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Lesson​ ​Title:​ ​The​ ​Science​ ​of​ ​Light​ ​and​ ​Photography
Subject Grade​ ​Level Timeline
Physical​ ​Science 5​ ​-​ ​12 60​ ​-​ ​90​ ​minutes
Objectives
This​ ​lesson​ ​explores​ ​some​ ​of​ ​the​ ​ways​ ​in​ ​which​ ​light​ ​can​ ​be​ ​manipulated​ ​to​ ​create​ ​images.​ ​Students​ ​will
manipulate​ ​light​ ​by​ ​building​ ​pinhole​ ​cameras,​ ​and​ ​by​ ​investigating​ ​the​ ​effects​ ​that​ ​lenses​ ​and​ ​prisms​ ​have​ ​on
light.
Standards
Next​ ​Generation​ ​Science​ ​Standards
Middle​ ​School​ ​Physical​ ​Sciences​ ​Storyline
https://www.nextgenscience.org/sites/default/files/MS%20PS%20DCI%20Combined%206.13.13.pdf
Students​ ​who​ ​demonstrate​ ​understanding​ ​can:
MS-PS4-2​ ​​Develop​ ​and​ ​use​ ​a​ ​model​ ​to​ ​describe​ ​that​ ​waves​ ​are​ ​reflected,​ ​absorbed,​ ​or​ ​transmitted
through​ ​various​ ​materials.
PS4.B:​ ​Electromagnetic​ ​Radiation
- When​ ​light​ ​shines​ ​on​ ​an​ ​object,​ ​it​ ​is​ ​reflected,​ ​absorbed,​ ​or​ ​transmitted​ ​through​ ​the​ ​object,
depending​ ​on​ ​the​ ​object’s​ ​material​ ​and​ ​the​ ​frequency​ ​(color)​ ​of​ ​the​ ​light.​ ​(MS-PS4-2)
- The​ ​path​ ​that​ ​light​ ​travels​ ​can​ ​be​ ​traced​ ​as​ ​straight​ ​lines,​ ​except​ ​at​ ​surfaces​ ​between​ ​different
transparent​ ​materials​ ​(e.g.,​ ​air​ ​and​ ​water,​ ​air​ ​and​ ​glass)​ ​where​ ​the​ ​light​ ​path​ ​bends.​ ​(MS-PS4-2)
- A​ ​wave​ ​model​ ​of​ ​light​ ​is​ ​useful​ ​for​ ​explaining​ ​brightness,​ ​color,​ ​and​ ​the​ ​frequency-dependent
bending​ ​of​ ​light​ ​at​ ​a​ ​surface​ ​between​ ​media.​ ​(MS-PS4-2)
- However,​ ​because​ ​light​ ​can​ ​travel​ ​through​ ​space,​ ​it​ ​cannot​ ​be​ ​a​ ​matter​ ​wave,​ ​like​ ​sound​ ​or​ ​water
waves.​ ​(MS-PS4-2)
Materials
For​ ​introduction​ ​activity:
- Cyanotype​ ​pretreated​ ​sheets​ ​-​ ​commonly​ ​sold​ ​as​ ​“sunprint​ ​paper”​ ​or​ ​“sun​ ​sensitive​ ​paper”
- Acrylic​ ​or​ ​overhead​ ​transparency​ ​sheets
- Stencil​ ​(can​ ​be​ ​made​ ​with​ ​foil​ ​or​ ​card​ ​stock,​ ​or​ ​can​ ​be​ ​thin​ ​opaque​ ​objects​ ​like​ ​plant​ ​leaves)
- Shallow​ ​container​ ​to​ ​hold​ ​water​ ​-​ ​big​ ​enough​ ​to​ ​rinse​ ​the​ ​cyanotype​ ​pretreated​ ​sheets
For​ ​pinhole​ ​camera:
- Empty​ ​cereal​ ​box​ ​or​ ​cardboard​ ​½​ ​gallon​ ​drink​ ​container
- Wax​ ​paper
- Tape
- Pins​ ​or​ ​thumbtacks
- A​ ​dimly​ ​lit​ ​room​ ​with​ ​a​ ​bright​ ​light​ ​source​ ​(windows,​ ​flashlights,​ ​or​ ​computer​ ​screens​ ​can​ ​work)
For​ ​prism​ ​exploration:
- Glass​ ​or​ ​plastic​ ​prisms​ ​(1​ ​per​ ​group)
- Sunlight
- Incandescent​ ​lamp​ ​or​ ​flashlight,​ ​fluorescent​ ​lamp,​ ​LED​ ​light​ ​(optional)
- Light​ ​ray​ ​box​ ​(This​ ​is​ ​a​ ​light​ ​source​ ​inside​ ​a​ ​box,​ ​with​ ​a​ ​slit​ ​opening​ ​the​ ​light​ ​can​ ​pass​ ​through.​ ​This
can​ ​be​ ​simulated​ ​with​ ​a​ ​flashlight​ ​or​ ​lamp​ ​blocked​ ​by​ ​cardboard,​ ​with​ ​a​ ​slit​ ​for​ ​light​ ​to​ ​pass​ ​through.)
Vocabulary
Cyanotype​ ​-​ ​​a​ ​photo​ ​printing​ ​process​ ​that​ ​produces​ ​monochrome​ ​cyan-blue​ ​images
Prism​ ​-​​ ​a​ ​transparent​ ​object​ ​with​ ​at​ ​least​ ​two​ ​flat​ ​surfaces​ ​that​ ​are​ ​at​ ​less​ ​than​ ​right​ ​angles​ ​to​ ​one​ ​another
Lesson​ ​Plan
Introductory​ ​activity:
Use​ ​cyanotype​ ​paper​ ​(sun​ ​print​ ​paper)​ ​to​ ​make​ ​photographic​ ​images.​ ​Cyanotype​ ​paper​ ​can​ ​be​ ​made​ ​in​ ​the
classroom​ ​(see​ ​“Resources”​ ​below)​ ​or​ ​it​ ​can​ ​be​ ​purchased​ ​where​ ​science​ ​classroom​ ​supplies​ ​are​ ​sold.​ ​In
either​ ​case,​ ​the​ ​treated​ ​paper​ ​should​ ​be​ ​kept​ ​away​ ​from​ ​light​ ​until​ ​ready​ ​for​ ​use.​ ​For​ ​this​ ​activity​ ​you​ ​will
need​ ​a​ ​flat,​ ​opaque​ ​object​ ​to​ ​use​ ​as​ ​a​ ​stencil.​ ​In​ ​the​ ​STEM​ ​in​ ​30​ ​video,​ ​Marty​ ​uses​ ​a​ ​NASA​ ​mission​ ​patch,
but​ ​you​ ​could​ ​use​ ​a​ ​shape​ ​cut​ ​out​ ​from​ ​card​ ​stock,​ ​or​ ​small​ ​items​ ​like​ ​keys​ ​or​ ​leaves.
