends. The ... Show more content on
Helpwriting.net ...
The song "It's All Over Now Baby Blue" is especially moving and relevant to Oates story. In
"Where Are You Going, Where Have You Been" Arnold Friend tells Connie that he knows all about
her, and music lures Connie as he speaks with a lifting voice "as if he were reciting the words to a
song" (Oates,1039). During the story, Arnold Friend pulls up to Connie's house in a bright gold
jalopy convertible as part of his youthful disguise that he uses to seduce
Connie. Additionally, he uses Bobby King on XYZ Sunday Jamboree to lure her. Dylan's song has a
surreal quality to it. When he says " The vagabond who's rapping at your door / Is standing in the
clothes that you once wore." Or "Strike another match, go start anew," he suggests renewal and
beginning again, only to resolve with the blunt. And "The lover who just walked out

Point Of View In The Grapes Of Wrath By John Steinbeck

Recommended

Recommended

More Related Content

Recently uploaded

Recently uploaded (20)

Featured

Featured (20)

Point Of View In The Grapes Of Wrath By John Steinbeck