1. ss
Name:- Goswami Gayatri M.
MA-part- 1-sem-2
Roll no :-11
Paper no.:5 – The Romantic Literature
Year:-2014
Submitted to:-Department of English
Smt. S. B. Gardi
maharaja krishnakumarsihji Bhavnagar
university
Topic: Art and Beauty in Keats odes

2. John Keats
•Keats follow romantic
poet found in nature
•keat's position as
omniscient narrator
•The most immediately
beautiful and most
confessional of keat’s
ode

3. John Keats ode
Ode On a
Grecian urn
Ode to
psyche
Ode to
Autumn

4. Ode to Nightingale
1
• Hearing the song connected with
Nightingale bird
• In “Indolence", the speaker Rejected
all artistic effort.
2
• The “Art” of the Nightingale endlessly
changeable
• The suppression will find its match in
“ode on a Grecian urn”
• Speaker will finally confront a created
Art
3
• As befits his celebration of music
• “Nightingale” it is a sing of too full
a connection :

5. Ode to a Grecian urn
•“urn” as work of art
•Massage “beauty is truth
and truth is beauty
•The poet “reading” the
urn as we “read his”
ode
•sacrifice
• Time and
universal
•Human
relation
•Central idea
superiority of
Art

6. “Beauty is truth truth is
beauty
That is all ye know on earth,
And all ye need to know”
John Keats
Ode on a Grecian urn

7. • ownloadsVideoOde On A
Grecian Urn - John
Keats_3.MP4

8. Keats ode to psyche
•Romantic poetry
•Full of context of ode
•Psyche is youngest daughter of king
•Keats speaker opens the poem with an
address to the goddess psyche
•In this poem the story of the woman so
beautiful that love fell in with her
•Projected outward in to Art
•“ode to psyche” is a famous myth

9. Ode To Autumn
•In both its form and descriptive
surface, "to autumn” is one of
the simplistic of Keats ode
•In “to autumn” the speakers
experience of beauty refers to
earlier ode
•Artistic creation
•The development the speaker
so strongly resisted in
‘indolence” is at lost complete

14. Thank you