1. Fill​ ​a​ ​shallow​ ​container​ ​with​ ​water.​ ​Be​ ​sure​ ​the​ ​container​ ​is​ ​big​ ​enough​ ​to​ ​fit​ ​a​ ​piece​ ​of​ ​the​ ​cyanotype
paper​ ​in​ ​it,​ ​because​ ​that​ ​is​ ​exactly​ ​what​ ​you​ ​will​ ​need​ ​to​ ​do​ ​in​ ​a​ ​later​ ​step.​ ​It​ ​is​ ​a​ ​good​ ​idea​ ​to​ ​bring
the​ ​container​ ​of​ ​water​ ​outside​ ​when​ ​you​ ​have​ ​to​ ​take​ ​the​ ​cyanotype​ ​to​ ​the​ ​sunlight.
2. Somewhere​ ​away​ ​from​ ​sunlight,​ ​arrange​ ​your​ ​stencil​ ​or​ ​items​ ​on​ ​top​ ​of​ ​the​ ​cyanotype​ ​paper.​ ​Direct
sunlight​ ​will​ ​quickly​ ​cause​ ​the​ ​blue​ ​paper​ ​to​ ​develop.​ ​Even​ ​indirect​ ​sunlight​ ​will​ ​cause​ ​it​ ​to​ ​develop,
though​ ​more​ ​slowly,​ ​so​ ​be​ ​mindful.
3. Place​ ​the​ ​piece​ ​of​ ​clear​ ​acrylic​ ​on​ ​top​ ​of​ ​the​ ​stencil​ ​or​ ​item​ ​to​ ​hold​ ​it​ ​in​ ​place​ ​and​ ​to​ ​press​ ​it​ ​against
the​ ​cyanotype​ ​paper.​ ​Items​ ​that​ ​are​ ​not​ ​held​ ​tight​ ​against​ ​the​ ​cyanotype​ ​will​ ​form​ ​images​ ​that​ ​do​ ​not
have​ ​clear​ ​edges.
4. Take​ ​the​ ​cyanotype​ ​paper​ ​outside​ ​and​ ​expose​ ​it​ ​to​ ​direct​ ​sunlight​ ​for​ ​about​ ​2-4​ ​minutes,​ ​or​ ​indirect
sunlight​ ​for​ ​about​ ​4-8​ ​minutes.​ ​The​ ​UV​ ​in​ ​the​ ​sunlight​ ​will​ ​break​ ​down​ ​the​ ​blue​ ​dye​ ​on​ ​the​ ​cyanotype,
and​ ​you​ ​will​ ​be​ ​able​ ​to​ ​see​ ​the​ ​color​ ​become​ ​lighter.
5. Submerge​ ​the​ ​cyanotype​ ​paper​ ​in​ ​water​ ​to​ ​halt​ ​the​ ​dye’s​ ​interaction​ ​with​ ​sunlight.​ ​Leave​ ​the​ ​paper​ ​in
the​ ​water​ ​for​ ​at​ ​least​ ​a​ ​full​ ​minute.​ ​The​ ​water​ ​will​ ​react​ ​with​ ​the​ ​area​ ​the​ ​sun​ ​has​ ​“bleached,”​ ​while​ ​it
simultaneously​ ​rinses​ ​the​ ​unexposed​ ​cyanotype​ ​dye​ ​away​ ​from​ ​the​ ​areas​ ​that​ ​were​ ​protected.
6. Leave​ ​the​ ​paper​ ​out​ ​on​ ​paper​ ​towels​ ​or​ ​another​ ​absorbent​ ​surface.​ ​Once​ ​it​ ​dries,​ ​it​ ​will​ ​be​ ​done
reacting​ ​and​ ​it​ ​can​ ​be​ ​displayed​ ​safely.
Ask​​ ​​students​ ​if​ ​light​ ​can​ ​change​ ​physical​ ​objects​ ​besides​ ​cyanotype​ ​paper.​ ​If​ ​students​ ​say​ ​yes,​ ​ask​ ​for
examples.​ ​Students​ ​may​ ​have​ ​experience​ ​with​ ​materials​ ​that​ ​experienced​ ​color​ ​fading​ ​due​ ​to​ ​exposure​ ​to
light,​ ​especially​ ​sunlight.​ ​You​ ​may​ ​even​ ​be​ ​able​ ​to​ ​find​ ​examples​ ​in​ ​the​ ​classroom.​ ​For​ ​example,​ ​removing
items​ ​from​ ​a​ ​corkboard​ ​sometimes​ ​shows​ ​that​ ​the​ ​covered​ ​cork​ ​is​ ​darker​ ​than​ ​cork​ ​that​ ​has​ ​been​ ​exposed​ ​to
light.
Explain:​​ ​Ultraviolet​ ​light​ ​(UV)​ ​has​ ​enough​ ​energy​ ​to​ ​damage​ ​the​ ​bonds​ ​in​ ​some​ ​molecules,​ ​including​ ​most
pigments​ ​and​ ​dyes.​ ​Over​ ​time,​ ​exposure​ ​to​ ​UV​ ​can​ ​“bleach”​ ​the​ ​color​ ​and​ ​weaken​ ​the​ ​molecules​ ​in​ ​other
ways.​ ​Paints,​ ​photographs,​ ​clothing,​ ​and​ ​many​ ​other​ ​items​ ​will​ ​have​ ​their​ ​color​ ​fade​ ​over​ ​time​ ​due​ ​to​ ​light,
especially​ ​sunlight.
