1. A2 MEDIA – G324 – SHOOTING SCHEDULE
SHOT SHOT TYPE ACTION LOCATION
1 Mid shot This mid shot shows a
full view of the pool
area. And the water that
is running down the
waterfall. The camera is
focused on the pool for a
couple of seconds. The
running water
emphasizes the rolling
feelings and sea fog.
Garden – pool
area
2 Establishing
shot
This shot is of the back
of my house and a pan
right and a slight tilt
transition this to from
the first shot of the pool.
The point of this shot is
to show a sense of
location and to show
that there is sun because
the start of the song
talks about the gleaming
sun. After the
establishing shot the
camera zooms in to
window. Over both shots
one and two there will
be a overlay shot which
will stay on until the end
of shot two this will be
the h2o water effect in
blue
Garden – house
3 Mid – long
shot
This shot is near enough
a static shot looking at
the window in a
bedroom. The effect is
the gleaming sun shining
though the window at
the camera. The shot
also shows a mid shot of
the actor jack in a sitting
position looking at his
phone that shows him
and his girlfriend of
which this is all about. In
this shot I will add
smoke, which will show
House – bedroom
shot

2. the beams of the sun
coming in though the
window.
4 Mid shot This shot is part of the
performance section of
the video, providing the
lip-sync from the main
singer and actor jack.
The location and shot
includes some lighting
effects, which add to the
theme and meaning of
the song. The shot is
static and looks directly
at jack singing and
playing the piano while
looking at a picture of
the girl
Garden - shed
5 mid – long
shot
This shot shows jack, the
main singer at the piano
while singing the song
for the video. The shot
includes the lighting
effects such as the wash
pars in blue and the
middle main spot light,
lighting up the
performer. This shot is
taken from the back of
the room and will be
edited though cropping
to create a panning
motion that will gently
crosses the screen.
Garden - shed
6 Establishing
shot
This is a very interesting
shot as it diagonally
crosses down from the
left to the right and will
show the singer/actor
stud against a fence
looking out into open
fields. The day will be
sunny to show both
sadness or loneness and
happy times that have
gone or are in the
distance.
Field section

3. 7 Long shot This shot is a monition
shot, the camera will pan
from right to left
continuing to look at the
singer/actor from
behind looking at the
open fields and trees in
the distance. The
panning will be fairly
quick as too fit in other
shots in this short-field
section.
Field section
8 Mid – long
shot
This shot shows jack
stud against a fence post
looking out into open
fields. The camera
slowly zooms out from a
mid shot of jack to a long
shot, which shows the
open land and the fence
and horses roaming
around, the camera as its
coming out it pans to the
left This shot in
particular shows that
jack is thinking about
the person he has lost. I
also think that the way
he acts in this scene
shows that he is sad and
reflecting, I believe the
way he is stood reflects
this.
Field section
9 Mid shot This mid shot shows
jack in the main
performance area in the
garden shed. He is sat at
the piano with all the
stage lighting in
operation behind. This
scene is for the chorus
and because of that
there is the domes
rotating round in red.
The effect of the beams
in this scene does
suggest the actor’s
emotions and feelings
towards the situation
Shed section

4. and to this person, the
contrast between red
and blue is very
important in this scene
because it shows light
and dark, hot and cold
and I think that is what
this song is all about.
Like the shed scene
before this scene does
copy that one but to
make it different the
camera will pan the
opposite way, this will
ensure that I keep the
same effect but from the
viewers perspective it
will keep it fresh.
10 Wide –
establishing
shot
The shed scene then
fades on to the street
section where we will
see jack on a bike
heading down the road.
This scene is key to me
for the viewer
understanding what is
going on in this section
so I will place the actor
underneath the street
light to make sure that
the area is fully lit so you
can see what will be
going on as it will be
really dark. This shot
will focus on the front of
jack on the bike; the shot
will be a wide –
establishing shot,
directly focused and
tracking the actor’s
movements on the bike.
Street section
11 Long shot This shot is a cut away
shot from what’s
happening with jack on
the road. The camera
angle will be a long shot
showing all of Fiona, she
will be stood on the
pavement by the side of
Street section

