2. We decided that there was a lot of room for improvement on our first rough cut
of the title sequence, so we decided that we should re-shoot it in order to
improve it and correct some of the errors that we made. We decided on a date
which we were all available to re-shoot and planned the equipment we would
need to bring with us so that we would be able to film it.
Equipment we will need to bring along:
•Canon 600D DSLR camera
•18mm-135mm lens
•50mm lens
•18mm-300mm lens
•Tripod
•Ouija board (Prop)
•Lantern (Prop)
•Candles (Prop) Equipment
•Red ink (to use as fake blood)
•Torch (to fix some of the lighting issues we had in the rough cut)
•Stereo & IPod (Prop)
•SD card
•Spare batteries
Clothing:
Jeans and hoody's (Casual clothing, same clothing as last time)

3. • We would still need each others contact details in case there was a problem and to notify
each other if we were unable to re-shoot.
Contact List:
• Marc Jordan Mobile: 07763690289
Email: marc93jordan@gmail.com
• Rachel Whitewood: Mobile: 07594115763
Email: rachel.whitewood@gmail.com
Contact
details
• Joshua Bentley Mobile: 07875739006
Email: josh_bentley@live.co.uk

4. Shot number Time Action
1 Long shot In this shot the two characters The two characters will be
will be walking together wearing similar, casual
while having a conversation. clothing to signify to the
audience that they have the
same social standing. This
shot will also be outdoors
with high key, natural
lighting.
2 Close up We will have a close up of the This shot will still be
Ouija board while the outdoors in the same area as
character is holding it and the previous shot.
walking with it.
3 Long shot The two characters will be This shot will still be
climbing the ladder to enter outdoors with natural
the barn. lighting.
4 Close up One of our characters will be This shot will be of the
trying to forcefully open the characters hand pushing the
door. door open; this will still be
outdoors with high key
lighting.
5 Long shot This shot will be showing the This shot will be in the
two characters entering the interior of the building and
door to get into the barn. the lighting will be low key.

5. Shot number Time Action
6 Medium This shot will include the two This shot will be handheld
characters lighting the lantern and taken from behind a
in the building. wooden beam to give the
impression that someone is
watching the two characters
while they light the lantern.
7 Close up This shot will show the two This shot will still be inside
characters lighting the the building with low key
lantern. lighting.
8 Long shot This shot will show the This will include low-key
characters moving further lighting in the interior of the
down into the barn to a place building.
where they can play the Ouija
board.
9 Long shot In this shot the two characters This shot will also include
will be sitting down to play low-key lighting.
the Ouija board
10 Shot reverse shot The two characters will be We will use the lantern to
talking about lighting the make the lighting light up the
candles. characters faces from
underneath which is a
convention which is often
used in horror films.

6. Shot number Time Action
11 Long shot One of the characters will The candles in this shot will
light both of the candles and provide low-key lighting for
turn off the lantern the shot.
12 Long shot Both of the characters will This shot will have low-key
place their hands on the board lighting from the candles.
and begin to play
13 Close up This shot will be very short This shot will be very short
and sudden and will show and sudden, which we will
both of the characters hands use to scare our audience. It
on the board while blood falls will still use low-key lighting,
and appears on the board and which will be provided by the
there will be a sudden candles.
scream.
14 Long shot The characters will suddenly At the end of the shot we will
jump up and try and run to fade to black and include a
the door but it will shut voice telling the characters
before they get to it and lock that they must finish the
the characters inside the game to escape.
building