Student​ ​Activities:
1) Pinhole​ ​Camera
- Each​ ​student​ ​pair​ ​will​ ​need​ ​a​ ​box.
- Use​ ​wax​ ​paper​ ​to​ ​completely​ ​cover​ ​the​ ​open​ ​end​ ​of​ ​the​ ​box.​ ​Use​ ​tape​ ​to​ ​hold​ ​it​ ​in​ ​place.
- Use​ ​a​ ​pin​ ​or​ ​tack​ ​to​ ​make​ ​a​ ​single​ ​small,​ ​clean​ ​hole​ ​in​ ​the​ ​box​ ​at​ ​the​ ​opposite​ ​end​ ​from​ ​where
the​ ​wax​ ​paper​ ​was​ ​taped.​ ​For​ ​best​ ​results,​ ​aim​ ​for​ ​right​ ​in​ ​the​ ​middle​ ​-​ ​not​ ​near​ ​an​ ​edge​ ​-​ ​of
the​ ​side​ ​opposite​ ​the​ ​wax​ ​paper.
- Turn​ ​off​ ​the​ ​lights​ ​in​ ​the​ ​room​ ​and​ ​point​ ​the​ ​pinhole​ ​side​ ​of​ ​the​ ​box​ ​at​ ​the​ ​light​ ​source.
- Look​ ​at​ ​the​ ​wax​ ​paper​ ​end​ ​of​ ​the​ ​box.​ ​Students​ ​should​ ​see​ ​an​ ​image​ ​of​ ​the​ ​light​ ​source
projected​ ​onto​ ​the​ ​wax​ ​paper.
Questions:
- Is​ ​the​ ​pinhole​ ​camera​ ​image​ ​sharp​ ​and​ ​clear?​ ​Does​ ​moving​ ​toward​ ​or​ ​away​ ​from​ ​the​ ​light
source​ ​change​ ​that?
- Do​ ​you​ ​think​ ​making​ ​the​ ​pinhole​ ​a​ ​little​ ​bigger​ ​would​ ​make​ ​the​ ​image​ ​better​ ​or​ ​worse?​ ​Give​ ​it
a​ ​try!
- What​ ​else​ ​do​ ​you​ ​notice​ ​about​ ​the​ ​image?
2) Prisms
- Each​ ​student​ ​group​ ​will​ ​need​ ​a​ ​prism.
- If​ ​you​ ​have​ ​any​ ​of​ ​the​ ​following​ ​light​ ​sources​ ​available,​ ​take​ ​turns​ ​holding​ ​the​ ​prism​ ​a​ ​few
inches​ ​in​ ​front​ ​of​ ​your​ ​eyes​ ​and​ ​look​ ​through​ ​it​ ​at​ ​the​ ​light​ ​source:
- Incandescent​ ​bulb
- Fluorescent​ ​bulb
- LED​ ​bulb
- Describe​ ​the​ ​array​ ​of​ ​colors​ ​you​ ​see​ ​through​ ​the​ ​prism.
- What​ ​color​ ​is​ ​the​ ​light​ ​from​ ​the​ ​bulb​ ​if​ ​you​ ​do​ ​not​ ​look​ ​through​ ​the​ ​prism?
- Without​ ​looking​ ​directly​ ​at​ ​the​ ​sun​,​ ​look​ ​through​ ​the​ ​prism​ ​to​ ​see​ ​how​ ​it​ ​arrays​ ​sunlight​ ​into
colors.​ ​Record​ ​how​ ​the​ ​color​ ​order​ ​compares​ ​to​ ​the​ ​lamp​ ​you​ ​looked​ ​at.
- Set​ ​up​ ​the​ ​light​ ​ray​ ​box​ ​on​ ​a​ ​table​ ​so​ ​the​ ​light​ ​passes​ ​through​ ​the​ ​slit​ ​and​ ​forms​ ​a​ ​“beam”​ ​or
“ray”​ ​of​ ​light​ ​across​ ​the​ ​surface​ ​of​ ​the​ ​table.​ ​Dim​ ​the​ ​lights​ ​in​ ​the​ ​room​ ​and​ ​stand​ ​the​ ​prism​ ​up
on​ ​its​ ​end​ ​directly​ ​in​ ​the​ ​path​ ​of​ ​the​ ​light​ ​beam.​ ​If​ ​you​ ​turn​ ​the​ ​prism​ ​so​ ​the​ ​light​ ​hits​ ​at
different​ ​angles,​ ​you​ ​should​ ​be​ ​able​ ​to​ ​see​ ​a​ ​full​ ​spectrum​ ​of​ ​colors.
Explain:​​ ​A​ ​prism​ ​separates​ ​light​ ​into​ ​different​ ​wavelengths,​ ​which​ ​our​ ​eyes​ ​see​ ​as​ ​different​ ​colors.​ ​When
light​ ​enters​ ​a​ ​material​ ​like​ ​glass,​ ​plastic,​ ​water,​ ​or​ ​even​ ​air,​ ​each​ ​wavelength​ ​will​ ​have​ ​a​ ​slightly​ ​different
amount​ ​they​ ​turn.​ ​They​ ​come​ ​into​ ​the​ ​prism​ ​as​ ​a​ ​single​ ​beam,​ ​but​ ​because​ ​of​ ​the​ ​shape​ ​of​ ​the​ ​prism,​ ​the
light​ ​beam​ ​spreads​ ​out​ ​by​ ​the​ ​time​ ​it​ ​leaves​ ​the​ ​prism.​ ​This​ ​is​ ​even​ ​true​ ​for​ ​wavelengths​ ​we​ ​cannot​ ​see​ ​-
beyond​ ​the​ ​violet​ ​light​ ​is​ ​a​ ​beam​ ​of​ ​ultraviolet​ ​our​ ​eye​ ​cannot​ ​detect.​ ​And​ ​just​ ​past​ ​the​ ​red​ ​is​ ​a​ ​beam​ ​of
infrared.
