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Katherine crone
• Katherine has a background in graphic design and combines those
with bookbinding techniques in her work. These works are visual
journals. The images are transparent and ephemeral but are
captured in book forms and rendered in photographs with sculptural
dimension.“ My subject matter is quotidian-light and shadows, water,
reflections, architectural details, panoramic landscapes--but like the
daily life captured by a written journal it brings with it accumulated
meaning and emotion.
Line: there are four key lines in the image and
they are the box of glass or tank kind of thing.
Then there is the lines of each piece of the
fabric and there borders around me.
Colour: in this image there is many different
types of blues, but the image is made bunch
of different sheets of thin fabric to create a
sky with clouds inside the images.
Tone: there is barely if not no shadows in the
main part of the image, this conveys there is
extrememley bright lights to cancel out all
the shadows
Form: crone has managed to create a key
point of interest in the dead centre of the
image and it is the point where there is most
colour
Texture: the pieces of fabric in the image give
off a kind of wet feel like there damp. The
way the top row of fabric pieces look like
there being blown with some form of wind
force.
Andreas gursky
• Andreas Gursky is a German photographer and professor at the
Kunstakademie Düsseldorf, Germany. He is known for his large format
architecture and landscape colour photographs, often employing a
high point of view. Gursky shares a studio with Laurenz Berges,
Thomas Ruff and Axel Hütte on the Hansaallee, in Düsseldorf.
Tone: due to the image being taken outside there Is no shadows
but there is windows that are lit up. This again gives key focus
points all around the image.
Line: because there is many windows this makes it extremely
easy to spot the lines of each window frame. Towards the bottom
of the image there is a few trees that disturb the lines for about
quarter of the image
Form: the lines of the rule of thirds line up perfectly with each
window frame, it also creates a focus on the two windows with
red dead centre of the image. Although the centre should be the
most colourful portion there is minimal colour and more blacked
out windows
Colour: because of the image being a building there is multiple
different colours throughout each window but there is also many
dark window portions.
Texture: I feel because of it being outside it is a cloudy day with
no sun and a light breeze flowing past the trees. I also feel that
the people inside there houses are warm watching tv.

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Presentation analysis

  • 2. Katherine crone • Katherine has a background in graphic design and combines those with bookbinding techniques in her work. These works are visual journals. The images are transparent and ephemeral but are captured in book forms and rendered in photographs with sculptural dimension.“ My subject matter is quotidian-light and shadows, water, reflections, architectural details, panoramic landscapes--but like the daily life captured by a written journal it brings with it accumulated meaning and emotion.
  • 3. Line: there are four key lines in the image and they are the box of glass or tank kind of thing. Then there is the lines of each piece of the fabric and there borders around me. Colour: in this image there is many different types of blues, but the image is made bunch of different sheets of thin fabric to create a sky with clouds inside the images. Tone: there is barely if not no shadows in the main part of the image, this conveys there is extrememley bright lights to cancel out all the shadows Form: crone has managed to create a key point of interest in the dead centre of the image and it is the point where there is most colour Texture: the pieces of fabric in the image give off a kind of wet feel like there damp. The way the top row of fabric pieces look like there being blown with some form of wind force.
  • 4. Andreas gursky • Andreas Gursky is a German photographer and professor at the Kunstakademie Düsseldorf, Germany. He is known for his large format architecture and landscape colour photographs, often employing a high point of view. Gursky shares a studio with Laurenz Berges, Thomas Ruff and Axel Hütte on the Hansaallee, in Düsseldorf.
  • 5. Tone: due to the image being taken outside there Is no shadows but there is windows that are lit up. This again gives key focus points all around the image. Line: because there is many windows this makes it extremely easy to spot the lines of each window frame. Towards the bottom of the image there is a few trees that disturb the lines for about quarter of the image Form: the lines of the rule of thirds line up perfectly with each window frame, it also creates a focus on the two windows with red dead centre of the image. Although the centre should be the most colourful portion there is minimal colour and more blacked out windows Colour: because of the image being a building there is multiple different colours throughout each window but there is also many dark window portions. Texture: I feel because of it being outside it is a cloudy day with no sun and a light breeze flowing past the trees. I also feel that the people inside there houses are warm watching tv.