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Consuming Wannabes
Towards an Understanding of Relationship Formation
Between Consumption Communities and Aspiring
Celebrities
Marie-Agnès Parmentier, HEC Montréal
Eileen Fischer, York University
Consumption Communities
and Brands
 Collectives of consumers who come together
based on a common interest for a consumption
object, practice or brand.
 Communities matter because:
 Shape the meanings of a brand or an object
(Kozinets, 2001)
 Foster social relationships (McAlexander et al., 2002)
 Enforce brand loyalty (Muniz and O’Guinn, 2001)
 Offer potentially empowering modes of collective
consumption (Jenkins, 2006)
2
Brands and Relationships
 Relationship theory (e.g., Fournier 1998)
 Relationship theory and person-brand
 Individual consumers’ attachment to ‘well-known’
person-brands (Thomson 2006)
 Person-brand
 Those who are ‘well-known’
 Established celebrities
 (e.g., Martha Stewart [Fournier and Hermann 2006])
 Those who seek but who are not yet well-known
 Aspiring celebrities or wannabes
 (e.g., reality TV contestants [Hearn 2008])
3
Research Focus
 Prior research on CBR:
 Between individual consumers and brands (e.g.,
Fournier 1998)
 Between individual consumers and established
person-brands (Thomson 2006)
 Between collectives of consumers and brands (e.g.,
Muniz and O’Guinn 2001)
 Gap:
 Relationships between collectives of consumers and
person-brands, including wannabes
 Relationships between collectives of consumers and
certain wannabes, but not all
4
Fashion Modeling Reality TV
Online Community
5
Methodology
 2 years ‘netnography’
 Adapting ethnographic research techniques to the
study of cultures and communities emerging through
computer-mediated communications and using
information publicly available on online forums
(Kozinets, 2002)
 E.g., Giesler (2006); Muniz and Schau (2005);
Kozinets, Brown and Sherry (2003); Kozinets (2002;
2001); Muniz and O’Guinn (2001)
6
Fieldwork
Time Periods Research Phases Research Methods
April 2007- June 2007 Exploratory phase
Familiarization with the setting
Identification of the most active
online sites
• Preliminary offline depth interviews
with fans and producers
• Non-participatory observation
July 2007-
January 2008
Phase 1
Identification of practices and
concepts that are prominent in
the setting and relevant to the
literature
• Offline and online depth interviews with
fans
• Participant observation
January 2008- April 2009 Phase 2
Conceptualization of properties of
core concepts
• Participant observation
7
Data Analysis
 Iterative process of coding and
constant comparison between:
 Relevant literatures
 Individual postings
 Chunks of postings
 Entire threads
 Interview data
 Field notes
 And emergent understanding of the entire data set
8
Findings (1)
 Formation of relationships with aspiring celebrities
by a community cannot be disentangled from
the formation/maintenance of relationships
between members of the community
 Visibility an aspirant achieves and the meanings
invested in that person-brand are a by-product
of the process of community practices
 E.g., Playing, communing, socializing, spoiling, and
gossiping
9
Example
 Gossiping
 Conversing about a third party who is not present
(Foster, 2004);
 Evaluative social talk that provides network
formation and group solidarity (DiFonzo and Bordia,
2006).
10
Example
 Playing
11
Findings (2)
 Process of meaning creation for aspiring celebrities is influenced
both by what consumers perceive the focal aspirant to be or
do and by what others with whom they are compared are
perceived as being or doing
 Kanine Oct 4, 2007 @ 2:49 pm: After waves of wishy washy bitches (Renee
[C8]), mildly unpleasant and matronly ones (Melrose [C7]) and downright
insane ones (Monique [C7]), Bianca's levelheaded, icily strategic evil is
fabulous. She's hella entertaining. I hope she tears Saleisha [C9] to shreds in
the next episode.
 goblyn Oct 9, 2007 @ 3:55 pm: Bianca might be really bitchy, but she owns
the bitchiness, which can't really be said for most of the other bitches this
show has had (Renee's [C8] constant backpeddaling, Melrose's [C7] forced
edit, Honique's [Monique C7] simpering sweetness at judging, Jade's
insistence that her confidence was misinterpreted...do I need to go on?).
12
Findings (3)
 Dimensions along which a consumption
community’s relationship with an aspiring
celebrity varies
 E.g., Coaching, ridicule, empathy, admiration,
fascination, hatred
13
Relationship Formation Between
Consumption Communities and
Wannabes
14
Conclusion
 Implication for the relationship literature
 Some new dimensions to CBR which may or may not be unique to
relationships with person-brands
 New dimensions emerge as new brands emerge
 Implication for the community literature
 Refined understanding of value-creation in communities of
consumption
 New brands come into being
 Community members are actively inventing these new brands
 Implication for the celebrity literature
 New look at celebrity creation through consumers pro-activeness
rather than the media’s and traditional producers’
15

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Consuming Wannabes Towards an Understanding of Relationship Formation Between Consumption Communities and Aspiring Celebrities