Our​ ​eyes​ ​can​ ​only​ ​detect​ ​three​ ​different​ ​colors:​ ​red,​ ​blue,​ ​and​ ​green.​ ​All​ ​other​ ​colors​ ​that​ ​we​ ​see​ ​are​ ​our
brain’s​ ​interpretation​ ​of​ ​seeing​ ​red,​ ​blue,​ ​and​ ​green​ ​in​ ​differing​ ​amounts.​ ​These​ ​are​ ​the​ ​primary​ ​colors​ ​of
optics,​ ​which​ ​are​ ​different​ ​from​ ​the​ ​primary​ ​colors​ ​of​ ​pigments.​ ​In​ ​the​ ​spectrum,​ ​notice​ ​that​ ​yellow​ ​is​ ​between
red​ ​and​ ​green.​ ​If​ ​you​ ​combine​ ​equal​ ​amounts​ ​of​ ​red​ ​light​ ​and​ ​green​ ​light,​ ​you​ ​will​ ​see​ ​yellow​ ​light.​ ​Green
combines​ ​with​ ​blue​ ​to​ ​make​ ​cyan,​ ​and​ ​blue​ ​combines​ ​with​ ​red​ ​to​ ​make​ ​magenta.​ ​Again,​ ​all​ ​other​ ​colors​ ​are
your​ ​brain’s​ ​interpretation​ ​of​ ​your​ ​eye​ ​seeing​ ​unequal​ ​amounts​ ​of​ ​red,​ ​blue,​ ​and​ ​green.
If​ ​you​ ​see​ ​an​ ​object​ ​that​ ​normally​ ​looks​ ​red,​ ​it​ ​means​ ​that​ ​the​ ​object​ ​is​ ​reflecting​ ​red​ ​light​ ​to​ ​you​ ​and
absorbing​ ​any​ ​other​ ​colors.​ ​This​ ​is​ ​why​ ​red​ ​items​ ​(like​ ​clothing)​ ​look​ ​different​ ​in​ ​colored​ ​lighting.​ ​If​ ​there​ ​is​ ​no
red​ ​light​ ​shining​ ​on​ ​your​ ​red​ ​shirt,​ ​the​ ​shirt​ ​has​ ​no​ ​red​ ​light​ ​to​ ​reflect​ ​out​ ​to​ ​our​ ​eyes.​ ​This​ ​is​ ​how​ ​different
colors​ ​of​ ​light​ ​will​ ​make​ ​items​ ​appear​ ​to​ ​be​ ​different​ ​colors,​ ​when​ ​the​ ​item​ ​itself​ ​isn’t​ ​changing​ ​at​ ​all.
White​ ​light​ ​from​ ​bulbs​ ​and​ ​the​ ​sun​ ​are​ ​a​ ​combination​ ​of​ ​colors​ ​that​ ​our​ ​eye​ ​detects.​ ​Sunlight​ ​is​ ​a​ ​full​ ​array​ ​of
colors,​ ​as​ ​are​ ​incandescent​ ​bulbs.​ ​A​ ​fluorescent​ ​bulb,​ ​however,​ ​makes​ ​multiple​ ​colors​ ​that​ ​transition​ ​less
smoothly​ ​across​ ​the​ ​spectrum.​ ​As​ ​long​ ​as​ ​the​ ​lights​ ​are​ ​producing​ ​red,​ ​blue,​ ​and​ ​green,​ ​we​ ​normally​ ​see​ ​it
as​ ​white​ ​light.​ ​But​ ​items​ ​in​ ​this​ ​light​ ​don’t​ ​have​ ​a​ ​full​ ​spectrum​ ​of​ ​colors​ ​to​ ​reflect,​ ​and​ ​may​ ​look​ ​less​ ​colorful
than​ ​if​ ​the​ ​item​ ​was​ ​in​ ​sunlight.
Extensions
Pinhole​ ​camera​ ​cyanotype​ ​image:​ ​​ ​​Try​ ​building​ ​a​ ​pinhole​ ​camera​ ​with​ ​cyanotype​ ​paper​ ​instead​ ​of​ ​wax
paper,​ ​and​ ​pointing​ ​it​ ​at​ ​a​ ​scene​ ​that​ ​has​ ​a​ ​combination​ ​of​ ​light​ ​and​ ​dark​ ​areas​ ​in​ ​sunlight,​ ​like​ ​a​ ​tree​ ​against
a​ ​light​ ​colored​ ​building​ ​or​ ​white​ ​clouds​ ​in​ ​a​ ​blue​ ​sky​ ​(without​ ​aiming​ ​at​ ​the​ ​sun).​ ​If​ ​the​ ​camera​ ​is​ ​steady,​ ​you
can​ ​actually​ ​make​ ​a​ ​cyanotype​ ​photograph​ ​in​ ​this​ ​way.
Exposure​ ​time​ ​will​ ​vary,​ ​depending​ ​on​ ​the​ ​brightness​ ​and​ ​contrast​ ​of​ ​the​ ​scene,​ ​and​ ​the​ ​size​ ​of​ ​the​ ​pinhole.
The​ ​best​ ​way​ ​to​ ​get​ ​good​ ​at​ ​this​ ​is​ ​to​ ​try​ ​it​ ​several​ ​times.​ ​If​ ​you​ ​like,​ ​you​ ​can​ ​share​ ​your​ ​pinhole​ ​camera
cyanotype​ ​images​ ​with​ ​the​ ​STEM-in-30​ ​team​ ​via​ ​Twitter​ ​(​https://twitter.com/STEMin30​)​ ​or​ ​Facebook
(​https://www.facebook.com/STEMin30/​)​ ​so​ ​we​ ​can​ ​see​ ​your​ ​results!
Resources
Alternativephotography.com​ ​-​ ​​This​ ​lesson​ ​shows​ ​how​ ​to​ ​make​ ​the​ ​chemical​ ​solution​ ​found​ ​in​ ​the​ ​Sunprint
Kit:​ ​​ ​​http://www.alternativephotography.com/cyanotype-classic-process/​​ ​​ ​​Instead​ ​of​ ​buying​ ​sun​ ​print​ ​paper,
your​ ​class​ ​can​ ​make​ ​the​ ​solution​ ​and​ ​paper​ ​in​ ​class​ ​with​ ​just​ ​two​ ​chemicals​ ​-​ ​potassium​ ​ferricynanide​ ​and
green​ ​ferric​ ​ammonium​ ​citrate.
Look​ ​up​ ​the​ ​cyanotype​ ​photographs​ ​of​ ​​Anna​ ​Atkins​,​ ​the​ ​British​ ​botanist​ ​who​ ​published​ ​the​ ​first​ ​ever​ ​book
that​ ​included​ ​photographic​ ​images.