5. a connecting road linked
to the one that jack is
going down, this detail is
important as it connects
to the lyrics in the song
which is my whole aim
in creating this video.
The actor Fiona appears
to shout at jack who is
coming down the
opposite road, trying to
get his attention. I
believe it is at this point
where you will see the
disconnection between
the two actors, but this
as the song does, leaves
room for questions as to
why there is a
disconnect or a gap
between there lives. And
the main question I
believe could be asked is
why does jack not see
her or why does he not
know she is there, again
these are all ideas that
pop up.
12 Mid – long
shot
This shot will be more
closer than other camera
angles on this location
and that is because the
viewer is suppose to see
the expression on jacks
face. The expression will
express the feeling that
he does recognize that
there is a voice calling
him but he does not
recognize that voice or
does not feel like he
knows that person
anymore and again that
is left up to the
imagination as to why
that might be. As the
lyrics say he misses a
turn which suggests that
that where the voice is
Street section

6. coming from is from that
joining road, so in my
literal translation of the
lyrics I have come up
with the above idea for
this shot. This shot will
then track jack as he
comes right past the
camera traveling past
the road that he is
looking into.
13 mid – long
shot
This shot will show the
bike going past the
misted turn and the
showing of a empty
street, dimly lit by
halogen coloured street
lights, this suggests that
there is a difference
between the road he is
on and the road he has
just missed the turning
for. The camera will
continue to follow jack
as he speeds down the
road. In this shot I have
used a white led torch to
light up the bike and
actor as the street lights
did not cover this
section, due to the led
that I was using it
matched the same color
as the streetlights so
looked as if it was them
lighting him up.
Street section
14 Long –
establishing
shot
This shot ties right in
with the lyrics and helps
the meaning of the lyrics
in this section. The shot
will be from the other
side of the road, the
camera points looking
over the road at the
opposing pathway, in a
zoomed out shot the
camera tracks the actor
riding up on to the
pavement and up a
Street section

7. vertical pedestrian
footway. Once the actor
is just about to turn off
on to this footway the
camera will cut to the
next shot
15 Long shot –
mid/close
up shot
This shot represents the
lyrics ‘I stray to far from
the road’ I would like to
show that he is coming
of from the road and
going in a different
direction to where the
road was taking him.
The actor rides up the
path towards the camera
so there is no need for
zooming/ effects here
because the movements
of the actor are creating
it naturally. The actor
will then ride straight
past and as he do you
will get a view of the
expression, which at this
point will be
expressionless, and I
believe this allows for
debate in to how he is
feeling. The camera will
then pan right around
(about 180 degrees) to
show him continuing up
the path.
16 Establishing
shot
This shot will show the
location, which will be
the beach and the water
and the waves in the
near distance. Jack the
actor will be walking
down the sand very
close to the water as it
comes in, the camera
will pan to the right to
follow him travelling
down the beach. His
costume shows that it is
a cold day as he has a
dark blue coat on and
Beach section

8. has his hands in his
pockets. His walk will
suggest that he is
reflecting about his loss
and is taking some time
to think about the
situation. There is a link
in this location to the
meaning of the song
whereby the rolling
mists come in of the sea
and this is a perfect
location to show that
link that the writers of
the song wanted. An
idea of this shot could be
that the mists that are a
translation for darkness
are actually changing
him and making him
think for clearly and
maybe he has
comedown to the beach
to release that bad and
negative feeling/s
17 mid shot There will be a quick
fade to tie in with the
slow song theme and
then a shot of the water
coming in to the beach,
shot of the rolling waves.
This for a brief second
shows calm waves and
water in a natural
environment. The
camera will slowly pan
to the right as not to
make the camera so
static all of the time. This
also suggests flow and
movement in the video,
which in this case is
good as it’s a slow song.
Beach section
18 Long shot This shot will show the
cut back to jack walking
along the beach against
the water, the camera is
again just gently
panning round as it
Beach section

9. follows him walking.
19 mid shot There is a further wave
shot, such panning to
show the waves coming
in to the beach, the
camera will be lower
down to get a better
angle of the water and
also to make the waves
look bigger as they turn
over.
20 mid – long
shot
This hot will show jack
at the second
performance area the
out door one next to the
pool. At this time there
will be the pool
spotlights on behind him
and there will be smoke
in the air lighting the
beams up (linking to the
idea of fog and mist).
The camera angle will be
a side view of jack lip-syncing
to the song. He
will also he playing the
piano to the song as well
but the keys will not be
visible in this scene. The
camera will be static for
the rest of this shot.
Pool area – garden
21 Close up –
behind shot
Over the
shoulder
shot
This shot is an
interesting shot in the
main performance area,
showing jack sat paying
the piano while looking
at a picture of him and
the person he has lost. In
the shot you will be able
to see the beams of the
spotlight for the
performer and the h2o
water effect moving
about. This shot
happens twice in this
section of the video and I
feel represents a sense
Garden shed –
main performing
area