  • 1. Consuming Wannabes Towards an Understanding of Relationship Formation Between Consumption Communities and Aspiring Celebrities Marie-Agnès Parmentier, HEC Montréal Eileen Fischer, York University
  • 2. Consumption Communities and Brands  Collectives of consumers who come together based on a common interest for a consumption object, practice or brand.  Communities matter because:  Shape the meanings of a brand or an object (Kozinets, 2001)  Foster social relationships (McAlexander et al., 2002)  Enforce brand loyalty (Muniz and O’Guinn, 2001)  Offer potentially empowering modes of collective consumption (Jenkins, 2006) 2
  • 3. Brands and Relationships  Relationship theory (e.g., Fournier 1998)  Relationship theory and person-brand  Individual consumers’ attachment to ‘well-known’ person-brands (Thomson 2006)  Person-brand  Those who are ‘well-known’  Established celebrities  (e.g., Martha Stewart [Fournier and Hermann 2006])  Those who seek but who are not yet well-known  Aspiring celebrities or wannabes  (e.g., reality TV contestants [Hearn 2008]) 3
  • 4. Research Focus  Prior research on CBR:  Between individual consumers and brands (e.g., Fournier 1998)  Between individual consumers and established person-brands (Thomson 2006)  Between collectives of consumers and brands (e.g., Muniz and O’Guinn 2001)  Gap:  Relationships between collectives of consumers and person-brands, including wannabes  Relationships between collectives of consumers and certain wannabes, but not all 4
  • 5. Fashion Modeling Reality TV Online Community 5
  • 6. Methodology  2 years ‘netnography’  Adapting ethnographic research techniques to the study of cultures and communities emerging through computer-mediated communications and using information publicly available on online forums (Kozinets, 2002)  E.g., Giesler (2006); Muniz and Schau (2005); Kozinets, Brown and Sherry (2003); Kozinets (2002; 2001); Muniz and O’Guinn (2001) 6
  • 7. Fieldwork Time Periods Research Phases Research Methods April 2007- June 2007 Exploratory phase Familiarization with the setting Identification of the most active online sites • Preliminary offline depth interviews with fans and producers • Non-participatory observation July 2007- January 2008 Phase 1 Identification of practices and concepts that are prominent in the setting and relevant to the literature • Offline and online depth interviews with fans • Participant observation January 2008- April 2009 Phase 2 Conceptualization of properties of core concepts • Participant observation 7
  • 8. Data Analysis  Iterative process of coding and constant comparison between:  Relevant literatures  Individual postings  Chunks of postings  Entire threads  Interview data  Field notes  And emergent understanding of the entire data set 8
  • 9. Findings (1)  Formation of relationships with aspiring celebrities by a community cannot be disentangled from the formation/maintenance of relationships between members of the community  Visibility an aspirant achieves and the meanings invested in that person-brand are a by-product of the process of community practices  E.g., Playing, communing, socializing, spoiling, and gossiping 9
  • 10. Example  Gossiping  Conversing about a third party who is not present (Foster, 2004);  Evaluative social talk that provides network formation and group solidarity (DiFonzo and Bordia, 2006). 10
  • 12. Findings (2)  Process of meaning creation for aspiring celebrities is influenced both by what consumers perceive the focal aspirant to be or do and by what others with whom they are compared are perceived as being or doing  Kanine Oct 4, 2007 @ 2:49 pm: After waves of wishy washy bitches (Renee [C8]), mildly unpleasant and matronly ones (Melrose [C7]) and downright insane ones (Monique [C7]), Bianca's levelheaded, icily strategic evil is fabulous. She's hella entertaining. I hope she tears Saleisha [C9] to shreds in the next episode.  goblyn Oct 9, 2007 @ 3:55 pm: Bianca might be really bitchy, but she owns the bitchiness, which can't really be said for most of the other bitches this show has had (Renee's [C8] constant backpeddaling, Melrose's [C7] forced edit, Honique's [Monique C7] simpering sweetness at judging, Jade's insistence that her confidence was misinterpreted...do I need to go on?). 12
  • 13. Findings (3)  Dimensions along which a consumption community’s relationship with an aspiring celebrity varies  E.g., Coaching, ridicule, empathy, admiration, fascination, hatred 13
  • 14. Relationship Formation Between Consumption Communities and Wannabes 14
  • 15. Conclusion  Implication for the relationship literature  Some new dimensions to CBR which may or may not be unique to relationships with person-brands  New dimensions emerge as new brands emerge  Implication for the community literature  Refined understanding of value-creation in communities of consumption  New brands come into being  Community members are actively inventing these new brands  Implication for the celebrity literature  New look at celebrity creation through consumers pro-activeness rather than the media’s and traditional producers’ 15

Editor's Notes

  1. McAlexander: Foster relationships between community members, between members and brands and between brands and marketers Jenkins: online communities
  2. Fournier and Hermann 2006: focus on the mismanagement of the person-brand Martha Stewart Thomson 2006: demonstrate why consumers feel stronger attachment to some established celebrities than others
  3. Multiple related yet distinctive brands here: reality tv franchises, celebrity judges (Tyra Banks, Heidy Klum, Nikki Taylor), multiple wannabes (reality tv participants), sponsors (e.g., Cover Girl, Seventeen) and networks (e.g., The CW). Common interest is shared for the reality tv franchises, the celebrity judges and the wannabes. Sponsors and networks are secondary to fans.
  4. Relevant lit: marketing, computer-mediated-communication, cultural studies Atlas ti
  5. Samantha Francis, second to be eliminated during season 8, signed with prestigious modeling agency and past sponsor of the show, Elite, and then became a relatively successful model in Asia. Surprisingly despite being eliminated second, she generated a lot of interest – as fans have had numerous issues with her eyebrows (to thick or not)
  6. Playing through creating artwork (includes also videos typically showcased on Youtube). And artwork is often basis for gifts exchanged among community members (avatar, desktop, screensaver, banner for the community’s forum, etc)
  7. Partially typecasting them; intraset comparaison (true essence)
  8. Empathy: Heather Ridicule: Whitney
  9. Implications for relationship lit. Possible overlap between relationships we expect to see between consumers and product brands and person brands; Emerging stage ex. Coaching - we have not studied emerging brands Community lit. Implications for understanding value creation in brand community where new brands come into being (as opposed to existing ones), where the community is actively inventing Implication for celeb lit. Celeb lit. has looked at the pro-activeness of media rather than at fans; we are looking at the pr-oactiveness of fans in celebrity creation