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Light Science Photography

  • 1. Lesson​ ​Title:​ ​The​ ​Science​ ​of​ ​Light​ ​and​ ​Photography Subject Grade​ ​Level Timeline Physical​ ​Science 5​ ​-​ ​12 60​ ​-​ ​90​ ​minutes Objectives This​ ​lesson​ ​explores​ ​some​ ​of​ ​the​ ​ways​ ​in​ ​which​ ​light​ ​can​ ​be​ ​manipulated​ ​to​ ​create​ ​images.​ ​Students​ ​will manipulate​ ​light​ ​by​ ​building​ ​pinhole​ ​cameras,​ ​and​ ​by​ ​investigating​ ​the​ ​effects​ ​that​ ​lenses​ ​and​ ​prisms​ ​have​ ​on light. Standards Next​ ​Generation​ ​Science​ ​Standards Middle​ ​School​ ​Physical​ ​Sciences​ ​Storyline https://www.nextgenscience.org/sites/default/files/MS%20PS%20DCI%20Combined%206.13.13.pdf Students​ ​who​ ​demonstrate​ ​understanding​ ​can: MS-PS4-2​ ​​Develop​ ​and​ ​use​ ​a​ ​model​ ​to​ ​describe​ ​that​ ​waves​ ​are​ ​reflected,​ ​absorbed,​ ​or​ ​transmitted through​ ​various​ ​materials. PS4.B:​ ​Electromagnetic​ ​Radiation - When​ ​light​ ​shines​ ​on​ ​an​ ​object,​ ​it​ ​is​ ​reflected,​ ​absorbed,​ ​or​ ​transmitted​ ​through​ ​the​ ​object, depending​ ​on​ ​the​ ​object’s​ ​material​ ​and​ ​the​ ​frequency​ ​(color)​ ​of​ ​the​ ​light.​ ​(MS-PS4-2) - The​ ​path​ ​that​ ​light​ ​travels​ ​can​ ​be​ ​traced​ ​as​ ​straight​ ​lines,​ ​except​ ​at​ ​surfaces​ ​between​ ​different transparent​ ​materials​ ​(e.g.,​ ​air​ ​and​ ​water,​ ​air​ ​and​ ​glass)​ ​where​ ​the​ ​light​ ​path​ ​bends.​ ​(MS-PS4-2) - A​ ​wave​ ​model​ ​of​ ​light​ ​is​ ​useful​ ​for​ ​explaining​ ​brightness,​ ​color,​ ​and​ ​the​ ​frequency-dependent bending​ ​of​ ​light​ ​at​ ​a​ ​surface​ ​between​ ​media.​ ​(MS-PS4-2) - However,​ ​because​ ​light​ ​can​ ​travel​ ​through​ ​space,​ ​it​ ​cannot​ ​be​ ​a​ ​matter​ ​wave,​ ​like​ ​sound​ ​or​ ​water waves.​ ​(MS-PS4-2)
  • 2. Materials For​ ​introduction​ ​activity: - Cyanotype​ ​pretreated​ ​sheets​ ​-​ ​commonly​ ​sold​ ​as​ ​“sunprint​ ​paper”​ ​or​ ​“sun​ ​sensitive​ ​paper” - Acrylic​ ​or​ ​overhead​ ​transparency​ ​sheets - Stencil​ ​(can​ ​be​ ​made​ ​with​ ​foil​ ​or​ ​card​ ​stock,​ ​or​ ​can​ ​be​ ​thin​ ​opaque​ ​objects​ ​like​ ​plant​ ​leaves) - Shallow​ ​container​ ​to​ ​hold​ ​water​ ​-​ ​big​ ​enough​ ​to​ ​rinse​ ​the​ ​cyanotype​ ​pretreated​ ​sheets For​ ​pinhole​ ​camera: - Empty​ ​cereal​ ​box​ ​or​ ​cardboard​ ​½​ ​gallon​ ​drink​ ​container - Wax​ ​paper - Tape - Pins​ ​or​ ​thumbtacks - A​ ​dimly​ ​lit​ ​room​ ​with​ ​a​ ​bright​ ​light​ ​source​ ​(windows,​ ​flashlights,​ ​or​ ​computer​ ​screens​ ​can​ ​work) For​ ​prism​ ​exploration: - Glass​ ​or​ ​plastic​ ​prisms​ ​(1​ ​per​ ​group) - Sunlight - Incandescent​ ​lamp​ ​or​ ​flashlight,​ ​fluorescent​ ​lamp,​ ​LED​ ​light​ ​(optional) - Light​ ​ray​ ​box​ ​(This​ ​is​ ​a​ ​light​ ​source​ ​inside​ ​a​ ​box,​ ​with​ ​a​ ​slit​ ​opening​ ​the​ ​light​ ​can​ ​pass​ ​through.​ ​This can​ ​be​ ​simulated​ ​with​ ​a​ ​flashlight​ ​or​ ​lamp​ ​blocked​ ​by​ ​cardboard,​ ​with​ ​a​ ​slit​ ​for​ ​light​ ​to​ ​pass​ ​through.) Vocabulary Cyanotype​ ​-​ ​​a​ ​photo​ ​printing​ ​process​ ​that​ ​produces​ ​monochrome​ ​cyan-blue​ ​images Prism​ ​-​​ ​a​ ​transparent​ ​object​ ​with​ ​at​ ​least​ ​two​ ​flat​ ​surfaces​ ​that​ ​are​ ​at​ ​less​ ​than​ ​right​ ​angles​ ​to​ ​one​ ​another Lesson​ ​Plan Introductory​ ​activity: Use​ ​cyanotype​ ​paper​ ​(sun​ ​print​ ​paper)​ ​to​ ​make​ ​photographic​ ​images.