10. of cold and loneness
made by the cold led
spotlight and the h2o
which is set in a blue
color.
22 mid – long
shot
Cut back to the pool area
and jack singing while
playing the piano
outdoors. Along with the
smoke in the air that will
look like fog there will
also be in the left corner
the water fall running
and hopefully there will
be fog coming of jacks
breath as he sings
showing again who cold
it is.
Pool area - garden
23 Close up –
behind shot
Over the
shoulder
shot
Again same shot as used
two shots ago, these cut
backs are to make the
shots as short as they
can be without making
them too short witch
wont fit the theme of the
slow moving song.
Garden shed –
main performance
area
24 mid – long
shot
Cut back again to pool
area where jack is still
singing the song in the
cold foggy conditions.
Looking at the same
picture of him and this
person. Again this
camera is static and shot
will remain until the
break in the song where
the choir come in.
Pool area - garden
25 Extreme
close-up
shot
This shot will actually be
two shots merged
together (25&26). This
shot (25) will shot jack
in the study location.
The shot will consist of a
extreme close up of jacks
face as he sings the up
temp part of this song.
The camera will track
his face and capture all
of his facial expressions
Study section

11. and this will be merged
over the top of (shot 26)
26 Establishing
shot
Shot 26 is the biggest
establishing shot taken
for this video, and
includes the camera
poisoned right at the
other side of the garden
facing to the pool area.
The pool area will be
visibly seen, as there will
be the pool spotlights on
and small torch lighting
up the performer. The
main effect that is
captured in this scene
will be the led dome
light that will be
positioned at one side of
the piano along with the
smoke machine this light
will create a stunning
Ariel effect. This shot
will be layered behind
shot (25) in the editing
process. This will
happen as I want to
show the Ariel effect but
also keep the lip-sync in
this part so I believe that
this will be the best idea.
Pool – garden
section
27 mid – long
shot
Cut back to the side view
of the piano on the pool
patio ‘singing sea fog
rolling’ chorus lines.
There will be the same
smoke and lighting in
the air.
Pool – garden
section
28 Over the
shoulder
shotmid -
close-up
Shots (28&29) are
linked and are actually
two different shots that
have been merged into
one , too create a unique
effect. The first shot is
the over the sholder shot
that features jack
playing the piano while
Garden - shed

12. the camera focuses on
his back and his head
movements and also the
h2o water effect coming
over his right hand
shoulder. This effect is to
show the cold water
pattern hitting the
camera and jack making
the viewer feel the same
feeling of water and
putting the audience in
jacks position.
29 Close-up
shot
This shot is showing a
static camera angle close
up to the keys of a piano
used in the out door and
shed areas. And this is
where the piano playing
syncs up with the music
of the song. Both shots
together I believe will
look impressive as they
are both set in a blue
lighting effect.
Garden - shed
30 mid shot
side shot
Shots (30&31&32) are
linked and are all
different shots merged
together. Shot (30)
shows a side view of jack
and the beams of light
shining at him from off
camera, it shows him
playing in sync with the
music and also looking
at the picture that he has
though out the
performance sections of
this video. His face will
be well lit I white as well
as the piano in blue.
Shots (31&32) will then
appear in the shot.
Garden – shed
31 Close up This shot will appear in
the near center of the
screen and its showing
Fiona’s side as she is
walking towards jack in
the street section. She is
Street section

13. lit from a small touch
underneath the camera I
am using
32 Close up Shows jack appear after
Fiona and he is walking
the opposite way
towards the direction of
Fiona, he is also lit the
same way. With in these
shots it does not make
clear if they reach each
other. And leaves it open
for what happens next.
Street section
33 Close up This shot shows a static
camera angle pointed
down at the keys played
by jack. It will show the
final synced keys that
are played to the song
and will also show the
final cord that jack will
play and they will be a
slight hold and then a
fade out.
Garden – shed