​ ​Cyanotype​ ​paper​ ​can​ ​be​ ​made​ ​in​ ​the classroom​ ​(see​ ​“Resources”​ ​below)​ ​or​ ​it​ ​can​ ​be​ ​purchased​ ​where​ ​science​ ​classroom​ ​supplies​ ​are​ ​sold.​ ​In either​ ​case,​ ​the​ ​treated​ ​paper​ ​should​ ​be​ ​kept​ ​away​ ​from​ ​light​ ​until​ ​ready​ ​for​ ​use.​ ​For​ ​this​ ​activity​ ​you​ ​will need​ ​a​ ​flat,​ ​opaque​ ​object​ ​to​ ​use​ ​as​ ​a​ ​stencil.​ ​In​ ​the​ ​STEM​ ​in​ ​30​ ​video,​ ​Marty​ ​uses​ ​a​ ​NASA​ ​mission​ ​patch, but​ ​you​ ​could​ ​use​ ​a​ ​shape​ ​cut​ ​out​ ​from​ ​card​ ​stock,​ ​or​ ​small​ ​items​ ​like​ ​keys​ ​or​ ​leaves. 1. Fill​ ​a​ ​shallow​ ​container​ ​with​ ​water.​ ​Be​ ​sure​ ​the​ ​container​ ​is​ ​big​ ​enough​ ​to​ ​fit​ ​a​ ​piece​ ​of​ ​the​ ​cyanotype paper​ ​in​ ​it,​ ​because​ ​that​ ​is​ ​exactly​ ​what​ ​you​ ​will​ ​need​ ​to​ ​do​ ​in​ ​a​ ​later​ ​step.​ ​It​ ​is​ ​a​ ​good​ ​idea​ ​to​ ​bring the​ ​container​ ​of​ ​water​ ​outside​ ​when​ ​you​ ​have​ ​to​ ​take​ ​the​ ​cyanotype​ ​to​ ​the​ ​sunlight. 2. Somewhere​ ​away​ ​from​ ​sunlight,​ ​arrange​ ​your​ ​stencil​ ​or​ ​items​ ​on​ ​top​ ​of​ ​the​ ​cyanotype​ ​paper.​ ​Direct sunlight​ ​will​ ​quickly​ ​cause​ ​the​ ​blue​ ​paper​ ​to​ ​develop.​ ​Even​ ​indirect​ ​sunlight​ ​will​ ​cause​ ​it​ ​to​ ​develop, though​ ​more​ ​slowly,​ ​so​ ​be​ ​mindful.
  • 3. 3. Place​ ​the​ ​piece​ ​of​ ​clear​ ​acrylic​ ​on​ ​top​ ​of​ ​the​ ​stencil​ ​or​ ​item​ ​to​ ​hold​ ​it​ ​in​ ​place​ ​and​ ​to​ ​press​ ​it​ ​against the​ ​cyanotype​ ​paper.​ ​Items​ ​that​ ​are​ ​not​ ​held​ ​tight​ ​against​ ​the​ ​cyanotype​ ​will​ ​form​ ​images​ ​that​ ​do​ ​not have​ ​clear​ ​edges. 4. Take​ ​the​ ​cyanotype​ ​paper​ ​outside​ ​and​ ​expose​ ​it​ ​to​ ​direct​ ​sunlight​ ​for​ ​about​ ​2-4​ ​minutes,​ ​or​ ​indirect sunlight​ ​for​ ​about​ ​4-8​ ​minutes.​ ​The​ ​UV​ ​in​ ​the​ ​sunlight​ ​will​ ​break​ ​down​ ​the​ ​blue​ ​dye​ ​on​ ​the​ ​cyanotype, and​ ​you​ ​will​ ​be​ ​able​ ​to​ ​see​ ​the​ ​color​ ​become​ ​lighter. 5. Submerge​ ​the​ ​cyanotype​ ​paper​ ​in​ ​water​ ​to​ ​halt​ ​the​ ​dye’s​ ​interaction​ ​with​ ​sunlight.​ ​Leave​ ​the​ ​paper​ ​in the​ ​water​ ​for​ ​at​ ​least​ ​a​ ​full​ ​minute.​ ​The​ ​water​ ​will​ ​react​ ​with​ ​the​ ​area​ ​the​ ​sun​ ​has​ ​“bleached,”​ ​while​ ​it simultaneously​ ​rinses​ ​the​ ​unexposed​ ​cyanotype​ ​dye​ ​away​ ​from​ ​the​ ​areas​ ​that​ ​were​ ​protected. 6. Leave​ ​the​ ​paper​ ​out​ ​on​ ​paper​ ​towels​ ​or​ ​another​ ​absorbent​ ​surface.​ ​Once​ ​it​ ​dries,​ ​it​ ​will​ ​be​ ​done reacting​ ​and​ ​it​ ​can​ ​be​ ​displayed​ ​safely. Ask​​ ​​students​ ​if​ ​light​ ​can​ ​change​ ​physical​ ​objects​ ​besides​ ​cyanotype​ ​paper.​ ​If​ ​students​ ​say​ ​yes,​ ​ask​ ​for examples.​ ​Students​ ​may​ ​have​ ​experience​ ​with​ ​materials​ ​that​ ​experienced​ ​color​ ​fading​ ​due​ ​to​ ​exposure​ ​to light,​ ​especially​ ​sunlight.​ ​You​ ​may​ ​even​ ​be​ ​able​ ​to​ ​find​ ​examples​ ​in​ ​the​ ​classroom.​ ​For​ ​example,​ ​removing items​ ​from​ ​a​ ​corkboard​ ​sometimes​ ​shows​ ​that​ ​the​ ​covered​ ​cork​ ​is​ ​darker​ ​than​ ​cork​ ​that​ ​has​ ​been​ ​exposed​ ​to light. Explain:​​ ​Ultraviolet​ ​light​ ​(UV)​ ​has​ ​enough​ ​energy​ ​to​ ​damage​ ​the​ ​bonds​ ​in​ ​some​ ​molecules,​ ​including​ ​most pigments​ ​and​ ​dyes.​ ​Over​ ​time,​ ​exposure​ ​to​ ​UV​ ​can​ ​“bleach”​ ​the​ ​color​ ​and​ ​weaken​ ​the​ ​molecules​ ​in​ ​other ways.​ ​Paints,​ ​photographs,​ ​clothing,​ ​and​ ​many​ ​other​ ​items​ ​will​ ​have​ ​their​ ​color​ ​fade​ ​over​ ​time​ ​due​ ​to​ ​light, especially​ ​sunlight. Student​ ​Activities: 1) Pinhole​ ​Camera - Each​ ​student​ ​pair​ ​will​ ​need​ ​a​ ​box. - Use​ ​wax​ ​paper​ ​to​ ​completely​ ​cover​ ​the​ ​open​ ​end​ ​of​ ​the​ ​box.​ ​Use​ ​tape​ ​to​ ​hold​ ​it​ ​in​ ​place. - Use​ ​a​ ​pin​ ​or​ ​tack​ ​to​ ​make​ ​a​ ​single​ ​small,​ ​clean​ ​hole​ ​in​ ​the​ ​box​ ​at​ ​the​ ​opposite​ ​end​ ​from​ ​where the​ ​wax​ ​paper​ ​was​ ​taped.​ ​For​ ​best​ ​results,​ ​aim​ ​for​ ​right​ ​in​ ​the​ ​middle​ ​-​ ​not​ ​near​ ​an​ ​edge​ ​-​ ​of the​ ​side​ ​opposite​ ​the​ ​wax​ ​paper. - Turn​ ​off​ ​the​ ​lights​ ​in​ ​the​ ​room​ ​and​ ​point​ ​the​ ​pinhole​ ​side​ ​of​ ​the​ ​box​ ​at​ ​the​ ​light​ ​source. - Look​ ​at​ ​the​ ​wax​ ​paper​ ​end​ ​of​ ​the​ ​box.​ ​Students​ ​should​ ​see​ ​an​ ​image​ ​of​ ​the​ ​light​ ​source projected​ ​onto​ ​the​ ​wax​ ​paper. Questions: - Is​ ​the​ ​pinhole​ ​camera​ ​image​ ​sharp​ ​and​ ​clear?​ ​Does​ ​moving​ ​toward​ ​or​ ​away​ ​from​ ​the​ ​light source​ ​change​ ​that? - Do​ ​you​ ​think​ ​making​ ​the​ ​pinhole​ ​a​ ​little​ ​bigger​ ​would​ ​make​ ​the​ ​image​ ​better​ ​or​ ​worse?​ ​Give​ ​it a​ ​try! - What​ ​else​ ​do​ ​you​ ​notice​ ​about​ ​the​ ​image?
  • 4. 2) Prisms - Each​ ​student​ ​group​ ​will​ ​need​ ​a​ ​prism. - If​ ​you​ ​have​ ​any​ ​of​ ​the​ ​following​ ​light​ ​sources​ ​available,​ ​take​ ​turns​ ​holding​ ​the​ ​prism​ ​a​ ​few inches​ ​in​ ​front​ ​of​ ​your​ ​eyes​ ​and​ ​look​ ​through​ ​it​ ​at​ ​the​ ​light​ ​source: - Incandescent​ ​bulb - Fluorescent​ ​bulb - LED​ ​bulb - Describe​ ​the​ ​array​ ​of​ ​colors​ ​you​ ​see​ ​through​ ​the​ ​prism. - What​ ​color​ ​is​ ​the​ ​light​ ​from​ ​the​ ​bulb​ ​if​ ​you​ ​do​ ​not​ ​look​ ​through​ ​the​ ​prism? - Without​ ​looking​ ​directly​ ​at​ ​the​ ​sun​,​ ​look​ ​through​ ​the​ ​prism​ ​to​ ​see​ ​how​ ​it​ ​arrays​ ​sunlight​ ​into colors.​ ​Record​ ​how​ ​the​ ​color​ ​order​ ​compares​ ​to​ ​the​ ​lamp​ ​you​ ​looked​ ​at. - Set​ ​up​ ​the​ ​light​ ​ray​ ​box​ ​on​ ​a​ ​table​ ​so​ ​the​ ​light​ ​passes​ ​through​ ​the​ ​slit​ ​and​ ​forms​ ​a​ ​“beam”​ ​or “ray”​ ​of​ ​light​ ​across​ ​the​ ​surface​ ​of​ ​the​ ​table.​ ​Dim​ ​the​ ​lights​ ​in​ ​the​ ​room​ ​and​ ​stand​ ​the​ ​prism​ ​up on​ ​its​ ​end​ ​directly​ ​in​ ​the​ ​path​ ​of​ ​the​ ​light​ ​beam.​ ​If​ ​you​ ​turn​ ​the​ ​prism​ ​so​ ​the​ ​light​ ​hits​ ​at different​ ​angles,​ ​you​ ​should​ ​be​ ​able​ ​to​ ​see​ ​a​ ​full​ ​spectrum​ ​of​ ​colors. Explain:​​ ​A​ ​prism​ ​separates​ ​light​ ​into​ ​different​ ​wavelengths,​ ​which​ ​our​ ​eyes​ ​see​ ​as​ ​different​ ​colors.​ ​When light​ ​enters​ ​a​ ​material​ ​like​ ​glass,​ ​plastic,​ ​water,​ ​or​ ​even​ ​air,​ ​each​ ​wavelength​ ​will​ ​have​ ​a​ ​slightly​ ​different amount​ ​they​ ​turn.​ ​They​ ​come​ ​into​ ​the​ ​prism​ ​as​ ​a​ ​single​ ​beam,​ ​but​ ​because​ ​of​ ​the​ ​shape​ ​of​ ​the​ ​prism,​ ​the light​ ​beam​ ​spreads​ ​out​ ​by​ ​the​ ​time​ ​it​ ​leaves​ ​the​ ​prism.​ ​This​ ​is​ ​even​ ​true​ ​for​ ​wavelengths​ ​we​ ​cannot​ ​see​ ​- beyond​ ​the​ ​violet​ ​light​ ​is​ ​a​ ​beam​ ​of​ ​ultraviolet​ ​our​ ​eye​ ​cannot​ ​detect.​ ​And​ ​just​ ​past​ ​the​ ​red​ ​is​ ​a​ ​beam​ ​of infrared. Our​ ​eyes​ ​can​ ​only​ ​detect​ ​three​ ​different​ ​colors:​ ​red,​ ​blue,​ ​and​ ​green.​ ​All​ ​other​ ​colors​ ​that​ ​we​ ​see​ ​are​ ​our brain’s​ ​interpretation​ ​of​ ​seeing​ ​red,​ ​blue,​ ​and​ ​green​ ​in​ ​differing​ ​amounts.​ ​These​ ​are​ ​the​ ​primary​ ​colors​ ​of optics,​ ​which​ ​are​ ​different​ ​from​ ​the​ ​primary​ ​colors​ ​of​ ​pigments.​ ​In​ ​the​ ​spectrum,​ ​notice​ ​that​ ​yellow​ ​is​ ​between red​ ​and​ ​green.​ ​If​ ​you​ ​combine​ ​equal​ ​amounts​ ​of​ ​red​ ​light​ ​and​ ​green​ ​light,​ ​you​ ​will​ ​see​ ​yellow​ ​light.​ ​Green combines​ ​with​ ​blue​ ​to​ ​make​ ​cyan,​ ​and​ ​blue​ ​combines​ ​with​ ​red​ ​to​ ​make​ ​magenta.​ ​Again,​ ​all​ ​other​ ​colors​ ​are your​ ​brain’s​ ​interpretation​ ​of​ ​your​ ​eye​ ​seeing​ ​unequal​ ​amounts​ ​of​ ​red,​ ​blue,​ ​and​ ​green. If​ ​you​ ​see​ ​an​ ​object​ ​that​ ​normally​ ​looks​ ​red,​ ​it​ ​means​ ​that​ ​the​ ​object​ ​is​ ​reflecting​ ​red​ ​light​ ​to​ ​you​ ​and absorbing​ ​any​ ​other​ ​colors.​ ​This​ ​is​ ​why​ ​red​ ​items​ ​(like​ ​clothing)​ ​look​ ​different​ ​in​ ​colored​ ​lighting.​ ​If​ ​there​ ​is​ ​no red​ ​light​ ​shining​ ​on​ ​your​ ​red​ ​shirt,​ ​the​ ​shirt​ ​has​ ​no​ ​red​ ​light​ ​to​ ​reflect​ ​out​ ​to​ ​our​ ​eyes.​ ​This​ ​is​ ​how​ ​different colors​ ​of​ ​light​ ​will​ ​make​ ​items​ ​appear​ ​to​ ​be​ ​different​ ​colors,​ ​when​ ​the​ ​item​ ​itself​ ​isn’t​ ​changing​ ​at​ ​all. White​ ​light​ ​from​ ​bulbs​ ​and​ ​the​ ​sun​ ​are​ ​a​ ​combination​ ​of​ ​colors​ ​that​ ​our​ ​eye​ ​detects.​ ​Sunlight​ ​is​ ​a​ ​full​ ​array​ ​of colors,​ ​as​ ​are​ ​incandescent​ ​bulbs.​ ​A​ ​fluorescent​ ​bulb,​ ​however,​ ​makes​ ​multiple​ ​colors​ ​that​ ​transition​ ​less smoothly​ ​across​ ​the​ ​spectrum.​ ​As​ ​long​ ​as​ ​the​ ​lights​ ​are​ ​producing​ ​red,​ ​blue,​ ​and​ ​green,​ ​we​ ​normally​ ​see​ ​it as​ ​white​ ​light.​ ​But​ ​items​ ​in​ ​this​ ​light​ ​don’t​ ​have​ ​a​ ​full​ ​spectrum​ ​of​ ​colors​ ​to​ ​reflect,​ ​and​ ​may​ ​look​ ​less​ ​colorful than​ ​if​ ​the​ ​item​ ​was​ ​in​ ​sunlight.
  • 5. Extensions Pinhole​ ​camera​ ​cyanotype​ ​image:​ ​​ ​​Try​ ​building​ ​a​ ​pinhole​ ​camera​ ​with​ ​cyanotype​ ​paper​ ​instead​ ​of​ ​wax paper,​ ​and​ ​pointing​ ​it​ ​at​ ​a​ ​scene​ ​that​ ​has​ ​a​ ​combination​ ​of​ ​light​ ​and​ ​dark​ ​areas​ ​in​ ​sunlight,​ ​like​ ​a​ ​tree​ ​against a​ ​light​ ​colored​ ​building​ ​or​ ​white​ ​clouds​ ​in​ ​a​ ​blue​ ​sky​ ​(without​ ​aiming​ ​at​ ​the​ ​sun).​ ​If​ ​the​ ​camera​ ​is​ ​steady,​ ​you can​ ​actually​ ​make​ ​a​ ​cyanotype​ ​photograph​ ​in​ ​this​ ​way. Exposure​ ​time​ ​will​ ​vary,​ ​depending​ ​on​ ​the​ ​brightness​ ​and​ ​contrast​ ​of​ ​the​ ​scene,​ ​and​ ​the​ ​size​ ​of​ ​the​ ​pinhole. The​ ​best​ ​way​ ​to​ ​get​ ​good​ ​at​ ​this​ ​is​ ​to​ ​try​ ​it​ ​several​ ​times.​ ​If​ ​you​ ​like,​ ​you​ ​can​ ​share​ ​your​ ​pinhole​ ​camera cyanotype​ ​images​ ​with​ ​the​ ​STEM-in-30​ ​team​ ​via​ ​Twitter​ ​(​https://twitter.com/STEMin30​)​ ​or​ ​Facebook (​https://www.facebook.com/STEMin30/​)​ ​so​ ​we​ ​can​ ​see​ ​your​ ​results! Resources Alternativephotography.com​ ​-​ ​​This​ ​lesson​ ​shows​ ​how​ ​to​ ​make​ ​the​ ​chemical​ ​solution​ ​found​ ​in​ ​the​ ​Sunprint Kit:​ ​​ ​​http://www.alternativephotography.com/cyanotype-classic-process/​​ ​​ ​​Instead​ ​of​ ​buying​ ​sun​ ​print​ ​paper, your​ ​class​ ​can​ ​make​ ​the​ ​solution​ ​and​ ​paper​ ​in​ ​class​ ​with​ ​just​ ​two​ ​chemicals​ ​-​ ​potassium​ ​ferricynanide​ ​and green​ ​ferric​ ​ammonium​ ​citrate. Look​ ​up​ ​the​ ​cyanotype​ ​photographs​ ​of​ ​​Anna​ ​Atkins​,​ ​the​ ​British​ ​botanist​ ​who​ ​published​ ​the​ ​first​ ​ever​ ​book that​ ​included​ ​photographic​ ​images.